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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7390C4 it is the complementary color #8C6F3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7390C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7390C4 shade: #7890BF, #89A2D2, #9AB4E5, #ABC6F8 and #BCD8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7390C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7390C4 shade: #7390C4, #627EB1, #516C9E, #405A8B and #2F4878

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7390C4 shade: #728FC4, #7279C4, #8172C4, #9772C4 and #AD72C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7390C4 shade: #728FC4, #7279C4 and #7272C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7390C4 shade matches the following richer shades: #728FC4, #628BD4, #5286E4 and #4282F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7390C4 shade: #728FC4, #8294B4, #9299A4, #A39D94 and #B3A283

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7390C4 shade: #72BCC4, #72A6C4, #7290C4, #727AC4 and #8072C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7390C4 shade: #4364A1, #5578B8, #728FC4, #8FA7D0 and #ACBEDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7390C4 shade: #7390C4, #B672C4 and #B1C472

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7390C4 shade: #7390C4, #C47290 and #90C472

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7390C4 shade: #7390C4, #B672C4, #C4A672 and #80C472

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7390C4 shade: #7390C4, #C472B9, #C4A672 and #72C47D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 27 / 0 / 23

HEX #7390C4

RGB 115 144 196

HSL 218.52, 0.41%, 0.61%

LAB 59.5, 3.26, -30.18

 

Complementary color

CMYK 0 / 21 / 58 / 45

HEX #8C6F3B

RGB 140 111 59

HSL 38.52, 0.41%, 0.39%

LAB 48.59, 4.91, 32.96

 

CMYK 37 / 25 / 0 / 25

HEX #7890BF

RGB 120 144 191

HSL 219.72, 0.36%, 0.61%

LAB 59.62, 3.24, -27.16

 

CMYK 35 / 23 / 0 / 18

HEX #89A2D2

RGB 137 162 210

HSL 219.45, 0.45%, 0.68%

LAB 66.38, 2.87, -27.27

 

CMYK 33 / 21 / 0 / 10

HEX #9AB4E5

RGB 154 180 229

HSL 219.2, 0.59%, 0.75%

LAB 73, 2.54, -27.42

 

CMYK 31 / 20 / 0 / 3

HEX #ABC6F8

RGB 171 198 248

HSL 218.96, 0.85%, 0.82%

LAB 79.51, 2.25, -27.59

 

CMYK 26 / 15 / 0 / 0

HEX #BCD8FF

RGB 188 216 255

HSL 214.93, 1%, 0.87%

LAB 85.52, -0.82, -22.07

 

CMYK 41 / 27 / 0 / 23

HEX #7390C4

RGB 115 144 196

HSL 218.52, 0.41%, 0.61%

LAB 59.5, 3.26, -30.18

 

CMYK 45 / 29 / 0 / 31

HEX #627EB1

RGB 98 126 177

HSL 218.73, 0.34%, 0.54%

LAB 52.61, 3.79, -30.14

 

CMYK 49 / 32 / 0 / 38

HEX #516C9E

RGB 81 108 158

HSL 218.96, 0.32%, 0.47%

LAB 45.56, 4.44, -30.14

 

CMYK 54 / 35 / 0 / 45

HEX #405A8B

RGB 64 90 139

HSL 219.2, 0.37%, 0.4%

LAB 38.32, 5.26, -30.2

 

CMYK 61 / 40 / 0 / 53

HEX #2F4878

RGB 47 72 120

HSL 219.45, 0.44%, 0.33%

LAB 30.87, 6.36, -30.33

 

CMYK 42 / 27 / 0 / 23

HEX #728FC4

RGB 114 143 196

HSL 218.78, 0.41%, 0.61%

LAB 59.17, 3.57, -30.71

 

CMYK 42 / 38 / 0 / 23

HEX #7279C4

RGB 114 121 196

HSL 234.88, 0.41%, 0.61%

LAB 53.21, 16.57, -40.03

 

CMYK 34 / 42 / 0 / 23

HEX #8172C4

RGB 129 114 196

HSL 250.98, 0.41%, 0.61%

LAB 52.61, 24.79, -40.9

 

CMYK 23 / 42 / 0 / 23

HEX #9772C4

RGB 151 114 196

HSL 267.07, 0.41%, 0.61%

LAB 54.66, 31.05, -37.53

 

CMYK 12 / 42 / 0 / 23

HEX #AD72C4

RGB 173 114 196

HSL 283.17, 0.41%, 0.61%

LAB 56.98, 37.6, -33.72

 

CMYK 42 / 27 / 0 / 23

HEX #728FC4

RGB 114 143 196

HSL 218.78, 0.41%, 0.61%

LAB 59.17, 3.57, -30.71

 

CMYK 42 / 38 / 0 / 23

HEX #7279C4

RGB 114 121 196

HSL 234.88, 0.41%, 0.61%

LAB 53.21, 16.57, -40.03

 

CMYK 42 / 42 / 0 / 23

HEX #7272C4

RGB 114 114 196

HSL 240, 0.41%, 0.61%

LAB 51.38, 20.79, -42.92

 

CMYK 42 / 27 / 0 / 23

HEX #728FC4

RGB 114 143 196

HSL 218.78, 0.41%, 0.61%

LAB 59.17, 3.57, -30.71

 

CMYK 54 / 34 / 0 / 17

HEX #628BD4

RGB 98 139 212

HSL 218.42, 0.57%, 0.61%

LAB 57.86, 6.84, -41.82

 

CMYK 64 / 41 / 0 / 11

HEX #5286E4

RGB 82 134 228

HSL 218.63, 0.73%, 0.61%

LAB 56.53, 11.98, -52.94

 

CMYK 73 / 47 / 0 / 4

HEX #4282F4

RGB 66 130 244

HSL 218.43, 0.89%, 0.61%

LAB 55.74, 17.65, -63.14

 

CMYK 42 / 27 / 0 / 23

HEX #728FC4

RGB 114 143 196

HSL 218.78, 0.41%, 0.61%

LAB 59.17, 3.57, -30.71

 

CMYK 28 / 18 / 0 / 29

HEX #8294B4

RGB 130 148 180

HSL 218.4, 0.25%, 0.61%

LAB 60.98, 1.03, -18.8

 

CMYK 11 / 7 / 0 / 36

HEX #9299A4

RGB 146 153 164

HSL 216.67, 0.09%, 0.61%

LAB 62.99, -0.24, -6.62

 

CMYK 0 / 4 / 9 / 36

HEX #A39D94

RGB 163 157 148

HSL 36, 0.08%, 0.61%

LAB 64.99, 0.55, 5.47

 

CMYK 0 / 9 / 27 / 30

HEX #B3A283

RGB 179 162 131

HSL 38.75, 0.24%, 0.61%

LAB 67.32, 1.29, 18.4

 

CMYK 42 / 4 / 0 / 23

HEX #72BCC4

RGB 114 188 196

HSL 185.85, 0.41%, 0.61%

LAB 71.91, -20.94, -11.28

 

CMYK 42 / 15 / 0 / 23

HEX #72A6C4

RGB 114 166 196

HSL 201.95, 0.41%, 0.61%

LAB 65.62, -9.35, -20.78

 

CMYK 42 / 27 / 0 / 23

HEX #7290C4

RGB 114 144 196

HSL 218.05, 0.41%, 0.61%

LAB 59.44, 3, -30.28

 

CMYK 42 / 38 / 0 / 23

HEX #727AC4

RGB 114 122 196

HSL 234.15, 0.41%, 0.61%

LAB 53.47, 15.97, -39.61

 

CMYK 35 / 42 / 0 / 23

HEX #8072C4

RGB 128 114 196

HSL 250.24, 0.41%, 0.61%

LAB 52.52, 24.52, -41.04

 

CMYK 58 / 38 / 0 / 37

HEX #4364A1

RGB 67 100 161

HSL 218.94, 0.41%, 0.45%

LAB 42.58, 7.1, -36.65

 

CMYK 54 / 35 / 0 / 28

HEX #5578B8

RGB 85 120 184

HSL 218.79, 0.41%, 0.53%

LAB 50.48, 6.38, -37.56

 

CMYK 42 / 27 / 0 / 23

HEX #728FC4

RGB 114 143 196

HSL 218.78, 0.41%, 0.61%

LAB 59.17, 3.57, -30.71

 

CMYK 31 / 20 / 0 / 18

HEX #8FA7D0

RGB 143 167 208

HSL 217.85, 0.41%, 0.69%

LAB 68.04, 1.28, -23.58

 

CMYK 22 / 14 / 0 / 14

HEX #ACBEDC

RGB 172 190 220

HSL 217.5, 0.41%, 0.77%

LAB 76.54, 0.26, -17.05

 

CMYK 41 / 27 / 0 / 23

HEX #7390C4

RGB 115 144 196

HSL 218.52, 0.41%, 0.61%

LAB 59.5, 3.26, -30.18

 

CMYK 7 / 42 / 0 / 23

HEX #B672C4

RGB 182 114 196

HSL 289.76, 0.41%, 0.61%

LAB 58, 40.33, -32.05

 

CMYK 10 / 0 / 42 / 23

HEX #B1C472

RGB 177 196 114

HSL 73.9, 0.41%, 0.61%

LAB 76.09, -19.45, 38.95

 

CMYK 41 / 27 / 0 / 23

HEX #7390C4

RGB 115 144 196

HSL 218.52, 0.41%, 0.61%

LAB 59.5, 3.26, -30.18

 

CMYK 0 / 42 / 27 / 23

HEX #C47290

RGB 196 114 144

HSL 338.05, 0.41%, 0.61%

LAB 57.83, 36.06, -2.24

 

CMYK 27 / 0 / 42 / 23

HEX #90C472

RGB 144 196 114

HSL 98.05, 0.41%, 0.61%

LAB 73.95, -31.81, 35.78

 

CMYK 41 / 27 / 0 / 23

HEX #7390C4

RGB 115 144 196

HSL 218.52, 0.41%, 0.61%

LAB 59.5, 3.26, -30.18

 

CMYK 7 / 42 / 0 / 23

HEX #B672C4

RGB 182 114 196

HSL 289.76, 0.41%, 0.61%

LAB 58, 40.33, -32.05

 

CMYK 0 / 15 / 42 / 23

HEX #C4A672

RGB 196 166 114

HSL 38.05, 0.41%, 0.61%

LAB 69.63, 3.85, 30.98

 

CMYK 35 / 0 / 42 / 23

HEX #80C472

RGB 128 196 114

HSL 109.76, 0.41%, 0.61%

LAB 73.08, -37.29, 34.49

 

CMYK 41 / 27 / 0 / 23

HEX #7390C4

RGB 115 144 196

HSL 218.52, 0.41%, 0.61%

LAB 59.5, 3.26, -30.18

 

CMYK 0 / 42 / 6 / 23

HEX #C472B9

RGB 196 114 185

HSL 308.05, 0.41%, 0.61%

LAB 59.23, 42.6, -23.76

 

CMYK 0 / 15 / 42 / 23

HEX #C4A672

RGB 196 166 114

HSL 38.05, 0.41%, 0.61%

LAB 69.63, 3.85, 30.98

 

CMYK 42 / 0 / 36 / 23

HEX #72C47D

RGB 114 196 125

HSL 128.05, 0.41%, 0.61%

LAB 72.59, -39.97, 28.03

 

Description

Color code: HEX #7390C4 | qconv.com Color code: HEX #7390C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 144 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 144 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 27 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 27% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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