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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7291D0 it is the complementary color #8D6E2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7291D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7291D0 shade: #7791CB, #88A3DE, #99B5F1, #AAC7FF and #BBD9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7291D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7291D0 shade: #7291D0, #617FBD, #506DAA, #3F5B97 and #2E4984

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7291D0 shade: #7190CF, #7177CF, #8571CF, #9E71CF and #B871CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7291D0 shade: #7190CF, #7177CF and #7171CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7291D0 shade matches the following richer shades: #7190CF, #628BDF, #5286EE and #4381FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7291D0 shade: #7190CF, #8095C0, #909AB1, #9FA0A2 and #AEA592

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7291D0 shade: #71C3CF, #71AACF, #7190CF, #7177CF and #8471CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7291D0 shade: #3B63B3, #5278C5, #7190CF, #90A8DA and #AFC0E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7291D0 shade: #7291D0, #C371CF and #B6CF71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7291D0 shade: #7291D0, #CF7190 and #90CF71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7291D0 shade: #7291D0, #C371CF, #CFB071 and #7ECF71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7291D0 shade: #7291D0, #CF71C0, #CFB071 and #71CF81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 30 / 0 / 18

HEX #7291D0

RGB 114 145 208

HSL 220.21, 0.5%, 0.63%

LAB 60.23, 5.88, -35.8

 

Complementary color

CMYK 0 / 22 / 67 / 45

HEX #8D6E2F

RGB 141 110 47

HSL 40.21, 0.5%, 0.37%

LAB 48.28, 5.03, 38.86

 

CMYK 41 / 29 / 0 / 20

HEX #7791CB

RGB 119 145 203

HSL 221.43, 0.45%, 0.63%

LAB 60.32, 5.73, -32.83

 

CMYK 39 / 27 / 0 / 13

HEX #88A3DE

RGB 136 163 222

HSL 221.16, 0.57%, 0.7%

LAB 67.05, 5.23, -32.86

 

CMYK 37 / 25 / 0 / 5

HEX #99B5F1

RGB 153 181 241

HSL 220.91, 0.76%, 0.77%

LAB 73.66, 4.79, -32.93

 

CMYK 33 / 22 / 0 / 0

HEX #AAC7FF

RGB 170 199 255

HSL 219.53, 1%, 0.83%

LAB 79.96, 3.16, -30.65

 

CMYK 27 / 15 / 0 / 0

HEX #BBD9FF

RGB 187 217 255

HSL 213.53, 1%, 0.87%

LAB 85.71, -1.64, -21.78

 

CMYK 45 / 30 / 0 / 18

HEX #7291D0

RGB 114 145 208

HSL 220.21, 0.5%, 0.63%

LAB 60.23, 5.88, -35.8

 

CMYK 49 / 33 / 0 / 26

HEX #617FBD

RGB 97 127 189

HSL 220.43, 0.41%, 0.56%

LAB 53.38, 6.57, -35.84

 

CMYK 53 / 36 / 0 / 33

HEX #506DAA

RGB 80 109 170

HSL 220.67, 0.36%, 0.49%

LAB 46.37, 7.42, -35.92

 

CMYK 58 / 40 / 0 / 41

HEX #3F5B97

RGB 63 91 151

HSL 220.91, 0.41%, 0.42%

LAB 39.2, 8.5, -36.06

 

CMYK 65 / 45 / 0 / 48

HEX #2E4984

RGB 46 73 132

HSL 221.16, 0.48%, 0.35%

LAB 31.83, 9.93, -36.26

 

CMYK 45 / 30 / 0 / 19

HEX #7190CF

RGB 113 144 207

HSL 220.21, 0.49%, 0.63%

LAB 59.85, 5.91, -35.83

 

CMYK 45 / 43 / 0 / 19

HEX #7177CF

RGB 113 119 207

HSL 236.17, 0.49%, 0.63%

LAB 53.18, 20.76, -46.34

 

CMYK 36 / 45 / 0 / 19

HEX #8571CF

RGB 133 113 207

HSL 252.77, 0.49%, 0.63%

LAB 53.28, 29.42, -46.08

 

CMYK 24 / 45 / 0 / 19

HEX #9E71CF

RGB 158 113 207

HSL 268.72, 0.49%, 0.63%

LAB 55.67, 36.24, -42.15

 

CMYK 11 / 45 / 0 / 19

HEX #B871CF

RGB 184 113 207

HSL 285.32, 0.49%, 0.63%

LAB 58.51, 43.69, -37.48

 

CMYK 45 / 30 / 0 / 19

HEX #7190CF

RGB 113 144 207

HSL 220.21, 0.49%, 0.63%

LAB 59.85, 5.91, -35.83

 

CMYK 45 / 43 / 0 / 19

HEX #7177CF

RGB 113 119 207

HSL 236.17, 0.49%, 0.63%

LAB 53.18, 20.76, -46.34

 

CMYK 45 / 45 / 0 / 19

HEX #7171CF

RGB 113 113 207

HSL 240, 0.49%, 0.63%

LAB 51.64, 24.38, -48.79

 

CMYK 45 / 30 / 0 / 19

HEX #7190CF

RGB 113 144 207

HSL 220.21, 0.49%, 0.63%

LAB 59.85, 5.91, -35.83

 

CMYK 56 / 38 / 0 / 13

HEX #628BDF

RGB 98 139 223

HSL 220.32, 0.66%, 0.63%

LAB 58.41, 10.35, -47.12

 

CMYK 66 / 44 / 0 / 7

HEX #5286EE

RGB 82 134 238

HSL 220, 0.82%, 0.63%

LAB 57.09, 15.4, -57.61

 

CMYK 74 / 49 / 0 / 1

HEX #4381FD

RGB 67 129 253

HSL 220, 0.98%, 0.63%

LAB 56.07, 21.61, -67.57

 

CMYK 45 / 30 / 0 / 19

HEX #7190CF

RGB 113 144 207

HSL 220.21, 0.49%, 0.63%

LAB 59.85, 5.91, -35.83

 

CMYK 33 / 22 / 0 / 25

HEX #8095C0

RGB 128 149 192

HSL 220.31, 0.34%, 0.63%

LAB 61.56, 2.93, -24.69

 

CMYK 19 / 13 / 0 / 31

HEX #909AB1

RGB 144 154 177

HSL 221.82, 0.17%, 0.63%

LAB 63.52, 1.39, -13.16

 

CMYK 2 / 1 / 0 / 36

HEX #9FA0A2

RGB 159 160 162

HSL 220, 0.02%, 0.63%

LAB 65.84, 0.03, -1.17

 

CMYK 0 / 5 / 16 / 32

HEX #AEA592

RGB 174 165 146

HSL 40.71, 0.15%, 0.63%

LAB 68.01, -0.01, 11.01

 

CMYK 45 / 6 / 0 / 19

HEX #71C3CF

RGB 113 195 207

HSL 187.66, 0.49%, 0.63%

LAB 74.22, -21.87, -13.82

 

CMYK 45 / 18 / 0 / 19

HEX #71AACF

RGB 113 170 207

HSL 203.62, 0.49%, 0.63%

LAB 67.1, -8.74, -24.62

 

CMYK 45 / 30 / 0 / 19

HEX #7190CF

RGB 113 144 207

HSL 220.21, 0.49%, 0.63%

LAB 59.85, 5.91, -35.83

 

CMYK 45 / 43 / 0 / 19

HEX #7177CF

RGB 113 119 207

HSL 236.17, 0.49%, 0.63%

LAB 53.18, 20.76, -46.34

 

CMYK 36 / 45 / 0 / 19

HEX #8471CF

RGB 132 113 207

HSL 252.13, 0.49%, 0.63%

LAB 53.19, 29.16, -46.23

 

CMYK 67 / 45 / 0 / 30

HEX #3B63B3

RGB 59 99 179

HSL 220, 0.5%, 0.47%

LAB 42.93, 12.57, -46.74

 

CMYK 58 / 39 / 0 / 23

HEX #5278C5

RGB 82 120 197

HSL 220.17, 0.5%, 0.55%

LAB 50.99, 10.01, -44.24

 

CMYK 45 / 30 / 0 / 19

HEX #7190CF

RGB 113 144 207

HSL 220.21, 0.49%, 0.63%

LAB 59.85, 5.91, -35.83

 

CMYK 34 / 23 / 0 / 15

HEX #90A8DA

RGB 144 168 218

HSL 220.54, 0.5%, 0.71%

LAB 68.75, 3.56, -28

 

CMYK 23 / 16 / 0 / 11

HEX #AFC0E4

RGB 175 192 228

HSL 220.75, 0.5%, 0.79%

LAB 77.53, 1.92, -19.85

 

CMYK 45 / 30 / 0 / 18

HEX #7291D0

RGB 114 145 208

HSL 220.21, 0.5%, 0.63%

LAB 60.23, 5.88, -35.8

 

CMYK 6 / 45 / 0 / 19

HEX #C371CF

RGB 195 113 207

HSL 292.34, 0.49%, 0.63%

LAB 59.81, 46.89, -35.35

 

CMYK 12 / 0 / 45 / 19

HEX #B6CF71

RGB 182 207 113

HSL 75.96, 0.49%, 0.63%

LAB 79.48, -23.05, 43.74

 

CMYK 45 / 30 / 0 / 18

HEX #7291D0

RGB 114 145 208

HSL 220.21, 0.5%, 0.63%

LAB 60.23, 5.88, -35.8

 

CMYK 0 / 45 / 30 / 19

HEX #CF7190

RGB 207 113 144

HSL 340.21, 0.49%, 0.63%

LAB 59.06, 40.48, -0.27

 

CMYK 30 / 0 / 45 / 19

HEX #90CF71

RGB 144 207 113

HSL 100.21, 0.49%, 0.63%

LAB 77.13, -37.01, 40.31

 

CMYK 45 / 30 / 0 / 18

HEX #7291D0

RGB 114 145 208

HSL 220.21, 0.5%, 0.63%

LAB 60.23, 5.88, -35.8

 

CMYK 6 / 45 / 0 / 19

HEX #C371CF

RGB 195 113 207

HSL 292.34, 0.49%, 0.63%

LAB 59.81, 46.89, -35.35

 

CMYK 0 / 15 / 45 / 19

HEX #CFB071

RGB 207 176 113

HSL 40.21, 0.49%, 0.63%

LAB 73.23, 2.89, 36.34

 

CMYK 39 / 0 / 45 / 19

HEX #7ECF71

RGB 126 207 113

HSL 111.7, 0.49%, 0.63%

LAB 76.22, -42.94, 38.98

 

CMYK 45 / 30 / 0 / 18

HEX #7291D0

RGB 114 145 208

HSL 220.21, 0.5%, 0.63%

LAB 60.23, 5.88, -35.8

 

CMYK 0 / 45 / 7 / 19

HEX #CF71C0

RGB 207 113 192

HSL 309.57, 0.49%, 0.63%

LAB 60.68, 47.75, -25.4

 

CMYK 0 / 15 / 45 / 19

HEX #CFB071

RGB 207 176 113

HSL 40.21, 0.49%, 0.63%

LAB 73.23, 2.89, 36.34

 

CMYK 45 / 0 / 38 / 19

HEX #71CF81

RGB 113 207 129

HSL 130.21, 0.49%, 0.63%

LAB 75.9, -44.39, 30.33

 

Description

Color code: HEX #7291D0 | qconv.com Color code: HEX #7291D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 145 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 145 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 30 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 30% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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