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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7265E6 it is the complementary color #8D9A19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7265E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7265E6 shade: #7765E1, #8877F4, #9989FF, #AA9BFF and #BBADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7265E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7265E6 shade: #7265E6, #6153D3, #5041C0, #3F2FAD and #2E1D9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7265E6 shade: #7265E6, #9565E6, #B765E6, #DA65E6 and #E665CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7265E6 shade: #7265E6 and #6565E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7265E6 shade matches the following richer shades: #7265E6 and #6657F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7265E6 shade: #7265E6, #7D73D7, #8982C9, #9590BA and #A09FAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7265E6 shade: #659DE6, #657AE6, #7265E6, #9465E6 and #B665E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7265E6 shade: #3422D6, #5142E0, #7265E6, #9288EB and #B3ACF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7265E6 shade: #7265E6, #E665BF and #8CE665

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7265E6 shade: #7265E6, #E67265 and #65E672

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7265E6 shade: #7265E6, #E665BF, #D9E665 and #65E68C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7265E6 shade: #7265E6, #E66598, #D9E665 and #65E6B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 56 / 0 / 10

HEX #7265E6

RGB 114 101 230

HSL 246.05, 0.72%, 0.65%

LAB 50.21, 38.66, -64.09

 

Complementary color

CMYK 8 / 0 / 84 / 40

HEX #8D9A19

RGB 141 154 25

HSL 66.05, 0.72%, 0.35%

LAB 60.64, -20.07, 59.17

 

CMYK 47 / 55 / 0 / 12

HEX #7765E1

RGB 119 101 225

HSL 248.71, 0.67%, 0.64%

LAB 50.29, 38.21, -61.12

 

CMYK 44 / 51 / 0 / 4

HEX #8877F4

RGB 136 119 244

HSL 248.16, 0.85%, 0.71%

LAB 57.04, 36.89, -60.84

 

CMYK 40 / 46 / 0 / 0

HEX #9989FF

RGB 153 137 255

HSL 248.14, 1%, 0.77%

LAB 63.25, 33.53, -56.89

 

CMYK 33 / 39 / 0 / 0

HEX #AA9BFF

RGB 170 155 255

HSL 249, 1%, 0.8%

LAB 68.9, 27.6, -47.85

 

CMYK 27 / 32 / 0 / 0

HEX #BBADFF

RGB 187 173 255

HSL 250.24, 1%, 0.84%

LAB 74.62, 22.21, -38.81

 

CMYK 50 / 56 / 0 / 10

HEX #7265E6

RGB 114 101 230

HSL 246.05, 0.72%, 0.65%

LAB 50.21, 38.66, -64.09

 

CMYK 54 / 61 / 0 / 17

HEX #6153D3

RGB 97 83 211

HSL 246.56, 0.59%, 0.58%

LAB 43.41, 40.25, -64.39

 

CMYK 58 / 66 / 0 / 25

HEX #5041C0

RGB 80 65 192

HSL 247.09, 0.5%, 0.5%

LAB 36.54, 42, -64.62

 

CMYK 64 / 73 / 0 / 32

HEX #3F2FAD

RGB 63 47 173

HSL 247.62, 0.57%, 0.43%

LAB 29.68, 43.84, -64.66

 

CMYK 70 / 81 / 0 / 40

HEX #2E1D9A

RGB 46 29 154

HSL 248.16, 0.68%, 0.36%

LAB 22.97, 45.5, -64.25

 

CMYK 50 / 56 / 0 / 10

HEX #7265E6

RGB 114 101 230

HSL 246.05, 0.72%, 0.65%

LAB 50.21, 38.66, -64.09

 

CMYK 35 / 56 / 0 / 10

HEX #9565E6

RGB 149 101 230

HSL 262.33, 0.72%, 0.65%

LAB 53.4, 46.28, -58.8

 

CMYK 20 / 56 / 0 / 10

HEX #B765E6

RGB 183 101 230

HSL 278.14, 0.72%, 0.65%

LAB 57.16, 54.49, -52.57

 

CMYK 5 / 56 / 0 / 10

HEX #DA65E6

RGB 218 101 230

HSL 294.42, 0.72%, 0.65%

LAB 61.59, 63.32, -45.27

 

CMYK 0 / 56 / 10 / 10

HEX #E665CE

RGB 230 101 206

HSL 311.16, 0.72%, 0.65%

LAB 62.16, 62.47, -30.79

 

CMYK 50 / 56 / 0 / 10

HEX #7265E6

RGB 114 101 230

HSL 246.05, 0.72%, 0.65%

LAB 50.21, 38.66, -64.09

 

CMYK 56 / 56 / 0 / 10

HEX #6565E6

RGB 101 101 230

HSL 240, 0.72%, 0.65%

LAB 49.24, 36.16, -65.72

 

CMYK 50 / 56 / 0 / 10

HEX #7265E6

RGB 114 101 230

HSL 246.05, 0.72%, 0.65%

LAB 50.21, 38.66, -64.09

 

CMYK 58 / 64 / 0 / 4

HEX #6657F4

RGB 102 87 244

HSL 245.73, 0.88%, 0.65%

LAB 47.2, 48.87, -76.89

 

CMYK 50 / 56 / 0 / 10

HEX #7265E6

RGB 114 101 230

HSL 246.05, 0.72%, 0.65%

LAB 50.21, 38.66, -64.09

 

CMYK 42 / 47 / 0 / 16

HEX #7D73D7

RGB 125 115 215

HSL 246, 0.56%, 0.65%

LAB 53.52, 28.43, -50.27

 

CMYK 32 / 35 / 0 / 21

HEX #8982C9

RGB 137 130 201

HSL 245.92, 0.4%, 0.65%

LAB 57.56, 18.92, -35.91

 

CMYK 20 / 23 / 0 / 27

HEX #9590BA

RGB 149 144 186

HSL 247.14, 0.23%, 0.65%

LAB 61.55, 10.75, -21.18

 

CMYK 7 / 8 / 0 / 33

HEX #A09FAC

RGB 160 159 172

HSL 244.62, 0.07%, 0.65%

LAB 65.94, 2.92, -6.61

 

CMYK 56 / 32 / 0 / 10

HEX #659DE6

RGB 101 157 230

HSL 213.95, 0.72%, 0.65%

LAB 63.83, 2.67, -42.44

 

CMYK 56 / 47 / 0 / 10

HEX #657AE6

RGB 101 122 230

HSL 230.23, 0.72%, 0.65%

LAB 54.45, 23.44, -57.33

 

CMYK 50 / 56 / 0 / 10

HEX #7265E6

RGB 114 101 230

HSL 246.05, 0.72%, 0.65%

LAB 50.21, 38.66, -64.09

 

CMYK 36 / 56 / 0 / 10

HEX #9465E6

RGB 148 101 230

HSL 261.86, 0.72%, 0.65%

LAB 53.29, 46.04, -58.97

 

CMYK 21 / 56 / 0 / 10

HEX #B665E6

RGB 182 101 230

HSL 277.67, 0.72%, 0.65%

LAB 57.04, 54.24, -52.76

 

CMYK 76 / 84 / 0 / 16

HEX #3422D6

RGB 52 34 214

HSL 246, 0.73%, 0.49%

LAB 31.18, 61.48, -86.34

 

CMYK 64 / 71 / 0 / 12

HEX #5142E0

RGB 81 66 224

HSL 245.7, 0.72%, 0.57%

LAB 39.63, 51.53, -78.06

 

CMYK 50 / 56 / 0 / 10

HEX #7265E6

RGB 114 101 230

HSL 246.05, 0.72%, 0.65%

LAB 50.21, 38.66, -64.09

 

CMYK 38 / 42 / 0 / 8

HEX #9288EB

RGB 146 136 235

HSL 246.06, 0.71%, 0.73%

LAB 61.41, 26.94, -48.83

 

CMYK 26 / 29 / 0 / 5

HEX #B3ACF1

RGB 179 172 241

HSL 246.09, 0.71%, 0.81%

LAB 73.18, 17.12, -33.52

 

CMYK 50 / 56 / 0 / 10

HEX #7265E6

RGB 114 101 230

HSL 246.05, 0.72%, 0.65%

LAB 50.21, 38.66, -64.09

 

CMYK 0 / 56 / 17 / 10

HEX #E665BF

RGB 230 101 191

HSL 318.14, 0.72%, 0.65%

LAB 61.56, 60.2, -23.2

 

CMYK 39 / 0 / 56 / 10

HEX #8CE665

RGB 140 230 101

HSL 101.86, 0.72%, 0.65%

LAB 83.5, -49.68, 53.65

 

CMYK 50 / 56 / 0 / 10

HEX #7265E6

RGB 114 101 230

HSL 246.05, 0.72%, 0.65%

LAB 50.21, 38.66, -64.09

 

CMYK 0 / 50 / 56 / 10

HEX #E67265

RGB 230 114 101

HSL 6.05, 0.72%, 0.65%

LAB 61.48, 43.83, 28.26

 

CMYK 56 / 0 / 50 / 10

HEX #65E672

RGB 101 230 114

HSL 126.05, 0.72%, 0.65%

LAB 82.15, -58.96, 45.66

 

CMYK 50 / 56 / 0 / 10

HEX #7265E6

RGB 114 101 230

HSL 246.05, 0.72%, 0.65%

LAB 50.21, 38.66, -64.09

 

CMYK 0 / 56 / 17 / 10

HEX #E665BF

RGB 230 101 191

HSL 318.14, 0.72%, 0.65%

LAB 61.56, 60.2, -23.2

 

CMYK 6 / 0 / 56 / 10

HEX #D9E665

RGB 217 230 101

HSL 66.05, 0.72%, 0.65%

LAB 88.11, -21.58, 60.14

 

CMYK 56 / 0 / 39 / 10

HEX #65E68C

RGB 101 230 140

HSL 138.14, 0.72%, 0.65%

LAB 82.51, -55.01, 33.36

 

CMYK 50 / 56 / 0 / 10

HEX #7265E6

RGB 114 101 230

HSL 246.05, 0.72%, 0.65%

LAB 50.21, 38.66, -64.09

 

CMYK 0 / 56 / 34 / 10

HEX #E66598

RGB 230 101 152

HSL 336.28, 0.72%, 0.65%

LAB 60.25, 55.05, -2.78

 

CMYK 6 / 0 / 56 / 10

HEX #D9E665

RGB 217 230 101

HSL 66.05, 0.72%, 0.65%

LAB 88.11, -21.58, 60.14

 

CMYK 56 / 0 / 23 / 10

HEX #65E6B2

RGB 101 230 178

HSL 155.81, 0.72%, 0.65%

LAB 83.22, -47.74, 14.74

 

Description

Color code: HEX #7265E6 | qconv.com Color code: HEX #7265E6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 101 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 101 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 56 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 56% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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