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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72D3D3 it is the complementary color #8D2C2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72D3D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72D3D3 shade: #77D3CE, #88E5E1, #99F7F4, #AAFFFF and #BBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72D3D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72D3D3 shade: #72D3D3, #61C1C0, #50AFAD, #3F9D9A and #2E8B87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72D3D3 shade: #73D2D2, #73D2B9, #73D29F, #73D285 and #7AD273

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72D3D3 shade: #73D2D2, #73B9D2, #739FD2, #7385D2 and #7373D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72D3D3 shade matches the following richer shades: #73D2D2, #64E1E1 and #55F0F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72D3D3 shade: #73D2D2, #82C4C4, #91B5B5, #A0A6A6 and #AE9797

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72D3D3 shade: #73D2A0, #73D2B9, #73D2D2, #73B9D2 and #73A0D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72D3D3 shade: #3AB9B9, #54C9C9, #73D2D2, #92DCDC and #B2E6E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72D3D3 shade: #72D3D3, #8673D2 and #D2AC73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72D3D3 shade: #72D3D3, #D273D2 and #D2D273

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72D3D3 shade: #72D3D3, #8673D2, #D27373 and #BFD273

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72D3D3 shade: #72D3D3, #A373D2, #D27373 and #A3D273

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 0 / 17

HEX #72D3D3

RGB 114 211 211

HSL 180, 0.52%, 0.64%

LAB 78.97, -28.52, -8.88

 

Complementary color

CMYK 0 / 69 / 69 / 45

HEX #8D2C2C

RGB 141 44 44

HSL 0, 0.52%, 0.36%

LAB 33.23, 40.96, 23.11

 

CMYK 44 / 0 / 2 / 17

HEX #77D3CE

RGB 119 211 206

HSL 176.74, 0.51%, 0.65%

LAB 79.02, -28.61, -6.1

 

CMYK 41 / 0 / 2 / 10

HEX #88E5E1

RGB 136 229 225

HSL 177.42, 0.64%, 0.72%

LAB 85.36, -28.57, -6.75

 

CMYK 38 / 0 / 1 / 3

HEX #99F7F4

RGB 153 247 244

HSL 178.09, 0.85%, 0.78%

LAB 91.61, -28.5, -7.37

 

CMYK 33 / 0 / 0 / 0

HEX #AAFFFF

RGB 170 255 255

HSL 180, 1%, 0.83%

LAB 94.86, -25.48, -8.16

 

CMYK 27 / 0 / 0 / 0

HEX #BBFFFF

RGB 187 255 255

HSL 180, 1%, 0.87%

LAB 95.71, -20.9, -6.81

 

CMYK 46 / 0 / 0 / 17

HEX #72D3D3

RGB 114 211 211

HSL 180, 0.52%, 0.64%

LAB 78.97, -28.52, -8.88

 

CMYK 50 / 0 / 1 / 24

HEX #61C1C0

RGB 97 193 192

HSL 179.38, 0.44%, 0.57%

LAB 72.55, -28.46, -8.22

 

CMYK 54 / 0 / 1 / 31

HEX #50AFAD

RGB 80 175 173

HSL 178.74, 0.37%, 0.5%

LAB 66.05, -28.32, -7.5

 

CMYK 60 / 0 / 2 / 38

HEX #3F9D9A

RGB 63 157 154

HSL 178.09, 0.43%, 0.43%

LAB 59.44, -28.07, -6.72

 

CMYK 67 / 0 / 3 / 45

HEX #2E8B87

RGB 46 139 135

HSL 177.42, 0.5%, 0.36%

LAB 52.72, -27.64, -5.84

 

CMYK 45 / 0 / 0 / 18

HEX #73D2D2

RGB 115 210 210

HSL 180, 0.51%, 0.64%

LAB 78.69, -28.06, -8.76

 

CMYK 45 / 0 / 12 / 18

HEX #73D2B9

RGB 115 210 185

HSL 164.21, 0.51%, 0.64%

LAB 78.02, -34.1, 3.66

 

CMYK 45 / 0 / 24 / 18

HEX #73D29F

RGB 115 210 159

HSL 147.79, 0.51%, 0.64%

LAB 77.42, -39.68, 16.69

 

CMYK 45 / 0 / 37 / 18

HEX #73D285

RGB 115 210 133

HSL 131.37, 0.51%, 0.64%

LAB 76.94, -44.45, 29.66

 

CMYK 42 / 0 / 45 / 18

HEX #7AD273

RGB 122 210 115

HSL 115.58, 0.51%, 0.64%

LAB 76.96, -45.18, 38.88

 

CMYK 45 / 0 / 0 / 18

HEX #73D2D2

RGB 115 210 210

HSL 180, 0.51%, 0.64%

LAB 78.69, -28.06, -8.76

 

CMYK 45 / 12 / 0 / 18

HEX #73B9D2

RGB 115 185 210

HSL 195.79, 0.51%, 0.64%

LAB 71.55, -15.44, -19.47

 

CMYK 45 / 24 / 0 / 18

HEX #739FD2

RGB 115 159 210

HSL 212.21, 0.51%, 0.64%

LAB 64.24, -1.3, -30.68

 

CMYK 45 / 37 / 0 / 18

HEX #7385D2

RGB 115 133 210

HSL 228.63, 0.51%, 0.64%

LAB 57.15, 13.76, -41.75

 

CMYK 45 / 45 / 0 / 18

HEX #7373D2

RGB 115 115 210

HSL 240, 0.51%, 0.64%

LAB 52.46, 24.54, -49.17

 

CMYK 45 / 0 / 0 / 18

HEX #73D2D2

RGB 115 210 210

HSL 180, 0.51%, 0.64%

LAB 78.69, -28.06, -8.76

 

CMYK 56 / 0 / 0 / 12

HEX #64E1E1

RGB 100 225 225

HSL 180, 0.68%, 0.64%

LAB 82.91, -34.43, -10.52

 

CMYK 65 / 0 / 0 / 6

HEX #55F0F0

RGB 85 240 240

HSL 180, 0.84%, 0.64%

LAB 87.26, -39.77, -11.98

 

CMYK 45 / 0 / 0 / 18

HEX #73D2D2

RGB 115 210 210

HSL 180, 0.51%, 0.64%

LAB 78.69, -28.06, -8.76

 

CMYK 34 / 0 / 0 / 23

HEX #82C4C4

RGB 130 196 196

HSL 180, 0.36%, 0.64%

LAB 74.96, -20.8, -6.67

 

CMYK 20 / 0 / 0 / 29

HEX #91B5B5

RGB 145 181 181

HSL 180, 0.2%, 0.64%

LAB 71.15, -12.07, -4.02

 

CMYK 4 / 0 / 0 / 35

HEX #A0A6A6

RGB 160 166 166

HSL 180, 0.03%, 0.64%

LAB 67.65, -2.12, -0.75

 

CMYK 0 / 13 / 13 / 32

HEX #AE9797

RGB 174 151 151

HSL 0, 0.12%, 0.64%

LAB 64.46, 8.52, 3.14

 

CMYK 45 / 0 / 24 / 18

HEX #73D2A0

RGB 115 210 160

HSL 148.42, 0.51%, 0.64%

LAB 77.45, -39.48, 16.19

 

CMYK 45 / 0 / 12 / 18

HEX #73D2B9

RGB 115 210 185

HSL 164.21, 0.51%, 0.64%

LAB 78.02, -34.1, 3.66

 

CMYK 45 / 0 / 0 / 18

HEX #73D2D2

RGB 115 210 210

HSL 180, 0.51%, 0.64%

LAB 78.69, -28.06, -8.76

 

CMYK 45 / 12 / 0 / 18

HEX #73B9D2

RGB 115 185 210

HSL 195.79, 0.51%, 0.64%

LAB 71.55, -15.44, -19.47

 

CMYK 45 / 24 / 0 / 18

HEX #73A0D2

RGB 115 160 210

HSL 211.58, 0.51%, 0.64%

LAB 64.52, -1.86, -30.25

 

CMYK 69 / 0 / 0 / 27

HEX #3AB9B9

RGB 58 185 185

HSL 180, 0.52%, 0.48%

LAB 68.82, -33.52, -10.06

 

CMYK 58 / 0 / 0 / 21

HEX #54C9C9

RGB 84 201 201

HSL 180, 0.52%, 0.56%

LAB 74.75, -32.47, -9.89

 

CMYK 45 / 0 / 0 / 18

HEX #73D2D2

RGB 115 210 210

HSL 180, 0.51%, 0.64%

LAB 78.69, -28.06, -8.76

 

CMYK 34 / 0 / 0 / 14

HEX #92DCDC

RGB 146 220 220

HSL 180, 0.51%, 0.72%

LAB 83.16, -22.8, -7.31

 

CMYK 23 / 0 / 0 / 10

HEX #B2E6E6

RGB 178 230 230

HSL 180, 0.51%, 0.8%

LAB 87.86, -16.52, -5.45

 

CMYK 46 / 0 / 0 / 17

HEX #72D3D3

RGB 114 211 211

HSL 180, 0.52%, 0.64%

LAB 78.97, -28.52, -8.88

 

CMYK 36 / 45 / 0 / 18

HEX #8673D2

RGB 134 115 210

HSL 252, 0.51%, 0.64%

LAB 54.01, 29.32, -46.62

 

CMYK 0 / 18 / 45 / 18

HEX #D2AC73

RGB 210 172 115

HSL 36, 0.51%, 0.64%

LAB 72.52, 6.46, 34.46

 

CMYK 46 / 0 / 0 / 17

HEX #72D3D3

RGB 114 211 211

HSL 180, 0.52%, 0.64%

LAB 78.97, -28.52, -8.88

 

CMYK 0 / 45 / 0 / 18

HEX #D273D2

RGB 210 115 210

HSL 300, 0.51%, 0.64%

LAB 62.18, 50.8, -33.21

 

CMYK 0 / 0 / 45 / 18

HEX #D2D273

RGB 210 210 115

HSL 60, 0.51%, 0.64%

LAB 82.4, -13.31, 46.82

 

CMYK 46 / 0 / 0 / 17

HEX #72D3D3

RGB 114 211 211

HSL 180, 0.52%, 0.64%

LAB 78.97, -28.52, -8.88

 

CMYK 36 / 45 / 0 / 18

HEX #8673D2

RGB 134 115 210

HSL 252, 0.51%, 0.64%

LAB 54.01, 29.32, -46.62

 

CMYK 0 / 45 / 45 / 18

HEX #D27373

RGB 210 115 115

HSL 0, 0.51%, 0.64%

LAB 59.16, 37.14, 16.69

 

CMYK 9 / 0 / 45 / 18

HEX #BFD273

RGB 191 210 115

HSL 72, 0.51%, 0.64%

LAB 80.96, -20.81, 44.74

 

CMYK 46 / 0 / 0 / 17

HEX #72D3D3

RGB 114 211 211

HSL 180, 0.52%, 0.64%

LAB 78.97, -28.52, -8.88

 

CMYK 22 / 45 / 0 / 18

HEX #A373D2

RGB 163 115 210

HSL 270.32, 0.51%, 0.64%

LAB 56.78, 37.23, -42.05

 

CMYK 0 / 45 / 45 / 18

HEX #D27373

RGB 210 115 115

HSL 0, 0.51%, 0.64%

LAB 59.16, 37.14, 16.69

 

CMYK 22 / 0 / 45 / 18

HEX #A3D273

RGB 163 210 115

HSL 89.68, 0.51%, 0.64%

LAB 79.11, -31.41, 42.03

 

Description

Color code: HEX #72D3D3 | qconv.com Color code: HEX #72D3D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 211 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 211 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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