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Color name
HEX #77A61F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77A61F it is the complementary color #8859E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77A61F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77A61F shade: #7CA61A, #8DB82D, #9ECA40, #AFDC53 and #C0EE66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77A61F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77A61F shade: #77A61F, #66940C, #558200, #447000 and #335E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77A61F shade: #78A81E, #9DA81E, #A88D1E, #A8681E and #A8431E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77A61F shade: #78A81E, #53A81E, #2EA81E, #1EA834 and #1EA859

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77A61F shade matches the following richer shades: #78A81E and #7DB80E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77A61F shade: #78A81E, #73972E, #6E873F, #69774F and #64675F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77A61F shade: #A88C1E, #9EA81E, #7AA81E, #55A81E and #31A81E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77A61F shade: #466212, #5F8518, #78A81E, #91CA25 and #A4DB3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77A61F shade: #77A61F, #1EA868 and #9E1EA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77A61F shade: #77A61F, #1E7AA8 and #A81E7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77A61F shade: #77A61F, #1EA868, #4C1EA8 and #A81E5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77A61F shade: #77A61F, #1EA891, #4C1EA8 and #A81E35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 81 / 35

HEX #77A61F

RGB 119 166 31

HSL 80.89, 0.69%, 0.39%

LAB 62.75, -34.85, 58.82

 

Complementary color

CMYK 39 / 60 / 0 / 12

HEX #8859E0

RGB 136 89 224

HSL 260.89, 0.69%, 0.61%

LAB 49.2, 48.36, -62.24

 

CMYK 25 / 0 / 84 / 35

HEX #7CA61A

RGB 124 166 26

HSL 78, 0.73%, 0.38%

LAB 63.04, -33.06, 60.52

 

CMYK 23 / 0 / 76 / 28

HEX #8DB82D

RGB 141 184 45

HSL 78.56, 0.61%, 0.45%

LAB 69.56, -33.76, 61.31

 

CMYK 22 / 0 / 68 / 21

HEX #9ECA40

RGB 158 202 64

HSL 79.13, 0.57%, 0.52%

LAB 76, -34.28, 61.22

 

CMYK 20 / 0 / 62 / 14

HEX #AFDC53

RGB 175 220 83

HSL 79.71, 0.66%, 0.59%

LAB 82.34, -34.65, 60.64

 

CMYK 19 / 0 / 57 / 7

HEX #C0EE66

RGB 192 238 102

HSL 80.29, 0.8%, 0.67%

LAB 88.6, -34.93, 59.8

 

CMYK 28 / 0 / 81 / 35

HEX #77A61F

RGB 119 166 31

HSL 80.89, 0.69%, 0.39%

LAB 62.75, -34.85, 58.82

 

CMYK 31 / 0 / 92 / 42

HEX #66940C

RGB 102 148 12

HSL 80.29, 0.85%, 0.31%

LAB 56.12, -34, 57.11

 

CMYK 35 / 0 / 100 / 49

HEX #558200

RGB 85 130 0

HSL 80.77, 1%, 0.25%

LAB 49.37, -32.84, 53.42

 

CMYK 39 / 0 / 100 / 56

HEX #447000

RGB 68 112 0

HSL 83.57, 1%, 0.22%

LAB 42.49, -31.36, 47.69

 

CMYK 46 / 0 / 100 / 63

HEX #335E00

RGB 51 94 0

HSL 87.45, 1%, 0.18%

LAB 35.42, -29.8, 41.82

 

CMYK 29 / 0 / 82 / 34

HEX #78A81E

RGB 120 168 30

HSL 80.87, 0.7%, 0.39%

LAB 63.42, -35.41, 59.72

 

CMYK 7 / 0 / 82 / 34

HEX #9DA81E

RGB 157 168 30

HSL 64.78, 0.7%, 0.39%

LAB 65.96, -20.01, 62.93

 

CMYK 0 / 16 / 82 / 34

HEX #A88D1E

RGB 168 141 30

HSL 48.26, 0.7%, 0.39%

LAB 59.41, -0.83, 57.61

 

CMYK 0 / 38 / 82 / 34

HEX #A8681E

RGB 168 104 30

HSL 32.17, 0.7%, 0.39%

LAB 49.88, 19.89, 49.16

 

CMYK 0 / 60 / 82 / 34

HEX #A8431E

RGB 168 67 30

HSL 16.09, 0.7%, 0.39%

LAB 41.9, 39.64, 41.8

 

CMYK 29 / 0 / 82 / 34

HEX #78A81E

RGB 120 168 30

HSL 80.87, 0.7%, 0.39%

LAB 63.42, -35.41, 59.72

 

CMYK 51 / 0 / 82 / 34

HEX #53A81E

RGB 83 168 30

HSL 96.96, 0.7%, 0.39%

LAB 61.6, -48.4, 57.4

 

CMYK 73 / 0 / 82 / 34

HEX #2EA81E

RGB 46 168 30

HSL 113.04, 0.7%, 0.39%

LAB 60.5, -57.37, 55.98

 

CMYK 82 / 0 / 69 / 34

HEX #1EA834

RGB 30 168 52

HSL 129.57, 0.7%, 0.39%

LAB 60.36, -58.01, 48.05

 

CMYK 82 / 0 / 47 / 34

HEX #1EA859

RGB 30 168 89

HSL 145.65, 0.7%, 0.39%

LAB 60.78, -52.94, 30.99

 

CMYK 29 / 0 / 82 / 34

HEX #78A81E

RGB 120 168 30

HSL 80.87, 0.7%, 0.39%

LAB 63.42, -35.41, 59.72

 

CMYK 32 / 0 / 92 / 28

HEX #7DB80E

RGB 125 184 14

HSL 80.82, 0.86%, 0.39%

LAB 68.51, -41.06, 67.44

 

CMYK 29 / 0 / 82 / 34

HEX #78A81E

RGB 120 168 30

HSL 80.87, 0.7%, 0.39%

LAB 63.42, -35.41, 59.72

 

CMYK 24 / 0 / 70 / 41

HEX #73972E

RGB 115 151 46

HSL 80.57, 0.53%, 0.39%

LAB 58.01, -28.58, 48.98

 

CMYK 19 / 0 / 53 / 47

HEX #6E873F

RGB 110 135 63

HSL 80.83, 0.36%, 0.39%

LAB 52.95, -21.18, 35.42

 

CMYK 12 / 0 / 34 / 53

HEX #69774F

RGB 105 119 79

HSL 81, 0.2%, 0.39%

LAB 47.96, -12.67, 20.33

 

CMYK 3 / 0 / 8 / 60

HEX #64675F

RGB 100 103 95

HSL 82.5, 0.04%, 0.39%

LAB 43.12, -2.79, 4.1

 

CMYK 0 / 17 / 82 / 34

HEX #A88C1E

RGB 168 140 30

HSL 47.83, 0.7%, 0.39%

LAB 59.14, -0.28, 57.38

 

CMYK 6 / 0 / 82 / 34

HEX #9EA81E

RGB 158 168 30

HSL 64.35, 0.7%, 0.39%

LAB 66.03, -19.57, 63.03

 

CMYK 27 / 0 / 82 / 34

HEX #7AA81E

RGB 122 168 30

HSL 80, 0.7%, 0.39%

LAB 63.54, -34.62, 59.87

 

CMYK 49 / 0 / 82 / 34

HEX #55A81E

RGB 85 168 30

HSL 96.09, 0.7%, 0.39%

LAB 61.68, -47.79, 57.5

 

CMYK 71 / 0 / 82 / 34

HEX #31A81E

RGB 49 168 30

HSL 111.74, 0.7%, 0.39%

LAB 60.56, -56.82, 56.06

 

CMYK 29 / 0 / 82 / 62

HEX #466212

RGB 70 98 18

HSL 81, 0.69%, 0.23%

LAB 37.99, -23.1, 39.03

 

CMYK 29 / 0 / 82 / 48

HEX #5F8518

RGB 95 133 24

HSL 80.92, 0.69%, 0.31%

LAB 51.01, -29.42, 49.69

 

CMYK 29 / 0 / 82 / 34

HEX #78A81E

RGB 120 168 30

HSL 80.87, 0.7%, 0.39%

LAB 63.42, -35.41, 59.72

 

CMYK 28 / 0 / 82 / 21

HEX #91CA25

RGB 145 202 37

HSL 80.73, 0.69%, 0.47%

LAB 75.07, -40.67, 68.8

 

CMYK 25 / 0 / 72 / 14

HEX #A4DB3D

RGB 164 219 61

HSL 80.89, 0.69%, 0.55%

LAB 81.23, -39.83, 67.68

 

CMYK 28 / 0 / 81 / 35

HEX #77A61F

RGB 119 166 31

HSL 80.89, 0.69%, 0.39%

LAB 62.75, -34.85, 58.82

 

CMYK 82 / 0 / 38 / 34

HEX #1EA868

RGB 30 168 104

HSL 152.17, 0.7%, 0.39%

LAB 61.03, -50.1, 23.35

 

CMYK 6 / 82 / 0 / 34

HEX #9E1EA8

RGB 158 30 168

HSL 295.65, 0.7%, 0.39%

LAB 39.62, 65.53, -44.95

 

CMYK 28 / 0 / 81 / 35

HEX #77A61F

RGB 119 166 31

HSL 80.89, 0.69%, 0.39%

LAB 62.75, -34.85, 58.82

 

CMYK 82 / 27 / 0 / 34

HEX #1E7AA8

RGB 30 122 168

HSL 200, 0.7%, 0.39%

LAB 48.29, -9.55, -31.88

 

CMYK 0 / 82 / 27 / 34

HEX #A81E7A

RGB 168 30 122

HSL 320, 0.7%, 0.39%

LAB 39, 60.95, -17.73

 

CMYK 28 / 0 / 81 / 35

HEX #77A61F

RGB 119 166 31

HSL 80.89, 0.69%, 0.39%

LAB 62.75, -34.85, 58.82

 

CMYK 82 / 0 / 38 / 34

HEX #1EA868

RGB 30 168 104

HSL 152.17, 0.7%, 0.39%

LAB 61.03, -50.1, 23.35

 

CMYK 55 / 82 / 0 / 34

HEX #4C1EA8

RGB 76 30 168

HSL 260, 0.7%, 0.39%

LAB 27.55, 52.29, -65.12

 

CMYK 0 / 82 / 44 / 34

HEX #A81E5E

RGB 168 30 94

HSL 332.17, 0.7%, 0.39%

LAB 37.95, 57.91, -1.65

 

CMYK 28 / 0 / 81 / 35

HEX #77A61F

RGB 119 166 31

HSL 80.89, 0.69%, 0.39%

LAB 62.75, -34.85, 58.82

 

CMYK 82 / 0 / 14 / 34

HEX #1EA891

RGB 30 168 145

HSL 170, 0.7%, 0.39%

LAB 61.93, -40.28, 1.95

 

CMYK 55 / 82 / 0 / 34

HEX #4C1EA8

RGB 76 30 168

HSL 260, 0.7%, 0.39%

LAB 27.55, 52.29, -65.12

 

CMYK 0 / 82 / 68 / 34

HEX #A81E35

RGB 168 30 53

HSL 350, 0.7%, 0.39%

LAB 36.95, 54.89, 23.21

 

Description

Color code: HEX #77A61F | qconv.com Color code: HEX #77A61F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 166 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 166 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 81 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 81% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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