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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #735EB9 it is the complementary color #8CA146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #735EB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #735EB9 shade: #785EB4, #8970C7, #9A82DA, #AB94ED and #BCA6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #735EB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #735EB9 shade: #735EB9, #624CA6, #513A93, #402880 and #2F166D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #735EB9 shade: #745FB9, #8C5FB9, #A45FB9, #B95FB5 and #B95F9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #735EB9 shade: #745FB9 and #5F5FB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #735EB9 shade matches the following richer shades: #745FB9, #6A4CCB, #603ADE and #5627F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #735EB9 shade: #745FB9, #7E72A6, #888493, #929781 and #9CA96E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #735EB9 shade: #5F7BB9, #5F63B9, #725FB9, #8A5FB9 and #A25FB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #735EB9 shade: #4E3C89, #5E48A6, #745FB9, #8D7CC5 and #A698D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #735EB9 shade: #735EB9, #B95F93 and #6FB95F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #735EB9 shade: #735EB9, #B9725F and #5FB972

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #735EB9 shade: #735EB9, #B95F93, #A5B95F and #5FB984

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #735EB9 shade: #735EB9, #B95F78, #A5B95F and #5FB99F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 49 / 0 / 27

HEX #735EB9

RGB 115 94 185

HSL 253.85, 0.39%, 0.55%

LAB 45.84, 29.98, -45.35

 

Complementary color

CMYK 13 / 0 / 57 / 37

HEX #8CA146

RGB 140 161 70

HSL 73.85, 0.39%, 0.45%

LAB 62.93, -21.31, 44.16

 

CMYK 33 / 48 / 0 / 29

HEX #785EB4

RGB 120 94 180

HSL 258.14, 0.36%, 0.54%

LAB 46.03, 29.94, -42.11

 

CMYK 31 / 44 / 0 / 22

HEX #8970C7

RGB 137 112 199

HSL 257.24, 0.44%, 0.61%

LAB 52.98, 28.97, -41.97

 

CMYK 29 / 40 / 0 / 15

HEX #9A82DA

RGB 154 130 218

HSL 256.36, 0.54%, 0.68%

LAB 59.8, 28.1, -41.87

 

CMYK 28 / 38 / 0 / 7

HEX #AB94ED

RGB 171 148 237

HSL 255.51, 0.71%, 0.75%

LAB 66.48, 27.32, -41.81

 

CMYK 26 / 35 / 0 / 0

HEX #BCA6FF

RGB 188 166 255

HSL 254.83, 1%, 0.83%

LAB 73.01, 26.37, -41.3

 

CMYK 38 / 49 / 0 / 27

HEX #735EB9

RGB 115 94 185

HSL 253.85, 0.39%, 0.55%

LAB 45.84, 29.98, -45.35

 

CMYK 41 / 54 / 0 / 35

HEX #624CA6

RGB 98 76 166

HSL 254.67, 0.37%, 0.47%

LAB 38.76, 31.17, -45.58

 

CMYK 45 / 61 / 0 / 42

HEX #513A93

RGB 81 58 147

HSL 255.51, 0.43%, 0.4%

LAB 31.54, 32.49, -45.82

 

CMYK 50 / 69 / 0 / 50

HEX #402880

RGB 64 40 128

HSL 256.36, 0.52%, 0.33%

LAB 24.21, 33.92, -45.98

 

CMYK 57 / 80 / 0 / 57

HEX #2F166D

RGB 47 22 109

HSL 257.24, 0.66%, 0.26%

LAB 16.9, 35.22, -45.84

 

CMYK 37 / 49 / 0 / 27

HEX #745FB9

RGB 116 95 185

HSL 254, 0.39%, 0.55%

LAB 46.18, 29.64, -44.82

 

CMYK 24 / 49 / 0 / 27

HEX #8C5FB9

RGB 140 95 185

HSL 270, 0.39%, 0.55%

LAB 48.59, 36.15, -40.84

 

CMYK 11 / 49 / 0 / 27

HEX #A45FB9

RGB 164 95 185

HSL 286, 0.39%, 0.55%

LAB 51.36, 42.98, -36.28

 

CMYK 0 / 49 / 2 / 27

HEX #B95FB5

RGB 185 95 181

HSL 302.67, 0.39%, 0.55%

LAB 53.85, 48.34, -29.88

 

CMYK 0 / 49 / 15 / 27

HEX #B95F9D

RGB 185 95 157

HSL 318.67, 0.39%, 0.55%

LAB 52.88, 44.25, -17.4

 

CMYK 37 / 49 / 0 / 27

HEX #745FB9

RGB 116 95 185

HSL 254, 0.39%, 0.55%

LAB 46.18, 29.64, -44.82

 

CMYK 49 / 49 / 0 / 27

HEX #5F5FB9

RGB 95 95 185

HSL 240, 0.39%, 0.55%

LAB 44.4, 24.45, -47.75

 

CMYK 37 / 49 / 0 / 27

HEX #745FB9

RGB 116 95 185

HSL 254, 0.39%, 0.55%

LAB 46.18, 29.64, -44.82

 

CMYK 48 / 63 / 0 / 20

HEX #6A4CCB

RGB 106 76 203

HSL 254.17, 0.55%, 0.55%

LAB 42.07, 43.63, -61.92

 

CMYK 57 / 74 / 0 / 13

HEX #603ADE

RGB 96 58 222

HSL 253.9, 0.71%, 0.55%

LAB 39.22, 56.99, -77.54

 

CMYK 64 / 84 / 0 / 6

HEX #5627F0

RGB 86 39 240

HSL 254.03, 0.87%, 0.55%

LAB 37.34, 68.93, -90.92

 

CMYK 37 / 49 / 0 / 27

HEX #745FB9

RGB 116 95 185

HSL 254, 0.39%, 0.55%

LAB 46.18, 29.64, -44.82

 

CMYK 24 / 31 / 0 / 35

HEX #7E72A6

RGB 126 114 166

HSL 253.85, 0.23%, 0.55%

LAB 50.95, 16.11, -26.19

 

CMYK 7 / 10 / 0 / 42

HEX #888493

RGB 136 132 147

HSL 256, 0.06%, 0.55%

LAB 55.93, 4.53, -7.49

 

CMYK 3 / 0 / 15 / 41

HEX #929781

RGB 146 151 129

HSL 73.64, 0.1%, 0.55%

LAB 61.51, -5.87, 10.99

 

CMYK 8 / 0 / 35 / 34

HEX #9CA96E

RGB 156 169 110

HSL 73.22, 0.26%, 0.55%

LAB 66.95, -14.45, 28.97

 

CMYK 49 / 34 / 0 / 27

HEX #5F7BB9

RGB 95 123 185

HSL 221.33, 0.39%, 0.55%

LAB 51.95, 7.25, -35.79

 

CMYK 49 / 46 / 0 / 27

HEX #5F63B9

RGB 95 99 185

HSL 237.33, 0.39%, 0.55%

LAB 45.44, 21.97, -46.09

 

CMYK 38 / 49 / 0 / 27

HEX #725FB9

RGB 114 95 185

HSL 252.67, 0.39%, 0.55%

LAB 45.99, 29.13, -45.12

 

CMYK 25 / 49 / 0 / 27

HEX #8A5FB9

RGB 138 95 185

HSL 268.67, 0.39%, 0.55%

LAB 48.37, 35.59, -41.19

 

CMYK 12 / 49 / 0 / 27

HEX #A25FB9

RGB 162 95 185

HSL 284.67, 0.39%, 0.55%

LAB 51.12, 42.41, -36.68

 

CMYK 43 / 56 / 0 / 46

HEX #4E3C89

RGB 78 60 137

HSL 254.03, 0.39%, 0.39%

LAB 31.01, 27.53, -40.53

 

CMYK 43 / 57 / 0 / 35

HEX #5E48A6

RGB 94 72 166

HSL 254.04, 0.39%, 0.47%

LAB 37.42, 32.63, -47.75

 

CMYK 37 / 49 / 0 / 27

HEX #745FB9

RGB 116 95 185

HSL 254, 0.39%, 0.55%

LAB 46.18, 29.64, -44.82

 

CMYK 28 / 37 / 0 / 23

HEX #8D7CC5

RGB 141 124 197

HSL 253.97, 0.39%, 0.63%

LAB 56.2, 22.57, -35.75

 

CMYK 21 / 28 / 0 / 18

HEX #A698D2

RGB 166 152 210

HSL 254.48, 0.39%, 0.71%

LAB 65.92, 17.14, -27.8

 

CMYK 38 / 49 / 0 / 27

HEX #735EB9

RGB 115 94 185

HSL 253.85, 0.39%, 0.55%

LAB 45.84, 29.98, -45.35

 

CMYK 0 / 49 / 21 / 27

HEX #B95F93

RGB 185 95 147

HSL 325.33, 0.39%, 0.55%

LAB 52.51, 42.7, -12.06

 

CMYK 40 / 0 / 49 / 27

HEX #6FB95F

RGB 111 185 95

HSL 109.33, 0.39%, 0.55%

LAB 68.68, -40.56, 38.38

 

CMYK 38 / 49 / 0 / 27

HEX #735EB9

RGB 115 94 185

HSL 253.85, 0.39%, 0.55%

LAB 45.84, 29.98, -45.35

 

CMYK 0 / 38 / 49 / 27

HEX #B9725F

RGB 185 114 95

HSL 12.67, 0.39%, 0.55%

LAB 55.25, 25.93, 22.34

 

CMYK 49 / 0 / 38 / 27

HEX #5FB972

RGB 95 185 114

HSL 132.67, 0.39%, 0.55%

LAB 68.27, -42.44, 27.95

 

CMYK 38 / 49 / 0 / 27

HEX #735EB9

RGB 115 94 185

HSL 253.85, 0.39%, 0.55%

LAB 45.84, 29.98, -45.35

 

CMYK 0 / 49 / 21 / 27

HEX #B95F93

RGB 185 95 147

HSL 325.33, 0.39%, 0.55%

LAB 52.51, 42.7, -12.06

 

CMYK 11 / 0 / 49 / 27

HEX #A5B95F

RGB 165 185 95

HSL 73.33, 0.39%, 0.55%

LAB 71.91, -20.77, 43.06

 

CMYK 49 / 0 / 29 / 27

HEX #5FB984

RGB 95 185 132

HSL 144.67, 0.39%, 0.55%

LAB 68.6, -39.13, 18.78

 

CMYK 38 / 49 / 0 / 27

HEX #735EB9

RGB 115 94 185

HSL 253.85, 0.39%, 0.55%

LAB 45.84, 29.98, -45.35

 

CMYK 0 / 49 / 35 / 27

HEX #B95F78

RGB 185 95 120

HSL 343.33, 0.39%, 0.55%

LAB 51.67, 38.97, 2.7

 

CMYK 11 / 0 / 49 / 27

HEX #A5B95F

RGB 165 185 95

HSL 73.33, 0.39%, 0.55%

LAB 71.91, -20.77, 43.06

 

CMYK 49 / 0 / 14 / 27

HEX #5FB99F

RGB 95 185 159

HSL 162.67, 0.39%, 0.55%

LAB 69.21, -33.3, 4.93

 

Description

Color code: HEX #735EB9 | qconv.com Color code: HEX #735EB9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 94 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 94 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 49 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 49% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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