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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #728CBF it is the complementary color #8D7340. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #728CBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #728CBF shade: #778CBA, #889ECD, #99B0E0, #AAC2F3 and #BBD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #728CBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #728CBF shade: #728CBF, #617AAC, #506899, #3F5686 and #2E4473

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #728CBF shade: #728CBF, #7277BF, #8172BF, #9672BF and #AB72BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #728CBF shade: #728CBF, #7277BF and #7272BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #728CBF shade matches the following richer shades: #728CBF, #6187D0, #5181E0 and #407CF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #728CBF shade: #728CBF, #8291AF, #93979E, #A39C8E and #B4A17D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #728CBF shade: #72B6BF, #72A2BF, #728DBF, #7278BF and #8072BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #728CBF shade: #45619A, #5575B2, #728CBF, #8EA3CC and #ABBAD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #728CBF shade: #728CBF, #B472BF and #ACBF72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #728CBF shade: #728CBF, #BF728D and #8DBF72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #728CBF shade: #728CBF, #B472BF, #BFA472 and #7DBF72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #728CBF shade: #728CBF, #BF72B4, #BFA472 and #72BF7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 27 / 0 / 25

HEX #728CBF

RGB 114 140 191

HSL 219.74, 0.38%, 0.6%

LAB 58.13, 3.9, -29.49

 

Complementary color

CMYK 0 / 18 / 55 / 45

HEX #8D7340

RGB 141 115 64

HSL 39.74, 0.38%, 0.4%

LAB 49.85, 3.51, 31.81

 

CMYK 36 / 25 / 0 / 27

HEX #778CBA

RGB 119 140 186

HSL 221.19, 0.33%, 0.6%

LAB 58.25, 3.91, -26.44

 

CMYK 34 / 23 / 0 / 20

HEX #889ECD

RGB 136 158 205

HSL 220.87, 0.41%, 0.67%

LAB 65.04, 3.53, -26.56

 

CMYK 32 / 21 / 0 / 12

HEX #99B0E0

RGB 153 176 224

HSL 220.56, 0.53%, 0.74%

LAB 71.69, 3.2, -26.71

 

CMYK 30 / 20 / 0 / 5

HEX #AAC2F3

RGB 170 194 243

HSL 220.27, 0.75%, 0.81%

LAB 78.23, 2.91, -26.89

 

CMYK 27 / 17 / 0 / 0

HEX #BBD4FF

RGB 187 212 255

HSL 217.94, 1%, 0.87%

LAB 84.42, 1, -23.74

 

CMYK 40 / 27 / 0 / 25

HEX #728CBF

RGB 114 140 191

HSL 219.74, 0.38%, 0.6%

LAB 58.13, 3.9, -29.49

 

CMYK 44 / 29 / 0 / 33

HEX #617AAC

RGB 97 122 172

HSL 220, 0.31%, 0.53%

LAB 51.2, 4.42, -29.46

 

CMYK 48 / 32 / 0 / 40

HEX #506899

RGB 80 104 153

HSL 220.27, 0.31%, 0.46%

LAB 44.1, 5.07, -29.47

 

CMYK 53 / 36 / 0 / 47

HEX #3F5686

RGB 63 86 134

HSL 220.56, 0.36%, 0.39%

LAB 36.81, 5.89, -29.54

 

CMYK 60 / 41 / 0 / 55

HEX #2E4473

RGB 46 68 115

HSL 220.87, 0.43%, 0.32%

LAB 29.29, 7, -29.68

 

CMYK 40 / 27 / 0 / 25

HEX #728CBF

RGB 114 140 191

HSL 219.74, 0.38%, 0.6%

LAB 58.13, 3.9, -29.49

 

CMYK 40 / 38 / 0 / 25

HEX #7277BF

RGB 114 119 191

HSL 236.1, 0.38%, 0.6%

LAB 52.43, 16.33, -38.39

 

CMYK 32 / 40 / 0 / 25

HEX #8172BF

RGB 129 114 191

HSL 251.69, 0.38%, 0.6%

LAB 52.36, 23.46, -38.42

 

CMYK 21 / 40 / 0 / 25

HEX #9672BF

RGB 150 114 191

HSL 268.05, 0.38%, 0.6%

LAB 54.32, 29.57, -35.2

 

CMYK 10 / 40 / 0 / 25

HEX #AB72BF

RGB 171 114 191

HSL 284.42, 0.38%, 0.6%

LAB 56.54, 35.94, -31.57

 

CMYK 40 / 27 / 0 / 25

HEX #728CBF

RGB 114 140 191

HSL 219.74, 0.38%, 0.6%

LAB 58.13, 3.9, -29.49

 

CMYK 40 / 38 / 0 / 25

HEX #7277BF

RGB 114 119 191

HSL 236.1, 0.38%, 0.6%

LAB 52.43, 16.33, -38.39

 

CMYK 40 / 40 / 0 / 25

HEX #7272BF

RGB 114 114 191

HSL 240, 0.38%, 0.6%

LAB 51.12, 19.35, -40.45

 

CMYK 40 / 27 / 0 / 25

HEX #728CBF

RGB 114 140 191

HSL 219.74, 0.38%, 0.6%

LAB 58.13, 3.9, -29.49

 

CMYK 53 / 35 / 0 / 18

HEX #6187D0

RGB 97 135 208

HSL 219.46, 0.54%, 0.6%

LAB 56.51, 7.73, -41.7

 

CMYK 64 / 42 / 0 / 12

HEX #5181E0

RGB 81 129 224

HSL 219.86, 0.7%, 0.6%

LAB 54.9, 13.47, -53.31

 

CMYK 73 / 49 / 0 / 5

HEX #407CF1

RGB 64 124 241

HSL 219.66, 0.86%, 0.6%

LAB 53.87, 20.03, -64.48

 

CMYK 40 / 27 / 0 / 25

HEX #728CBF

RGB 114 140 191

HSL 219.74, 0.38%, 0.6%

LAB 58.13, 3.9, -29.49

 

CMYK 26 / 17 / 0 / 31

HEX #8291AF

RGB 130 145 175

HSL 220, 0.22%, 0.6%

LAB 59.97, 1.5, -17.49

 

CMYK 7 / 4 / 0 / 38

HEX #93979E

RGB 147 151 158

HSL 218.18, 0.05%, 0.6%

LAB 62.34, -0.03, -4.18

 

CMYK 0 / 4 / 13 / 36

HEX #A39C8E

RGB 163 156 142

HSL 40, 0.1%, 0.6%

LAB 64.58, 0.07, 8.24

 

CMYK 0 / 11 / 31 / 29

HEX #B4A17D

RGB 180 161 125

HSL 39.27, 0.27%, 0.6%

LAB 67.03, 1.4, 21.31

 

CMYK 40 / 5 / 0 / 25

HEX #72B6BF

RGB 114 182 191

HSL 187.01, 0.38%, 0.6%

LAB 70.03, -19.15, -11.36

 

CMYK 40 / 15 / 0 / 25

HEX #72A2BF

RGB 114 162 191

HSL 202.6, 0.38%, 0.6%

LAB 64.31, -8.52, -20

 

CMYK 40 / 26 / 0 / 25

HEX #728DBF

RGB 114 141 191

HSL 218.96, 0.38%, 0.6%

LAB 58.4, 3.32, -29.06

 

CMYK 40 / 37 / 0 / 25

HEX #7278BF

RGB 114 120 191

HSL 235.32, 0.38%, 0.6%

LAB 52.7, 15.73, -37.97

 

CMYK 33 / 40 / 0 / 25

HEX #8072BF

RGB 128 114 191

HSL 250.91, 0.38%, 0.6%

LAB 52.27, 23.17, -38.57

 

CMYK 55 / 37 / 0 / 40

HEX #45619A

RGB 69 97 154

HSL 220.24, 0.38%, 0.44%

LAB 41.45, 7.06, -34.27

 

CMYK 52 / 34 / 0 / 30

HEX #5575B2

RGB 85 117 178

HSL 219.35, 0.38%, 0.52%

LAB 49.34, 6.27, -35.9

 

CMYK 40 / 27 / 0 / 25

HEX #728CBF

RGB 114 140 191

HSL 219.74, 0.38%, 0.6%

LAB 58.13, 3.9, -29.49

 

CMYK 30 / 20 / 0 / 20

HEX #8EA3CC

RGB 142 163 204

HSL 219.68, 0.38%, 0.68%

LAB 66.75, 2.21, -23.34

 

CMYK 21 / 14 / 0 / 15

HEX #ABBAD9

RGB 171 186 217

HSL 220.43, 0.38%, 0.76%

LAB 75.32, 1.43, -17.27

 

CMYK 40 / 27 / 0 / 25

HEX #728CBF

RGB 114 140 191

HSL 219.74, 0.38%, 0.6%

LAB 58.13, 3.9, -29.49

 

CMYK 6 / 40 / 0 / 25

HEX #B472BF

RGB 180 114 191

HSL 291.43, 0.38%, 0.6%

LAB 57.56, 38.72, -29.91

 

CMYK 10 / 0 / 40 / 25

HEX #ACBF72

RGB 172 191 114

HSL 74.81, 0.38%, 0.6%

LAB 74.35, -18.9, 36.66

 

CMYK 40 / 27 / 0 / 25

HEX #728CBF

RGB 114 140 191

HSL 219.74, 0.38%, 0.6%

LAB 58.13, 3.9, -29.49

 

CMYK 0 / 40 / 26 / 25

HEX #BF728D

RGB 191 114 141

HSL 338.96, 0.38%, 0.6%

LAB 57.11, 33.83, -1.63

 

CMYK 26 / 0 / 40 / 25

HEX #8DBF72

RGB 141 191 114

HSL 98.96, 0.38%, 0.6%

LAB 72.32, -30.51, 33.66

 

CMYK 40 / 27 / 0 / 25

HEX #728CBF

RGB 114 140 191

HSL 219.74, 0.38%, 0.6%

LAB 58.13, 3.9, -29.49

 

CMYK 6 / 40 / 0 / 25

HEX #B472BF

RGB 180 114 191

HSL 291.43, 0.38%, 0.6%

LAB 57.56, 38.72, -29.91

 

CMYK 0 / 14 / 40 / 25

HEX #BFA472

RGB 191 164 114

HSL 38.96, 0.38%, 0.6%

LAB 68.64, 2.88, 29.6

 

CMYK 35 / 0 / 40 / 25

HEX #7DBF72

RGB 125 191 114

HSL 111.43, 0.38%, 0.6%

LAB 71.44, -36.01, 32.35

 

CMYK 40 / 27 / 0 / 25

HEX #728CBF

RGB 114 140 191

HSL 219.74, 0.38%, 0.6%

LAB 58.13, 3.9, -29.49

 

CMYK 0 / 40 / 6 / 25

HEX #BF72B4

RGB 191 114 180

HSL 308.57, 0.38%, 0.6%

LAB 58.42, 40.12, -22.19

 

CMYK 0 / 14 / 40 / 25

HEX #BFA472

RGB 191 164 114

HSL 38.96, 0.38%, 0.6%

LAB 68.64, 2.88, 29.6

 

CMYK 40 / 0 / 35 / 25

HEX #72BF7D

RGB 114 191 125

HSL 128.57, 0.38%, 0.6%

LAB 71.09, -37.74, 26.03

 

Description

Color code: HEX #728CBF | qconv.com Color code: HEX #728CBF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 140 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 140 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 27 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 27% 0% 25% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

81% - Unable to Serve This...
Link: http://fourrosesbourbon.com

81% - Unable to Serve This...
Link: http://oak.is

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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