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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #728ABB it is the complementary color #8D7544. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #728ABB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #728ABB shade: #778AB6, #889CC9, #99AEDC, #AAC0EF and #BBD2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #728ABB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #728ABB shade: #728ABB, #6178A8, #506695, #3F5482 and #2E426F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #728ABB shade: #7189BB, #7176BB, #8171BB, #9471BB and #A871BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #728ABB shade: #7189BB, #7176BB and #7171BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #728ABB shade matches the following richer shades: #7189BB, #6084CB, #507EDC, #3F78ED and #2E72FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #728ABB shade: #7189BB, #828FAA, #939599, #A49B88 and #B5A177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #728ABB shade: #71B1BB, #719DBB, #718ABB, #7176BB and #8071BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #728ABB shade: #466093, #5672AD, #7189BB, #8DA1C8 and #A9B8D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #728ABB shade: #728ABB, #B171BB and #A7BB71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #728ABB shade: #728ABB, #BB718A and #8ABB71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #728ABB shade: #728ABB, #B171BB, #BBA271 and #7BBB71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #728ABB shade: #728ABB, #BB71AE, #BBA271 and #71BB7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 26 / 0 / 27

HEX #728ABB

RGB 114 138 187

HSL 220.27, 0.35%, 0.59%

LAB 57.41, 3.94, -28.34

 

Complementary color

CMYK 0 / 17 / 52 / 45

HEX #8D7544

RGB 141 117 68

HSL 40.27, 0.35%, 0.41%

LAB 50.46, 2.74, 30.36

 

CMYK 35 / 24 / 0 / 29

HEX #778AB6

RGB 119 138 182

HSL 221.9, 0.3%, 0.59%

LAB 57.54, 3.99, -25.27

 

CMYK 32 / 22 / 0 / 21

HEX #889CC9

RGB 136 156 201

HSL 221.54, 0.38%, 0.66%

LAB 64.35, 3.62, -25.4

 

CMYK 30 / 21 / 0 / 14

HEX #99AEDC

RGB 153 174 220

HSL 221.19, 0.49%, 0.73%

LAB 71.02, 3.31, -25.56

 

CMYK 29 / 20 / 0 / 6

HEX #AAC0EF

RGB 170 192 239

HSL 220.87, 0.68%, 0.8%

LAB 77.57, 3.02, -25.75

 

CMYK 27 / 18 / 0 / 0

HEX #BBD2FF

RGB 187 210 255

HSL 219.71, 1%, 0.87%

LAB 83.9, 2.06, -24.52

 

CMYK 39 / 26 / 0 / 27

HEX #728ABB

RGB 114 138 187

HSL 220.27, 0.35%, 0.59%

LAB 57.41, 3.94, -28.34

 

CMYK 42 / 29 / 0 / 34

HEX #6178A8

RGB 97 120 168

HSL 220.56, 0.29%, 0.52%

LAB 50.45, 4.44, -28.29

 

CMYK 46 / 32 / 0 / 42

HEX #506695

RGB 80 102 149

HSL 220.87, 0.3%, 0.45%

LAB 43.33, 5.05, -28.29

 

CMYK 52 / 35 / 0 / 49

HEX #3F5482

RGB 63 84 130

HSL 221.19, 0.35%, 0.38%

LAB 36, 5.84, -28.36

 

CMYK 59 / 41 / 0 / 56

HEX #2E426F

RGB 46 66 111

HSL 221.54, 0.41%, 0.31%

LAB 28.45, 6.89, -28.49

 

CMYK 40 / 27 / 0 / 27

HEX #7189BB

RGB 113 137 187

HSL 220.54, 0.35%, 0.59%

LAB 57.07, 4.24, -28.87

 

CMYK 40 / 37 / 0 / 27

HEX #7176BB

RGB 113 118 187

HSL 235.95, 0.35%, 0.59%

LAB 51.9, 15.52, -36.93

 

CMYK 31 / 40 / 0 / 27

HEX #8171BB

RGB 129 113 187

HSL 252.97, 0.35%, 0.59%

LAB 51.91, 22.99, -36.83

 

CMYK 21 / 40 / 0 / 27

HEX #9471BB

RGB 148 113 187

HSL 268.38, 0.35%, 0.59%

LAB 53.7, 28.6, -33.89

 

CMYK 10 / 40 / 0 / 27

HEX #A871BB

RGB 168 113 187

HSL 284.59, 0.35%, 0.59%

LAB 55.81, 34.74, -30.45

 

CMYK 40 / 27 / 0 / 27

HEX #7189BB

RGB 113 137 187

HSL 220.54, 0.35%, 0.59%

LAB 57.07, 4.24, -28.87

 

CMYK 40 / 37 / 0 / 27

HEX #7176BB

RGB 113 118 187

HSL 235.95, 0.35%, 0.59%

LAB 51.9, 15.52, -36.93

 

CMYK 40 / 40 / 0 / 27

HEX #7171BB

RGB 113 113 187

HSL 240, 0.35%, 0.59%

LAB 50.58, 18.54, -39.01

 

CMYK 40 / 27 / 0 / 27

HEX #7189BB

RGB 113 137 187

HSL 220.54, 0.35%, 0.59%

LAB 57.07, 4.24, -28.87

 

CMYK 53 / 35 / 0 / 20

HEX #6084CB

RGB 96 132 203

HSL 219.81, 0.51%, 0.59%

LAB 55.38, 7.71, -40.66

 

CMYK 64 / 43 / 0 / 14

HEX #507EDC

RGB 80 126 220

HSL 220.29, 0.67%, 0.59%

LAB 53.81, 13.75, -52.8

 

CMYK 73 / 49 / 0 / 7

HEX #3F78ED

RGB 63 120 237

HSL 220.34, 0.83%, 0.59%

LAB 52.51, 20.94, -64.45

 

CMYK 82 / 55 / 0 / 0

HEX #2E72FE

RGB 46 114 254

HSL 220.38, 0.99%, 0.59%

LAB 51.58, 29.22, -75.44

 

CMYK 40 / 27 / 0 / 27

HEX #7189BB

RGB 113 137 187

HSL 220.54, 0.35%, 0.59%

LAB 57.07, 4.24, -28.87

 

CMYK 24 / 16 / 0 / 33

HEX #828FAA

RGB 130 143 170

HSL 220.5, 0.19%, 0.59%

LAB 59.24, 1.42, -15.76

 

CMYK 4 / 3 / 0 / 40

HEX #939599

RGB 147 149 153

HSL 220, 0.03%, 0.59%

LAB 61.65, 0.07, -2.36

 

CMYK 0 / 5 / 17 / 36

HEX #A49B88

RGB 164 155 136

HSL 40.71, 0.13%, 0.59%

LAB 64.25, 0.01, 11.14

 

CMYK 0 / 11 / 34 / 29

HEX #B5A177

RGB 181 161 119

HSL 40.65, 0.3%, 0.59%

LAB 67.01, 1.03, 24.57

 

CMYK 40 / 5 / 0 / 27

HEX #71B1BB

RGB 113 177 187

HSL 188.11, 0.35%, 0.59%

LAB 68.42, -17.85, -11.57

 

CMYK 40 / 16 / 0 / 27

HEX #719DBB

RGB 113 157 187

HSL 204.32, 0.35%, 0.59%

LAB 62.69, -7.12, -20.23

 

CMYK 40 / 26 / 0 / 27

HEX #718ABB

RGB 113 138 187

HSL 219.73, 0.35%, 0.59%

LAB 57.34, 3.66, -28.44

 

CMYK 40 / 37 / 0 / 27

HEX #7176BB

RGB 113 118 187

HSL 235.95, 0.35%, 0.59%

LAB 51.9, 15.52, -36.93

 

CMYK 32 / 40 / 0 / 27

HEX #8071BB

RGB 128 113 187

HSL 252.16, 0.35%, 0.59%

LAB 51.82, 22.71, -36.97

 

CMYK 52 / 35 / 0 / 42

HEX #466093

RGB 70 96 147

HSL 219.74, 0.35%, 0.43%

LAB 40.86, 5.59, -31.01

 

CMYK 50 / 34 / 0 / 32

HEX #5672AD

RGB 86 114 173

HSL 220.69, 0.35%, 0.51%

LAB 48.3, 6.75, -34.62

 

CMYK 40 / 27 / 0 / 27

HEX #7189BB

RGB 113 137 187

HSL 220.54, 0.35%, 0.59%

LAB 57.07, 4.24, -28.87

 

CMYK 30 / 20 / 0 / 22

HEX #8DA1C8

RGB 141 161 200

HSL 219.66, 0.35%, 0.67%

LAB 66, 2.03, -22.28

 

CMYK 21 / 14 / 0 / 16

HEX #A9B8D5

RGB 169 184 213

HSL 219.55, 0.34%, 0.75%

LAB 74.52, 1, -16.32

 

CMYK 39 / 26 / 0 / 27

HEX #728ABB

RGB 114 138 187

HSL 220.27, 0.35%, 0.59%

LAB 57.41, 3.94, -28.34

 

CMYK 5 / 40 / 0 / 27

HEX #B171BB

RGB 177 113 187

HSL 291.89, 0.35%, 0.59%

LAB 56.83, 37.54, -28.79

 

CMYK 11 / 0 / 40 / 27

HEX #A7BB71

RGB 167 187 113

HSL 76.22, 0.35%, 0.59%

LAB 72.86, -18.96, 35.2

 

CMYK 39 / 26 / 0 / 27

HEX #728ABB

RGB 114 138 187

HSL 220.27, 0.35%, 0.59%

LAB 57.41, 3.94, -28.34

 

CMYK 0 / 40 / 26 / 27

HEX #BB718A

RGB 187 113 138

HSL 339.73, 0.35%, 0.59%

LAB 56.3, 32.5, -1.13

 

CMYK 26 / 0 / 40 / 27

HEX #8ABB71

RGB 138 187 113

HSL 99.73, 0.35%, 0.59%

LAB 70.96, -29.82, 32.38

 

CMYK 39 / 26 / 0 / 27

HEX #728ABB

RGB 114 138 187

HSL 220.27, 0.35%, 0.59%

LAB 57.41, 3.94, -28.34

 

CMYK 5 / 40 / 0 / 27

HEX #B171BB

RGB 177 113 187

HSL 291.89, 0.35%, 0.59%

LAB 56.83, 37.54, -28.79

 

CMYK 0 / 13 / 40 / 27

HEX #BBA271

RGB 187 162 113

HSL 39.73, 0.35%, 0.59%

LAB 67.72, 2.2, 28.87

 

CMYK 34 / 0 / 40 / 27

HEX #7BBB71

RGB 123 187 113

HSL 111.89, 0.35%, 0.59%

LAB 70.14, -34.98, 31.15

 

CMYK 39 / 26 / 0 / 27

HEX #728ABB

RGB 114 138 187

HSL 220.27, 0.35%, 0.59%

LAB 57.41, 3.94, -28.34

 

CMYK 0 / 40 / 7 / 27

HEX #BB71AE

RGB 187 113 174

HSL 310.54, 0.35%, 0.59%

LAB 57.49, 38.29, -20.2

 

CMYK 0 / 13 / 40 / 27

HEX #BBA271

RGB 187 162 113

HSL 39.73, 0.35%, 0.59%

LAB 67.72, 2.2, 28.87

 

CMYK 40 / 0 / 33 / 27

HEX #71BB7E

RGB 113 187 126

HSL 130.54, 0.35%, 0.59%

LAB 69.86, -36.05, 23.85

 

Description

Color code: HEX #728ABB | qconv.com Color code: HEX #728ABB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 138 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 138 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 26 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 26% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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