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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72A237 it is the complementary color #8D5DC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72A237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72A237 shade: #77A232, #88B445, #99C658, #AAD86B and #BBEA7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72A237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72A237 shade: #72A237, #619024, #507E11, #3F6C00 and #2E5A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72A237 shade: #73A337, #90A337, #A39937, #A37C37 and #A35F37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72A237 shade: #73A337, #56A337, #39A337, #37A353 and #37A370

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72A237 shade matches the following richer shades: #73A337, #74B526, #76C614 and #78D802

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72A237 shade: #73A337, #719149, #6F7F5B, #6D6E6D and #6B5C7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72A237 shade: #A39837, #91A337, #74A337, #58A337 and #3BA337

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72A237 shade: #476522, #5D842D, #73A337, #88BF45 and #9CC963

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72A237 shade: #72A237, #37A37B and #A3379F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72A237 shade: #72A237, #3774A3 and #A33774

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72A237 shade: #72A237, #37A37B, #6637A3 and #A3375F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72A237 shade: #72A237, #37A39C, #6637A3 and #A3373F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 66 / 36

HEX #72A237

RGB 114 162 55

HSL 86.92, 0.49%, 0.43%

LAB 61.39, -33.48, 48.76

 

Complementary color

CMYK 30 / 54 / 0 / 22

HEX #8D5DC8

RGB 141 93 200

HSL 266.92, 0.49%, 0.57%

LAB 49.08, 41.21, -48.71

 

CMYK 27 / 0 / 69 / 36

HEX #77A232

RGB 119 162 50

HSL 83.04, 0.53%, 0.42%

LAB 61.65, -31.92, 51.19

 

CMYK 24 / 0 / 62 / 29

HEX #88B445

RGB 136 180 69

HSL 83.78, 0.45%, 0.49%

LAB 68.25, -32.23, 50.52

 

CMYK 23 / 0 / 56 / 22

HEX #99C658

RGB 153 198 88

HSL 84.55, 0.49%, 0.56%

LAB 74.74, -32.42, 49.56

 

CMYK 21 / 0 / 50 / 15

HEX #AAD86B

RGB 170 216 107

HSL 85.32, 0.58%, 0.63%

LAB 81.14, -32.53, 48.48

 

CMYK 20 / 0 / 46 / 8

HEX #BBEA7E

RGB 187 234 126

HSL 86.11, 0.72%, 0.71%

LAB 87.44, -32.58, 47.35

 

CMYK 30 / 0 / 66 / 36

HEX #72A237

RGB 114 162 55

HSL 86.92, 0.49%, 0.43%

LAB 61.39, -33.48, 48.76

 

CMYK 33 / 0 / 75 / 44

HEX #619024

RGB 97 144 36

HSL 86.11, 0.6%, 0.35%

LAB 54.67, -33.1, 49.14

 

CMYK 37 / 0 / 87 / 51

HEX #507E11

RGB 80 126 17

HSL 85.32, 0.76%, 0.28%

LAB 47.84, -32.47, 48.51

 

CMYK 42 / 0 / 100 / 58

HEX #3F6C00

RGB 63 108 0

HSL 85, 1%, 0.21%

LAB 40.87, -31.5, 46.32

 

CMYK 49 / 0 / 100 / 65

HEX #2E5A00

RGB 46 90 0

HSL 89.33, 1%, 0.18%

LAB 33.76, -29.89, 40.42

 

CMYK 29 / 0 / 66 / 36

HEX #73A337

RGB 115 163 55

HSL 86.67, 0.5%, 0.43%

LAB 61.75, -33.56, 49.16

 

CMYK 12 / 0 / 66 / 36

HEX #90A337

RGB 144 163 55

HSL 70.56, 0.5%, 0.43%

LAB 63.67, -21.83, 51.77

 

CMYK 0 / 6 / 66 / 36

HEX #A39937

RGB 163 153 55

HSL 54.44, 0.5%, 0.43%

LAB 62.38, -8.4, 50.9

 

CMYK 0 / 24 / 66 / 36

HEX #A37C37

RGB 163 124 55

HSL 38.33, 0.5%, 0.43%

LAB 54.53, 7.58, 42.49

 

CMYK 0 / 42 / 66 / 36

HEX #A35F37

RGB 163 95 55

HSL 22.22, 0.5%, 0.43%

LAB 47.3, 24, 34.3

 

CMYK 29 / 0 / 66 / 36

HEX #73A337

RGB 115 163 55

HSL 86.67, 0.5%, 0.43%

LAB 61.75, -33.56, 49.16

 

CMYK 47 / 0 / 66 / 36

HEX #56A337

RGB 86 163 55

HSL 102.78, 0.5%, 0.43%

LAB 60.29, -43.72, 47.16

 

CMYK 65 / 0 / 66 / 36

HEX #39A337

RGB 57 163 55

HSL 118.89, 0.5%, 0.43%

LAB 59.29, -51.5, 45.77

 

CMYK 66 / 0 / 49 / 36

HEX #37A353

RGB 55 163 83

HSL 135.56, 0.5%, 0.43%

LAB 59.55, -48.25, 32.65

 

CMYK 66 / 0 / 31 / 36

HEX #37A370

RGB 55 163 112

HSL 151.67, 0.5%, 0.43%

LAB 60.05, -42.82, 17.73

 

CMYK 29 / 0 / 66 / 36

HEX #73A337

RGB 115 163 55

HSL 86.67, 0.5%, 0.43%

LAB 61.75, -33.56, 49.16

 

CMYK 36 / 0 / 79 / 29

HEX #74B526

RGB 116 181 38

HSL 87.27, 0.65%, 0.43%

LAB 67.2, -42.27, 60.79

 

CMYK 40 / 0 / 90 / 22

HEX #76C614

RGB 118 198 20

HSL 86.97, 0.82%, 0.43%

LAB 72.42, -49.26, 69.58

 

CMYK 44 / 0 / 99 / 15

HEX #78D802

RGB 120 216 2

HSL 86.92, 0.98%, 0.43%

LAB 77.94, -55.95, 76.14

 

CMYK 29 / 0 / 66 / 36

HEX #73A337

RGB 115 163 55

HSL 86.67, 0.5%, 0.43%

LAB 61.75, -33.56, 49.16

 

CMYK 22 / 0 / 50 / 43

HEX #719149

RGB 113 145 73

HSL 86.67, 0.33%, 0.43%

LAB 56.33, -23.9, 34.39

 

CMYK 13 / 0 / 28 / 50

HEX #6F7F5B

RGB 111 127 91

HSL 86.67, 0.17%, 0.43%

LAB 51.05, -12.75, 17.68

 

CMYK 1 / 0 / 1 / 57

HEX #6D6E6D

RGB 109 110 109

HSL 120, 0%, 0.43%

LAB 46.32, -0.59, 0.42

 

CMYK 15 / 27 / 0 / 51

HEX #6B5C7E

RGB 107 92 126

HSL 266.47, 0.16%, 0.43%

LAB 41.67, 13.31, -16.84

 

CMYK 0 / 7 / 66 / 36

HEX #A39837

RGB 163 152 55

HSL 53.89, 0.5%, 0.43%

LAB 62.1, -7.86, 50.61

 

CMYK 11 / 0 / 66 / 36

HEX #91A337

RGB 145 163 55

HSL 70, 0.5%, 0.43%

LAB 63.75, -21.4, 51.87

 

CMYK 29 / 0 / 66 / 36

HEX #74A337

RGB 116 163 55

HSL 86.11, 0.5%, 0.43%

LAB 61.81, -33.18, 49.24

 

CMYK 46 / 0 / 66 / 36

HEX #58A337

RGB 88 163 55

HSL 101.67, 0.5%, 0.43%

LAB 60.38, -43.09, 47.28

 

CMYK 64 / 0 / 66 / 36

HEX #3BA337

RGB 59 163 55

HSL 117.78, 0.5%, 0.43%

LAB 59.34, -51.05, 45.85

 

CMYK 30 / 0 / 66 / 60

HEX #476522

RGB 71 101 34

HSL 86.87, 0.5%, 0.26%

LAB 39.18, -22.99, 33.46

 

CMYK 30 / 0 / 66 / 48

HEX #5D842D

RGB 93 132 45

HSL 86.9, 0.49%, 0.35%

LAB 50.71, -28.36, 41.28

 

CMYK 29 / 0 / 66 / 36

HEX #73A337

RGB 115 163 55

HSL 86.67, 0.5%, 0.43%

LAB 61.75, -33.56, 49.16

 

CMYK 29 / 0 / 64 / 25

HEX #88BF45

RGB 136 191 69

HSL 87.05, 0.49%, 0.51%

LAB 71.5, -37.28, 54.08

 

CMYK 22 / 0 / 51 / 21

HEX #9CC963

RGB 156 201 99

HSL 86.47, 0.49%, 0.59%

LAB 75.91, -31.58, 45.8

 

CMYK 30 / 0 / 66 / 36

HEX #72A237

RGB 114 162 55

HSL 86.92, 0.49%, 0.43%

LAB 61.39, -33.48, 48.76

 

CMYK 66 / 0 / 25 / 36

HEX #37A37B

RGB 55 163 123

HSL 157.78, 0.5%, 0.43%

LAB 60.28, -40.35, 11.95

 

CMYK 0 / 66 / 2 / 36

HEX #A3379F

RGB 163 55 159

HSL 302.22, 0.5%, 0.43%

LAB 42.8, 56.91, -34.47

 

CMYK 30 / 0 / 66 / 36

HEX #72A237

RGB 114 162 55

HSL 86.92, 0.49%, 0.43%

LAB 61.39, -33.48, 48.76

 

CMYK 66 / 29 / 0 / 36

HEX #3774A3

RGB 55 116 163

HSL 206.11, 0.5%, 0.43%

LAB 46.91, -4.4, -31.07

 

CMYK 0 / 66 / 29 / 36

HEX #A33774

RGB 163 55 116

HSL 326.11, 0.5%, 0.43%

LAB 40.86, 50.41, -11.24

 

CMYK 30 / 0 / 66 / 36

HEX #72A237

RGB 114 162 55

HSL 86.92, 0.49%, 0.43%

LAB 61.39, -33.48, 48.76

 

CMYK 66 / 0 / 25 / 36

HEX #37A37B

RGB 55 163 123

HSL 157.78, 0.5%, 0.43%

LAB 60.28, -40.35, 11.95

 

CMYK 37 / 66 / 0 / 36

HEX #6637A3

RGB 102 55 163

HSL 266.11, 0.5%, 0.43%

LAB 34.4, 43.36, -50.79

 

CMYK 0 / 66 / 42 / 36

HEX #A3375F

RGB 163 55 95

HSL 337.78, 0.5%, 0.43%

LAB 40.16, 47.9, 0.83

 

CMYK 30 / 0 / 66 / 36

HEX #72A237

RGB 114 162 55

HSL 86.92, 0.49%, 0.43%

LAB 61.39, -33.48, 48.76

 

CMYK 66 / 0 / 4 / 36

HEX #37A39C

RGB 55 163 156

HSL 176.11, 0.5%, 0.43%

LAB 61.14, -31.8, -5.35

 

CMYK 37 / 66 / 0 / 36

HEX #6637A3

RGB 102 55 163

HSL 266.11, 0.5%, 0.43%

LAB 34.4, 43.36, -50.79

 

CMYK 0 / 66 / 61 / 36

HEX #A3373F

RGB 163 55 63

HSL 355.56, 0.5%, 0.43%

LAB 39.37, 45.05, 19.85

 

Description

Color code: HEX #72A237 | qconv.com Color code: HEX #72A237 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 162 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 162 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 66 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 66% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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