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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7263AA it is the complementary color #8D9C55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7263AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7263AA shade: #7763A5, #8875B8, #9987CB, #AA99DE and #BBABF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7263AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7263AA shade: #7263AA, #615197, #503F84, #3F2D71 and #2E1B5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7263AA shade: #7364A9, #8564A9, #9864A9, #A964A8 and #A96495

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7263AA shade: #7364A9 and #6464A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7263AA shade matches the following richer shades: #7364A9, #6751BD, #5C3DD0, #512AE4 and #4616F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7263AA shade: #7364A9, #7E7796, #898B83, #949E6F and #9FB15C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7263AA shade: #647BA9, #6469A9, #7264A9, #8464A9 and #9764A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7263AA shade: #4E4279, #5F5193, #7364A9, #8B7FB8 and #A399C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7263AA shade: #7263AA, #A9648E and #72A964

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7263AA shade: #7263AA, #A97264 and #64A972

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7263AA shade: #7263AA, #A9648E, #9CA964 and #64A980

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7263AA shade: #7263AA, #A96479, #9CA964 and #64A995

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 42 / 0 / 33

HEX #7263AA

RGB 114 99 170

HSL 252.68, 0.29%, 0.53%

LAB 46.18, 22.56, -36.05

 

Complementary color

CMYK 10 / 0 / 46 / 39

HEX #8D9C55

RGB 141 156 85

HSL 72.68, 0.29%, 0.47%

LAB 61.74, -16.81, 35.27

 

CMYK 28 / 40 / 0 / 35

HEX #7763A5

RGB 119 99 165

HSL 258.18, 0.27%, 0.52%

LAB 46.39, 22.7, -32.75

 

CMYK 26 / 36 / 0 / 28

HEX #8875B8

RGB 136 117 184

HSL 257.01, 0.32%, 0.59%

LAB 53.4, 21.92, -32.72

 

CMYK 25 / 33 / 0 / 20

HEX #9987CB

RGB 153 135 203

HSL 255.88, 0.4%, 0.66%

LAB 60.26, 21.22, -32.73

 

CMYK 23 / 31 / 0 / 13

HEX #AA99DE

RGB 170 153 222

HSL 254.78, 0.51%, 0.74%

LAB 66.98, 20.6, -32.78

 

CMYK 22 / 29 / 0 / 5

HEX #BBABF1

RGB 187 171 241

HSL 253.71, 0.71%, 0.81%

LAB 73.57, 20.04, -32.86

 

CMYK 33 / 42 / 0 / 33

HEX #7263AA

RGB 114 99 170

HSL 252.68, 0.29%, 0.53%

LAB 46.18, 22.56, -36.05

 

CMYK 36 / 46 / 0 / 41

HEX #615197

RGB 97 81 151

HSL 253.71, 0.3%, 0.45%

LAB 39, 23.53, -36.21

 

CMYK 39 / 52 / 0 / 48

HEX #503F84

RGB 80 63 132

HSL 254.78, 0.35%, 0.38%

LAB 31.64, 24.65, -36.42

 

CMYK 44 / 60 / 0 / 56

HEX #3F2D71

RGB 63 45 113

HSL 255.88, 0.43%, 0.31%

LAB 24.08, 25.97, -36.66

 

CMYK 51 / 71 / 0 / 63

HEX #2E1B5E

RGB 46 27 94

HSL 257.01, 0.55%, 0.24%

LAB 16.37, 27.44, -36.84

 

CMYK 32 / 41 / 0 / 34

HEX #7364A9

RGB 115 100 169

HSL 253.04, 0.29%, 0.53%

LAB 46.48, 21.97, -35

 

CMYK 21 / 41 / 0 / 34

HEX #8564A9

RGB 133 100 169

HSL 268.7, 0.29%, 0.53%

LAB 48.22, 27.34, -32.14

 

CMYK 10 / 41 / 0 / 34

HEX #9864A9

RGB 152 100 169

HSL 285.22, 0.29%, 0.53%

LAB 50.28, 33.24, -28.77

 

CMYK 0 / 41 / 1 / 34

HEX #A964A8

RGB 169 100 168

HSL 300.87, 0.29%, 0.53%

LAB 52.26, 38.42, -24.95

 

CMYK 0 / 41 / 12 / 34

HEX #A96495

RGB 169 100 149

HSL 317.39, 0.29%, 0.53%

LAB 51.52, 34.97, -14.95

 

CMYK 32 / 41 / 0 / 34

HEX #7364A9

RGB 115 100 169

HSL 253.04, 0.29%, 0.53%

LAB 46.48, 21.97, -35

 

CMYK 41 / 41 / 0 / 34

HEX #6464A9

RGB 100 100 169

HSL 240, 0.29%, 0.53%

LAB 45.2, 17.76, -37.09

 

CMYK 32 / 41 / 0 / 34

HEX #7364A9

RGB 115 100 169

HSL 253.04, 0.29%, 0.53%

LAB 46.48, 21.97, -35

 

CMYK 46 / 57 / 0 / 26

HEX #6751BD

RGB 103 81 189

HSL 252.22, 0.45%, 0.53%

LAB 41.91, 36.03, -54.05

 

CMYK 56 / 71 / 0 / 18

HEX #5C3DD0

RGB 92 61 208

HSL 252.65, 0.61%, 0.53%

LAB 38.14, 50.91, -71.27

 

CMYK 64 / 82 / 0 / 11

HEX #512AE4

RGB 81 42 228

HSL 252.58, 0.78%, 0.53%

LAB 36, 64.2, -86.33

 

CMYK 72 / 91 / 0 / 3

HEX #4616F7

RGB 70 22 247

HSL 252.8, 0.93%, 0.53%

LAB 35.19, 74.78, -98.48

 

CMYK 32 / 41 / 0 / 34

HEX #7364A9

RGB 115 100 169

HSL 253.04, 0.29%, 0.53%

LAB 46.48, 21.97, -35

 

CMYK 16 / 21 / 0 / 41

HEX #7E7796

RGB 126 119 150

HSL 253.55, 0.13%, 0.53%

LAB 51.65, 9.28, -15.77

 

CMYK 1 / 0 / 6 / 45

HEX #898B83

RGB 137 139 131

HSL 75, 0.03%, 0.53%

LAB 57.48, -2.28, 4.01

 

CMYK 6 / 0 / 30 / 38

HEX #949E6F

RGB 148 158 111

HSL 72.77, 0.2%, 0.53%

LAB 63.26, -11.7, 23.43

 

CMYK 10 / 0 / 48 / 31

HEX #9FB15C

RGB 159 177 92

HSL 72.71, 0.35%, 0.53%

LAB 69.18, -19.47, 41.13

 

CMYK 41 / 27 / 0 / 34

HEX #647BA9

RGB 100 123 169

HSL 220, 0.29%, 0.53%

LAB 51.54, 3.77, -27.17

 

CMYK 41 / 38 / 0 / 34

HEX #6469A9

RGB 100 105 169

HSL 235.65, 0.29%, 0.53%

LAB 46.55, 14.67, -34.97

 

CMYK 33 / 41 / 0 / 34

HEX #7264A9

RGB 114 100 169

HSL 252.17, 0.29%, 0.53%

LAB 46.39, 21.68, -35.14

 

CMYK 22 / 41 / 0 / 34

HEX #8464A9

RGB 132 100 169

HSL 267.83, 0.29%, 0.53%

LAB 48.11, 27.04, -32.31

 

CMYK 11 / 41 / 0 / 34

HEX #9764A9

RGB 151 100 169

HSL 284.35, 0.29%, 0.53%

LAB 50.17, 32.93, -28.95

 

CMYK 36 / 45 / 0 / 53

HEX #4E4279

RGB 78 66 121

HSL 253.09, 0.29%, 0.37%

LAB 31.57, 18.91, -29.69

 

CMYK 35 / 45 / 0 / 42

HEX #5F5193

RGB 95 81 147

HSL 252.73, 0.29%, 0.45%

LAB 38.59, 21.82, -34.46

 

CMYK 32 / 41 / 0 / 34

HEX #7364A9

RGB 115 100 169

HSL 253.04, 0.29%, 0.53%

LAB 46.48, 21.97, -35

 

CMYK 24 / 31 / 0 / 28

HEX #8B7FB8

RGB 139 127 184

HSL 252.63, 0.29%, 0.61%

LAB 56.22, 16.95, -28.32

 

CMYK 18 / 23 / 0 / 22

HEX #A399C7

RGB 163 153 199

HSL 253.04, 0.29%, 0.69%

LAB 65.51, 13.11, -22.33

 

CMYK 33 / 42 / 0 / 33

HEX #7263AA

RGB 114 99 170

HSL 252.68, 0.29%, 0.53%

LAB 46.18, 22.56, -36.05

 

CMYK 0 / 41 / 16 / 34

HEX #A9648E

RGB 169 100 142

HSL 323.48, 0.29%, 0.53%

LAB 51.27, 33.79, -11.19

 

CMYK 33 / 0 / 41 / 34

HEX #72A964

RGB 114 169 100

HSL 107.83, 0.29%, 0.53%

LAB 64.06, -31.58, 29.99

 

CMYK 33 / 42 / 0 / 33

HEX #7263AA

RGB 114 99 170

HSL 252.68, 0.29%, 0.53%

LAB 46.18, 22.56, -36.05

 

CMYK 0 / 33 / 41 / 34

HEX #A97264

RGB 169 114 100

HSL 12.17, 0.29%, 0.53%

LAB 53.37, 19.96, 16.58

 

CMYK 41 / 0 / 33 / 34

HEX #64A972

RGB 100 169 114

HSL 132.17, 0.29%, 0.53%

LAB 63.59, -33.85, 21.73

 

CMYK 33 / 42 / 0 / 33

HEX #7263AA

RGB 114 99 170

HSL 252.68, 0.29%, 0.53%

LAB 46.18, 22.56, -36.05

 

CMYK 0 / 41 / 16 / 34

HEX #A9648E

RGB 169 100 142

HSL 323.48, 0.29%, 0.53%

LAB 51.27, 33.79, -11.19

 

CMYK 8 / 0 / 41 / 34

HEX #9CA964

RGB 156 169 100

HSL 71.3, 0.29%, 0.53%

LAB 66.8, -15.7, 34.05

 

CMYK 41 / 0 / 24 / 34

HEX #64A980

RGB 100 169 128

HSL 144.35, 0.29%, 0.53%

LAB 63.87, -31.17, 14.44

 

CMYK 33 / 42 / 0 / 33

HEX #7263AA

RGB 114 99 170

HSL 252.68, 0.29%, 0.53%

LAB 46.18, 22.56, -36.05

 

CMYK 0 / 41 / 28 / 34

HEX #A96479

RGB 169 100 121

HSL 341.74, 0.29%, 0.53%

LAB 50.61, 30.56, 0.28

 

CMYK 8 / 0 / 41 / 34

HEX #9CA964

RGB 156 169 100

HSL 71.3, 0.29%, 0.53%

LAB 66.8, -15.7, 34.05

 

CMYK 41 / 0 / 12 / 34

HEX #64A995

RGB 100 169 149

HSL 162.61, 0.29%, 0.53%

LAB 64.37, -26.61, 3.49

 

Description

Color code: HEX #7263AA | qconv.com Color code: HEX #7263AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 99 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 99 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 42 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 42% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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