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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72DC0F it is the complementary color #8D23F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72DC0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72DC0F shade: #77DC0A, #88EE1D, #99FF30, #AAFF43 and #BBFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72DC0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72DC0F shade: #72DC0F, #61CA00, #50B800, #3FA600 and #2E9400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72DC0F shade: #71DB0F, #A8DB0F, #DBD60F, #DB9F0F and #DB680F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72DC0F shade: #71DB0F, #3ADB0F, #0FDB1A, #0FDB51 and #0FDB88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72DC0F shade matches the following richer shades: #71DB0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72DC0F shade: #71DB0F, #72C822, #73B535, #73A248 and #748F5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72DC0F shade: #DBD70F, #A8DB0F, #71DB0F, #3BDB0F and #0FDB19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72DC0F shade: #498E09, #5DB40C, #71DB0F, #86EF24 and #9BF24A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72DC0F shade: #72DC0F, #0FDBA1 and #DB0FC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72DC0F shade: #72DC0F, #0F71DB and #DB0F71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72DC0F shade: #72DC0F, #0FDBA1, #780FDB and #DB0F49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72DC0F shade: #72DC0F, #0FD7DB, #780FDB and #DB120F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 93 / 14

HEX #72DC0F

RGB 114 220 15

HSL 91.02, 0.87%, 0.46%

LAB 78.92, -59.1, 75.55

 

Complementary color

CMYK 41 / 85 / 0 / 6

HEX #8D23F0

RGB 141 35 240

HSL 271.02, 0.87%, 0.54%

LAB 43, 75.65, -81.37

 

CMYK 46 / 0 / 95 / 14

HEX #77DC0A

RGB 119 220 10

HSL 88.86, 0.91%, 0.45%

LAB 79.12, -57.66, 76.31

 

CMYK 43 / 0 / 88 / 7

HEX #88EE1D

RGB 136 238 29

HSL 89.28, 0.86%, 0.52%

LAB 85.24, -58.73, 79.1

 

CMYK 40 / 0 / 81 / 0

HEX #99FF30

RGB 153 255 48

HSL 89.57, 1%, 0.59%

LAB 91.01, -59.16, 80.42

 

CMYK 33 / 0 / 74 / 0

HEX #AAFF43

RGB 170 255 67

HSL 87.13, 1%, 0.63%

LAB 91.9, -52.62, 76.2

 

CMYK 27 / 0 / 66 / 0

HEX #BBFF56

RGB 187 255 86

HSL 84.14, 1%, 0.67%

LAB 92.91, -45.49, 70.91

 

CMYK 48 / 0 / 93 / 14

HEX #72DC0F

RGB 114 220 15

HSL 91.02, 0.87%, 0.46%

LAB 78.92, -59.1, 75.55

 

CMYK 52 / 0 / 100 / 21

HEX #61CA00

RGB 97 202 0

HSL 91.19, 1%, 0.4%

LAB 72.75, -57.75, 71.87

 

CMYK 57 / 0 / 100 / 28

HEX #50B800

RGB 80 184 0

HSL 93.91, 1%, 0.36%

LAB 66.51, -56.04, 66.71

 

CMYK 62 / 0 / 100 / 35

HEX #3FA600

RGB 63 166 0

HSL 97.23, 1%, 0.33%

LAB 60.18, -54.12, 61.49

 

CMYK 69 / 0 / 100 / 42

HEX #2E9400

RGB 46 148 0

HSL 101.35, 1%, 0.29%

LAB 53.77, -51.9, 56.21

 

CMYK 48 / 0 / 93 / 14

HEX #71DB0F

RGB 113 219 15

HSL 91.18, 0.87%, 0.46%

LAB 78.58, -59.03, 75.26

 

CMYK 23 / 0 / 93 / 14

HEX #A8DB0F

RGB 168 219 15

HSL 75, 0.87%, 0.46%

LAB 81.3, -39.89, 78.58

 

CMYK 0 / 2 / 93 / 14

HEX #DBD60F

RGB 219 214 15

HSL 58.53, 0.87%, 0.46%

LAB 83.54, -16.62, 81.88

 

CMYK 0 / 27 / 93 / 14

HEX #DB9F0F

RGB 219 159 15

HSL 42.35, 0.87%, 0.46%

LAB 69.39, 11.85, 71.31

 

CMYK 0 / 53 / 93 / 14

HEX #DB680F

RGB 219 104 15

HSL 26.18, 0.87%, 0.46%

LAB 57.07, 40.84, 62.57

 

CMYK 48 / 0 / 93 / 14

HEX #71DB0F

RGB 113 219 15

HSL 91.18, 0.87%, 0.46%

LAB 78.58, -59.03, 75.26

 

CMYK 74 / 0 / 93 / 14

HEX #3ADB0F

RGB 58 219 15

HSL 107.35, 0.87%, 0.46%

LAB 77.04, -71.69, 73.36

 

CMYK 93 / 0 / 88 / 14

HEX #0FDB1A

RGB 15 219 26

HSL 123.24, 0.87%, 0.46%

LAB 76.58, -75.67, 71.12

 

CMYK 93 / 0 / 63 / 14

HEX #0FDB51

RGB 15 219 81

HSL 139.41, 0.87%, 0.46%

LAB 76.9, -71.67, 54.03

 

CMYK 93 / 0 / 38 / 14

HEX #0FDB88

RGB 15 219 136

HSL 155.59, 0.87%, 0.46%

LAB 77.6, -63.14, 28.62

 

CMYK 48 / 0 / 93 / 14

HEX #71DB0F

RGB 113 219 15

HSL 91.18, 0.87%, 0.46%

LAB 78.58, -59.03, 75.26

 

CMYK 48 / 0 / 93 / 14

HEX #71DB0F

RGB 113 219 15

HSL 91.18, 0.87%, 0.46%

LAB 78.58, -59.03, 75.26

 

CMYK 43 / 0 / 83 / 22

HEX #72C822

RGB 114 200 34

HSL 91.08, 0.71%, 0.46%

LAB 72.89, -50.93, 67.02

 

CMYK 36 / 0 / 71 / 29

HEX #73B535

RGB 115 181 53

HSL 90.94, 0.55%, 0.46%

LAB 67.24, -41.72, 55.68

 

CMYK 29 / 0 / 56 / 36

HEX #73A248

RGB 115 162 72

HSL 91.33, 0.38%, 0.46%

LAB 61.61, -31.5, 41.25

 

CMYK 19 / 0 / 36 / 44

HEX #748F5B

RGB 116 143 91

HSL 91.15, 0.22%, 0.46%

LAB 56.2, -19.3, 24.62

 

CMYK 0 / 2 / 93 / 14

HEX #DBD70F

RGB 219 215 15

HSL 58.82, 0.87%, 0.46%

LAB 83.81, -17.11, 82.08

 

CMYK 23 / 0 / 93 / 14

HEX #A8DB0F

RGB 168 219 15

HSL 75, 0.87%, 0.46%

LAB 81.3, -39.89, 78.58

 

CMYK 48 / 0 / 93 / 14

HEX #71DB0F

RGB 113 219 15

HSL 91.18, 0.87%, 0.46%

LAB 78.58, -59.03, 75.26

 

CMYK 73 / 0 / 93 / 14

HEX #3BDB0F

RGB 59 219 15

HSL 107.06, 0.87%, 0.46%

LAB 77.06, -71.53, 73.38

 

CMYK 93 / 0 / 89 / 14

HEX #0FDB19

RGB 15 219 25

HSL 122.94, 0.87%, 0.46%

LAB 76.58, -75.71, 71.3

 

CMYK 49 / 0 / 94 / 44

HEX #498E09

RGB 73 142 9

HSL 91.13, 0.88%, 0.3%

LAB 52.71, -42.1, 54.2

 

CMYK 48 / 0 / 93 / 29

HEX #5DB40C

RGB 93 180 12

HSL 91.07, 0.88%, 0.38%

LAB 65.75, -50.55, 64.83

 

CMYK 48 / 0 / 93 / 14

HEX #71DB0F

RGB 113 219 15

HSL 91.18, 0.87%, 0.46%

LAB 78.58, -59.03, 75.26

 

CMYK 44 / 0 / 85 / 6

HEX #86EF24

RGB 134 239 36

HSL 91.03, 0.86%, 0.54%

LAB 85.47, -59.52, 77.93

 

CMYK 36 / 0 / 69 / 5

HEX #9BF24A

RGB 155 242 74

HSL 91.07, 0.87%, 0.62%

LAB 87.47, -51.99, 69.19

 

CMYK 48 / 0 / 93 / 14

HEX #72DC0F

RGB 114 220 15

HSL 91.02, 0.87%, 0.46%

LAB 78.92, -59.1, 75.55

 

CMYK 93 / 0 / 26 / 14

HEX #0FDBA1

RGB 15 219 161

HSL 162.94, 0.87%, 0.46%

LAB 78.07, -57.8, 16.23

 

CMYK 0 / 93 / 11 / 14

HEX #DB0FC3

RGB 219 15 195

HSL 307.06, 0.87%, 0.46%

LAB 51.08, 83.13, -41.95

 

CMYK 48 / 0 / 93 / 14

HEX #72DC0F

RGB 114 220 15

HSL 91.02, 0.87%, 0.46%

LAB 78.92, -59.1, 75.55

 

CMYK 93 / 48 / 0 / 14

HEX #0F71DB

RGB 15 113 219

HSL 211.18, 0.87%, 0.46%

LAB 48.29, 14.65, -61.19

 

CMYK 0 / 93 / 48 / 14

HEX #DB0F71

RGB 219 15 113

HSL 331.18, 0.87%, 0.46%

LAB 47.74, 74.39, 1.96

 

CMYK 48 / 0 / 93 / 14

HEX #72DC0F

RGB 114 220 15

HSL 91.02, 0.87%, 0.46%

LAB 78.92, -59.1, 75.55

 

CMYK 93 / 0 / 26 / 14

HEX #0FDBA1

RGB 15 219 161

HSL 162.94, 0.87%, 0.46%

LAB 78.07, -57.8, 16.23

 

CMYK 45 / 93 / 0 / 14

HEX #780FDB

RGB 120 15 219

HSL 270.88, 0.87%, 0.46%

LAB 36.84, 73.1, -79.65

 

CMYK 0 / 93 / 67 / 14

HEX #DB0F49

RGB 219 15 73

HSL 342.94, 0.87%, 0.46%

LAB 46.82, 71.86, 25.4

 

CMYK 48 / 0 / 93 / 14

HEX #72DC0F

RGB 114 220 15

HSL 91.02, 0.87%, 0.46%

LAB 78.92, -59.1, 75.55

 

CMYK 93 / 2 / 0 / 14

HEX #0FD7DB

RGB 15 215 219

HSL 181.18, 0.87%, 0.46%

LAB 78.35, -40.69, -14.29

 

CMYK 45 / 93 / 0 / 14

HEX #780FDB

RGB 120 15 219

HSL 270.88, 0.87%, 0.46%

LAB 36.84, 73.1, -79.65

 

CMYK 0 / 92 / 93 / 14

HEX #DB120F

RGB 219 18 15

HSL 0.88, 0.87%, 0.46%

LAB 46.35, 69.85, 55.68

 

Description

Color code: HEX #72DC0F | qconv.com Color code: HEX #72DC0F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 220 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 220 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 93 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 93% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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