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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #738DDB it is the complementary color #8C7224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #738DDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #738DDB shade: #788DD6, #899FE9, #9AB1FC, #ABC3FF and #BCD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #738DDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #738DDB shade: #738DDB, #627BC8, #5169B5, #4057A2 and #2F458F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #738DDB shade: #718BDA, #7371DA, #8F71DA, #AB71DA and #C871DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #738DDB shade: #718BDA and #7171DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #738DDB shade matches the following richer shades: #718BDA, #6284E8 and #547CF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #738DDB shade: #718BDA, #7F92CB, #8D99BD, #9CA1AF and #AAA8A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #738DDB shade: #71C3DA, #71A7DA, #718BDA, #7271DA and #8E71DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #738DDB shade: #3357C5, #5070D1, #718BDA, #91A6E2 and #B2C0EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #738DDB shade: #738DDB, #D571DA and #B5DA71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #738DDB shade: #738DDB, #DA718B and #8BDA71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #738DDB shade: #738DDB, #D571DA, #DAC071 and #76DA71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #738DDB shade: #738DDB, #DA71C0, #DAC071 and #71DA8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 36 / 0 / 14

HEX #738DDB

RGB 115 141 219

HSL 225, 0.59%, 0.65%

LAB 59.72, 11.71, -42.75

 

Complementary color

CMYK 0 / 19 / 74 / 45

HEX #8C7224

RGB 140 114 36

HSL 45, 0.59%, 0.35%

LAB 49.18, 1.61, 44.86

 

CMYK 44 / 34 / 0 / 16

HEX #788DD6

RGB 120 141 214

HSL 226.6, 0.53%, 0.65%

LAB 59.8, 11.47, -39.81

 

CMYK 41 / 32 / 0 / 9

HEX #899FE9

RGB 137 159 233

HSL 226.25, 0.69%, 0.73%

LAB 66.52, 10.79, -39.74

 

CMYK 39 / 30 / 0 / 1

HEX #9AB1FC

RGB 154 177 252

HSL 225.92, 0.94%, 0.8%

LAB 73.12, 10.19, -39.71

 

CMYK 33 / 24 / 0 / 0

HEX #ABC3FF

RGB 171 195 255

HSL 222.86, 1%, 0.84%

LAB 78.99, 5.6, -32.14

 

CMYK 26 / 16 / 0 / 0

HEX #BCD5FF

RGB 188 213 255

HSL 217.61, 1%, 0.87%

LAB 84.74, 0.76, -23.24

 

CMYK 47 / 36 / 0 / 14

HEX #738DDB

RGB 115 141 219

HSL 225, 0.59%, 0.65%

LAB 59.72, 11.71, -42.75

 

CMYK 51 / 39 / 0 / 22

HEX #627BC8

RGB 98 123 200

HSL 225.29, 0.48%, 0.58%

LAB 52.88, 12.63, -42.9

 

CMYK 55 / 42 / 0 / 29

HEX #5169B5

RGB 81 105 181

HSL 225.6, 0.4%, 0.51%

LAB 45.89, 13.75, -43.1

 

CMYK 60 / 46 / 0 / 36

HEX #4057A2

RGB 64 87 162

HSL 225.92, 0.43%, 0.44%

LAB 38.75, 15.14, -43.35

 

CMYK 67 / 52 / 0 / 44

HEX #2F458F

RGB 47 69 143

HSL 226.25, 0.51%, 0.37%

LAB 31.45, 16.94, -43.64

 

CMYK 48 / 36 / 0 / 15

HEX #718BDA

RGB 113 139 218

HSL 225.14, 0.59%, 0.65%

LAB 59.01, 12.12, -43.32

 

CMYK 47 / 48 / 0 / 15

HEX #7371DA

RGB 115 113 218

HSL 241.14, 0.59%, 0.65%

LAB 52.42, 28.13, -53.78

 

CMYK 34 / 48 / 0 / 15

HEX #8F71DA

RGB 143 113 218

HSL 257.14, 0.59%, 0.65%

LAB 54.77, 34.95, -49.88

 

CMYK 22 / 48 / 0 / 15

HEX #AB71DA

RGB 171 113 218

HSL 273.14, 0.59%, 0.65%

LAB 57.59, 42.4, -45.24

 

CMYK 8 / 48 / 0 / 15

HEX #C871DA

RGB 200 113 218

HSL 289.71, 0.59%, 0.65%

LAB 60.92, 50.45, -39.77

 

CMYK 48 / 36 / 0 / 15

HEX #718BDA

RGB 113 139 218

HSL 225.14, 0.59%, 0.65%

LAB 59.01, 12.12, -43.32

 

CMYK 48 / 48 / 0 / 15

HEX #7171DA

RGB 113 113 218

HSL 240, 0.59%, 0.65%

LAB 52.27, 27.68, -54.02

 

CMYK 48 / 36 / 0 / 15

HEX #718BDA

RGB 113 139 218

HSL 225.14, 0.59%, 0.65%

LAB 59.01, 12.12, -43.32

 

CMYK 58 / 43 / 0 / 9

HEX #6284E8

RGB 98 132 232

HSL 224.78, 0.74%, 0.65%

LAB 57, 17.45, -54.37

 

CMYK 66 / 50 / 0 / 3

HEX #547CF7

RGB 84 124 247

HSL 225.28, 0.91%, 0.65%

LAB 55.09, 24.89, -65.81

 

CMYK 48 / 36 / 0 / 15

HEX #718BDA

RGB 113 139 218

HSL 225.14, 0.59%, 0.65%

LAB 59.01, 12.12, -43.32

 

CMYK 37 / 28 / 0 / 20

HEX #7F92CB

RGB 127 146 203

HSL 225, 0.42%, 0.65%

LAB 61.12, 7.31, -31.55

 

CMYK 25 / 19 / 0 / 26

HEX #8D99BD

RGB 141 153 189

HSL 225, 0.27%, 0.65%

LAB 63.44, 3.82, -20.04

 

CMYK 11 / 8 / 0 / 31

HEX #9CA1AF

RGB 156 161 175

HSL 224.21, 0.11%, 0.65%

LAB 66.25, 1.06, -7.86

 

CMYK 0 / 1 / 6 / 33

HEX #AAA8A0

RGB 170 168 160

HSL 48, 0.06%, 0.65%

LAB 68.82, -0.75, 4.37

 

CMYK 48 / 11 / 0 / 15

HEX #71C3DA

RGB 113 195 218

HSL 193.14, 0.59%, 0.65%

LAB 74.57, -18.92, -19.25

 

CMYK 48 / 23 / 0 / 15

HEX #71A7DA

RGB 113 167 218

HSL 209.14, 0.59%, 0.65%

LAB 66.68, -3.95, -31.34

 

CMYK 48 / 36 / 0 / 15

HEX #718BDA

RGB 113 139 218

HSL 225.14, 0.59%, 0.65%

LAB 59.01, 12.12, -43.32

 

CMYK 48 / 48 / 0 / 15

HEX #7271DA

RGB 114 113 218

HSL 240.57, 0.59%, 0.65%

LAB 52.34, 27.9, -53.9

 

CMYK 35 / 48 / 0 / 15

HEX #8E71DA

RGB 142 113 218

HSL 256.57, 0.59%, 0.65%

LAB 54.68, 34.69, -50.03

 

CMYK 74 / 56 / 0 / 23

HEX #3357C5

RGB 51 87 197

HSL 225.21, 0.59%, 0.49%

LAB 40.49, 25.8, -61.17

 

CMYK 62 / 46 / 0 / 18

HEX #5070D1

RGB 80 112 209

HSL 225.12, 0.58%, 0.57%

LAB 49.37, 18.62, -53.67

 

CMYK 48 / 36 / 0 / 15

HEX #718BDA

RGB 113 139 218

HSL 225.14, 0.59%, 0.65%

LAB 59.01, 12.12, -43.32

 

CMYK 36 / 27 / 0 / 11

HEX #91A6E2

RGB 145 166 226

HSL 224.44, 0.58%, 0.73%

LAB 68.59, 7.05, -32.63

 

CMYK 24 / 18 / 0 / 8

HEX #B2C0EB

RGB 178 192 235

HSL 225.26, 0.59%, 0.81%

LAB 77.97, 4.43, -22.93

 

CMYK 47 / 36 / 0 / 14

HEX #738DDB

RGB 115 141 219

HSL 225, 0.59%, 0.65%

LAB 59.72, 11.71, -42.75

 

CMYK 2 / 48 / 0 / 15

HEX #D571DA

RGB 213 113 218

HSL 297.14, 0.59%, 0.65%

LAB 62.52, 54.1, -37.14

 

CMYK 17 / 0 / 48 / 15

HEX #B5DA71

RGB 181 218 113

HSL 81.14, 0.59%, 0.65%

LAB 82.46, -28.72, 47.39

 

CMYK 47 / 36 / 0 / 14

HEX #738DDB

RGB 115 141 219

HSL 225, 0.59%, 0.65%

LAB 59.72, 11.71, -42.75

 

CMYK 0 / 48 / 36 / 15

HEX #DA718B

RGB 218 113 139

HSL 345.14, 0.59%, 0.65%

LAB 60.41, 43.71, 4.77

 

CMYK 36 / 0 / 48 / 15

HEX #8BDA71

RGB 139 218 113

HSL 105.14, 0.59%, 0.65%

LAB 80.08, -43.55, 43.93

 

CMYK 47 / 36 / 0 / 14

HEX #738DDB

RGB 115 141 219

HSL 225, 0.59%, 0.65%

LAB 59.72, 11.71, -42.75

 

CMYK 2 / 48 / 0 / 15

HEX #D571DA

RGB 213 113 218

HSL 297.14, 0.59%, 0.65%

LAB 62.52, 54.1, -37.14

 

CMYK 0 / 12 / 48 / 15

HEX #DAC071

RGB 218 192 113

HSL 45.14, 0.59%, 0.65%

LAB 78.34, -1.03, 42.98

 

CMYK 46 / 0 / 48 / 15

HEX #76DA71

RGB 118 218 113

HSL 117.14, 0.59%, 0.65%

LAB 79.15, -49.96, 42.56

 

CMYK 47 / 36 / 0 / 14

HEX #738DDB

RGB 115 141 219

HSL 225, 0.59%, 0.65%

LAB 59.72, 11.71, -42.75

 

CMYK 0 / 48 / 12 / 15

HEX #DA71C0

RGB 218 113 192

HSL 314.86, 0.59%, 0.65%

LAB 62.1, 51.12, -23.09

 

CMYK 0 / 12 / 48 / 15

HEX #DAC071

RGB 218 192 113

HSL 45.14, 0.59%, 0.65%

LAB 78.34, -1.03, 42.98

 

CMYK 48 / 0 / 36 / 15

HEX #71DA8B

RGB 113 218 139

HSL 134.86, 0.59%, 0.65%

LAB 79.34, -47.37, 29.74

 

Description

Color code: HEX #738DDB | qconv.com Color code: HEX #738DDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 141 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 141 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 36 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 36% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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