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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7340C8 it is the complementary color #8CBF37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7340C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7340C8 shade: #7840C3, #8952D6, #9A64E9, #AB76FC and #BC88FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7340C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7340C8 shade: #7340C8, #622EB5, #511CA2, #400A8F and #2F007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7340C8 shade: #7341C7, #9841C7, #BC41C7, #C741AF and #C7418A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7340C8 shade: #7341C7, #4F41C7 and #4141C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7340C8 shade matches the following richer shades: #7341C7, #6E2DDB and #6919EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7340C8 shade: #7341C7, #7855B4, #7D68A0, #827C8C and #879078

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7340C8 shade: #4157C7, #4E41C7, #7241C7, #9641C7 and #BA41C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7340C8 shade: #4E298D, #6032AD, #7341C7, #8B61D1 and #A281DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7340C8 shade: #7340C8, #C7417B and #45C741

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7340C8 shade: #7340C8, #C77241 and #41C772

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7340C8 shade: #7340C8, #C7417B, #96C741 and #41C78D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7340C8 shade: #7340C8, #C74153, #96C741 and #41C7B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 68 / 0 / 22

HEX #7340C8

RGB 115 64 200

HSL 262.5, 0.55%, 0.52%

LAB 40.38, 51.01, -62.88

 

Complementary color

CMYK 27 / 0 / 71 / 25

HEX #8CBF37

RGB 140 191 55

HSL 82.5, 0.55%, 0.48%

LAB 71.63, -36.78, 59.82

 

CMYK 38 / 67 / 0 / 24

HEX #7840C3

RGB 120 64 195

HSL 265.65, 0.52%, 0.51%

LAB 40.57, 50.69, -59.63

 

CMYK 36 / 62 / 0 / 16

HEX #8952D6

RGB 137 82 214

HSL 265, 0.62%, 0.58%

LAB 47.25, 49.75, -59.71

 

CMYK 34 / 57 / 0 / 9

HEX #9A64E9

RGB 154 100 233

HSL 264.36, 0.75%, 0.65%

LAB 53.89, 48.73, -59.67

 

CMYK 32 / 53 / 0 / 1

HEX #AB76FC

RGB 171 118 252

HSL 263.73, 0.96%, 0.73%

LAB 60.47, 47.72, -59.59

 

CMYK 26 / 47 / 0 / 0

HEX #BC88FF

RGB 188 136 255

HSL 266.22, 1%, 0.77%

LAB 66.15, 42.94, -52.09

 

CMYK 43 / 68 / 0 / 22

HEX #7340C8

RGB 115 64 200

HSL 262.5, 0.55%, 0.52%

LAB 40.38, 51.01, -62.88

 

CMYK 46 / 75 / 0 / 29

HEX #622EB5

RGB 98 46 181

HSL 263.11, 0.59%, 0.45%

LAB 33.75, 51.85, -62.63

 

CMYK 50 / 83 / 0 / 36

HEX #511CA2

RGB 81 28 162

HSL 263.73, 0.71%, 0.37%

LAB 27.27, 52.12, -61.94

 

CMYK 55 / 93 / 0 / 44

HEX #400A8F

RGB 64 10 143

HSL 264.36, 0.87%, 0.3%

LAB 21.17, 51.15, -60.38

 

CMYK 62 / 100 / 0 / 51

HEX #2F007C

RGB 47 0 124

HSL 262.74, 1%, 0.24%

LAB 15.8, 47.89, -57.36

 

CMYK 42 / 67 / 0 / 22

HEX #7341C7

RGB 115 65 199

HSL 262.39, 0.54%, 0.52%

LAB 40.49, 50.24, -62.12

 

CMYK 24 / 67 / 0 / 22

HEX #9841C7

RGB 152 65 199

HSL 278.96, 0.54%, 0.52%

LAB 45.05, 57.83, -54.52

 

CMYK 6 / 67 / 0 / 22

HEX #BC41C7

RGB 188 65 199

HSL 295.07, 0.54%, 0.52%

LAB 50.21, 65.81, -45.98

 

CMYK 0 / 67 / 12 / 22

HEX #C741AF

RGB 199 65 175

HSL 310.75, 0.54%, 0.52%

LAB 50.71, 64.53, -31.13

 

CMYK 0 / 67 / 31 / 22

HEX #C7418A

RGB 199 65 138

HSL 327.31, 0.54%, 0.52%

LAB 49.2, 59.51, -11.49

 

CMYK 42 / 67 / 0 / 22

HEX #7341C7

RGB 115 65 199

HSL 262.39, 0.54%, 0.52%

LAB 40.49, 50.24, -62.12

 

CMYK 60 / 67 / 0 / 22

HEX #4F41C7

RGB 79 65 199

HSL 246.27, 0.54%, 0.52%

LAB 37.05, 44.05, -67.88

 

CMYK 67 / 67 / 0 / 22

HEX #4141C7

RGB 65 65 199

HSL 240, 0.54%, 0.52%

LAB 36.04, 42.12, -69.58

 

CMYK 42 / 67 / 0 / 22

HEX #7341C7

RGB 115 65 199

HSL 262.39, 0.54%, 0.52%

LAB 40.49, 50.24, -62.12

 

CMYK 50 / 79 / 0 / 14

HEX #6E2DDB

RGB 110 45 219

HSL 262.41, 0.71%, 0.52%

LAB 38.39, 63.74, -77.14

 

CMYK 56 / 90 / 0 / 6

HEX #6919EF

RGB 105 25 239

HSL 262.43, 0.87%, 0.52%

LAB 37.72, 74.3, -89.66

 

CMYK 42 / 67 / 0 / 22

HEX #7341C7

RGB 115 65 199

HSL 262.39, 0.54%, 0.52%

LAB 40.49, 50.24, -62.12

 

CMYK 33 / 53 / 0 / 29

HEX #7855B4

RGB 120 85 180

HSL 262.11, 0.39%, 0.52%

LAB 43.92, 35.25, -45.47

 

CMYK 22 / 35 / 0 / 37

HEX #7D68A0

RGB 125 104 160

HSL 262.5, 0.23%, 0.52%

LAB 48.01, 20.28, -27.25

 

CMYK 7 / 11 / 0 / 45

HEX #827C8C

RGB 130 124 140

HSL 262.5, 0.07%, 0.52%

LAB 53.01, 5.52, -7.84

 

CMYK 6 / 0 / 17 / 44

HEX #879078

RGB 135 144 120

HSL 82.5, 0.1%, 0.52%

LAB 58.47, -7.8, 11.66

 

CMYK 67 / 56 / 0 / 22

HEX #4157C7

RGB 65 87 199

HSL 230.15, 0.54%, 0.52%

LAB 41.32, 28.43, -60.96

 

CMYK 61 / 67 / 0 / 22

HEX #4E41C7

RGB 78 65 199

HSL 245.82, 0.54%, 0.52%

LAB 36.97, 43.9, -68.01

 

CMYK 43 / 67 / 0 / 22

HEX #7241C7

RGB 114 65 199

HSL 261.94, 0.54%, 0.52%

LAB 40.38, 50.05, -62.31

 

CMYK 25 / 67 / 0 / 22

HEX #9641C7

RGB 150 65 199

HSL 278.06, 0.54%, 0.52%

LAB 44.78, 57.4, -54.97

 

CMYK 7 / 67 / 0 / 22

HEX #BA41C7

RGB 186 65 199

HSL 294.18, 0.54%, 0.52%

LAB 49.91, 65.36, -46.47

 

CMYK 45 / 71 / 0 / 45

HEX #4E298D

RGB 78 41 141

HSL 262.2, 0.55%, 0.36%

LAB 27.1, 39.93, -49.34

 

CMYK 45 / 71 / 0 / 32

HEX #6032AD

RGB 96 50 173

HSL 262.44, 0.55%, 0.44%

LAB 33.53, 47.43, -58.23

 

CMYK 42 / 67 / 0 / 22

HEX #7341C7

RGB 115 65 199

HSL 262.39, 0.54%, 0.52%

LAB 40.49, 50.24, -62.12

 

CMYK 33 / 54 / 0 / 18

HEX #8B61D1

RGB 139 97 209

HSL 262.5, 0.55%, 0.6%

LAB 50.27, 40.73, -51.99

 

CMYK 26 / 41 / 0 / 15

HEX #A281DA

RGB 162 129 218

HSL 262.25, 0.55%, 0.68%

LAB 60.29, 30.93, -41.05

 

CMYK 43 / 68 / 0 / 22

HEX #7340C8

RGB 115 64 200

HSL 262.5, 0.55%, 0.52%

LAB 40.38, 51.01, -62.88

 

CMYK 0 / 67 / 38 / 22

HEX #C7417B

RGB 199 65 123

HSL 334.03, 0.54%, 0.52%

LAB 48.7, 57.79, -3.18

 

CMYK 65 / 0 / 67 / 22

HEX #45C741

RGB 69 199 65

HSL 118.21, 0.54%, 0.52%

LAB 71.21, -60.62, 54.61

 

CMYK 43 / 68 / 0 / 22

HEX #7340C8

RGB 115 64 200

HSL 262.5, 0.55%, 0.52%

LAB 40.38, 51.01, -62.88

 

CMYK 0 / 43 / 67 / 22

HEX #C77241

RGB 199 114 65

HSL 21.94, 0.54%, 0.52%

LAB 56.64, 29.29, 41.02

 

CMYK 67 / 0 / 43 / 22

HEX #41C772

RGB 65 199 114

HSL 141.94, 0.54%, 0.52%

LAB 71.68, -54.86, 32.23

 

CMYK 43 / 68 / 0 / 22

HEX #7340C8

RGB 115 64 200

HSL 262.5, 0.55%, 0.52%

LAB 40.38, 51.01, -62.88

 

CMYK 0 / 67 / 38 / 22

HEX #C7417B

RGB 199 65 123

HSL 334.03, 0.54%, 0.52%

LAB 48.7, 57.79, -3.18

 

CMYK 25 / 0 / 67 / 22

HEX #96C741

RGB 150 199 65

HSL 81.94, 0.54%, 0.52%

LAB 74.64, -35.92, 59.28

 

CMYK 67 / 0 / 29 / 22

HEX #41C78D

RGB 65 199 141

HSL 154.03, 0.54%, 0.52%

LAB 72.16, -49.65, 18.71

 

CMYK 43 / 68 / 0 / 22

HEX #7340C8

RGB 115 64 200

HSL 262.5, 0.55%, 0.52%

LAB 40.38, 51.01, -62.88

 

CMYK 0 / 67 / 58 / 22

HEX #C74153

RGB 199 65 83

HSL 351.94, 0.54%, 0.52%

LAB 47.68, 54.2, 19.7

 

CMYK 25 / 0 / 67 / 22

HEX #96C741

RGB 150 199 65

HSL 81.94, 0.54%, 0.52%

LAB 74.64, -35.92, 59.28

 

CMYK 67 / 0 / 9 / 22

HEX #41C7B5

RGB 65 199 181

HSL 171.94, 0.54%, 0.52%

LAB 73.09, -40.06, -1.54

 

Description

Color code: HEX #7340C8 | qconv.com Color code: HEX #7340C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 64 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 64 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 68 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 68% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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