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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #734DB4 it is the complementary color #8CB24B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #734DB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #734DB4 shade: #784DAF, #895FC2, #9A71D5, #AB83E8 and #BC95FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #734DB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #734DB4 shade: #734DB4, #623BA1, #51298E, #40177B and #2F0568

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #734DB4 shade: #714BB3, #8D4BB3, #AA4BB3, #B34BA1 and #B34B84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #734DB4 shade: #714BB3, #554BB3 and #4B4BB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #734DB4 shade matches the following richer shades: #714BB3, #6C36C8, #6621DD and #610DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #734DB4 shade: #714BB3, #775F9F, #7C748A, #828975 and #879D61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #734DB4 shade: #4B5CB3, #554BB3, #714BB3, #8D4BB3 and #A94BB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #734DB4 shade: #4C3279, #5F3F96, #714BB3, #8868BF and #9F85CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #734DB4 shade: #734DB4, #B34B78 and #4EB34B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #734DB4 shade: #734DB4, #B3714B and #4BB371

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #734DB4 shade: #734DB4, #B34B78, #8DB34B and #4BB386

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #734DB4 shade: #734DB4, #B34B59, #8DB34B and #4BB3A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 57 / 0 / 29

HEX #734DB4

RGB 115 77 180

HSL 262.14, 0.41%, 0.5%

LAB 41.61, 38.62, -49.21

 

Complementary color

CMYK 21 / 0 / 58 / 30

HEX #8CB24B

RGB 140 178 75

HSL 82.14, 0.41%, 0.5%

LAB 67.96, -29.2, 47.56

 

CMYK 31 / 56 / 0 / 31

HEX #784DAF

RGB 120 77 175

HSL 266.33, 0.39%, 0.49%

LAB 41.84, 38.56, -45.86

 

CMYK 29 / 51 / 0 / 24

HEX #895FC2

RGB 137 95 194

HSL 265.45, 0.45%, 0.57%

LAB 48.76, 37.54, -45.8

 

CMYK 28 / 47 / 0 / 16

HEX #9A71D5

RGB 154 113 213

HSL 264.6, 0.54%, 0.64%

LAB 55.57, 36.58, -45.73

 

CMYK 26 / 44 / 0 / 9

HEX #AB83E8

RGB 171 131 232

HSL 263.76, 0.69%, 0.71%

LAB 62.27, 35.69, -45.67

 

CMYK 25 / 41 / 0 / 2

HEX #BC95FB

RGB 188 149 251

HSL 262.94, 0.93%, 0.78%

LAB 68.86, 34.86, -45.63

 

CMYK 36 / 57 / 0 / 29

HEX #734DB4

RGB 115 77 180

HSL 262.14, 0.41%, 0.5%

LAB 41.61, 38.62, -49.21

 

CMYK 39 / 63 / 0 / 37

HEX #623BA1

RGB 98 59 161

HSL 262.94, 0.46%, 0.43%

LAB 34.6, 39.76, -49.29

 

CMYK 43 / 71 / 0 / 44

HEX #51298E

RGB 81 41 142

HSL 263.76, 0.55%, 0.36%

LAB 27.54, 40.8, -49.22

 

CMYK 48 / 81 / 0 / 52

HEX #40177B

RGB 64 23 123

HSL 264.6, 0.68%, 0.29%

LAB 20.57, 41.42, -48.77

 

CMYK 55 / 95 / 0 / 59

HEX #2F0568

RGB 47 5 104

HSL 265.45, 0.91%, 0.21%

LAB 13.9, 40.97, -47.51

 

CMYK 37 / 58 / 0 / 30

HEX #714BB3

RGB 113 75 179

HSL 261.92, 0.41%, 0.5%

LAB 40.89, 39.02, -49.78

 

CMYK 21 / 58 / 0 / 30

HEX #8D4BB3

RGB 141 75 179

HSL 278.08, 0.41%, 0.5%

LAB 44.16, 45.99, -44.36

 

CMYK 5 / 58 / 0 / 30

HEX #AA4BB3

RGB 170 75 179

HSL 294.81, 0.41%, 0.5%

LAB 48.05, 53.54, -37.95

 

CMYK 0 / 58 / 10 / 30

HEX #B34BA1

RGB 179 75 161

HSL 310.38, 0.41%, 0.5%

LAB 48.5, 52.85, -26.56

 

CMYK 0 / 58 / 26 / 30

HEX #B34B84

RGB 179 75 132

HSL 327.12, 0.41%, 0.5%

LAB 47.34, 48.49, -11

 

CMYK 37 / 58 / 0 / 30

HEX #714BB3

RGB 113 75 179

HSL 261.92, 0.41%, 0.5%

LAB 40.89, 39.02, -49.78

 

CMYK 53 / 58 / 0 / 30

HEX #554BB3

RGB 85 75 179

HSL 245.77, 0.41%, 0.5%

LAB 38.23, 32.79, -54.21

 

CMYK 58 / 58 / 0 / 30

HEX #4B4BB3

RGB 75 75 179

HSL 240, 0.41%, 0.5%

LAB 37.45, 30.84, -55.51

 

CMYK 37 / 58 / 0 / 30

HEX #714BB3

RGB 113 75 179

HSL 261.92, 0.41%, 0.5%

LAB 40.89, 39.02, -49.78

 

CMYK 46 / 73 / 0 / 22

HEX #6C36C8

RGB 108 54 200

HSL 262.19, 0.57%, 0.5%

LAB 37.84, 54.7, -67.06

 

CMYK 54 / 85 / 0 / 13

HEX #6621DD

RGB 102 33 221

HSL 262.02, 0.74%, 0.5%

LAB 36.24, 67.57, -81.86

 

CMYK 60 / 95 / 0 / 5

HEX #610DF1

RGB 97 13 241

HSL 262.11, 0.9%, 0.5%

LAB 36.33, 76.48, -93.13

 

CMYK 37 / 58 / 0 / 30

HEX #714BB3

RGB 113 75 179

HSL 261.92, 0.41%, 0.5%

LAB 40.89, 39.02, -49.78

 

CMYK 25 / 40 / 0 / 38

HEX #775F9F

RGB 119 95 159

HSL 262.5, 0.25%, 0.5%

LAB 45.09, 23.57, -31.24

 

CMYK 10 / 16 / 0 / 46

HEX #7C748A

RGB 124 116 138

HSL 261.82, 0.09%, 0.5%

LAB 50.23, 7.63, -10.88

 

CMYK 5 / 0 / 15 / 46

HEX #828975

RGB 130 137 117

HSL 81, 0.08%, 0.5%

LAB 56.01, -6.38, 9.86

 

CMYK 14 / 0 / 38 / 38

HEX #879D61

RGB 135 157 97

HSL 82, 0.24%, 0.5%

LAB 61.76, -18.26, 28.87

 

CMYK 58 / 49 / 0 / 30

HEX #4B5CB3

RGB 75 92 179

HSL 230.19, 0.41%, 0.5%

LAB 41.85, 20.03, -48.41

 

CMYK 53 / 58 / 0 / 30

HEX #554BB3

RGB 85 75 179

HSL 245.77, 0.41%, 0.5%

LAB 38.23, 32.79, -54.21

 

CMYK 37 / 58 / 0 / 30

HEX #714BB3

RGB 113 75 179

HSL 261.92, 0.41%, 0.5%

LAB 40.89, 39.02, -49.78

 

CMYK 21 / 58 / 0 / 30

HEX #8D4BB3

RGB 141 75 179

HSL 278.08, 0.41%, 0.5%

LAB 44.16, 45.99, -44.36

 

CMYK 6 / 58 / 0 / 30

HEX #A94BB3

RGB 169 75 179

HSL 294.23, 0.41%, 0.5%

LAB 47.91, 53.28, -38.18

 

CMYK 37 / 59 / 0 / 53

HEX #4C3279

RGB 76 50 121

HSL 261.97, 0.42%, 0.34%

LAB 27.29, 28.54, -36.52

 

CMYK 37 / 58 / 0 / 41

HEX #5F3F96

RGB 95 63 150

HSL 262.07, 0.41%, 0.42%

LAB 34.38, 33.71, -43

 

CMYK 37 / 58 / 0 / 30

HEX #714BB3

RGB 113 75 179

HSL 261.92, 0.41%, 0.5%

LAB 40.89, 39.02, -49.78

 

CMYK 29 / 46 / 0 / 25

HEX #8868BF

RGB 136 104 191

HSL 262.07, 0.4%, 0.58%

LAB 50.57, 31.32, -41.21

 

CMYK 22 / 35 / 0 / 20

HEX #9F85CC

RGB 159 133 204

HSL 261.97, 0.41%, 0.66%

LAB 60.34, 24.42, -33.12

 

CMYK 36 / 57 / 0 / 29

HEX #734DB4

RGB 115 77 180

HSL 262.14, 0.41%, 0.5%

LAB 41.61, 38.62, -49.21

 

CMYK 0 / 58 / 33 / 30

HEX #B34B78

RGB 179 75 120

HSL 334.04, 0.41%, 0.5%

LAB 46.94, 46.91, -4.34

 

CMYK 56 / 0 / 58 / 30

HEX #4EB34B

RGB 78 179 75

HSL 118.27, 0.41%, 0.5%

LAB 65.25, -50.22, 43.65

 

CMYK 36 / 57 / 0 / 29

HEX #734DB4

RGB 115 77 180

HSL 262.14, 0.41%, 0.5%

LAB 41.61, 38.62, -49.21

 

CMYK 0 / 37 / 58 / 30

HEX #B3714B

RGB 179 113 75

HSL 21.92, 0.41%, 0.5%

LAB 53.92, 22.2, 31.77

 

CMYK 58 / 0 / 37 / 30

HEX #4BB371

RGB 75 179 113

HSL 141.92, 0.41%, 0.5%

LAB 65.69, -45.12, 24.92

 

CMYK 36 / 57 / 0 / 29

HEX #734DB4

RGB 115 77 180

HSL 262.14, 0.41%, 0.5%

LAB 41.61, 38.62, -49.21

 

CMYK 0 / 58 / 33 / 30

HEX #B34B78

RGB 179 75 120

HSL 334.04, 0.41%, 0.5%

LAB 46.94, 46.91, -4.34

 

CMYK 21 / 0 / 58 / 30

HEX #8DB34B

RGB 141 179 75

HSL 81.92, 0.41%, 0.5%

LAB 68.32, -29.29, 47.99

 

CMYK 58 / 0 / 25 / 30

HEX #4BB386

RGB 75 179 134

HSL 154.04, 0.41%, 0.5%

LAB 66.1, -40.86, 14.12

 

CMYK 36 / 57 / 0 / 29

HEX #734DB4

RGB 115 77 180

HSL 262.14, 0.41%, 0.5%

LAB 41.61, 38.62, -49.21

 

CMYK 0 / 58 / 50 / 30

HEX #B34B59

RGB 179 75 89

HSL 351.92, 0.41%, 0.5%

LAB 46.09, 43.53, 13.34

 

CMYK 21 / 0 / 58 / 30

HEX #8DB34B

RGB 141 179 75

HSL 81.92, 0.41%, 0.5%

LAB 68.32, -29.29, 47.99

 

CMYK 58 / 0 / 8 / 30

HEX #4BB3A5

RGB 75 179 165

HSL 171.92, 0.41%, 0.5%

LAB 66.86, -33.38, -1.87

 

Description

Color code: HEX #734DB4 | qconv.com Color code: HEX #734DB4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 77 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 77 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 57 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 57% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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