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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #735FEC it is the complementary color #8CA013. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #735FEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #735FEC shade: #785FE7, #8971FA, #9A83FF, #AB95FF and #BCA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #735FEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #735FEC shade: #735FEC, #624DD9, #513BC6, #4029B3 and #2F17A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #735FEC shade: #735FEC, #995FEC, #BF5FEC, #E55FEC and #EC5FCD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #735FEC shade: #735FEC and #5F5FEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #735FEC shade matches the following richer shades: #735FEC and #6850FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #735FEC shade: #735FEC, #7D6DDD, #877CCF, #928AC0 and #9C99B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #735FEC shade: #5F97EC, #5F72EC, #725FEC, #975FEC and #BD5FEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #735FEC shade: #361ADE, #523AE7, #735FEC, #9384F0 and #B3A9F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #735FEC shade: #735FEC, #EC5FBD and #84EC5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #735FEC shade: #735FEC, #EC725F and #5FEC72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #735FEC shade: #735FEC, #EC5FBD, #D9EC5F and #5FEC8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #735FEC shade: #735FEC, #EC5F92, #D9EC5F and #5FECB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 60 / 0 / 7

HEX #735FEC

RGB 115 95 236

HSL 248.51, 0.79%, 0.65%

LAB 49.36, 44.12, -68.85

 

Complementary color

CMYK 13 / 0 / 88 / 37

HEX #8CA013

RGB 140 160 19

HSL 68.51, 0.79%, 0.35%

LAB 62.31, -23.7, 61.92

 

CMYK 48 / 59 / 0 / 9

HEX #785FE7

RGB 120 95 231

HSL 251.03, 0.74%, 0.64%

LAB 49.43, 43.63, -65.9

 

CMYK 45 / 55 / 0 / 2

HEX #8971FA

RGB 137 113 250

HSL 250.51, 0.93%, 0.71%

LAB 56.12, 42.25, -65.63

 

CMYK 40 / 49 / 0 / 0

HEX #9A83FF

RGB 154 131 255

HSL 251.13, 1%, 0.76%

LAB 61.93, 37.19, -58.99

 

CMYK 33 / 42 / 0 / 0

HEX #AB95FF

RGB 171 149 255

HSL 252.45, 1%, 0.79%

LAB 67.56, 31.25, -49.97

 

CMYK 26 / 35 / 0 / 0

HEX #BCA7FF

RGB 188 167 255

HSL 254.32, 1%, 0.83%

LAB 73.25, 25.82, -40.93

 

CMYK 51 / 60 / 0 / 7

HEX #735FEC

RGB 115 95 236

HSL 248.51, 0.79%, 0.65%

LAB 49.36, 44.12, -68.85

 

CMYK 55 / 65 / 0 / 15

HEX #624DD9

RGB 98 77 217

HSL 249, 0.65%, 0.58%

LAB 42.63, 45.73, -69.08

 

CMYK 59 / 70 / 0 / 22

HEX #513BC6

RGB 81 59 198

HSL 249.5, 0.55%, 0.5%

LAB 35.9, 47.41, -69.18

 

CMYK 64 / 77 / 0 / 30

HEX #4029B3

RGB 64 41 179

HSL 250, 0.63%, 0.43%

LAB 29.24, 49, -68.98

 

CMYK 71 / 86 / 0 / 37

HEX #2F17A0

RGB 47 23 160

HSL 250.51, 0.75%, 0.36%

LAB 22.85, 50.07, -68.14

 

CMYK 51 / 60 / 0 / 7

HEX #735FEC

RGB 115 95 236

HSL 248.51, 0.79%, 0.65%

LAB 49.36, 44.12, -68.85

 

CMYK 35 / 60 / 0 / 7

HEX #995FEC

RGB 153 95 236

HSL 264.68, 0.79%, 0.65%

LAB 52.96, 51.91, -62.84

 

CMYK 19 / 60 / 0 / 7

HEX #BF5FEC

RGB 191 95 236

HSL 280.85, 0.79%, 0.65%

LAB 57.38, 60.62, -55.51

 

CMYK 3 / 60 / 0 / 7

HEX #E55FEC

RGB 229 95 236

HSL 297.02, 0.79%, 0.65%

LAB 62.42, 69.72, -47.2

 

CMYK 0 / 60 / 13 / 7

HEX #EC5FCD

RGB 236 95 205

HSL 313.19, 0.79%, 0.65%

LAB 62.02, 66.54, -30.37

 

CMYK 51 / 60 / 0 / 7

HEX #735FEC

RGB 115 95 236

HSL 248.51, 0.79%, 0.65%

LAB 49.36, 44.12, -68.85

 

CMYK 60 / 60 / 0 / 7

HEX #5F5FEC

RGB 95 95 236

HSL 240, 0.79%, 0.65%

LAB 47.85, 40.62, -71.37

 

CMYK 51 / 60 / 0 / 7

HEX #735FEC

RGB 115 95 236

HSL 248.51, 0.79%, 0.65%

LAB 49.36, 44.12, -68.85

 

CMYK 58 / 68 / 0 / 2

HEX #6850FA

RGB 104 80 250

HSL 248.47, 0.94%, 0.65%

LAB 46.42, 54.82, -81.51

 

CMYK 51 / 60 / 0 / 7

HEX #735FEC

RGB 115 95 236

HSL 248.51, 0.79%, 0.65%

LAB 49.36, 44.12, -68.85

 

CMYK 43 / 51 / 0 / 13

HEX #7D6DDD

RGB 125 109 221

HSL 248.57, 0.62%, 0.65%

LAB 52.42, 33.69, -55.43

 

CMYK 35 / 40 / 0 / 19

HEX #877CCF

RGB 135 124 207

HSL 247.95, 0.46%, 0.65%

LAB 56.16, 23.48, -41.52

 

CMYK 24 / 28 / 0 / 25

HEX #928AC0

RGB 146 138 192

HSL 248.89, 0.3%, 0.65%

LAB 59.97, 14.68, -27.01

 

CMYK 12 / 14 / 0 / 30

HEX #9C99B2

RGB 156 153 178

HSL 247.2, 0.14%, 0.65%

LAB 64.21, 6.16, -12.59

 

CMYK 60 / 36 / 0 / 7

HEX #5F97EC

RGB 95 151 236

HSL 216.17, 0.79%, 0.65%

LAB 62.19, 6.89, -48.36

 

CMYK 60 / 52 / 0 / 7

HEX #5F72EC

RGB 95 114 236

HSL 231.91, 0.79%, 0.65%

LAB 52.42, 29.13, -63.96

 

CMYK 52 / 60 / 0 / 7

HEX #725FEC

RGB 114 95 236

HSL 248.09, 0.79%, 0.65%

LAB 49.27, 43.93, -68.99

 

CMYK 36 / 60 / 0 / 7

HEX #975FEC

RGB 151 95 236

HSL 263.83, 0.79%, 0.65%

LAB 52.75, 51.47, -63.19

 

CMYK 20 / 60 / 0 / 7

HEX #BD5FEC

RGB 189 95 236

HSL 280, 0.79%, 0.65%

LAB 57.13, 60.15, -55.93

 

CMYK 76 / 88 / 0 / 13

HEX #361ADE

RGB 54 26 222

HSL 248.57, 0.79%, 0.49%

LAB 31.34, 66.6, -90.68

 

CMYK 65 / 75 / 0 / 9

HEX #523AE7

RGB 82 58 231

HSL 248.32, 0.78%, 0.57%

LAB 38.88, 57.92, -83.27

 

CMYK 51 / 60 / 0 / 7

HEX #735FEC

RGB 115 95 236

HSL 248.51, 0.79%, 0.65%

LAB 49.36, 44.12, -68.85

 

CMYK 39 / 45 / 0 / 6

HEX #9384F0

RGB 147 132 240

HSL 248.33, 0.78%, 0.73%

LAB 60.78, 30.86, -52.59

 

CMYK 27 / 31 / 0 / 4

HEX #B3A9F4

RGB 179 169 244

HSL 248, 0.77%, 0.81%

LAB 72.56, 19.51, -36.11

 

CMYK 51 / 60 / 0 / 7

HEX #735FEC

RGB 115 95 236

HSL 248.51, 0.79%, 0.65%

LAB 49.36, 44.12, -68.85

 

CMYK 0 / 60 / 20 / 7

HEX #EC5FBD

RGB 236 95 189

HSL 320, 0.79%, 0.65%

LAB 61.39, 64.25, -22.25

 

CMYK 44 / 0 / 60 / 7

HEX #84EC5F

RGB 132 236 95

HSL 104.26, 0.79%, 0.65%

LAB 84.85, -55.16, 57.75

 

CMYK 51 / 60 / 0 / 7

HEX #735FEC

RGB 115 95 236

HSL 248.51, 0.79%, 0.65%

LAB 49.36, 44.12, -68.85

 

CMYK 0 / 52 / 60 / 7

HEX #EC725F

RGB 236 114 95

HSL 8.09, 0.79%, 0.65%

LAB 62.25, 45.59, 32.77

 

CMYK 60 / 0 / 52 / 7

HEX #5FEC72

RGB 95 236 114

HSL 128.09, 0.79%, 0.65%

LAB 83.78, -62.54, 47.61

 

CMYK 51 / 60 / 0 / 7

HEX #735FEC

RGB 115 95 236

HSL 248.51, 0.79%, 0.65%

LAB 49.36, 44.12, -68.85

 

CMYK 0 / 60 / 20 / 7

HEX #EC5FBD

RGB 236 95 189

HSL 320, 0.79%, 0.65%

LAB 61.39, 64.25, -22.25

 

CMYK 8 / 0 / 60 / 7

HEX #D9EC5F

RGB 217 236 95

HSL 68.09, 0.79%, 0.65%

LAB 89.66, -24.9, 64.43

 

CMYK 60 / 0 / 40 / 7

HEX #5FEC8E

RGB 95 236 142

HSL 140, 0.79%, 0.65%

LAB 84.16, -58.3, 34.49

 

CMYK 51 / 60 / 0 / 7

HEX #735FEC

RGB 115 95 236

HSL 248.51, 0.79%, 0.65%

LAB 49.36, 44.12, -68.85

 

CMYK 0 / 60 / 38 / 7

HEX #EC5F92

RGB 236 95 146

HSL 338.3, 0.79%, 0.65%

LAB 59.97, 58.95, 0.41

 

CMYK 8 / 0 / 60 / 7

HEX #D9EC5F

RGB 217 236 95

HSL 68.09, 0.79%, 0.65%

LAB 89.66, -24.9, 64.43

 

CMYK 60 / 0 / 22 / 7

HEX #5FECB8

RGB 95 236 184

HSL 157.87, 0.79%, 0.65%

LAB 84.94, -50.15, 14

 

Description

Color code: HEX #735FEC | qconv.com Color code: HEX #735FEC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 95 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 95 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 60 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 60% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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