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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7290B4 it is the complementary color #8D6F4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7290B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7290B4 shade: #7790AF, #88A2C2, #99B4D5, #AAC6E8 and #BBD8FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7290B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7290B4 shade: #7290B4, #617EA1, #506C8E, #3F5A7B and #2E4868

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7290B4 shade: #7290B5, #727EB5, #7872B5, #8A72B5 and #9C72B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7290B4 shade: #7290B5, #727EB5 and #7272B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7290B4 shade matches the following richer shades: #7290B5, #618FC6, #508DD7, #3E8CE9 and #2D8AFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7290B4 shade: #7290B5, #8492A3, #959492, #A69581 and #B8976F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7290B4 shade: #72B5B5, #72A3B5, #7291B5, #727FB5 and #7772B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7290B4 shade: #49678B, #577BA6, #7290B5, #8DA6C3 and #A8BBD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7290B4 shade: #7290B4, #A372B5 and #ACB572

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7290B4 shade: #7290B4, #B57291 and #91B572

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7290B4 shade: #7290B4, #A372B5, #B59672 and #84B572

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7290B4 shade: #7290B4, #B572B2, #B59672 and #72B574

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 20 / 0 / 29

HEX #7290B4

RGB 114 144 180

HSL 212.73, 0.31%, 0.58%

LAB 58.81, -1.44, -22.21

 

Complementary color

CMYK 0 / 21 / 47 / 45

HEX #8D6F4B

RGB 141 111 75

HSL 32.73, 0.31%, 0.42%

LAB 48.93, 6.92, 24.52

 

CMYK 32 / 18 / 0 / 31

HEX #7790AF

RGB 119 144 175

HSL 213.21, 0.26%, 0.58%

LAB 58.94, -1.3, -19.13

 

CMYK 30 / 16 / 0 / 24

HEX #88A2C2

RGB 136 162 194

HSL 213.1, 0.32%, 0.65%

LAB 65.73, -1.51, -19.39

 

CMYK 28 / 15 / 0 / 16

HEX #99B4D5

RGB 153 180 213

HSL 213, 0.42%, 0.72%

LAB 72.37, -1.7, -19.67

 

CMYK 27 / 15 / 0 / 9

HEX #AAC6E8

RGB 170 198 232

HSL 212.9, 0.57%, 0.79%

LAB 78.9, -1.87, -19.96

 

CMYK 25 / 14 / 0 / 2

HEX #BBD8FB

RGB 187 216 251

HSL 212.81, 0.89%, 0.86%

LAB 85.32, -2.03, -20.25

 

CMYK 37 / 20 / 0 / 29

HEX #7290B4

RGB 114 144 180

HSL 212.73, 0.31%, 0.58%

LAB 58.81, -1.44, -22.21

 

CMYK 40 / 22 / 0 / 37

HEX #617EA1

RGB 97 126 161

HSL 212.81, 0.25%, 0.51%

LAB 51.88, -1.13, -22.02

 

CMYK 44 / 24 / 0 / 44

HEX #506C8E

RGB 80 108 142

HSL 212.9, 0.28%, 0.44%

LAB 44.78, -0.76, -21.87

 

CMYK 49 / 27 / 0 / 52

HEX #3F5A7B

RGB 63 90 123

HSL 213, 0.32%, 0.36%

LAB 37.48, -0.27, -21.75

 

CMYK 56 / 31 / 0 / 59

HEX #2E4868

RGB 46 72 104

HSL 213.1, 0.39%, 0.29%

LAB 29.95, 0.4, -21.68

 

CMYK 37 / 20 / 0 / 29

HEX #7290B5

RGB 114 144 181

HSL 213.13, 0.31%, 0.58%

LAB 58.84, -1.17, -22.72

 

CMYK 37 / 30 / 0 / 29

HEX #727EB5

RGB 114 126 181

HSL 229.25, 0.31%, 0.58%

LAB 53.85, 9.32, -30.43

 

CMYK 34 / 37 / 0 / 29

HEX #7872B5

RGB 120 114 181

HSL 245.37, 0.31%, 0.58%

LAB 51.11, 18.21, -34.68

 

CMYK 24 / 37 / 0 / 29

HEX #8A72B5

RGB 138 114 181

HSL 261.49, 0.31%, 0.58%

LAB 52.7, 23.54, -32.07

 

CMYK 14 / 37 / 0 / 29

HEX #9C72B5

RGB 156 114 181

HSL 277.61, 0.31%, 0.58%

LAB 54.49, 29.13, -29.15

 

CMYK 37 / 20 / 0 / 29

HEX #7290B5

RGB 114 144 181

HSL 213.13, 0.31%, 0.58%

LAB 58.84, -1.17, -22.72

 

CMYK 37 / 30 / 0 / 29

HEX #727EB5

RGB 114 126 181

HSL 229.25, 0.31%, 0.58%

LAB 53.85, 9.32, -30.43

 

CMYK 37 / 37 / 0 / 29

HEX #7272B5

RGB 114 114 181

HSL 240, 0.31%, 0.58%

LAB 50.63, 16.51, -35.47

 

CMYK 37 / 20 / 0 / 29

HEX #7290B5

RGB 114 144 181

HSL 213.13, 0.31%, 0.58%

LAB 58.84, -1.17, -22.72

 

CMYK 51 / 28 / 0 / 22

HEX #618FC6

RGB 97 143 198

HSL 212.67, 0.47%, 0.58%

LAB 58.29, -0.07, -33.28

 

CMYK 63 / 34 / 0 / 16

HEX #508DD7

RGB 80 141 215

HSL 212.89, 0.63%, 0.58%

LAB 57.71, 3.05, -43.79

 

CMYK 73 / 40 / 0 / 9

HEX #3E8CE9

RGB 62 140 233

HSL 212.63, 0.8%, 0.58%

LAB 57.72, 7.13, -53.88

 

CMYK 82 / 45 / 0 / 2

HEX #2D8AFA

RGB 45 138 250

HSL 212.78, 0.95%, 0.58%

LAB 57.69, 12.77, -63.35

 

CMYK 37 / 20 / 0 / 29

HEX #7290B5

RGB 114 144 181

HSL 213.13, 0.31%, 0.58%

LAB 58.84, -1.17, -22.72

 

CMYK 19 / 10 / 0 / 36

HEX #8492A3

RGB 132 146 163

HSL 212.9, 0.14%, 0.58%

LAB 59.99, -1.27, -10.64

 

CMYK 0 / 1 / 2 / 42

HEX #959492

RGB 149 148 146

HSL 40, 0.01%, 0.58%

LAB 61.35, -0.01, 1.18

 

CMYK 0 / 10 / 22 / 35

HEX #A69581

RGB 166 149 129

HSL 32.43, 0.17%, 0.58%

LAB 62.67, 3, 12.86

 

CMYK 0 / 18 / 40 / 28

HEX #B8976F

RGB 184 151 111

HSL 32.88, 0.34%, 0.58%

LAB 64.54, 6.74, 25.7

 

CMYK 37 / 0 / 0 / 29

HEX #72B5B5

RGB 114 181 181

HSL 180, 0.31%, 0.58%

LAB 69.44, -21.16, -6.73

 

CMYK 37 / 10 / 0 / 29

HEX #72A3B5

RGB 114 163 181

HSL 196.12, 0.31%, 0.58%

LAB 64.25, -11.72, -14.5

 

CMYK 37 / 20 / 0 / 29

HEX #7291B5

RGB 114 145 181

HSL 212.24, 0.31%, 0.58%

LAB 59.13, -1.74, -22.28

 

CMYK 37 / 30 / 0 / 29

HEX #727FB5

RGB 114 127 181

HSL 228.36, 0.31%, 0.58%

LAB 54.12, 8.72, -30

 

CMYK 34 / 37 / 0 / 29

HEX #7772B5

RGB 119 114 181

HSL 244.48, 0.31%, 0.58%

LAB 51.03, 17.92, -34.81

 

CMYK 47 / 26 / 0 / 45

HEX #49678B

RGB 73 103 139

HSL 212.73, 0.31%, 0.42%

LAB 42.73, -0.55, -23.27

 

CMYK 48 / 26 / 0 / 35

HEX #577BA6

RGB 87 123 166

HSL 212.66, 0.31%, 0.5%

LAB 50.62, -0.59, -26.91

 

CMYK 37 / 20 / 0 / 29

HEX #7290B5

RGB 114 144 181

HSL 213.13, 0.31%, 0.58%

LAB 58.84, -1.17, -22.72

 

CMYK 28 / 15 / 0 / 24

HEX #8DA6C3

RGB 141 166 195

HSL 212.22, 0.31%, 0.66%

LAB 67.18, -1.98, -17.7

 

CMYK 20 / 11 / 0 / 18

HEX #A8BBD1

RGB 168 187 209

HSL 212.2, 0.31%, 0.74%

LAB 75.12, -1.83, -13.25

 

CMYK 37 / 20 / 0 / 29

HEX #7290B4

RGB 114 144 180

HSL 212.73, 0.31%, 0.58%

LAB 58.81, -1.44, -22.21

 

CMYK 10 / 37 / 0 / 29

HEX #A372B5

RGB 163 114 181

HSL 283.88, 0.31%, 0.58%

LAB 55.23, 31.34, -27.94

 

CMYK 5 / 0 / 37 / 29

HEX #ACB572

RGB 172 181 114

HSL 68.06, 0.31%, 0.58%

LAB 71.58, -13.81, 33.11

 

CMYK 37 / 20 / 0 / 29

HEX #7290B4

RGB 114 144 180

HSL 212.73, 0.31%, 0.58%

LAB 58.81, -1.44, -22.21

 

CMYK 0 / 37 / 20 / 29

HEX #B57291

RGB 181 114 145

HSL 332.24, 0.31%, 0.58%

LAB 55.99, 30.82, -5.75

 

CMYK 20 / 0 / 37 / 29

HEX #91B572

RGB 145 181 114

HSL 92.24, 0.31%, 0.58%

LAB 69.67, -24.22, 30.26

 

CMYK 37 / 20 / 0 / 29

HEX #7290B4

RGB 114 144 180

HSL 212.73, 0.31%, 0.58%

LAB 58.81, -1.44, -22.21

 

CMYK 10 / 37 / 0 / 29

HEX #A372B5

RGB 163 114 181

HSL 283.88, 0.31%, 0.58%

LAB 55.23, 31.34, -27.94

 

CMYK 0 / 17 / 37 / 29

HEX #B59672

RGB 181 150 114

HSL 32.24, 0.31%, 0.58%

LAB 64.04, 6.42, 23.33

 

CMYK 27 / 0 / 37 / 29

HEX #84B572

RGB 132 181 114

HSL 103.88, 0.31%, 0.58%

LAB 68.87, -28.93, 29.07

 

CMYK 37 / 20 / 0 / 29

HEX #7290B4

RGB 114 144 180

HSL 212.73, 0.31%, 0.58%

LAB 58.81, -1.44, -22.21

 

CMYK 0 / 37 / 2 / 29

HEX #B572B2

RGB 181 114 178

HSL 302.69, 0.31%, 0.58%

LAB 57.15, 36.52, -23.1

 

CMYK 0 / 17 / 37 / 29

HEX #B59672

RGB 181 150 114

HSL 32.24, 0.31%, 0.58%

LAB 64.04, 6.42, 23.33

 

CMYK 37 / 0 / 36 / 29

HEX #72B574

RGB 114 181 116

HSL 121.79, 0.31%, 0.58%

LAB 67.94, -34.68, 26.59

 

Description

Color code: HEX #7290B4 | qconv.com Color code: HEX #7290B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 144 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 144 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 20 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 20% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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