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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7271A7 it is the complementary color #8D8E58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7271A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7271A7 shade: #7771A2, #8883B5, #9995C8, #AAA7DB and #BBB9EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7271A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7271A7 shade: #7271A7, #615F94, #504D81, #3F3B6E and #2E295B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7271A7 shade: #7271A6, #8171A6, #8F71A6, #9D71A6 and #A671A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7271A7 shade: #7271A6 and #7171A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7271A7 shade matches the following richer shades: #7271A6, #605FB9, #4F4CCB, #3D3ADE and #2B27F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7271A7 shade: #7271A6, #848494, #969681, #A8A96E and #BABC5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7271A7 shade: #718DA6, #717FA6, #7271A6, #8071A6 and #8E71A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7271A7 shade: #4D4C79, #5D5C93, #7271A6, #8C8BB6 and #A5A4C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7271A7 shade: #7271A7, #A6719B and #86A671

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7271A7 shade: #7271A7, #A67271 and #71A672

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7271A7 shade: #7271A7, #A6719B, #A5A671 and #71A67D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7271A7 shade: #7271A7, #A6718B, #A5A671 and #71A68D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 32 / 0 / 35

HEX #7271A7

RGB 114 113 167

HSL 241.11, 0.23%, 0.55%

LAB 49.71, 13.26, -28.77

 

Complementary color

CMYK 1 / 0 / 38 / 44

HEX #8D8E58

RGB 141 142 88

HSL 61.11, 0.23%, 0.45%

LAB 57.76, -9.02, 28.66

 

CMYK 27 / 30 / 0 / 36

HEX #7771A2

RGB 119 113 162

HSL 247.35, 0.21%, 0.54%

LAB 49.91, 13.48, -25.51

 

CMYK 25 / 28 / 0 / 29

HEX #8883B5

RGB 136 131 181

HSL 246, 0.25%, 0.61%

LAB 56.88, 12.94, -25.6

 

CMYK 24 / 26 / 0 / 22

HEX #9995C8

RGB 153 149 200

HSL 244.71, 0.32%, 0.68%

LAB 63.7, 12.46, -25.72

 

CMYK 22 / 24 / 0 / 14

HEX #AAA7DB

RGB 170 167 219

HSL 243.46, 0.42%, 0.76%

LAB 70.38, 12.03, -25.88

 

CMYK 21 / 22 / 0 / 7

HEX #BBB9EE

RGB 187 185 238

HSL 242.26, 0.61%, 0.83%

LAB 76.94, 11.64, -26.06

 

CMYK 32 / 32 / 0 / 35

HEX #7271A7

RGB 114 113 167

HSL 241.11, 0.23%, 0.55%

LAB 49.71, 13.26, -28.77

 

CMYK 34 / 36 / 0 / 42

HEX #615F94

RGB 97 95 148

HSL 242.26, 0.22%, 0.48%

LAB 42.56, 13.94, -28.81

 

CMYK 38 / 40 / 0 / 49

HEX #504D81

RGB 80 77 129

HSL 243.46, 0.25%, 0.4%

LAB 35.2, 14.76, -28.92

 

CMYK 43 / 46 / 0 / 57

HEX #3F3B6E

RGB 63 59 110

HSL 244.71, 0.3%, 0.33%

LAB 27.6, 15.78, -29.11

 

CMYK 49 / 55 / 0 / 64

HEX #2E295B

RGB 46 41 91

HSL 246, 0.38%, 0.26%

LAB 19.73, 17.08, -29.41

 

CMYK 31 / 32 / 0 / 35

HEX #7271A6

RGB 114 113 166

HSL 241.13, 0.23%, 0.55%

LAB 49.67, 12.99, -28.25

 

CMYK 22 / 32 / 0 / 35

HEX #8171A6

RGB 129 113 166

HSL 258.11, 0.23%, 0.55%

LAB 50.96, 17.65, -26.15

 

CMYK 14 / 32 / 0 / 35

HEX #8F71A6

RGB 143 113 166

HSL 273.96, 0.23%, 0.55%

LAB 52.29, 22.18, -23.98

 

CMYK 5 / 32 / 0 / 35

HEX #9D71A6

RGB 157 113 166

HSL 289.81, 0.23%, 0.55%

LAB 53.74, 26.82, -21.63

 

CMYK 0 / 32 / 3 / 35

HEX #A671A1

RGB 166 113 161

HSL 305.66, 0.23%, 0.55%

LAB 54.54, 28.88, -17.41

 

CMYK 31 / 32 / 0 / 35

HEX #7271A6

RGB 114 113 166

HSL 241.13, 0.23%, 0.55%

LAB 49.67, 12.99, -28.25

 

CMYK 32 / 32 / 0 / 35

HEX #7171A6

RGB 113 113 166

HSL 240, 0.23%, 0.55%

LAB 49.59, 12.69, -28.39

 

CMYK 31 / 32 / 0 / 35

HEX #7271A6

RGB 114 113 166

HSL 241.13, 0.23%, 0.55%

LAB 49.67, 12.99, -28.25

 

CMYK 48 / 49 / 0 / 27

HEX #605FB9

RGB 96 95 185

HSL 240.67, 0.39%, 0.55%

LAB 44.48, 24.69, -47.62

 

CMYK 61 / 63 / 0 / 20

HEX #4F4CCB

RGB 79 76 203

HSL 241.42, 0.55%, 0.55%

LAB 39.82, 38.82, -65.68

 

CMYK 73 / 74 / 0 / 13

HEX #3D3ADE

RGB 61 58 222

HSL 241.1, 0.71%, 0.55%

LAB 36.54, 53.14, -82.05

 

CMYK 82 / 84 / 0 / 6

HEX #2B27F0

RGB 43 39 240

HSL 241.19, 0.87%, 0.55%

LAB 34.51, 66.46, -95.69

 

CMYK 31 / 32 / 0 / 35

HEX #7271A6

RGB 114 113 166

HSL 241.13, 0.23%, 0.55%

LAB 49.67, 12.99, -28.25

 

CMYK 11 / 11 / 0 / 42

HEX #848494

RGB 132 132 148

HSL 240, 0.07%, 0.55%

LAB 55.63, 3.33, -8.56

 

CMYK 0 / 0 / 14 / 41

HEX #969681

RGB 150 150 129

HSL 60, 0.09%, 0.55%

LAB 61.55, -3.79, 11.1

 

CMYK 1 / 0 / 35 / 34

HEX #A8A96E

RGB 168 169 110

HSL 61.02, 0.26%, 0.55%

LAB 67.89, -9.65, 30.38

 

CMYK 1 / 0 / 51 / 26

HEX #BABC5C

RGB 186 188 92

HSL 61.25, 0.42%, 0.55%

LAB 74.3, -14.03, 47.76

 

CMYK 32 / 15 / 0 / 35

HEX #718DA6

RGB 113 141 166

HSL 208.3, 0.23%, 0.55%

LAB 57.38, -3.73, -16.41

 

CMYK 32 / 23 / 0 / 35

HEX #717FA6

RGB 113 127 166

HSL 224.15, 0.23%, 0.55%

LAB 53.43, 4.35, -22.44

 

CMYK 31 / 32 / 0 / 35

HEX #7271A6

RGB 114 113 166

HSL 241.13, 0.23%, 0.55%

LAB 49.67, 12.99, -28.25

 

CMYK 23 / 32 / 0 / 35

HEX #8071A6

RGB 128 113 166

HSL 256.98, 0.23%, 0.55%

LAB 50.87, 17.33, -26.3

 

CMYK 14 / 32 / 0 / 35

HEX #8E71A6

RGB 142 113 166

HSL 272.83, 0.23%, 0.55%

LAB 52.19, 21.86, -24.14

 

CMYK 36 / 37 / 0 / 53

HEX #4D4C79

RGB 77 76 121

HSL 241.33, 0.23%, 0.39%

LAB 34.25, 12.13, -25.48

 

CMYK 37 / 37 / 0 / 42

HEX #5D5C93

RGB 93 92 147

HSL 241.09, 0.23%, 0.47%

LAB 41.36, 14.35, -30.11

 

CMYK 31 / 32 / 0 / 35

HEX #7271A6

RGB 114 113 166

HSL 241.13, 0.23%, 0.55%

LAB 49.67, 12.99, -28.25

 

CMYK 23 / 24 / 0 / 29

HEX #8C8BB6

RGB 140 139 182

HSL 241.4, 0.23%, 0.63%

LAB 59.36, 9.8, -22.33

 

CMYK 17 / 17 / 0 / 22

HEX #A5A4C6

RGB 165 164 198

HSL 241.76, 0.23%, 0.71%

LAB 68.48, 7.36, -17.24

 

CMYK 32 / 32 / 0 / 35

HEX #7271A7

RGB 114 113 167

HSL 241.11, 0.23%, 0.55%

LAB 49.71, 13.26, -28.77

 

CMYK 0 / 32 / 7 / 35

HEX #A6719B

RGB 166 113 155

HSL 312.45, 0.23%, 0.55%

LAB 54.33, 27.76, -14.25

 

CMYK 19 / 0 / 32 / 35

HEX #86A671

RGB 134 166 113

HSL 96.23, 0.23%, 0.55%

LAB 64.59, -20.94, 23.95

 

CMYK 32 / 32 / 0 / 35

HEX #7271A7

RGB 114 113 167

HSL 241.11, 0.23%, 0.55%

LAB 49.71, 13.26, -28.77

 

CMYK 0 / 31 / 32 / 35

HEX #A67271

RGB 166 114 113

HSL 1.13, 0.23%, 0.55%

LAB 53.31, 20.41, 8.86

 

CMYK 32 / 0 / 31 / 35

HEX #71A672

RGB 113 166 114

HSL 121.13, 0.23%, 0.55%

LAB 63.34, -28.24, 21.5

 

CMYK 32 / 32 / 0 / 35

HEX #7271A7

RGB 114 113 167

HSL 241.11, 0.23%, 0.55%

LAB 49.71, 13.26, -28.77

 

CMYK 0 / 32 / 7 / 35

HEX #A6719B

RGB 166 113 155

HSL 312.45, 0.23%, 0.55%

LAB 54.33, 27.76, -14.25

 

CMYK 1 / 0 / 32 / 35

HEX #A5A671

RGB 165 166 113

HSL 61.13, 0.23%, 0.55%

LAB 66.87, -8.89, 27.39

 

CMYK 32 / 0 / 25 / 35

HEX #71A67D

RGB 113 166 125

HSL 133.58, 0.23%, 0.55%

LAB 63.56, -26.25, 15.76

 

CMYK 32 / 32 / 0 / 35

HEX #7271A7

RGB 114 113 167

HSL 241.11, 0.23%, 0.55%

LAB 49.71, 13.26, -28.77

 

CMYK 0 / 32 / 16 / 35

HEX #A6718B

RGB 166 113 139

HSL 330.57, 0.23%, 0.55%

LAB 53.79, 24.95, -5.69

 

CMYK 1 / 0 / 32 / 35

HEX #A5A671

RGB 165 166 113

HSL 61.13, 0.23%, 0.55%

LAB 66.87, -8.89, 27.39

 

CMYK 32 / 0 / 15 / 35

HEX #71A68D

RGB 113 166 141

HSL 151.7, 0.23%, 0.55%

LAB 63.92, -23.05, 7.39

 

Description

Color code: HEX #7271A7 | qconv.com Color code: HEX #7271A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 113 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 113 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 32 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 32% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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