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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72FB61 it is the complementary color #8D049E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72FB61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72FB61 shade: #77FB5C, #88FF6F, #99FF82, #AAFF95 and #BBFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72FB61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72FB61 shade: #72FB61, #61E94E, #50D73B, #3FC528 and #2EB315

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72FB61 shade: #70FA5F, #9AFA5F, #C4FA5F, #EEFA5F and #FADD5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72FB61 shade: #70FA5F, #5FFA78, #5FFAA2, #5FFACC and #5FFAF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72FB61 shade matches the following richer shades: #70FA5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72FB61 shade: #70FA5F, #7BED6D, #85E07A, #8FD387 and #9AC694

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72FB61 shade: #C4FA5F, #9BFA5F, #71FA5F, #5FFA77 and #5FFAA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72FB61 shade: #29F80F, #4DF937, #70FA5F, #94FB88 and #B8FCB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72FB61 shade: #72FB61, #5FEDFA and #FA5FAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72FB61 shade: #72FB61, #5F71FA and #FA5F71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72FB61 shade: #72FB61, #5FEDFA, #E85FFA and #FA6C5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72FB61 shade: #72FB61, #5FBFFA, #E85FFA and #FA9B5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 61 / 2

HEX #72FB61

RGB 114 251 97

HSL 113.38, 0.95%, 0.68%

LAB 88.65, -65.5, 61.01

 

Complementary color

CMYK 11 / 97 / 0 / 38

HEX #8D049E

RGB 141 4 158

HSL 293.38, 0.95%, 0.32%

LAB 34.43, 65.43, -47.43

 

CMYK 53 / 0 / 63 / 2

HEX #77FB5C

RGB 119 251 92

HSL 109.81, 0.95%, 0.67%

LAB 88.78, -64.72, 63.24

 

CMYK 47 / 0 / 56 / 0

HEX #88FF6F

RGB 136 255 111

HSL 109.58, 1%, 0.72%

LAB 90.74, -59.74, 57.6

 

CMYK 40 / 0 / 49 / 0

HEX #99FF82

RGB 153 255 130

HSL 108.96, 1%, 0.75%

LAB 91.64, -52.62, 50.23

 

CMYK 33 / 0 / 42 / 0

HEX #AAFF95

RGB 170 255 149

HSL 108.11, 1%, 0.79%

LAB 92.68, -44.93, 42.65

 

CMYK 27 / 0 / 34 / 0

HEX #BBFFA8

RGB 187 255 168

HSL 106.9, 1%, 0.83%

LAB 93.85, -36.78, 34.99

 

CMYK 55 / 0 / 61 / 2

HEX #72FB61

RGB 114 251 97

HSL 113.38, 0.95%, 0.68%

LAB 88.65, -65.5, 61.01

 

CMYK 58 / 0 / 67 / 9

HEX #61E94E

RGB 97 233 78

HSL 112.65, 0.78%, 0.61%

LAB 82.58, -65.01, 61.88

 

CMYK 63 / 0 / 73 / 16

HEX #50D73B

RGB 80 215 59

HSL 111.92, 0.66%, 0.54%

LAB 76.45, -64.23, 62.42

 

CMYK 68 / 0 / 80 / 23

HEX #3FC528

RGB 63 197 40

HSL 111.21, 0.66%, 0.46%

LAB 70.28, -63.04, 62.38

 

CMYK 74 / 0 / 88 / 30

HEX #2EB315

RGB 46 179 21

HSL 110.51, 0.79%, 0.39%

LAB 64.06, -61.28, 61.34

 

CMYK 55 / 0 / 62 / 2

HEX #70FA5F

RGB 112 250 95

HSL 113.42, 0.94%, 0.68%

LAB 88.28, -65.83, 61.4

 

CMYK 38 / 0 / 62 / 2

HEX #9AFA5F

RGB 154 250 95

HSL 97.16, 0.94%, 0.68%

LAB 89.89, -53.94, 63.64

 

CMYK 22 / 0 / 62 / 2

HEX #C4FA5F

RGB 196 250 95

HSL 80.9, 0.94%, 0.68%

LAB 92.1, -39.4, 66.69

 

CMYK 5 / 0 / 62 / 2

HEX #EEFA5F

RGB 238 250 95

HSL 64.65, 0.94%, 0.68%

LAB 94.9, -23.24, 70.52

 

CMYK 0 / 12 / 62 / 2

HEX #FADD5F

RGB 250 221 95

HSL 48.77, 0.94%, 0.68%

LAB 88.38, -4.17, 63.79

 

CMYK 55 / 0 / 62 / 2

HEX #70FA5F

RGB 112 250 95

HSL 113.42, 0.94%, 0.68%

LAB 88.28, -65.83, 61.4

 

CMYK 62 / 0 / 52 / 2

HEX #5FFA78

RGB 95 250 120

HSL 129.68, 0.94%, 0.68%

LAB 88.05, -66.74, 50.02

 

CMYK 62 / 0 / 35 / 2

HEX #5FFAA2

RGB 95 250 162

HSL 145.94, 0.94%, 0.68%

LAB 88.64, -60.13, 30.4

 

CMYK 62 / 0 / 18 / 2

HEX #5FFACC

RGB 95 250 204

HSL 162.19, 0.94%, 0.68%

LAB 89.47, -51.51, 10.05

 

CMYK 62 / 0 / 2 / 2

HEX #5FFAF6

RGB 95 250 246

HSL 178.45, 0.94%, 0.68%

LAB 90.53, -41.18, -10.22

 

CMYK 55 / 0 / 62 / 2

HEX #70FA5F

RGB 112 250 95

HSL 113.42, 0.94%, 0.68%

LAB 88.28, -65.83, 61.4

 

CMYK 55 / 0 / 62 / 2

HEX #70FA5F

RGB 112 250 95

HSL 113.42, 0.94%, 0.68%

LAB 88.28, -65.83, 61.4

 

CMYK 48 / 0 / 54 / 7

HEX #7BED6D

RGB 123 237 109

HSL 113.44, 0.78%, 0.68%

LAB 84.94, -56.63, 51.54

 

CMYK 41 / 0 / 46 / 12

HEX #85E07A

RGB 133 224 122

HSL 113.53, 0.62%, 0.68%

LAB 81.68, -46.82, 41.47

 

CMYK 32 / 0 / 36 / 17

HEX #8FD387

RGB 143 211 135

HSL 113.68, 0.46%, 0.68%

LAB 78.57, -36.08, 31.01

 

CMYK 22 / 0 / 25 / 22

HEX #9AC694

RGB 154 198 148

HSL 112.8, 0.3%, 0.68%

LAB 75.7, -24.13, 20.44

 

CMYK 22 / 0 / 62 / 2

HEX #C4FA5F

RGB 196 250 95

HSL 80.9, 0.94%, 0.68%

LAB 92.1, -39.4, 66.69

 

CMYK 38 / 0 / 62 / 2

HEX #9BFA5F

RGB 155 250 95

HSL 96.77, 0.94%, 0.68%

LAB 89.94, -53.62, 63.7

 

CMYK 55 / 0 / 62 / 2

HEX #71FA5F

RGB 113 250 95

HSL 113.03, 0.94%, 0.68%

LAB 88.31, -65.59, 61.44

 

CMYK 62 / 0 / 52 / 2

HEX #5FFA77

RGB 95 250 119

HSL 129.29, 0.94%, 0.68%

LAB 88.03, -66.88, 50.47

 

CMYK 62 / 0 / 36 / 2

HEX #5FFAA0

RGB 95 250 160

HSL 145.16, 0.94%, 0.68%

LAB 88.61, -60.49, 31.36

 

CMYK 83 / 0 / 94 / 3

HEX #29F80F

RGB 41 248 15

HSL 113.3, 0.94%, 0.52%

LAB 85.83, -82.01, 80.52

 

CMYK 69 / 0 / 78 / 2

HEX #4DF937

RGB 77 249 55

HSL 113.2, 0.94%, 0.6%

LAB 86.8, -75.99, 73.8

 

CMYK 55 / 0 / 62 / 2

HEX #70FA5F

RGB 112 250 95

HSL 113.42, 0.94%, 0.68%

LAB 88.28, -65.83, 61.4

 

CMYK 41 / 0 / 46 / 2

HEX #94FB88

RGB 148 251 136

HSL 113.74, 0.93%, 0.76%

LAB 90.35, -51.71, 45.75

 

CMYK 27 / 0 / 30 / 1

HEX #B8FCB0

RGB 184 252 176

HSL 113.68, 0.93%, 0.84%

LAB 92.99, -35.19, 29.81

 

CMYK 55 / 0 / 61 / 2

HEX #72FB61

RGB 114 251 97

HSL 113.38, 0.95%, 0.68%

LAB 88.65, -65.5, 61.01

 

CMYK 62 / 5 / 0 / 2

HEX #5FEDFA

RGB 95 237 250

HSL 185.03, 0.94%, 0.68%

LAB 86.95, -34.13, -17.67

 

CMYK 0 / 62 / 30 / 2

HEX #FA5FAF

RGB 250 95 175

HSL 329.03, 0.94%, 0.68%

LAB 63.01, 66.4, -11.58

 

CMYK 55 / 0 / 61 / 2

HEX #72FB61

RGB 114 251 97

HSL 113.38, 0.95%, 0.68%

LAB 88.65, -65.5, 61.01

 

CMYK 62 / 55 / 0 / 2

HEX #5F71FA

RGB 95 113 250

HSL 233.03, 0.94%, 0.68%

LAB 53.11, 34.34, -70.64

 

CMYK 0 / 62 / 55 / 2

HEX #FA5F71

RGB 250 95 113

HSL 353.03, 0.94%, 0.68%

LAB 61.4, 60.37, 21.86

 

CMYK 55 / 0 / 61 / 2

HEX #72FB61

RGB 114 251 97

HSL 113.38, 0.95%, 0.68%

LAB 88.65, -65.5, 61.01

 

CMYK 62 / 5 / 0 / 2

HEX #5FEDFA

RGB 95 237 250

HSL 185.03, 0.94%, 0.68%

LAB 86.95, -34.13, -17.67

 

CMYK 7 / 62 / 0 / 2

HEX #E85FFA

RGB 232 95 250

HSL 293.03, 0.94%, 0.68%

LAB 63.54, 72.85, -53.15

 

CMYK 0 / 57 / 62 / 2

HEX #FA6C5F

RGB 250 108 95

HSL 5.03, 0.94%, 0.68%

LAB 63.24, 53.42, 34.46

 

CMYK 55 / 0 / 61 / 2

HEX #72FB61

RGB 114 251 97

HSL 113.38, 0.95%, 0.68%

LAB 88.65, -65.5, 61.01

 

CMYK 62 / 24 / 0 / 2

HEX #5FBFFA

RGB 95 191 250

HSL 202.84, 0.94%, 0.68%

LAB 73.93, -11.06, -37.58

 

CMYK 7 / 62 / 0 / 2

HEX #E85FFA

RGB 232 95 250

HSL 293.03, 0.94%, 0.68%

LAB 63.54, 72.85, -53.15

 

CMYK 0 / 38 / 62 / 2

HEX #FA9B5F

RGB 250 155 95

HSL 23.23, 0.94%, 0.68%

LAB 72.62, 30.09, 45.89

 

Description

Color code: HEX #72FB61 | qconv.com Color code: HEX #72FB61 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 251 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 251 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 61 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 61% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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