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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #737F32 it is the complementary color #8C80CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #737F32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #737F32 shade: #787F2D, #899140, #9AA353, #ABB566 and #BCC779

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #737F32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #737F32 shade: #737F32, #626D1F, #515B0C, #404900 and #2F3700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #737F32 shade: #748031, #807731, #806231, #804D31 and #803831

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #737F32 shade: #748031, #5F8031, #498031, #348031 and #318044

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #737F32 shade matches the following richer shades: #748031, #7E8E23, #889D15 and #92AB06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #737F32 shade: #748031, #6A7240, #60634E, #56555D and #4C466B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #737F32 shade: #806231, #807731, #748031, #5F8031 and #4A8031

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #737F32 shade: #3E451A, #596226, #748031, #8F9E3D and #A8B94B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #737F32 shade: #737F32, #31804D and #6C3180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #737F32 shade: #737F32, #317480 and #803174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #737F32 shade: #737F32, #31804D, #3D3180 and #803165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #737F32 shade: #737F32, #318065, #3D3180 and #80314D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 61 / 50

HEX #737F32

RGB 115 127 50

HSL 69.35, 0.44%, 0.35%

LAB 50.75, -16.11, 39.44

 

Complementary color

CMYK 32 / 38 / 0 / 20

HEX #8C80CD

RGB 140 128 205

HSL 249.35, 0.44%, 0.65%

LAB 57.48, 22, -38.27

 

CMYK 6 / 0 / 65 / 50

HEX #787F2D

RGB 120 127 45

HSL 65.12, 0.48%, 0.34%

LAB 51.11, -14.28, 42.28

 

CMYK 6 / 0 / 56 / 43

HEX #899140

RGB 137 145 64

HSL 65.93, 0.39%, 0.41%

LAB 57.98, -14.85, 41.31

 

CMYK 6 / 0 / 49 / 36

HEX #9AA353

RGB 154 163 83

HSL 66.75, 0.33%, 0.48%

LAB 64.71, -15.28, 40.15

 

CMYK 6 / 0 / 44 / 29

HEX #ABB566

RGB 171 181 102

HSL 67.59, 0.35%, 0.55%

LAB 71.33, -15.6, 38.95

 

CMYK 6 / 0 / 39 / 22

HEX #BCC779

RGB 188 199 121

HSL 68.46, 0.41%, 0.63%

LAB 77.83, -15.85, 37.77

 

CMYK 9 / 0 / 61 / 50

HEX #737F32

RGB 115 127 50

HSL 69.35, 0.44%, 0.35%

LAB 50.75, -16.11, 39.44

 

CMYK 10 / 0 / 72 / 57

HEX #626D1F

RGB 98 109 31

HSL 68.46, 0.56%, 0.27%

LAB 43.7, -15.51, 40.2

 

CMYK 11 / 0 / 87 / 64

HEX #515B0C

RGB 81 91 12

HSL 67.59, 0.77%, 0.2%

LAB 36.48, -14.62, 39.95

 

CMYK 12 / 0 / 100 / 71

HEX #404900

RGB 64 73 0

HSL 67.4, 1%, 0.14%

LAB 29.04, -13.31, 37.3

 

CMYK 15 / 0 / 100 / 78

HEX #2F3700

RGB 47 55 0

HSL 68.73, 1%, 0.11%

LAB 21.34, -11.51, 29.5

 

CMYK 9 / 0 / 62 / 50

HEX #748031

RGB 116 128 49

HSL 69.11, 0.45%, 0.35%

LAB 51.12, -16.28, 40.35

 

CMYK 0 / 7 / 62 / 50

HEX #807731

RGB 128 119 49

HSL 53.16, 0.45%, 0.35%

LAB 49.5, -5.95, 38.85

 

CMYK 0 / 23 / 62 / 50

HEX #806231

RGB 128 98 49

HSL 37.22, 0.45%, 0.35%

LAB 43.58, 6.16, 32.1

 

CMYK 0 / 40 / 62 / 50

HEX #804D31

RGB 128 77 49

HSL 21.27, 0.45%, 0.35%

LAB 38.05, 18.61, 25.51

 

CMYK 0 / 56 / 62 / 50

HEX #803831

RGB 128 56 49

HSL 5.32, 0.45%, 0.35%

LAB 33.22, 30.55, 19.46

 

CMYK 9 / 0 / 62 / 50

HEX #748031

RGB 116 128 49

HSL 69.11, 0.45%, 0.35%

LAB 51.12, -16.28, 40.35

 

CMYK 26 / 0 / 62 / 50

HEX #5F8031

RGB 95 128 49

HSL 85.06, 0.45%, 0.35%

LAB 49.61, -25.23, 38.24

 

CMYK 43 / 0 / 62 / 50

HEX #498031

RGB 73 128 49

HSL 101.77, 0.45%, 0.35%

LAB 48.36, -33.58, 36.49

 

CMYK 59 / 0 / 62 / 50

HEX #348031

RGB 52 128 49

HSL 117.72, 0.45%, 0.35%

LAB 47.48, -40.05, 35.26

 

CMYK 62 / 0 / 47 / 50

HEX #318044

RGB 49 128 68

HSL 134.43, 0.45%, 0.35%

LAB 47.63, -38.02, 25.51

 

CMYK 9 / 0 / 62 / 50

HEX #748031

RGB 116 128 49

HSL 69.11, 0.45%, 0.35%

LAB 51.12, -16.28, 40.35

 

CMYK 11 / 0 / 75 / 44

HEX #7E8E23

RGB 126 142 35

HSL 68.97, 0.6%, 0.35%

LAB 55.99, -20.12, 51.45

 

CMYK 13 / 0 / 87 / 38

HEX #889D15

RGB 136 157 21

HSL 69.26, 0.76%, 0.35%

LAB 61.14, -23.88, 60.4

 

CMYK 15 / 0 / 96 / 33

HEX #92AB06

RGB 146 171 6

HSL 69.09, 0.93%, 0.35%

LAB 65.94, -26.77, 66.98

 

CMYK 9 / 0 / 62 / 50

HEX #748031

RGB 116 128 49

HSL 69.11, 0.45%, 0.35%

LAB 51.12, -16.28, 40.35

 

CMYK 7 / 0 / 44 / 55

HEX #6A7240

RGB 106 114 64

HSL 69.6, 0.28%, 0.35%

LAB 46.27, -11.54, 26.65

 

CMYK 3 / 0 / 21 / 61

HEX #60634E

RGB 96 99 78

HSL 68.57, 0.12%, 0.35%

LAB 41.15, -5.22, 11.57

 

CMYK 8 / 9 / 0 / 64

HEX #56555D

RGB 86 85 93

HSL 247.5, 0.04%, 0.35%

LAB 36.49, 2.16, -4.49

 

CMYK 29 / 35 / 0 / 58

HEX #4C466B

RGB 76 70 107

HSL 249.73, 0.21%, 0.35%

LAB 31.76, 11.66, -20.59

 

CMYK 0 / 23 / 62 / 50

HEX #806231

RGB 128 98 49

HSL 37.22, 0.45%, 0.35%

LAB 43.58, 6.16, 32.1

 

CMYK 0 / 7 / 62 / 50

HEX #807731

RGB 128 119 49

HSL 53.16, 0.45%, 0.35%

LAB 49.5, -5.95, 38.85

 

CMYK 9 / 0 / 62 / 50

HEX #748031

RGB 116 128 49

HSL 69.11, 0.45%, 0.35%

LAB 51.12, -16.28, 40.35

 

CMYK 26 / 0 / 62 / 50

HEX #5F8031

RGB 95 128 49

HSL 85.06, 0.45%, 0.35%

LAB 49.61, -25.23, 38.24

 

CMYK 42 / 0 / 62 / 50

HEX #4A8031

RGB 74 128 49

HSL 101.01, 0.45%, 0.35%

LAB 48.41, -33.23, 36.56

 

CMYK 10 / 0 / 62 / 73

HEX #3E451A

RGB 62 69 26

HSL 69.77, 0.45%, 0.19%

LAB 27.72, -10.28, 24.59

 

CMYK 9 / 0 / 61 / 62

HEX #596226

RGB 89 98 38

HSL 69, 0.44%, 0.27%

LAB 39.58, -13.05, 32.29

 

CMYK 9 / 0 / 62 / 50

HEX #748031

RGB 116 128 49

HSL 69.11, 0.45%, 0.35%

LAB 51.12, -16.28, 40.35

 

CMYK 9 / 0 / 61 / 38

HEX #8F9E3D

RGB 143 158 61

HSL 69.28, 0.44%, 0.43%

LAB 62.19, -19.28, 47.56

 

CMYK 9 / 0 / 59 / 27

HEX #A8B94B

RGB 168 185 75

HSL 69.27, 0.44%, 0.51%

LAB 71.91, -21.35, 52.52

 

CMYK 9 / 0 / 61 / 50

HEX #737F32

RGB 115 127 50

HSL 69.35, 0.44%, 0.35%

LAB 50.75, -16.11, 39.44

 

CMYK 62 / 0 / 40 / 50

HEX #31804D

RGB 49 128 77

HSL 141.27, 0.45%, 0.35%

LAB 47.79, -36.37, 20.7

 

CMYK 16 / 62 / 0 / 50

HEX #6C3180

RGB 108 49 128

HSL 284.81, 0.45%, 0.35%

LAB 31.68, 39.47, -33.67

 

CMYK 9 / 0 / 61 / 50

HEX #737F32

RGB 115 127 50

HSL 69.35, 0.44%, 0.35%

LAB 50.75, -16.11, 39.44

 

CMYK 62 / 9 / 0 / 50

HEX #317480

RGB 49 116 128

HSL 189.11, 0.45%, 0.35%

LAB 45.22, -17.25, -12.96

 

CMYK 0 / 62 / 9 / 50

HEX #803174

RGB 128 49 116

HSL 309.11, 0.45%, 0.35%

LAB 34.08, 42.76, -22.15

 

CMYK 9 / 0 / 61 / 50

HEX #737F32

RGB 115 127 50

HSL 69.35, 0.44%, 0.35%

LAB 50.75, -16.11, 39.44

 

CMYK 62 / 0 / 40 / 50

HEX #31804D

RGB 49 128 77

HSL 141.27, 0.45%, 0.35%

LAB 47.79, -36.37, 20.7

 

CMYK 52 / 62 / 0 / 50

HEX #3D3180

RGB 61 49 128

HSL 249.11, 0.45%, 0.35%

LAB 26, 27.73, -43.09

 

CMYK 0 / 62 / 21 / 50

HEX #803165

RGB 128 49 101

HSL 320.51, 0.45%, 0.35%

LAB 33.4, 40.29, -13.69

 

CMYK 9 / 0 / 61 / 50

HEX #737F32

RGB 115 127 50

HSL 69.35, 0.44%, 0.35%

LAB 50.75, -16.11, 39.44

 

CMYK 62 / 0 / 21 / 50

HEX #318065

RGB 49 128 101

HSL 159.49, 0.45%, 0.35%

LAB 48.3, -31.04, 7.56

 

CMYK 52 / 62 / 0 / 50

HEX #3D3180

RGB 61 49 128

HSL 249.11, 0.45%, 0.35%

LAB 26, 27.73, -43.09

 

CMYK 0 / 62 / 40 / 50

HEX #80314D

RGB 128 49 77

HSL 338.73, 0.45%, 0.35%

LAB 32.53, 36.97, 0.48

 

Description

Color code: HEX #737F32 | qconv.com Color code: HEX #737F32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 127 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 127 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 61 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 61% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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