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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #739EE6 it is the complementary color #8C6119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #739EE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #739EE6 shade: #789EE1, #89B0F4, #9AC2FF, #ABD4FF and #BCE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #739EE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #739EE6 shade: #739EE6, #628CD3, #517AC0, #4068AD and #2F569A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #739EE6 shade: #749EE6, #7480E6, #8774E6, #A574E6 and #C474E6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #739EE6 shade: #749EE6, #7480E6 and #7474E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #739EE6 shade matches the following richer shades: #749EE6 and #679BF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #739EE6 shade: #749EE6, #81A2D9, #8EA5CC, #9BA8BE and #A9ACB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #739EE6 shade: #74DCE6, #74BEE6, #74A0E6, #7481E6 and #8574E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #739EE6 shade: #2E6EDA, #5186E0, #749EE6, #97B7EC and #BACFF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #739EE6 shade: #739EE6, #D174E6 and #CDE674

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #739EE6 shade: #739EE6, #E674A0 and #A0E674

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #739EE6 shade: #739EE6, #D174E6, #E6BA74 and #89E674

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #739EE6 shade: #739EE6, #E674D9, #E6BA74 and #74E681

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 31 / 0 / 10

HEX #739EE6

RGB 115 158 230

HSL 217.57, 0.7%, 0.68%

LAB 64.81, 5.14, -40.85

 

Complementary color

CMYK 0 / 31 / 82 / 45

HEX #8C6119

RGB 140 97 25

HSL 37.57, 0.7%, 0.32%

LAB 44.51, 10.96, 44.91

 

CMYK 47 / 30 / 0 / 12

HEX #789EE1

RGB 120 158 225

HSL 218.29, 0.64%, 0.68%

LAB 64.87, 4.83, -37.98

 

CMYK 44 / 28 / 0 / 4

HEX #89B0F4

RGB 137 176 244

HSL 218.13, 0.83%, 0.75%

LAB 71.49, 4.25, -37.99

 

CMYK 40 / 24 / 0 / 0

HEX #9AC2FF

RGB 154 194 255

HSL 216.24, 1%, 0.8%

LAB 77.68, 1.62, -34.24

 

CMYK 33 / 17 / 0 / 0

HEX #ABD4FF

RGB 171 212 255

HSL 210.71, 1%, 0.84%

LAB 83.42, -3.51, -25.34

 

CMYK 26 / 10 / 0 / 0

HEX #BCE6FF

RGB 188 230 255

HSL 202.39, 1%, 0.87%

LAB 89.16, -8.1, -16.57

 

CMYK 50 / 31 / 0 / 10

HEX #739EE6

RGB 115 158 230

HSL 217.57, 0.7%, 0.68%

LAB 64.81, 5.14, -40.85

 

CMYK 54 / 34 / 0 / 17

HEX #628CD3

RGB 98 140 211

HSL 217.7, 0.56%, 0.61%

LAB 58.09, 5.94, -40.9

 

CMYK 58 / 36 / 0 / 25

HEX #517AC0

RGB 81 122 192

HSL 217.84, 0.47%, 0.54%

LAB 51.24, 6.92, -40.98

 

CMYK 63 / 40 / 0 / 32

HEX #4068AD

RGB 64 104 173

HSL 217.98, 0.46%, 0.46%

LAB 44.24, 8.15, -41.1

 

CMYK 69 / 44 / 0 / 40

HEX #2F569A

RGB 47 86 154

HSL 218.13, 0.53%, 0.39%

LAB 37.1, 9.75, -41.25

 

CMYK 50 / 31 / 0 / 10

HEX #749EE6

RGB 116 158 230

HSL 217.89, 0.7%, 0.68%

LAB 64.87, 5.37, -40.76

 

CMYK 50 / 44 / 0 / 10

HEX #7480E6

RGB 116 128 230

HSL 233.68, 0.7%, 0.68%

LAB 56.94, 22.99, -53.28

 

CMYK 41 / 50 / 0 / 10

HEX #8774E6

RGB 135 116 230

HSL 250, 0.7%, 0.68%

LAB 55.44, 34.47, -55.61

 

CMYK 28 / 50 / 0 / 10

HEX #A574E6

RGB 165 116 230

HSL 265.79, 0.7%, 0.68%

LAB 58.23, 41.96, -50.99

 

CMYK 15 / 50 / 0 / 10

HEX #C474E6

RGB 196 116 230

HSL 282.11, 0.7%, 0.68%

LAB 61.6, 50.22, -45.43

 

CMYK 50 / 31 / 0 / 10

HEX #749EE6

RGB 116 158 230

HSL 217.89, 0.7%, 0.68%

LAB 64.87, 5.37, -40.76

 

CMYK 50 / 44 / 0 / 10

HEX #7480E6

RGB 116 128 230

HSL 233.68, 0.7%, 0.68%

LAB 56.94, 22.99, -53.28

 

CMYK 50 / 50 / 0 / 10

HEX #7474E6

RGB 116 116 230

HSL 240, 0.7%, 0.68%

LAB 53.94, 30.16, -58.09

 

CMYK 50 / 31 / 0 / 10

HEX #749EE6

RGB 116 158 230

HSL 217.89, 0.7%, 0.68%

LAB 64.87, 5.37, -40.76

 

CMYK 58 / 36 / 0 / 5

HEX #679BF3

RGB 103 155 243

HSL 217.71, 0.85%, 0.68%

LAB 64, 8.35, -49.33

 

CMYK 50 / 31 / 0 / 10

HEX #749EE6

RGB 116 158 230

HSL 217.89, 0.7%, 0.68%

LAB 64.87, 5.37, -40.76

 

CMYK 41 / 25 / 0 / 15

HEX #81A2D9

RGB 129 162 217

HSL 217.5, 0.54%, 0.68%

LAB 66.15, 2.57, -31.54

 

CMYK 30 / 19 / 0 / 20

HEX #8EA5CC

RGB 142 165 204

HSL 217.74, 0.38%, 0.68%

LAB 67.29, 1.09, -22.52

 

CMYK 18 / 12 / 0 / 25

HEX #9BA8BE

RGB 155 168 190

HSL 217.71, 0.21%, 0.68%

LAB 68.53, 0.13, -12.81

 

CMYK 5 / 3 / 0 / 31

HEX #A9ACB1

RGB 169 172 177

HSL 217.5, 0.05%, 0.68%

LAB 70.26, -0.09, -2.94

 

CMYK 50 / 4 / 0 / 10

HEX #74DCE6

RGB 116 220 230

HSL 185.26, 0.7%, 0.68%

LAB 82.17, -27.54, -14.23

 

CMYK 50 / 17 / 0 / 10

HEX #74BEE6

RGB 116 190 230

HSL 201.05, 0.7%, 0.68%

LAB 73.71, -12.3, -27.06

 

CMYK 50 / 30 / 0 / 10

HEX #74A0E6

RGB 116 160 230

HSL 216.84, 0.7%, 0.68%

LAB 65.41, 4.22, -39.91

 

CMYK 50 / 44 / 0 / 10

HEX #7481E6

RGB 116 129 230

HSL 233.16, 0.7%, 0.68%

LAB 57.2, 22.39, -52.88

 

CMYK 42 / 50 / 0 / 10

HEX #8574E6

RGB 133 116 230

HSL 248.95, 0.7%, 0.68%

LAB 55.27, 34, -55.88

 

CMYK 79 / 50 / 0 / 15

HEX #2E6EDA

RGB 46 110 218

HSL 217.67, 0.7%, 0.52%

LAB 48, 18.31, -61.07

 

CMYK 64 / 40 / 0 / 12

HEX #5186E0

RGB 81 134 224

HSL 217.76, 0.7%, 0.6%

LAB 56.27, 10.44, -51.12

 

CMYK 50 / 31 / 0 / 10

HEX #749EE6

RGB 116 158 230

HSL 217.89, 0.7%, 0.68%

LAB 64.87, 5.37, -40.76

 

CMYK 36 / 22 / 0 / 7

HEX #97B7EC

RGB 151 183 236

HSL 217.41, 0.69%, 0.76%

LAB 73.87, 1.85, -29.9

 

CMYK 23 / 14 / 0 / 5

HEX #BACFF2

RGB 186 207 242

HSL 217.5, 0.68%, 0.84%

LAB 82.63, 0.38, -19.55

 

CMYK 50 / 31 / 0 / 10

HEX #739EE6

RGB 115 158 230

HSL 217.57, 0.7%, 0.68%

LAB 64.81, 5.14, -40.85

 

CMYK 9 / 50 / 0 / 10

HEX #D174E6

RGB 209 116 230

HSL 288.95, 0.7%, 0.68%

LAB 63.14, 53.75, -42.9

 

CMYK 11 / 0 / 50 / 10

HEX #CDE674

RGB 205 230 116

HSL 73.16, 0.7%, 0.68%

LAB 87.4, -24.98, 52.31

 

CMYK 50 / 31 / 0 / 10

HEX #739EE6

RGB 115 158 230

HSL 217.57, 0.7%, 0.68%

LAB 64.81, 5.14, -40.85

 

CMYK 0 / 50 / 30 / 10

HEX #E674A0

RGB 230 116 160

HSL 336.84, 0.7%, 0.68%

LAB 63.22, 48.88, -3.01

 

CMYK 30 / 0 / 50 / 10

HEX #A0E674

RGB 160 230 116

HSL 96.84, 0.7%, 0.68%

LAB 84.65, -41.44, 48.34

 

CMYK 50 / 31 / 0 / 10

HEX #739EE6

RGB 115 158 230

HSL 217.57, 0.7%, 0.68%

LAB 64.81, 5.14, -40.85

 

CMYK 9 / 50 / 0 / 10

HEX #D174E6

RGB 209 116 230

HSL 288.95, 0.7%, 0.68%

LAB 63.14, 53.75, -42.9

 

CMYK 0 / 19 / 50 / 10

HEX #E6BA74

RGB 230 186 116

HSL 36.84, 0.7%, 0.68%

LAB 77.99, 7.29, 41.28

 

CMYK 40 / 0 / 50 / 10

HEX #89E674

RGB 137 230 116

HSL 108.95, 0.7%, 0.68%

LAB 83.53, -48.89, 46.71

 

CMYK 50 / 31 / 0 / 10

HEX #739EE6

RGB 115 158 230

HSL 217.57, 0.7%, 0.68%

LAB 64.81, 5.14, -40.85

 

CMYK 0 / 50 / 6 / 10

HEX #E674D9

RGB 230 116 217

HSL 306.84, 0.7%, 0.68%

LAB 65.22, 57.29, -32.22

 

CMYK 0 / 19 / 50 / 10

HEX #E6BA74

RGB 230 186 116

HSL 36.84, 0.7%, 0.68%

LAB 77.99, 7.29, 41.28

 

CMYK 50 / 0 / 44 / 10

HEX #74E681

RGB 116 230 129

HSL 126.84, 0.7%, 0.68%

LAB 82.86, -53.1, 39.39

 

Description

Color code: HEX #739EE6 | qconv.com Color code: HEX #739EE6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 158 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 158 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 31 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 31% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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