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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #727A87 it is the complementary color #8D8578. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #727A87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #727A87 shade: #777A82, #888C95, #999EA8, #AAB0BB and #BBC2CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #727A87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #727A87 shade: #727A87, #616874, #505661, #3F444E and #2E323B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #727A87 shade: #727A86, #727586, #767286, #7B7286 and #807286

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #727A87 shade: #727A86, #727586 and #727286

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #727A87 shade matches the following richer shades: #727A86, #5E759B, #4A70AF, #366CC3 and #2267D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #727A87 shade: #727A86, #877F72, #9B845E, #AF894A and #C38D36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #727A87 shade: #728586, #727F86, #727A86, #727586 and #757286

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #727A87 shade: #4C525A, #5F6670, #727A86, #888F9A and #9FA4AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #727A87 shade: #727A87, #837286 and #828672

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #727A87 shade: #727A87, #86727A and #7A8672

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #727A87 shade: #727A87, #837286, #867F72 and #768672

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #727A87 shade: #727A87, #867284, #867F72 and #728675

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 10 / 0 / 47

HEX #727A87

RGB 114 122 135

HSL 217.14, 0.08%, 0.49%

LAB 50.97, -0.11, -8.09

 

Complementary color

CMYK 0 / 6 / 15 / 45

HEX #8D8578

RGB 141 133 120

HSL 37.14, 0.08%, 0.51%

LAB 55.88, 0.67, 8.08

 

CMYK 8 / 6 / 0 / 49

HEX #777A82

RGB 119 122 130

HSL 223.64, 0.04%, 0.49%

LAB 51.21, 0.56, -4.75

 

CMYK 9 / 6 / 0 / 42

HEX #888C95

RGB 136 140 149

HSL 221.54, 0.06%, 0.56%

LAB 58.19, 0.39, -5.29

 

CMYK 9 / 6 / 0 / 34

HEX #999EA8

RGB 153 158 168

HSL 220, 0.08%, 0.63%

LAB 65, 0.23, -5.82

 

CMYK 9 / 6 / 0 / 27

HEX #AAB0BB

RGB 170 176 187

HSL 218.82, 0.11%, 0.7%

LAB 71.68, 0.08, -6.34

 

CMYK 9 / 6 / 0 / 19

HEX #BBC2CE

RGB 187 194 206

HSL 217.89, 0.16%, 0.77%

LAB 78.23, -0.06, -6.84

 

CMYK 16 / 10 / 0 / 47

HEX #727A87

RGB 114 122 135

HSL 217.14, 0.08%, 0.49%

LAB 50.97, -0.11, -8.09

 

CMYK 16 / 10 / 0 / 55

HEX #616874

RGB 97 104 116

HSL 217.89, 0.09%, 0.42%

LAB 43.8, 0.05, -7.62

 

CMYK 18 / 11 / 0 / 62

HEX #505661

RGB 80 86 97

HSL 218.82, 0.1%, 0.35%

LAB 36.41, 0.23, -7.16

 

CMYK 19 / 13 / 0 / 69

HEX #3F444E

RGB 63 68 78

HSL 220, 0.11%, 0.28%

LAB 28.75, 0.42, -6.7

 

CMYK 22 / 15 / 0 / 77

HEX #2E323B

RGB 46 50 59

HSL 221.54, 0.12%, 0.21%

LAB 20.74, 0.63, -6.26

 

CMYK 15 / 9 / 0 / 47

HEX #727A86

RGB 114 122 134

HSL 216, 0.08%, 0.49%

LAB 50.94, -0.34, -7.55

 

CMYK 15 / 13 / 0 / 47

HEX #727586

RGB 114 117 134

HSL 231, 0.08%, 0.49%

LAB 49.52, 2.59, -9.67

 

CMYK 12 / 15 / 0 / 47

HEX #767286

RGB 118 114 134

HSL 252, 0.08%, 0.49%

LAB 49.02, 5.78, -10.4

 

CMYK 8 / 15 / 0 / 47

HEX #7B7286

RGB 123 114 134

HSL 267, 0.08%, 0.49%

LAB 49.46, 7.57, -9.69

 

CMYK 4 / 15 / 0 / 47

HEX #807286

RGB 128 114 134

HSL 282, 0.08%, 0.49%

LAB 49.91, 9.39, -8.96

 

CMYK 15 / 9 / 0 / 47

HEX #727A86

RGB 114 122 134

HSL 216, 0.08%, 0.49%

LAB 50.94, -0.34, -7.55

 

CMYK 15 / 13 / 0 / 47

HEX #727586

RGB 114 117 134

HSL 231, 0.08%, 0.49%

LAB 49.52, 2.59, -9.67

 

CMYK 15 / 15 / 0 / 47

HEX #727286

RGB 114 114 134

HSL 240, 0.08%, 0.49%

LAB 48.68, 4.36, -10.94

 

CMYK 15 / 9 / 0 / 47

HEX #727A86

RGB 114 122 134

HSL 216, 0.08%, 0.49%

LAB 50.94, -0.34, -7.55

 

CMYK 39 / 25 / 0 / 39

HEX #5E759B

RGB 94 117 155

HSL 217.38, 0.24%, 0.49%

LAB 48.85, 1.62, -23.2

 

CMYK 58 / 36 / 0 / 31

HEX #4A70AF

RGB 74 112 175

HSL 217.43, 0.41%, 0.49%

LAB 47.16, 5.88, -37.63

 

CMYK 72 / 45 / 0 / 24

HEX #366CC3

RGB 54 108 195

HSL 217.02, 0.57%, 0.49%

LAB 46.24, 11.94, -50.73

 

CMYK 84 / 52 / 0 / 16

HEX #2267D7

RGB 34 103 215

HSL 217.13, 0.73%, 0.49%

LAB 45.56, 20.58, -63.32

 

CMYK 15 / 9 / 0 / 47

HEX #727A86

RGB 114 122 134

HSL 216, 0.08%, 0.49%

LAB 50.94, -0.34, -7.55

 

CMYK 0 / 6 / 16 / 47

HEX #877F72

RGB 135 127 114

HSL 37.14, 0.08%, 0.49%

LAB 53.54, 0.69, 8.15

 

CMYK 0 / 15 / 39 / 39

HEX #9B845E

RGB 155 132 94

HSL 37.38, 0.24%, 0.49%

LAB 56.37, 3.18, 23.77

 

CMYK 0 / 22 / 58 / 31

HEX #AF894A

RGB 175 137 74

HSL 37.43, 0.41%, 0.49%

LAB 59.43, 6.99, 38.88

 

CMYK 0 / 28 / 72 / 24

HEX #C38D36

RGB 195 141 54

HSL 37.02, 0.57%, 0.49%

LAB 62.44, 12.24, 52.41

 

CMYK 15 / 1 / 0 / 47

HEX #728586

RGB 114 133 134

HSL 183, 0.08%, 0.49%

LAB 54.11, -6.63, -2.86

 

CMYK 15 / 5 / 0 / 47

HEX #727F86

RGB 114 127 134

HSL 201, 0.08%, 0.49%

LAB 52.37, -3.22, -5.42

 

CMYK 15 / 9 / 0 / 47

HEX #727A86

RGB 114 122 134

HSL 216, 0.08%, 0.49%

LAB 50.94, -0.34, -7.55

 

CMYK 15 / 13 / 0 / 47

HEX #727586

RGB 114 117 134

HSL 231, 0.08%, 0.49%

LAB 49.52, 2.59, -9.67

 

CMYK 13 / 15 / 0 / 47

HEX #757286

RGB 117 114 134

HSL 249, 0.08%, 0.49%

LAB 48.93, 5.42, -10.53

 

CMYK 16 / 9 / 0 / 65

HEX #4C525A

RGB 76 82 90

HSL 214.29, 0.08%, 0.33%

LAB 34.62, -0.5, -5.49

 

CMYK 15 / 9 / 0 / 56

HEX #5F6670

RGB 95 102 112

HSL 215.29, 0.08%, 0.41%

LAB 42.92, -0.42, -6.54

 

CMYK 15 / 9 / 0 / 47

HEX #727A86

RGB 114 122 134

HSL 216, 0.08%, 0.49%

LAB 50.94, -0.34, -7.55

 

CMYK 12 / 7 / 0 / 40

HEX #888F9A

RGB 136 143 154

HSL 216.67, 0.08%, 0.57%

LAB 59.17, -0.23, -6.7

 

CMYK 8 / 5 / 0 / 32

HEX #9FA4AD

RGB 159 164 173

HSL 218.57, 0.08%, 0.65%

LAB 67.23, 0.02, -5.27

 

CMYK 16 / 10 / 0 / 47

HEX #727A87

RGB 114 122 135

HSL 217.14, 0.08%, 0.49%

LAB 50.97, -0.11, -8.09

 

CMYK 2 / 15 / 0 / 47

HEX #837286

RGB 131 114 134

HSL 291, 0.08%, 0.49%

LAB 50.19, 10.49, -8.51

 

CMYK 3 / 0 / 15 / 47

HEX #828672

RGB 130 134 114

HSL 72, 0.08%, 0.49%

LAB 55.08, -5.24, 10.28

 

CMYK 16 / 10 / 0 / 47

HEX #727A87

RGB 114 122 135

HSL 217.14, 0.08%, 0.49%

LAB 50.97, -0.11, -8.09

 

CMYK 0 / 15 / 9 / 47

HEX #86727A

RGB 134 114 122

HSL 336, 0.08%, 0.49%

LAB 50.11, 9.25, -1.51

 

CMYK 9 / 0 / 15 / 47

HEX #7A8672

RGB 122 134 114

HSL 96, 0.08%, 0.49%

LAB 54.45, -8.33, 9.29

 

CMYK 16 / 10 / 0 / 47

HEX #727A87

RGB 114 122 135

HSL 217.14, 0.08%, 0.49%

LAB 50.97, -0.11, -8.09

 

CMYK 2 / 15 / 0 / 47

HEX #837286

RGB 131 114 134

HSL 291, 0.08%, 0.49%

LAB 50.19, 10.49, -8.51

 

CMYK 0 / 5 / 15 / 47

HEX #867F72

RGB 134 127 114

HSL 39, 0.08%, 0.49%

LAB 53.45, 0.29, 8.01

 

CMYK 12 / 0 / 15 / 47

HEX #768672

RGB 118 134 114

HSL 108, 0.08%, 0.49%

LAB 54.15, -9.85, 8.82

 

CMYK 16 / 10 / 0 / 47

HEX #727A87

RGB 114 122 135

HSL 217.14, 0.08%, 0.49%

LAB 50.97, -0.11, -8.09

 

CMYK 0 / 15 / 1 / 47

HEX #867284

RGB 134 114 132

HSL 306, 0.08%, 0.49%

LAB 50.42, 11.19, -6.97

 

CMYK 0 / 5 / 15 / 47

HEX #867F72

RGB 134 127 114

HSL 39, 0.08%, 0.49%

LAB 53.45, 0.29, 8.01

 

CMYK 15 / 0 / 13 / 47

HEX #728675

RGB 114 134 117

HSL 129, 0.08%, 0.49%

LAB 53.93, -10.76, 6.74

 

Description

Color code: HEX #727A87 | qconv.com Color code: HEX #727A87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 122 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 122 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 10 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 10% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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