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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #732085 it is the complementary color #8CDF7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #732085. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #732085 shade: #782080, #893293, #9A44A6, #AB56B9 and #BC68CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #732085. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #732085 shade: #732085, #620E72, #51005F, #40004C and #2F0039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #732085 shade: #711F83, #831F7A, #831F5F, #831F44 and #831F29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #732085 shade: #711F83, #561F83, #3B1F83, #211F83 and #1F1F83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #732085 shade matches the following richer shades: #711F83, #7A1290 and #82059D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #732085 shade: #711F83, #692D76, #603A68, #58475B and #4F544E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #732085 shade: #3C1F83, #561F83, #711F83, #831F7B and #831F60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #732085 shade: #380F40, #541762, #711F83, #8E27A4 and #AB2FC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #732085 shade: #732085, #83211F and #1F8349

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #732085 shade: #732085, #83711F and #1F8371

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #732085 shade: #732085, #83211F, #32831F and #1F8183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #732085 shade: #732085, #833F1F, #32831F and #1F6383

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 76 / 0 / 48

HEX #732085

RGB 115 32 133

HSL 289.31, 0.61%, 0.32%

LAB 30.33, 49.87, -38.88

 

Complementary color

CMYK 37 / 0 / 45 / 13

HEX #8CDF7A

RGB 140 223 122

HSL 109.31, 0.61%, 0.68%

LAB 81.71, -44.23, 41.58

 

CMYK 6 / 75 / 0 / 50

HEX #782080

RGB 120 32 128

HSL 295, 0.6%, 0.31%

LAB 30.84, 50.03, -34.89

 

CMYK 7 / 66 / 0 / 42

HEX #893293

RGB 137 50 147

HSL 293.81, 0.49%, 0.39%

LAB 37.31, 50.39, -36.17

 

CMYK 7 / 59 / 0 / 35

HEX #9A44A6

RGB 154 68 166

HSL 292.65, 0.42%, 0.46%

LAB 43.88, 50.16, -37.02

 

CMYK 8 / 54 / 0 / 27

HEX #AB56B9

RGB 171 86 185

HSL 291.52, 0.41%, 0.53%

LAB 50.47, 49.62, -37.62

 

CMYK 8 / 49 / 0 / 20

HEX #BC68CC

RGB 188 104 204

HSL 290.4, 0.5%, 0.6%

LAB 57.03, 48.95, -38.07

 

CMYK 14 / 76 / 0 / 48

HEX #732085

RGB 115 32 133

HSL 289.31, 0.61%, 0.32%

LAB 30.33, 49.87, -38.88

 

CMYK 14 / 88 / 0 / 55

HEX #620E72

RGB 98 14 114

HSL 290.4, 0.78%, 0.25%

LAB 24.08, 48.44, -37.05

 

CMYK 15 / 100 / 0 / 63

HEX #51005F

RGB 81 0 95

HSL 291.16, 1%, 0.19%

LAB 18.26, 45.25, -34.19

 

CMYK 16 / 100 / 0 / 70

HEX #40004C

RGB 64 0 76

HSL 290.53, 1%, 0.15%

LAB 13.3, 38.75, -29.48

 

CMYK 18 / 100 / 0 / 78

HEX #2F0039

RGB 47 0 57

HSL 289.47, 1%, 0.11%

LAB 8.13, 31.96, -24.58

 

CMYK 14 / 76 / 0 / 49

HEX #711F83

RGB 113 31 131

HSL 289.2, 0.62%, 0.32%

LAB 29.74, 49.42, -38.6

 

CMYK 0 / 76 / 7 / 49

HEX #831F7A

RGB 131 31 122

HSL 305.4, 0.62%, 0.32%

LAB 32.28, 51.88, -28.71

 

CMYK 0 / 76 / 27 / 49

HEX #831F5F

RGB 131 31 95

HSL 321.6, 0.62%, 0.32%

LAB 30.95, 47.86, -13.53

 

CMYK 0 / 76 / 48 / 49

HEX #831F44

RGB 131 31 68

HSL 337.8, 0.62%, 0.32%

LAB 29.97, 44.74, 2.74

 

CMYK 0 / 76 / 69 / 49

HEX #831F29

RGB 131 31 41

HSL 354, 0.62%, 0.32%

LAB 29.32, 42.63, 19.76

 

CMYK 14 / 76 / 0 / 49

HEX #711F83

RGB 113 31 131

HSL 289.2, 0.62%, 0.32%

LAB 29.74, 49.42, -38.6

 

CMYK 34 / 76 / 0 / 49

HEX #561F83

RGB 86 31 131

HSL 273, 0.62%, 0.32%

LAB 25.55, 43.82, -45.56

 

CMYK 55 / 76 / 0 / 49

HEX #3B1F83

RGB 59 31 131

HSL 256.8, 0.62%, 0.32%

LAB 22.12, 39.01, -51.32

 

CMYK 75 / 76 / 0 / 49

HEX #211F83

RGB 33 31 131

HSL 241.2, 0.62%, 0.32%

LAB 19.81, 35.63, -55.2

 

CMYK 76 / 76 / 0 / 49

HEX #1F1F83

RGB 31 31 131

HSL 240, 0.62%, 0.32%

LAB 19.68, 35.43, -55.42

 

CMYK 14 / 76 / 0 / 49

HEX #711F83

RGB 113 31 131

HSL 289.2, 0.62%, 0.32%

LAB 29.74, 49.42, -38.6

 

CMYK 15 / 88 / 0 / 44

HEX #7A1290

RGB 122 18 144

HSL 289.52, 0.78%, 0.32%

LAB 30.84, 57.53, -44.82

 

CMYK 17 / 97 / 0 / 38

HEX #82059D

RGB 130 5 157

HSL 289.34, 0.94%, 0.32%

LAB 32.46, 63.4, -50.11

 

CMYK 14 / 76 / 0 / 49

HEX #711F83

RGB 113 31 131

HSL 289.2, 0.62%, 0.32%

LAB 29.74, 49.42, -38.6

 

CMYK 11 / 62 / 0 / 54

HEX #692D76

RGB 105 45 118

HSL 289.32, 0.45%, 0.32%

LAB 29.88, 38.54, -30.26

 

CMYK 8 / 44 / 0 / 59

HEX #603A68

RGB 96 58 104

HSL 289.57, 0.28%, 0.32%

LAB 30.67, 25.34, -20.21

 

CMYK 3 / 22 / 0 / 64

HEX #58475B

RGB 88 71 91

HSL 291, 0.12%, 0.32%

LAB 32.56, 11.31, -9.09

 

CMYK 6 / 0 / 7 / 67

HEX #4F544E

RGB 79 84 78

HSL 110, 0.04%, 0.32%

LAB 35.11, -3.3, 2.81

 

CMYK 54 / 76 / 0 / 49

HEX #3C1F83

RGB 60 31 131

HSL 257.4, 0.62%, 0.32%

LAB 22.23, 39.17, -51.13

 

CMYK 34 / 76 / 0 / 49

HEX #561F83

RGB 86 31 131

HSL 273, 0.62%, 0.32%

LAB 25.55, 43.82, -45.56

 

CMYK 14 / 76 / 0 / 49

HEX #711F83

RGB 113 31 131

HSL 289.2, 0.62%, 0.32%

LAB 29.74, 49.42, -38.6

 

CMYK 0 / 76 / 6 / 49

HEX #831F7B

RGB 131 31 123

HSL 304.8, 0.62%, 0.32%

LAB 32.34, 52.05, -29.26

 

CMYK 0 / 76 / 27 / 49

HEX #831F60

RGB 131 31 96

HSL 321, 0.62%, 0.32%

LAB 31, 47.99, -14.11

 

CMYK 13 / 77 / 0 / 75

HEX #380F40

RGB 56 15 64

HSL 290.2, 0.62%, 0.15%

LAB 12.94, 28.34, -21.76

 

CMYK 14 / 77 / 0 / 62

HEX #541762

RGB 84 23 98

HSL 288.8, 0.62%, 0.24%

LAB 21.5, 39.26, -30.91

 

CMYK 14 / 76 / 0 / 49

HEX #711F83

RGB 113 31 131

HSL 289.2, 0.62%, 0.32%

LAB 29.74, 49.42, -38.6

 

CMYK 13 / 76 / 0 / 36

HEX #8E27A4

RGB 142 39 164

HSL 289.44, 0.62%, 0.4%

LAB 37.63, 59.03, -45.89

 

CMYK 13 / 76 / 0 / 23

HEX #AB2FC5

RGB 171 47 197

HSL 289.6, 0.61%, 0.48%

LAB 45.25, 68.24, -52.89

 

CMYK 14 / 76 / 0 / 48

HEX #732085

RGB 115 32 133

HSL 289.31, 0.61%, 0.32%

LAB 30.33, 49.87, -38.88

 

CMYK 0 / 75 / 76 / 49

HEX #83211F

RGB 131 33 31

HSL 1.2, 0.62%, 0.32%

LAB 29.44, 41.35, 26.28

 

CMYK 76 / 0 / 44 / 49

HEX #1F8349

RGB 31 131 73

HSL 145.2, 0.62%, 0.32%

LAB 48.27, -41.88, 23.47

 

CMYK 14 / 76 / 0 / 48

HEX #732085

RGB 115 32 133

HSL 289.31, 0.61%, 0.32%

LAB 30.33, 49.87, -38.88

 

CMYK 0 / 14 / 76 / 49

HEX #83711F

RGB 131 113 31

HSL 49.2, 0.62%, 0.32%

LAB 47.92, -2.29, 45.38

 

CMYK 76 / 0 / 14 / 49

HEX #1F8371

RGB 31 131 113

HSL 169.2, 0.62%, 0.32%

LAB 49.15, -32.36, 1.7

 

CMYK 14 / 76 / 0 / 48

HEX #732085

RGB 115 32 133

HSL 289.31, 0.61%, 0.32%

LAB 30.33, 49.87, -38.88

 

CMYK 0 / 75 / 76 / 49

HEX #83211F

RGB 131 33 31

HSL 1.2, 0.62%, 0.32%

LAB 29.44, 41.35, 26.28

 

CMYK 62 / 0 / 76 / 49

HEX #32831F

RGB 50 131 31

HSL 108.6, 0.62%, 0.32%

LAB 48.27, -43.55, 43.95

 

CMYK 76 / 2 / 0 / 49

HEX #1F8183

RGB 31 129 131

HSL 181.2, 0.62%, 0.32%

LAB 49.04, -26.01, -9.03

 

CMYK 14 / 76 / 0 / 48

HEX #732085

RGB 115 32 133

HSL 289.31, 0.61%, 0.32%

LAB 30.33, 49.87, -38.88

 

CMYK 0 / 52 / 76 / 49

HEX #833F1F

RGB 131 63 31

HSL 19.2, 0.62%, 0.32%

LAB 34.96, 26.81, 32.32

 

CMYK 62 / 0 / 76 / 49

HEX #32831F

RGB 50 131 31

HSL 108.6, 0.62%, 0.32%

LAB 48.27, -43.55, 43.95

 

CMYK 76 / 24 / 0 / 49

HEX #1F6383

RGB 31 99 131

HSL 199.2, 0.62%, 0.32%

LAB 39.33, -9.57, -23.86

 

Description

Color code: HEX #732085 | qconv.com Color code: HEX #732085 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 32 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 32 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 76 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 76% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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