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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72A10B it is the complementary color #8D5EF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72A10B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72A10B shade: #77A106, #88B319, #99C52C, #AAD73F and #BBE952

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72A10B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72A10B shade: #72A10B, #618F00, #507D00, #3F6B00 and #2E5900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72A10B shade: #72A20B, #9BA20B, #A2800B, #A2570B and #A22E0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72A10B shade: #72A20B, #4AA20B, #21A20B, #0BA21D and #0BA246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72A10B shade matches the following richer shades: #72A20B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72A10B shade: #72A20B, #6D9419, #688627, #637835 and #5D6A43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72A10B shade: #A27E0B, #9DA20B, #74A20B, #4CA20B and #24A20B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72A10B shade: #3C5405, #577B08, #72A20B, #8EC80D and #A9EE11

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72A10B shade: #72A10B, #0BA256 and #930BA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72A10B shade: #72A10B, #0B74A2 and #A20B74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72A10B shade: #72A10B, #0BA256, #380BA2 and #A20B56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72A10B shade: #72A10B, #0BA283, #380BA2 and #A20B29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 93 / 37

HEX #72A10B

RGB 114 161 11

HSL 78.8, 0.87%, 0.34%

LAB 60.86, -35.18, 61.42

 

Complementary color

CMYK 42 / 61 / 0 / 4

HEX #8D5EF4

RGB 141 94 244

HSL 258.8, 0.87%, 0.66%

LAB 52.06, 51.97, -68.83

 

CMYK 26 / 0 / 96 / 37

HEX #77A106

RGB 119 161 6

HSL 76.26, 0.93%, 0.33%

LAB 61.15, -33.27, 62.48

 

CMYK 24 / 0 / 86 / 30

HEX #88B319

RGB 136 179 25

HSL 76.75, 0.75%, 0.4%

LAB 67.68, -34.27, 65.04

 

CMYK 22 / 0 / 78 / 23

HEX #99C52C

RGB 153 197 44

HSL 77.25, 0.63%, 0.47%

LAB 74.12, -35.05, 66.16

 

CMYK 21 / 0 / 71 / 16

HEX #AAD73F

RGB 170 215 63

HSL 77.76, 0.66%, 0.55%

LAB 80.46, -35.63, 66.34

 

CMYK 20 / 0 / 65 / 9

HEX #BBE952

RGB 187 233 82

HSL 78.28, 0.77%, 0.62%

LAB 86.73, -36.08, 65.96

 

CMYK 29 / 0 / 93 / 37

HEX #72A10B

RGB 114 161 11

HSL 78.8, 0.87%, 0.34%

LAB 60.86, -35.18, 61.42

 

CMYK 32 / 0 / 100 / 44

HEX #618F00

RGB 97 143 0

HSL 79.3, 1%, 0.28%

LAB 54.22, -33.98, 57.46

 

CMYK 36 / 0 / 100 / 51

HEX #507D00

RGB 80 125 0

HSL 81.6, 1%, 0.25%

LAB 47.46, -32.54, 51.83

 

CMYK 41 / 0 / 100 / 58

HEX #3F6B00

RGB 63 107 0

HSL 84.67, 1%, 0.21%

LAB 40.53, -31.05, 46.06

 

CMYK 48 / 0 / 100 / 65

HEX #2E5900

RGB 46 89 0

HSL 88.99, 1%, 0.17%

LAB 33.4, -29.44, 40.14

 

CMYK 30 / 0 / 93 / 36

HEX #72A20B

RGB 114 162 11

HSL 79.07, 0.87%, 0.34%

LAB 61.17, -35.63, 61.67

 

CMYK 4 / 0 / 93 / 36

HEX #9BA20B

RGB 155 162 11

HSL 62.78, 0.87%, 0.34%

LAB 64.03, -18.3, 65.15

 

CMYK 0 / 21 / 93 / 36

HEX #A2800B

RGB 162 128 11

HSL 46.49, 0.87%, 0.34%

LAB 55.22, 3.14, 58.67

 

CMYK 0 / 46 / 93 / 36

HEX #A2570B

RGB 162 87 11

HSL 30.2, 0.87%, 0.34%

LAB 44.97, 26.27, 51.05

 

CMYK 0 / 72 / 93 / 36

HEX #A22E0B

RGB 162 46 11

HSL 13.91, 0.87%, 0.34%

LAB 37.22, 46.3, 45.58

 

CMYK 30 / 0 / 93 / 36

HEX #72A20B

RGB 114 162 11

HSL 79.07, 0.87%, 0.34%

LAB 61.17, -35.63, 61.67

 

CMYK 54 / 0 / 93 / 36

HEX #4AA20B

RGB 74 162 11

HSL 94.97, 0.87%, 0.34%

LAB 59.27, -49.49, 59.34

 

CMYK 80 / 0 / 93 / 36

HEX #21A20B

RGB 33 162 11

HSL 111.26, 0.87%, 0.34%

LAB 58.22, -58.32, 58.03

 

CMYK 93 / 0 / 82 / 36

HEX #0BA21D

RGB 11 162 29

HSL 127.15, 0.87%, 0.34%

LAB 58.04, -59.67, 53.8

 

CMYK 93 / 0 / 57 / 36

HEX #0BA246

RGB 11 162 70

HSL 143.44, 0.87%, 0.34%

LAB 58.37, -55.48, 37.59

 

CMYK 30 / 0 / 93 / 36

HEX #72A20B

RGB 114 162 11

HSL 79.07, 0.87%, 0.34%

LAB 61.17, -35.63, 61.67

 

CMYK 30 / 0 / 93 / 36

HEX #72A20B

RGB 114 162 11

HSL 79.07, 0.87%, 0.34%

LAB 61.17, -35.63, 61.67

 

CMYK 26 / 0 / 83 / 42

HEX #6D9419

RGB 109 148 25

HSL 79.02, 0.71%, 0.34%

LAB 56.59, -30.76, 54.75

 

CMYK 22 / 0 / 71 / 47

HEX #688627

RGB 104 134 39

HSL 78.95, 0.55%, 0.34%

LAB 51.99, -25.3, 45.43

 

CMYK 18 / 0 / 56 / 53

HEX #637835

RGB 99 120 53

HSL 78.81, 0.39%, 0.34%

LAB 47.42, -19.06, 33.82

 

CMYK 12 / 0 / 37 / 58

HEX #5D6A43

RGB 93 106 67

HSL 80, 0.23%, 0.34%

LAB 42.82, -12.27, 20.3

 

CMYK 0 / 22 / 93 / 36

HEX #A27E0B

RGB 162 126 11

HSL 45.7, 0.87%, 0.34%

LAB 54.69, 4.26, 58.27

 

CMYK 3 / 0 / 93 / 36

HEX #9DA20B

RGB 157 162 11

HSL 61.99, 0.87%, 0.34%

LAB 64.19, -17.42, 65.34

 

CMYK 28 / 0 / 93 / 36

HEX #74A20B

RGB 116 162 11

HSL 78.28, 0.87%, 0.34%

LAB 61.29, -34.84, 61.82

 

CMYK 53 / 0 / 93 / 36

HEX #4CA20B

RGB 76 162 11

HSL 94.17, 0.87%, 0.34%

LAB 59.34, -48.9, 59.43

 

CMYK 78 / 0 / 93 / 36

HEX #24A20B

RGB 36 162 11

HSL 110.07, 0.87%, 0.34%

LAB 58.26, -57.89, 58.09

 

CMYK 29 / 0 / 94 / 67

HEX #3C5405

RGB 60 84 5

HSL 78.23, 0.89%, 0.17%

LAB 32.51, -20.98, 38.06

 

CMYK 29 / 0 / 93 / 52

HEX #577B08

RGB 87 123 8

HSL 78.78, 0.88%, 0.26%

LAB 47.25, -28.54, 50.19

 

CMYK 30 / 0 / 93 / 36

HEX #72A20B

RGB 114 162 11

HSL 79.07, 0.87%, 0.34%

LAB 61.17, -35.63, 61.67

 

CMYK 29 / 0 / 94 / 22

HEX #8EC80D

RGB 142 200 13

HSL 78.61, 0.88%, 0.42%

LAB 74.25, -41.58, 72.57

 

CMYK 29 / 0 / 93 / 7

HEX #A9EE11

RGB 169 238 17

HSL 78.73, 0.87%, 0.5%

LAB 86.81, -47.66, 82.75

 

CMYK 29 / 0 / 93 / 37

HEX #72A10B

RGB 114 161 11

HSL 78.8, 0.87%, 0.34%

LAB 60.86, -35.18, 61.42

 

CMYK 93 / 0 / 47 / 36

HEX #0BA256

RGB 11 162 86

HSL 149.8, 0.87%, 0.34%

LAB 58.59, -52.88, 29.72

 

CMYK 9 / 93 / 0 / 36

HEX #930BA2

RGB 147 11 162

HSL 294.04, 0.87%, 0.34%

LAB 36.08, 66.18, -47.14

 

CMYK 29 / 0 / 93 / 37

HEX #72A10B

RGB 114 161 11

HSL 78.8, 0.87%, 0.34%

LAB 60.86, -35.18, 61.42

 

CMYK 93 / 28 / 0 / 36

HEX #0B74A2

RGB 11 116 162

HSL 198.28, 0.87%, 0.34%

LAB 45.87, -9.68, -32.18

 

CMYK 0 / 93 / 28 / 36

HEX #A20B74

RGB 162 11 116

HSL 318.28, 0.87%, 0.34%

LAB 36.33, 62.48, -18.18

 

CMYK 29 / 0 / 93 / 37

HEX #72A10B

RGB 114 161 11

HSL 78.8, 0.87%, 0.34%

LAB 60.86, -35.18, 61.42

 

CMYK 93 / 0 / 47 / 36

HEX #0BA256

RGB 11 162 86

HSL 149.8, 0.87%, 0.34%

LAB 58.59, -52.88, 29.72

 

CMYK 65 / 93 / 0 / 36

HEX #380BA2

RGB 56 11 162

HSL 257.88, 0.87%, 0.34%

LAB 22.61, 55.14, -69.72

 

CMYK 0 / 93 / 47 / 36

HEX #A20B56

RGB 162 11 86

HSL 330.2, 0.87%, 0.34%

LAB 35.19, 59.41, -0.71

 

CMYK 29 / 0 / 93 / 37

HEX #72A10B

RGB 114 161 11

HSL 78.8, 0.87%, 0.34%

LAB 60.86, -35.18, 61.42

 

CMYK 93 / 0 / 19 / 36

HEX #0BA283

RGB 11 162 131

HSL 167.68, 0.87%, 0.34%

LAB 59.48, -42.78, 6.24

 

CMYK 65 / 93 / 0 / 36

HEX #380BA2

RGB 56 11 162

HSL 257.88, 0.87%, 0.34%

LAB 22.61, 55.14, -69.72

 

CMYK 0 / 93 / 75 / 36

HEX #A20B29

RGB 162 11 41

HSL 348.08, 0.87%, 0.34%

LAB 34.15, 56.53, 27.12

 

Description

Color code: HEX #72A10B | qconv.com Color code: HEX #72A10B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 161 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 161 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 93 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 93% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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