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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7339C5 it is the complementary color #8CC63A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7339C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7339C5 shade: #7839C0, #894BD3, #9A5DE6, #AB6FF9 and #BC81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7339C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7339C5 shade: #7339C5, #6227B2, #51159F, #40038C and #2F0079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7339C5 shade: #7339C5, #9939C5, #BF39C5, #C539A6 and #C53980

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7339C5 shade: #7339C5, #4D39C5 and #3939C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7339C5 shade matches the following richer shades: #7339C5, #6F24DA and #6C10EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7339C5 shade: #7339C5, #774EB0, #7A629C, #7E7787 and #818B73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7339C5 shade: #394CC5, #4C39C5, #7139C5, #9639C5 and #BC39C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7339C5 shade: #4E2685, #6030A5, #7339C5, #8A59CE and #A079D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7339C5 shade: #7339C5, #C53971 and #39C539

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7339C5 shade: #7339C5, #C57139 and #39C571

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7339C5 shade: #7339C5, #C53971, #8DC539 and #39C58D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7339C5 shade: #7339C5, #C53947, #8DC539 and #39C5B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 71 / 0 / 23

HEX #7339C5

RGB 115 57 197

HSL 264.86, 0.55%, 0.5%

LAB 38.9, 53.7, -63.54

 

Complementary color

CMYK 29 / 0 / 71 / 22

HEX #8CC63A

RGB 140 198 58

HSL 84.86, 0.55%, 0.5%

LAB 73.72, -39.71, 60.82

 

CMYK 38 / 70 / 0 / 25

HEX #7839C0

RGB 120 57 192

HSL 268, 0.54%, 0.49%

LAB 39.11, 53.37, -60.25

 

CMYK 35 / 64 / 0 / 17

HEX #894BD3

RGB 137 75 211

HSL 267.35, 0.61%, 0.56%

LAB 45.71, 52.62, -60.47

 

CMYK 33 / 60 / 0 / 10

HEX #9A5DE6

RGB 154 93 230

HSL 266.72, 0.73%, 0.63%

LAB 52.3, 51.71, -60.54

 

CMYK 31 / 55 / 0 / 2

HEX #AB6FF9

RGB 171 111 249

HSL 266.09, 0.92%, 0.71%

LAB 58.85, 50.74, -60.52

 

CMYK 26 / 49 / 0 / 0

HEX #BC81FF

RGB 188 129 255

HSL 268.1, 1%, 0.75%

LAB 64.65, 46.73, -54.46

 

CMYK 42 / 71 / 0 / 23

HEX #7339C5

RGB 115 57 197

HSL 264.86, 0.55%, 0.5%

LAB 38.9, 53.7, -63.54

 

CMYK 45 / 78 / 0 / 30

HEX #6227B2

RGB 98 39 178

HSL 265.47, 0.64%, 0.43%

LAB 32.4, 54.18, -63.06

 

CMYK 49 / 87 / 0 / 38

HEX #51159F

RGB 81 21 159

HSL 266.09, 0.77%, 0.35%

LAB 26.12, 53.84, -61.99

 

CMYK 54 / 98 / 0 / 45

HEX #40038C

RGB 64 3 140

HSL 266.72, 0.96%, 0.28%

LAB 20.24, 52.19, -60.05

 

CMYK 61 / 100 / 0 / 53

HEX #2F0079

RGB 47 0 121

HSL 263.31, 1%, 0.24%

LAB 15.41, 47.14, -56.08

 

CMYK 42 / 71 / 0 / 23

HEX #7339C5

RGB 115 57 197

HSL 264.86, 0.55%, 0.5%

LAB 38.9, 53.7, -63.54

 

CMYK 22 / 71 / 0 / 23

HEX #9939C5

RGB 153 57 197

HSL 281.14, 0.55%, 0.5%

LAB 43.84, 61.03, -55.3

 

CMYK 3 / 71 / 0 / 23

HEX #BF39C5

RGB 191 57 197

HSL 297.43, 0.55%, 0.5%

LAB 49.54, 69.03, -45.86

 

CMYK 0 / 71 / 16 / 23

HEX #C539A6

RGB 197 57 166

HSL 313.29, 0.55%, 0.5%

LAB 48.95, 65.61, -28.6

 

CMYK 0 / 71 / 35 / 23

HEX #C53980

RGB 197 57 128

HSL 329.57, 0.55%, 0.5%

LAB 47.44, 60.78, -8.13

 

CMYK 42 / 71 / 0 / 23

HEX #7339C5

RGB 115 57 197

HSL 264.86, 0.55%, 0.5%

LAB 38.9, 53.7, -63.54

 

CMYK 61 / 71 / 0 / 23

HEX #4D39C5

RGB 77 57 197

HSL 248.57, 0.55%, 0.5%

LAB 35.07, 47.64, -69.96

 

CMYK 71 / 71 / 0 / 23

HEX #3939C5

RGB 57 57 197

HSL 240, 0.55%, 0.5%

LAB 33.62, 45.23, -72.4

 

CMYK 42 / 71 / 0 / 23

HEX #7339C5

RGB 115 57 197

HSL 264.86, 0.55%, 0.5%

LAB 38.9, 53.7, -63.54

 

CMYK 49 / 83 / 0 / 15

HEX #6F24DA

RGB 111 36 218

HSL 264.73, 0.72%, 0.5%

LAB 37.3, 66.85, -78.34

 

CMYK 55 / 93 / 0 / 7

HEX #6C10EE

RGB 108 16 238

HSL 264.86, 0.87%, 0.5%

LAB 37.36, 76.09, -89.69

 

CMYK 42 / 71 / 0 / 23

HEX #7339C5

RGB 115 57 197

HSL 264.86, 0.55%, 0.5%

LAB 38.9, 53.7, -63.54

 

CMYK 32 / 56 / 0 / 31

HEX #774EB0

RGB 119 78 176

HSL 265.1, 0.39%, 0.5%

LAB 42.01, 37.99, -46.18

 

CMYK 22 / 37 / 0 / 39

HEX #7A629C

RGB 122 98 156

HSL 264.83, 0.23%, 0.5%

LAB 46.01, 21.95, -28.02

 

CMYK 7 / 12 / 0 / 47

HEX #7E7787

RGB 126 119 135

HSL 266.25, 0.06%, 0.5%

LAB 51.13, 5.93, -7.75

 

CMYK 7 / 0 / 17 / 45

HEX #818B73

RGB 129 139 115

HSL 85, 0.09%, 0.5%

LAB 56.46, -8.23, 11.62

 

CMYK 71 / 61 / 0 / 23

HEX #394CC5

RGB 57 76 197

HSL 231.86, 0.55%, 0.5%

LAB 37.97, 33.62, -65.27

 

CMYK 61 / 71 / 0 / 23

HEX #4C39C5

RGB 76 57 197

HSL 248.14, 0.55%, 0.5%

LAB 34.99, 47.51, -70.1

 

CMYK 43 / 71 / 0 / 23

HEX #7139C5

RGB 113 57 197

HSL 264, 0.55%, 0.5%

LAB 38.67, 53.34, -63.93

 

CMYK 24 / 71 / 0 / 23

HEX #9639C5

RGB 150 57 197

HSL 279.86, 0.55%, 0.5%

LAB 43.42, 60.42, -56

 

CMYK 5 / 71 / 0 / 23

HEX #BC39C5

RGB 188 57 197

HSL 296.14, 0.55%, 0.5%

LAB 49.07, 68.38, -46.64

 

CMYK 41 / 71 / 0 / 48

HEX #4E2685

RGB 78 38 133

HSL 265.26, 0.56%, 0.34%

LAB 25.86, 39.31, -46.37

 

CMYK 42 / 71 / 0 / 35

HEX #6030A5

RGB 96 48 165

HSL 264.62, 0.55%, 0.42%

LAB 32.52, 46.3, -55.08

 

CMYK 42 / 71 / 0 / 23

HEX #7339C5

RGB 115 57 197

HSL 264.86, 0.55%, 0.5%

LAB 38.9, 53.7, -63.54

 

CMYK 33 / 57 / 0 / 19

HEX #8A59CE

RGB 138 89 206

HSL 265.13, 0.54%, 0.58%

LAB 48.27, 44.18, -53.48

 

CMYK 26 / 44 / 0 / 15

HEX #A079D8

RGB 160 121 216

HSL 264.63, 0.55%, 0.66%

LAB 58.14, 34.43, -43.32

 

CMYK 42 / 71 / 0 / 23

HEX #7339C5

RGB 115 57 197

HSL 264.86, 0.55%, 0.5%

LAB 38.9, 53.7, -63.54

 

CMYK 0 / 71 / 43 / 23

HEX #C53971

RGB 197 57 113

HSL 336, 0.55%, 0.5%

LAB 46.96, 59.2, 0.31

 

CMYK 71 / 0 / 71 / 23

HEX #39C539

RGB 57 197 57

HSL 120, 0.55%, 0.5%

LAB 70.24, -62.93, 56.62

 

CMYK 42 / 71 / 0 / 23

HEX #7339C5

RGB 115 57 197

HSL 264.86, 0.55%, 0.5%

LAB 38.9, 53.7, -63.54

 

CMYK 0 / 43 / 71 / 23

HEX #C57139

RGB 197 113 57

HSL 24, 0.55%, 0.5%

LAB 56.06, 28.56, 44.38

 

CMYK 71 / 0 / 43 / 23

HEX #39C571

RGB 57 197 113

HSL 144, 0.55%, 0.5%

LAB 70.87, -55.64, 31.65

 

CMYK 42 / 71 / 0 / 23

HEX #7339C5

RGB 115 57 197

HSL 264.86, 0.55%, 0.5%

LAB 38.9, 53.7, -63.54

 

CMYK 0 / 71 / 43 / 23

HEX #C53971

RGB 197 57 113

HSL 336, 0.55%, 0.5%

LAB 46.96, 59.2, 0.31

 

CMYK 28 / 0 / 71 / 23

HEX #8DC539

RGB 141 197 57

HSL 84, 0.55%, 0.5%

LAB 73.47, -38.96, 60.95

 

CMYK 71 / 0 / 28 / 23

HEX #39C58D

RGB 57 197 141

HSL 156, 0.55%, 0.5%

LAB 71.37, -50.1, 17.59

 

CMYK 42 / 71 / 0 / 23

HEX #7339C5

RGB 115 57 197

HSL 264.86, 0.55%, 0.5%

LAB 38.9, 53.7, -63.54

 

CMYK 0 / 71 / 64 / 23

HEX #C53947

RGB 197 57 71

HSL 354, 0.55%, 0.5%

LAB 45.98, 55.87, 24.67

 

CMYK 28 / 0 / 71 / 23

HEX #8DC539

RGB 141 197 57

HSL 84, 0.55%, 0.5%

LAB 73.47, -38.96, 60.95

 

CMYK 71 / 0 / 7 / 23

HEX #39C5B7

RGB 57 197 183

HSL 174, 0.55%, 0.5%

LAB 72.38, -39.74, -3.7

 

Description

Color code: HEX #7339C5 | qconv.com Color code: HEX #7339C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 57 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 57 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 71 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 71% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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