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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72ABC8 it is the complementary color #8D5437. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72ABC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72ABC8 shade: #77ABC3, #88BDD6, #99CFE9, #AAE1FC and #BBF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72ABC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72ABC8 shade: #72ABC8, #6199B5, #5087A2, #3F758F and #2E637C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72ABC8 shade: #73ABC8, #7394C8, #737DC8, #7F73C8 and #9673C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72ABC8 shade: #73ABC8, #7394C8, #737DC8 and #7373C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72ABC8 shade matches the following richer shades: #73ABC8, #63B1D8, #54B6E8 and #44BBF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72ABC8 shade: #73ABC8, #83A6B9, #92A1A9, #A29C99 and #B2978A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72ABC8 shade: #73C8B7, #73C3C8, #73ACC8, #7395C8 and #737EC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72ABC8 shade: #4185A8, #559ABD, #73ABC8, #91BDD4 and #AECFDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72ABC8 shade: #72ABC8, #A073C8 and #C8C373

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72ABC8 shade: #72ABC8, #C873AC and #ACC873

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72ABC8 shade: #72ABC8, #A073C8, #C88F73 and #9BC873

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72ABC8 shade: #72ABC8, #BA73C8, #C88F73 and #81C873

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 15 / 0 / 22

HEX #72ABC8

RGB 114 171 200

HSL 200.23, 0.44%, 0.62%

LAB 67.18, -10.97, -20.62

 

Complementary color

CMYK 0 / 40 / 61 / 45

HEX #8D5437

RGB 141 84 55

HSL 20.23, 0.44%, 0.38%

LAB 41.66, 20.74, 26.84

 

CMYK 39 / 12 / 0 / 24

HEX #77ABC3

RGB 119 171 195

HSL 198.95, 0.39%, 0.62%

LAB 67.27, -11, -17.7

 

CMYK 36 / 12 / 0 / 16

HEX #88BDD6

RGB 136 189 214

HSL 199.23, 0.49%, 0.69%

LAB 73.86, -11.11, -18.06

 

CMYK 34 / 11 / 0 / 9

HEX #99CFE9

RGB 153 207 233

HSL 199.5, 0.65%, 0.76%

LAB 80.34, -11.2, -18.42

 

CMYK 33 / 11 / 0 / 1

HEX #AAE1FC

RGB 170 225 252

HSL 199.76, 0.93%, 0.83%

LAB 86.71, -11.27, -18.78

 

CMYK 27 / 5 / 0 / 0

HEX #BBF3FF

RGB 187 243 255

HSL 190.59, 1%, 0.87%

LAB 92.52, -14.97, -11.54

 

CMYK 43 / 15 / 0 / 22

HEX #72ABC8

RGB 114 171 200

HSL 200.23, 0.44%, 0.62%

LAB 67.18, -10.97, -20.62

 

CMYK 46 / 15 / 0 / 29

HEX #6199B5

RGB 97 153 181

HSL 200, 0.36%, 0.55%

LAB 60.48, -10.75, -20.3

 

CMYK 51 / 17 / 0 / 36

HEX #5087A2

RGB 80 135 162

HSL 199.76, 0.34%, 0.47%

LAB 53.65, -10.46, -19.97

 

CMYK 56 / 18 / 0 / 44

HEX #3F758F

RGB 63 117 143

HSL 199.5, 0.39%, 0.4%

LAB 46.66, -10.06, -19.64

 

CMYK 63 / 20 / 0 / 51

HEX #2E637C

RGB 46 99 124

HSL 199.23, 0.46%, 0.33%

LAB 39.51, -9.48, -19.29

 

CMYK 43 / 15 / 0 / 22

HEX #73ABC8

RGB 115 171 200

HSL 200.47, 0.44%, 0.62%

LAB 67.23, -10.71, -20.54

 

CMYK 43 / 26 / 0 / 22

HEX #7394C8

RGB 115 148 200

HSL 216.71, 0.44%, 0.62%

LAB 60.78, 2.1, -30.46

 

CMYK 43 / 38 / 0 / 22

HEX #737DC8

RGB 115 125 200

HSL 232.94, 0.44%, 0.62%

LAB 54.53, 15.6, -40.21

 

CMYK 37 / 43 / 0 / 22

HEX #7F73C8

RGB 127 115 200

HSL 248.47, 0.44%, 0.62%

LAB 52.89, 24.74, -42.75

 

CMYK 25 / 43 / 0 / 22

HEX #9673C8

RGB 150 115 200

HSL 264.71, 0.44%, 0.62%

LAB 54.99, 31.15, -39.3

 

CMYK 43 / 15 / 0 / 22

HEX #73ABC8

RGB 115 171 200

HSL 200.47, 0.44%, 0.62%

LAB 67.23, -10.71, -20.54

 

CMYK 43 / 26 / 0 / 22

HEX #7394C8

RGB 115 148 200

HSL 216.71, 0.44%, 0.62%

LAB 60.78, 2.1, -30.46

 

CMYK 43 / 38 / 0 / 22

HEX #737DC8

RGB 115 125 200

HSL 232.94, 0.44%, 0.62%

LAB 54.53, 15.6, -40.21

 

CMYK 43 / 43 / 0 / 22

HEX #7373C8

RGB 115 115 200

HSL 240, 0.44%, 0.62%

LAB 51.92, 21.61, -44.34

 

CMYK 43 / 15 / 0 / 22

HEX #73ABC8

RGB 115 171 200

HSL 200.47, 0.44%, 0.62%

LAB 67.23, -10.71, -20.54

 

CMYK 54 / 18 / 0 / 15

HEX #63B1D8

RGB 99 177 216

HSL 200, 0.6%, 0.62%

LAB 68.79, -13.13, -27.04

 

CMYK 64 / 22 / 0 / 9

HEX #54B6E8

RGB 84 182 232

HSL 200.27, 0.76%, 0.62%

LAB 70.29, -13.74, -33.51

 

CMYK 72 / 24 / 0 / 3

HEX #44BBF7

RGB 68 187 247

HSL 200.11, 0.92%, 0.62%

LAB 71.88, -13.91, -39.21

 

CMYK 43 / 15 / 0 / 22

HEX #73ABC8

RGB 115 171 200

HSL 200.47, 0.44%, 0.62%

LAB 67.23, -10.71, -20.54

 

CMYK 29 / 10 / 0 / 27

HEX #83A6B9

RGB 131 166 185

HSL 201.11, 0.28%, 0.62%

LAB 66.21, -7.43, -13.67

 

CMYK 14 / 5 / 0 / 34

HEX #92A1A9

RGB 146 161 169

HSL 200.87, 0.12%, 0.62%

LAB 65.33, -3.6, -5.96

 

CMYK 0 / 4 / 6 / 36

HEX #A29C99

RGB 162 156 153

HSL 20, 0.05%, 0.62%

LAB 64.77, 1.63, 2.34

 

CMYK 0 / 15 / 22 / 30

HEX #B2978A

RGB 178 151 138

HSL 19.5, 0.21%, 0.62%

LAB 64.51, 7.96, 10.57

 

CMYK 43 / 0 / 9 / 22

HEX #73C8B7

RGB 115 200 183

HSL 168, 0.44%, 0.62%

LAB 75.06, -29.82, 0.44

 

CMYK 43 / 3 / 0 / 22

HEX #73C3C8

RGB 115 195 200

HSL 183.53, 0.44%, 0.62%

LAB 74.09, -23.2, -10.21

 

CMYK 43 / 14 / 0 / 22

HEX #73ACC8

RGB 115 172 200

HSL 199.76, 0.44%, 0.62%

LAB 67.52, -11.25, -20.11

 

CMYK 43 / 26 / 0 / 22

HEX #7395C8

RGB 115 149 200

HSL 216, 0.44%, 0.62%

LAB 61.05, 1.52, -30.03

 

CMYK 43 / 37 / 0 / 22

HEX #737EC8

RGB 115 126 200

HSL 232.24, 0.44%, 0.62%

LAB 54.8, 15, -39.79

 

CMYK 61 / 21 / 0 / 34

HEX #4185A8

RGB 65 133 168

HSL 200.39, 0.44%, 0.46%

LAB 52.65, -10.72, -25.02

 

CMYK 55 / 19 / 0 / 26

HEX #559ABD

RGB 85 154 189

HSL 200.19, 0.44%, 0.54%

LAB 60.53, -11.72, -24.78

 

CMYK 43 / 15 / 0 / 22

HEX #73ABC8

RGB 115 171 200

HSL 200.47, 0.44%, 0.62%

LAB 67.23, -10.71, -20.54

 

CMYK 32 / 11 / 0 / 17

HEX #91BDD4

RGB 145 189 212

HSL 200.6, 0.44%, 0.7%

LAB 74.3, -9.11, -16.26

 

CMYK 22 / 7 / 0 / 13

HEX #AECFDF

RGB 174 207 223

HSL 199.59, 0.43%, 0.78%

LAB 81.27, -7.48, -11.56

 

CMYK 43 / 15 / 0 / 22

HEX #72ABC8

RGB 114 171 200

HSL 200.23, 0.44%, 0.62%

LAB 67.18, -10.97, -20.62

 

CMYK 20 / 43 / 0 / 22

HEX #A073C8

RGB 160 115 200

HSL 271.76, 0.44%, 0.62%

LAB 55.99, 34.06, -37.65

 

CMYK 0 / 3 / 43 / 22

HEX #C8C373

RGB 200 195 115

HSL 56.47, 0.44%, 0.62%

LAB 77.61, -9.7, 40.72

 

CMYK 43 / 15 / 0 / 22

HEX #72ABC8

RGB 114 171 200

HSL 200.23, 0.44%, 0.62%

LAB 67.18, -10.97, -20.62

 

CMYK 0 / 43 / 14 / 22

HEX #C873AC

RGB 200 115 172

HSL 319.76, 0.44%, 0.62%

LAB 59.45, 41.16, -15.93

 

CMYK 14 / 0 / 43 / 22

HEX #ACC873

RGB 172 200 115

HSL 79.76, 0.44%, 0.62%

LAB 76.87, -23.25, 39.35

 

CMYK 43 / 15 / 0 / 22

HEX #72ABC8

RGB 114 171 200

HSL 200.23, 0.44%, 0.62%

LAB 67.18, -10.97, -20.62

 

CMYK 20 / 43 / 0 / 22

HEX #A073C8

RGB 160 115 200

HSL 271.76, 0.44%, 0.62%

LAB 55.99, 34.06, -37.65

 

CMYK 0 / 29 / 43 / 22

HEX #C88F73

RGB 200 143 115

HSL 19.76, 0.44%, 0.62%

LAB 64.29, 18.13, 23.46

 

CMYK 23 / 0 / 43 / 22

HEX #9BC873

RGB 155 200 115

HSL 91.76, 0.44%, 0.62%

LAB 75.77, -29.61, 37.73

 

CMYK 43 / 15 / 0 / 22

HEX #72ABC8

RGB 114 171 200

HSL 200.23, 0.44%, 0.62%

LAB 67.18, -10.97, -20.62

 

CMYK 7 / 43 / 0 / 22

HEX #BA73C8

RGB 186 115 200

HSL 290.12, 0.44%, 0.62%

LAB 58.85, 41.79, -32.96

 

CMYK 0 / 29 / 43 / 22

HEX #C88F73

RGB 200 143 115

HSL 19.76, 0.44%, 0.62%

LAB 64.29, 18.13, 23.46

 

CMYK 36 / 0 / 43 / 22

HEX #81C873

RGB 129 200 115

HSL 110.12, 0.44%, 0.62%

LAB 74.33, -38.62, 35.59

 

Description

Color code: HEX #72ABC8 | qconv.com Color code: HEX #72ABC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 171 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 171 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 15 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 15% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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