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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72B8F7 it is the complementary color #8D4708. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72B8F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72B8F7 shade: #77B8F2, #88CAFF, #99DCFF, #AAEEFF and #BBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72B8F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72B8F7 shade: #72B8F7, #61A6E4, #5094D1, #3F82BE and #2E70AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72B8F7 shade: #73B8F6, #7395F6, #7473F6, #9873F6 and #BB73F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72B8F7 shade: #73B8F6, #7395F6 and #7373F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72B8F7 shade matches the following richer shades: #73B8F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72B8F7 shade: #73B8F6, #7FB7EA, #8BB7DE, #97B6D2 and #A3B5C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72B8F7 shade: #73F6EE, #73DCF6, #73B9F6, #7396F6 and #7373F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72B8F7 shade: #2591F2, #4CA4F4, #73B8F6, #9ACCF9 and #C1DFFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72B8F7 shade: #72B8F7, #CA73F6 and #EEF673

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72B8F7 shade: #72B8F7, #F673B9 and #B9F673

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72B8F7 shade: #72B8F7, #CA73F6, #F6B073 and #9FF673

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72B8F7 shade: #72B8F7, #F273F6, #F6B073 and #77F673

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 26 / 0 / 3

HEX #72B8F7

RGB 114 184 247

HSL 208.42, 0.89%, 0.71%

LAB 72.61, -4.55, -37.96

 

Complementary color

CMYK 0 / 50 / 94 / 45

HEX #8D4708

RGB 141 71 8

HSL 28.42, 0.89%, 0.29%

LAB 38.18, 25.95, 45.5

 

CMYK 51 / 24 / 0 / 5

HEX #77B8F2

RGB 119 184 242

HSL 208.29, 0.83%, 0.71%

LAB 72.64, -4.96, -35.2

 

CMYK 47 / 21 / 0 / 0

HEX #88CAFF

RGB 136 202 255

HSL 206.72, 1%, 0.77%

LAB 78.87, -7.1, -32.49

 

CMYK 40 / 14 / 0 / 0

HEX #99DCFF

RGB 153 220 255

HSL 200.59, 1%, 0.8%

LAB 84.58, -12.41, -23.68

 

CMYK 33 / 7 / 0 / 0

HEX #AAEEFF

RGB 170 238 255

HSL 192, 1%, 0.83%

LAB 90.28, -17.14, -14.98

 

CMYK 27 / 0 / 0 / 0

HEX #BBFFFF

RGB 187 255 255

HSL 180, 1%, 0.87%

LAB 95.71, -20.9, -6.81

 

CMYK 54 / 26 / 0 / 3

HEX #72B8F7

RGB 114 184 247

HSL 208.42, 0.89%, 0.71%

LAB 72.61, -4.55, -37.96

 

CMYK 57 / 27 / 0 / 11

HEX #61A6E4

RGB 97 166 228

HSL 208.4, 0.71%, 0.64%

LAB 66.07, -3.87, -37.85

 

CMYK 62 / 29 / 0 / 18

HEX #5094D1

RGB 80 148 209

HSL 208.37, 0.58%, 0.57%

LAB 59.42, -3.02, -37.74

 

CMYK 67 / 32 / 0 / 25

HEX #3F82BE

RGB 63 130 190

HSL 208.35, 0.5%, 0.5%

LAB 52.66, -1.94, -37.64

 

CMYK 73 / 35 / 0 / 33

HEX #2E70AB

RGB 46 112 171

HSL 208.32, 0.58%, 0.43%

LAB 45.78, -0.55, -37.54

 

CMYK 53 / 25 / 0 / 4

HEX #73B8F6

RGB 115 184 246

HSL 208.4, 0.88%, 0.71%

LAB 72.61, -4.64, -37.41

 

CMYK 53 / 39 / 0 / 4

HEX #7395F6

RGB 115 149 246

HSL 224.43, 0.88%, 0.71%

LAB 63.17, 15.24, -52.24

 

CMYK 53 / 53 / 0 / 4

HEX #7473F6

RGB 116 115 246

HSL 240.46, 0.88%, 0.71%

LAB 54.69, 35.62, -65.81

 

CMYK 38 / 53 / 0 / 4

HEX #9873F6

RGB 152 115 246

HSL 256.95, 0.88%, 0.71%

LAB 57.65, 43.36, -60.89

 

CMYK 24 / 53 / 0 / 4

HEX #BB73F6

RGB 187 115 246

HSL 272.98, 0.88%, 0.71%

LAB 61.2, 51.83, -55

 

CMYK 53 / 25 / 0 / 4

HEX #73B8F6

RGB 115 184 246

HSL 208.4, 0.88%, 0.71%

LAB 72.61, -4.64, -37.41

 

CMYK 53 / 39 / 0 / 4

HEX #7395F6

RGB 115 149 246

HSL 224.43, 0.88%, 0.71%

LAB 63.17, 15.24, -52.24

 

CMYK 53 / 53 / 0 / 4

HEX #7373F6

RGB 115 115 246

HSL 240, 0.88%, 0.71%

LAB 54.62, 35.43, -65.92

 

CMYK 53 / 25 / 0 / 4

HEX #73B8F6

RGB 115 184 246

HSL 208.4, 0.88%, 0.71%

LAB 72.61, -4.64, -37.41

 

CMYK 53 / 25 / 0 / 4

HEX #73B8F6

RGB 115 184 246

HSL 208.4, 0.88%, 0.71%

LAB 72.61, -4.64, -37.41

 

CMYK 46 / 22 / 0 / 8

HEX #7FB7EA

RGB 127 183 234

HSL 208.6, 0.72%, 0.71%

LAB 72.44, -4.85, -31.13

 

CMYK 37 / 18 / 0 / 13

HEX #8BB7DE

RGB 139 183 222

HSL 208.19, 0.56%, 0.71%

LAB 72.65, -5.03, -24.24

 

CMYK 28 / 13 / 0 / 18

HEX #97B6D2

RGB 151 182 210

HSL 208.47, 0.4%, 0.71%

LAB 72.69, -4.1, -17.57

 

CMYK 18 / 9 / 0 / 22

HEX #A3B5C7

RGB 163 181 199

HSL 210, 0.24%, 0.71%

LAB 72.86, -2.39, -11.21

 

CMYK 53 / 0 / 3 / 4

HEX #73F6EE

RGB 115 246 238

HSL 176.34, 0.88%, 0.71%

LAB 89.73, -37.94, -7.18

 

CMYK 53 / 11 / 0 / 4

HEX #73DCF6

RGB 115 220 246

HSL 191.91, 0.88%, 0.71%

LAB 82.64, -23.44, -22.02

 

CMYK 53 / 25 / 0 / 4

HEX #73B9F6

RGB 115 185 246

HSL 207.94, 0.88%, 0.71%

LAB 72.89, -5.19, -36.98

 

CMYK 53 / 39 / 0 / 4

HEX #7396F6

RGB 115 150 246

HSL 223.97, 0.88%, 0.71%

LAB 63.43, 14.66, -51.82

 

CMYK 53 / 53 / 0 / 4

HEX #7373F6

RGB 115 115 246

HSL 240, 0.88%, 0.71%

LAB 54.62, 35.43, -65.92

 

CMYK 85 / 40 / 0 / 5

HEX #2591F2

RGB 37 145 242

HSL 208.39, 0.89%, 0.55%

LAB 59.03, 4.96, -56.81

 

CMYK 69 / 33 / 0 / 4

HEX #4CA4F4

RGB 76 164 244

HSL 208.57, 0.88%, 0.63%

LAB 65.45, -1.14, -47.65

 

CMYK 53 / 25 / 0 / 4

HEX #73B8F6

RGB 115 184 246

HSL 208.4, 0.88%, 0.71%

LAB 72.61, -4.64, -37.41

 

CMYK 38 / 18 / 0 / 2

HEX #9ACCF9

RGB 154 204 249

HSL 208.42, 0.89%, 0.79%

LAB 80.12, -5.33, -27.29

 

CMYK 23 / 11 / 0 / 2

HEX #C1DFFB

RGB 193 223 251

HSL 208.97, 0.88%, 0.87%

LAB 87.52, -3.92, -16.9

 

CMYK 54 / 26 / 0 / 3

HEX #72B8F7

RGB 114 184 247

HSL 208.42, 0.89%, 0.71%

LAB 72.61, -4.55, -37.96

 

CMYK 18 / 53 / 0 / 4

HEX #CA73F6

RGB 202 115 246

HSL 279.85, 0.88%, 0.71%

LAB 62.9, 55.63, -52.2

 

CMYK 3 / 0 / 53 / 4

HEX #EEF673

RGB 238 246 115

HSL 63.66, 0.88%, 0.71%

LAB 94.02, -19.91, 61.12

 

CMYK 54 / 26 / 0 / 3

HEX #72B8F7

RGB 114 184 247

HSL 208.42, 0.89%, 0.71%

LAB 72.61, -4.55, -37.96

 

CMYK 0 / 53 / 25 / 4

HEX #F673B9

RGB 246 115 185

HSL 327.94, 0.88%, 0.71%

LAB 66.03, 57.71, -12.81

 

CMYK 25 / 0 / 53 / 4

HEX #B9F673

RGB 185 246 115

HSL 87.94, 0.88%, 0.71%

LAB 90.53, -39.89, 56.17

 

CMYK 54 / 26 / 0 / 3

HEX #72B8F7

RGB 114 184 247

HSL 208.42, 0.89%, 0.71%

LAB 72.61, -4.55, -37.96

 

CMYK 18 / 53 / 0 / 4

HEX #CA73F6

RGB 202 115 246

HSL 279.85, 0.88%, 0.71%

LAB 62.9, 55.63, -52.2

 

CMYK 0 / 28 / 53 / 4

HEX #F6B073

RGB 246 176 115

HSL 27.94, 0.88%, 0.71%

LAB 77.21, 18.96, 41.17

 

CMYK 35 / 0 / 53 / 4

HEX #9FF673

RGB 159 246 115

HSL 99.85, 0.88%, 0.71%

LAB 89.17, -48.75, 54.22

 

CMYK 54 / 26 / 0 / 3

HEX #72B8F7

RGB 114 184 247

HSL 208.42, 0.89%, 0.71%

LAB 72.61, -4.55, -37.96

 

CMYK 2 / 53 / 0 / 4

HEX #F273F6

RGB 242 115 246

HSL 298.17, 0.88%, 0.71%

LAB 67.87, 65.95, -44.03

 

CMYK 0 / 28 / 53 / 4

HEX #F6B073

RGB 246 176 115

HSL 27.94, 0.88%, 0.71%

LAB 77.21, 18.96, 41.17

 

CMYK 52 / 0 / 53 / 4

HEX #77F673

RGB 119 246 115

HSL 118.17, 0.88%, 0.71%

LAB 87.52, -60.42, 51.85

 

Description

Color code: HEX #72B8F7 | qconv.com Color code: HEX #72B8F7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 184 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 184 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 26 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 26% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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