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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #735DA8 it is the complementary color #8CA257. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #735DA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #735DA8 shade: #785DA3, #896FB6, #9A81C9, #AB93DC and #BCA5EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #735DA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #735DA8 shade: #735DA8, #624B95, #513982, #40276F and #2F155C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #735DA8 shade: #725CA7, #865CA7, #9A5CA7, #A75C9F and #A75C8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #735DA8 shade: #725CA7, #5E5CA7 and #5C5CA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #735DA8 shade matches the following richer shades: #725CA7, #6A48BB, #6134CF, #591FE4 and #510BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #735DA8 shade: #725CA7, #7A7093, #83847F, #8B996A and #93AD56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #735DA8 shade: #5C6FA7, #5D5CA7, #715CA7, #855CA7 and #995CA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #735DA8 shade: #4D3E73, #5F4C8E, #725CA7, #8977B5 and #A092C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #735DA8 shade: #735DA8, #A75C83 and #65A75C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #735DA8 shade: #735DA8, #A7715C and #5CA771

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #735DA8 shade: #735DA8, #A75C83, #92A75C and #5CA780

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #735DA8 shade: #735DA8, #A75C6C, #92A75C and #5CA797

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 45 / 0 / 34

HEX #735DA8

RGB 115 93 168

HSL 257.6, 0.3%, 0.51%

LAB 44.66, 25.94, -37.27

 

Complementary color

CMYK 14 / 0 / 46 / 36

HEX #8CA257

RGB 140 162 87

HSL 77.6, 0.3%, 0.49%

LAB 63.43, -20.07, 36.31

 

CMYK 26 / 43 / 0 / 36

HEX #785DA3

RGB 120 93 163

HSL 263.14, 0.28%, 0.5%

LAB 44.89, 26.09, -33.92

 

CMYK 25 / 39 / 0 / 29

HEX #896FB6

RGB 137 111 182

HSL 261.97, 0.33%, 0.57%

LAB 51.91, 25.25, -33.89

 

CMYK 23 / 36 / 0 / 21

HEX #9A81C9

RGB 154 129 201

HSL 260.83, 0.4%, 0.65%

LAB 58.78, 24.5, -33.9

 

CMYK 22 / 33 / 0 / 14

HEX #AB93DC

RGB 171 147 220

HSL 259.73, 0.51%, 0.72%

LAB 65.51, 23.82, -33.94

 

CMYK 21 / 31 / 0 / 6

HEX #BCA5EF

RGB 188 165 239

HSL 258.65, 0.7%, 0.79%

LAB 72.12, 23.2, -34.02

 

CMYK 32 / 45 / 0 / 34

HEX #735DA8

RGB 115 93 168

HSL 257.6, 0.3%, 0.51%

LAB 44.66, 25.94, -37.27

 

CMYK 34 / 50 / 0 / 42

HEX #624B95

RGB 98 75 149

HSL 258.65, 0.33%, 0.44%

LAB 37.48, 26.96, -37.42

 

CMYK 38 / 56 / 0 / 49

HEX #513982

RGB 81 57 130

HSL 259.73, 0.39%, 0.37%

LAB 30.13, 28.11, -37.59

 

CMYK 42 / 65 / 0 / 56

HEX #40276F

RGB 64 39 111

HSL 260.83, 0.48%, 0.29%

LAB 22.61, 29.37, -37.74

 

CMYK 49 / 77 / 0 / 64

HEX #2F155C

RGB 47 21 92

HSL 261.97, 0.63%, 0.22%

LAB 15.03, 30.56, -37.69

 

CMYK 32 / 45 / 0 / 35

HEX #725CA7

RGB 114 92 167

HSL 257.6, 0.3%, 0.51%

LAB 44.26, 25.99, -37.32

 

CMYK 20 / 45 / 0 / 35

HEX #865CA7

RGB 134 92 167

HSL 273.6, 0.3%, 0.51%

LAB 46.33, 31.85, -33.92

 

CMYK 8 / 45 / 0 / 35

HEX #9A5CA7

RGB 154 92 167

HSL 289.6, 0.3%, 0.51%

LAB 48.65, 37.91, -30.11

 

CMYK 0 / 45 / 5 / 35

HEX #A75C9F

RGB 167 92 159

HSL 306.4, 0.3%, 0.51%

LAB 49.95, 40.42, -23.27

 

CMYK 0 / 45 / 17 / 35

HEX #A75C8B

RGB 167 92 139

HSL 322.4, 0.3%, 0.51%

LAB 49.17, 36.97, -12.6

 

CMYK 32 / 45 / 0 / 35

HEX #725CA7

RGB 114 92 167

HSL 257.6, 0.3%, 0.51%

LAB 44.26, 25.99, -37.32

 

CMYK 44 / 45 / 0 / 35

HEX #5E5CA7

RGB 94 92 167

HSL 241.6, 0.3%, 0.51%

LAB 42.5, 20.55, -40.23

 

CMYK 45 / 45 / 0 / 35

HEX #5C5CA7

RGB 92 92 167

HSL 240, 0.3%, 0.51%

LAB 42.34, 20.04, -40.49

 

CMYK 32 / 45 / 0 / 35

HEX #725CA7

RGB 114 92 167

HSL 257.6, 0.3%, 0.51%

LAB 44.26, 25.99, -37.32

 

CMYK 43 / 61 / 0 / 27

HEX #6A48BB

RGB 106 72 187

HSL 257.74, 0.46%, 0.51%

LAB 40.06, 41.35, -55.86

 

CMYK 53 / 75 / 0 / 19

HEX #6134CF

RGB 97 52 207

HSL 257.42, 0.62%, 0.51%

LAB 36.93, 55.85, -72.66

 

CMYK 61 / 86 / 0 / 11

HEX #591FE4

RGB 89 31 228

HSL 257.66, 0.78%, 0.51%

LAB 35.41, 68.76, -87.28

 

CMYK 67 / 96 / 0 / 3

HEX #510BF8

RGB 81 11 248

HSL 257.72, 0.94%, 0.51%

LAB 35.53, 77.53, -98.45

 

CMYK 32 / 45 / 0 / 35

HEX #725CA7

RGB 114 92 167

HSL 257.6, 0.3%, 0.51%

LAB 44.26, 25.99, -37.32

 

CMYK 17 / 24 / 0 / 42

HEX #7A7093

RGB 122 112 147

HSL 257.14, 0.14%, 0.51%

LAB 49.29, 11.37, -17.63

 

CMYK 1 / 0 / 4 / 48

HEX #83847F

RGB 131 132 127

HSL 72, 0.02%, 0.51%

LAB 54.93, -1.35, 2.56

 

CMYK 9 / 0 / 31 / 40

HEX #8B996A

RGB 139 153 106

HSL 77.87, 0.19%, 0.51%

LAB 61.06, -13.32, 23.1

 

CMYK 15 / 0 / 50 / 32

HEX #93AD56

RGB 147 173 86

HSL 77.93, 0.35%, 0.51%

LAB 67.1, -22.91, 41.4

 

CMYK 45 / 34 / 0 / 35

HEX #5C6FA7

RGB 92 111 167

HSL 224.8, 0.3%, 0.51%

LAB 47.54, 8.24, -32.28

 

CMYK 44 / 45 / 0 / 35

HEX #5D5CA7

RGB 93 92 167

HSL 240.8, 0.3%, 0.51%

LAB 42.42, 20.29, -40.36

 

CMYK 32 / 45 / 0 / 35

HEX #715CA7

RGB 113 92 167

HSL 256.8, 0.3%, 0.51%

LAB 44.17, 25.71, -37.47

 

CMYK 20 / 45 / 0 / 35

HEX #855CA7

RGB 133 92 167

HSL 272.8, 0.3%, 0.51%

LAB 46.22, 31.55, -34.1

 

CMYK 8 / 45 / 0 / 35

HEX #995CA7

RGB 153 92 167

HSL 288.8, 0.3%, 0.51%

LAB 48.53, 37.61, -30.31

 

CMYK 33 / 46 / 0 / 55

HEX #4D3E73

RGB 77 62 115

HSL 256.98, 0.3%, 0.35%

LAB 30.06, 19.46, -28.31

 

CMYK 33 / 46 / 0 / 44

HEX #5F4C8E

RGB 95 76 142

HSL 257.27, 0.3%, 0.43%

LAB 37.03, 23.54, -33.9

 

CMYK 32 / 45 / 0 / 35

HEX #725CA7

RGB 114 92 167

HSL 257.6, 0.3%, 0.51%

LAB 44.26, 25.99, -37.32

 

CMYK 24 / 34 / 0 / 29

HEX #8977B5

RGB 137 119 181

HSL 257.42, 0.3%, 0.59%

LAB 53.87, 20.3, -30.26

 

CMYK 18 / 26 / 0 / 23

HEX #A092C4

RGB 160 146 196

HSL 256.8, 0.3%, 0.67%

LAB 63.36, 15.44, -23.96

 

CMYK 32 / 45 / 0 / 34

HEX #735DA8

RGB 115 93 168

HSL 257.6, 0.3%, 0.51%

LAB 44.66, 25.94, -37.27

 

CMYK 0 / 45 / 22 / 35

HEX #A75C83

RGB 167 92 131

HSL 328.8, 0.3%, 0.51%

LAB 48.89, 35.7, -8.24

 

CMYK 40 / 0 / 45 / 35

HEX #65A75C

RGB 101 167 92

HSL 112.8, 0.3%, 0.51%

LAB 62.66, -36.2, 32.25

 

CMYK 32 / 45 / 0 / 34

HEX #735DA8

RGB 115 93 168

HSL 257.6, 0.3%, 0.51%

LAB 44.66, 25.94, -37.27

 

CMYK 0 / 32 / 45 / 35

HEX #A7715C

RGB 167 113 92

HSL 16.8, 0.3%, 0.51%

LAB 52.73, 18.79, 20.3

 

CMYK 45 / 0 / 32 / 35

HEX #5CA771

RGB 92 167 113

HSL 136.8, 0.3%, 0.51%

LAB 62.6, -35.49, 20.87

 

CMYK 32 / 45 / 0 / 34

HEX #735DA8

RGB 115 93 168

HSL 257.6, 0.3%, 0.51%

LAB 44.66, 25.94, -37.27

 

CMYK 0 / 45 / 22 / 35

HEX #A75C83

RGB 167 92 131

HSL 328.8, 0.3%, 0.51%

LAB 48.89, 35.7, -8.24

 

CMYK 13 / 0 / 45 / 35

HEX #92A75C

RGB 146 167 92

HSL 76.8, 0.3%, 0.51%

LAB 65.37, -19.63, 36.25

 

CMYK 45 / 0 / 23 / 35

HEX #5CA780

RGB 92 167 128

HSL 148.8, 0.3%, 0.51%

LAB 62.9, -32.51, 13.04

 

CMYK 32 / 45 / 0 / 34

HEX #735DA8

RGB 115 93 168

HSL 257.6, 0.3%, 0.51%

LAB 44.66, 25.94, -37.27

 

CMYK 0 / 45 / 35 / 35

HEX #A75C6C

RGB 167 92 108

HSL 347.2, 0.3%, 0.51%

LAB 48.2, 32.44, 4.55

 

CMYK 13 / 0 / 45 / 35

HEX #92A75C

RGB 146 167 92

HSL 76.8, 0.3%, 0.51%

LAB 65.37, -19.63, 36.25

 

CMYK 45 / 0 / 10 / 35

HEX #5CA797

RGB 92 167 151

HSL 167.2, 0.3%, 0.51%

LAB 63.46, -27.29, 1.02

 

Description

Color code: HEX #735DA8 | qconv.com Color code: HEX #735DA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 93 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 93 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 45 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 45% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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