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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7264FF it is the complementary color #8D9B00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7264FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7264FF shade: #7764FA, #8876FF, #9988FF, #AA9AFF and #BBACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7264FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7264FF shade: #7264FF, #6152EC, #5040D9, #3F2EC6 and #2E1CB3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7264FF shade: #7365FF, #9D65FF, #C665FF, #EF65FF and #FF65E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7264FF shade: #7365FF and #6565FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7264FF shade matches the following richer shades: #7365FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7264FF shade: #7365FF, #7D72F2, #887EE6, #928BD9 and #9C97CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7264FF shade: #65AAFF, #6582FF, #7265FF, #9B65FF and #C465FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7264FF shade: #2813FF, #4E3CFF, #7365FF, #998FFF and #BEB8FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7264FF shade: #7264FF, #FF65D3 and #96FF65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7264FF shade: #7264FF, #FF7265 and #65FF72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7264FF shade: #7264FF, #FF65D3, #F2FF65 and #65FF91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7264FF shade: #7264FF, #FF65A5, #F2FF65 and #65FFBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 61 / 0 / 0

HEX #7264FF

RGB 114 100 255

HSL 245.42, 1%, 0.7%

LAB 51.74, 46.74, -75.58

 

Complementary color

CMYK 9 / 0 / 100 / 39

HEX #8D9B00

RGB 141 155 0

HSL 65.42, 1%, 0.3%

LAB 60.87, -21.11, 63.8

 

CMYK 52 / 60 / 0 / 2

HEX #7764FA

RGB 119 100 250

HSL 247.6, 0.94%, 0.69%

LAB 51.77, 46.12, -72.74

 

CMYK 47 / 54 / 0 / 0

HEX #8876FF

RGB 136 118 255

HSL 247.88, 1%, 0.73%

LAB 57.47, 40.6, -66.22

 

CMYK 40 / 47 / 0 / 0

HEX #9988FF

RGB 153 136 255

HSL 248.57, 1%, 0.77%

LAB 63.01, 34.1, -57.27

 

CMYK 33 / 40 / 0 / 0

HEX #AA9AFF

RGB 170 154 255

HSL 249.5, 1%, 0.8%

LAB 68.66, 28.16, -48.23

 

CMYK 27 / 33 / 0 / 0

HEX #BBACFF

RGB 187 172 255

HSL 250.84, 1%, 0.84%

LAB 74.37, 22.76, -39.19

 

CMYK 55 / 61 / 0 / 0

HEX #7264FF

RGB 114 100 255

HSL 245.42, 1%, 0.7%

LAB 51.74, 46.74, -75.58

 

CMYK 59 / 65 / 0 / 7

HEX #6152EC

RGB 97 82 236

HSL 245.84, 0.8%, 0.62%

LAB 45.13, 48.5, -75.8

 

CMYK 63 / 71 / 0 / 15

HEX #5040D9

RGB 80 64 217

HSL 246.27, 0.67%, 0.55%

LAB 38.52, 50.35, -75.87

 

CMYK 68 / 77 / 0 / 22

HEX #3F2EC6

RGB 63 46 198

HSL 246.71, 0.62%, 0.48%

LAB 32.01, 52.14, -75.64

 

CMYK 74 / 84 / 0 / 30

HEX #2E1CB3

RGB 46 28 179

HSL 247.15, 0.73%, 0.41%

LAB 25.76, 53.48, -74.78

 

CMYK 55 / 60 / 0 / 0

HEX #7365FF

RGB 115 101 255

HSL 245.45, 1%, 0.7%

LAB 52.03, 46.34, -75.1

 

CMYK 38 / 60 / 0 / 0

HEX #9D65FF

RGB 157 101 255

HSL 261.82, 1%, 0.7%

LAB 55.78, 54.39, -68.85

 

CMYK 22 / 60 / 0 / 0

HEX #C665FF

RGB 198 101 255

HSL 277.79, 1%, 0.7%

LAB 60.37, 63.37, -61.23

 

CMYK 6 / 60 / 0 / 0

HEX #EF65FF

RGB 239 101 255

HSL 293.77, 1%, 0.7%

LAB 65.65, 72.87, -52.49

 

CMYK 0 / 60 / 10 / 0

HEX #FF65E5

RGB 255 101 229

HSL 310.13, 1%, 0.7%

LAB 66.69, 72.58, -36.35

 

CMYK 55 / 60 / 0 / 0

HEX #7365FF

RGB 115 101 255

HSL 245.45, 1%, 0.7%

LAB 52.03, 46.34, -75.1

 

CMYK 60 / 60 / 0 / 0

HEX #6565FF

RGB 101 101 255

HSL 240, 1%, 0.7%

LAB 51.03, 44.05, -76.78

 

CMYK 55 / 60 / 0 / 0

HEX #7365FF

RGB 115 101 255

HSL 245.45, 1%, 0.7%

LAB 52.03, 46.34, -75.1

 

CMYK 55 / 60 / 0 / 0

HEX #7365FF

RGB 115 101 255

HSL 245.45, 1%, 0.7%

LAB 52.03, 46.34, -75.1

 

CMYK 48 / 53 / 0 / 5

HEX #7D72F2

RGB 125 114 242

HSL 245.16, 0.83%, 0.7%

LAB 54.87, 36.84, -63.25

 

CMYK 41 / 45 / 0 / 10

HEX #887EE6

RGB 136 126 230

HSL 245.77, 0.68%, 0.7%

LAB 57.91, 28.87, -51.65

 

CMYK 33 / 36 / 0 / 15

HEX #928BD9

RGB 146 139 217

HSL 245.38, 0.51%, 0.7%

LAB 61.3, 20.41, -39

 

CMYK 24 / 26 / 0 / 20

HEX #9C97CD

RGB 156 151 205

HSL 245.56, 0.35%, 0.7%

LAB 64.65, 13.45, -27.04

 

CMYK 60 / 33 / 0 / 0

HEX #65AAFF

RGB 101 170 255

HSL 213.12, 1%, 0.7%

LAB 68.56, 3.19, -48.67

 

CMYK 60 / 49 / 0 / 0

HEX #6582FF

RGB 101 130 255

HSL 228.7, 1%, 0.7%

LAB 57.99, 26.72, -65.5

 

CMYK 55 / 60 / 0 / 0

HEX #7265FF

RGB 114 101 255

HSL 245.06, 1%, 0.7%

LAB 51.96, 46.17, -75.23

 

CMYK 39 / 60 / 0 / 0

HEX #9B65FF

RGB 155 101 255

HSL 261.04, 1%, 0.7%

LAB 55.58, 53.97, -69.18

 

CMYK 23 / 60 / 0 / 0

HEX #C465FF

RGB 196 101 255

HSL 277.01, 1%, 0.7%

LAB 60.13, 62.92, -61.63

 

CMYK 84 / 93 / 0 / 0

HEX #2813FF

RGB 40 19 255

HSL 245.34, 1%, 0.54%

LAB 34.27, 76.5, -104.56

 

CMYK 69 / 76 / 0 / 0

HEX #4E3CFF

RGB 78 60 255

HSL 245.54, 1%, 0.62%

LAB 41.33, 63.6, -92.76

 

CMYK 55 / 60 / 0 / 0

HEX #7365FF

RGB 115 101 255

HSL 245.45, 1%, 0.7%

LAB 52.03, 46.34, -75.1

 

CMYK 40 / 44 / 0 / 0

HEX #998FFF

RGB 153 143 255

HSL 245.36, 1%, 0.78%

LAB 64.67, 30.09, -54.62

 

CMYK 25 / 28 / 0 / 0

HEX #BEB8FF

RGB 190 184 255

HSL 245.07, 1%, 0.86%

LAB 77.55, 17, -34.25

 

CMYK 55 / 61 / 0 / 0

HEX #7264FF

RGB 114 100 255

HSL 245.42, 1%, 0.7%

LAB 51.74, 46.74, -75.58

 

CMYK 0 / 60 / 17 / 0

HEX #FF65D3

RGB 255 101 211

HSL 317.14, 1%, 0.7%

LAB 65.96, 69.98, -27.44

 

CMYK 41 / 0 / 60 / 0

HEX #96FF65

RGB 150 255 101

HSL 100.91, 1%, 0.7%

LAB 91.21, -56.64, 62.57

 

CMYK 55 / 61 / 0 / 0

HEX #7264FF

RGB 114 100 255

HSL 245.42, 1%, 0.7%

LAB 51.74, 46.74, -75.58

 

CMYK 0 / 55 / 60 / 0

HEX #FF7265

RGB 255 114 101

HSL 5.06, 1%, 0.7%

LAB 65.15, 52.79, 33.7

 

CMYK 60 / 0 / 55 / 0

HEX #65FF72

RGB 101 255 114

HSL 125.06, 1%, 0.7%

LAB 89.63, -68.02, 54.68

 

CMYK 55 / 61 / 0 / 0

HEX #7264FF

RGB 114 100 255

HSL 245.42, 1%, 0.7%

LAB 51.74, 46.74, -75.58

 

CMYK 0 / 60 / 17 / 0

HEX #FF65D3

RGB 255 101 211

HSL 317.14, 1%, 0.7%

LAB 65.96, 69.98, -27.44

 

CMYK 5 / 0 / 60 / 0

HEX #F2FF65

RGB 242 255 101

HSL 65.06, 1%, 0.7%

LAB 96.55, -23.65, 69.96

 

CMYK 60 / 0 / 43 / 0

HEX #65FF91

RGB 101 255 145

HSL 137.14, 1%, 0.7%

LAB 90.01, -63.71, 40.64

 

CMYK 55 / 61 / 0 / 0

HEX #7264FF

RGB 114 100 255

HSL 245.42, 1%, 0.7%

LAB 51.74, 46.74, -75.58

 

CMYK 0 / 60 / 35 / 0

HEX #FF65A5

RGB 255 101 165

HSL 335.06, 1%, 0.7%

LAB 64.39, 64.22, -3.73

 

CMYK 5 / 0 / 60 / 0

HEX #F2FF65

RGB 242 255 101

HSL 65.06, 1%, 0.7%

LAB 96.55, -23.65, 69.96

 

CMYK 60 / 0 / 25 / 0

HEX #65FFBF

RGB 101 255 191

HSL 155.06, 1%, 0.7%

LAB 90.8, -55.3, 18.65

 

Description

Color code: HEX #7264FF | qconv.com Color code: HEX #7264FF | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 100 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 100 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 61 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 61% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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