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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #725F01 it is the complementary color #8DA0FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #725F01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #725F01 shade: #775F00, #88710F, #998322, #AA9535 and #BBA748

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #725F01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #725F01 shade: #725F01, #614D00, #503B00, #3F2900 and #2E1700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #725F01 shade: #746001, #744101, #742201, #740301 and #740101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #725F01 shade: #746001, #687401, #497401, #2A7401 and #0B7401

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #725F01 shade matches the following richer shades: #746001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #725F01 shade: #746001, #6A5A0A, #615414, #574D1D and #4E4727

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #725F01 shade: #742101, #744001, #745F01, #6A7401 and #4B7401

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #725F01 shade: #221C00, #4B3E00, #746001, #9C8201 and #C5A401

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #725F01 shade: #725F01, #017403 and #310174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #725F01 shade: #725F01, #01745F and #5F0174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #725F01 shade: #725F01, #017403, #011674 and #740172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #725F01 shade: #725F01, #017425, #011674 and #74014F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 99 / 55

HEX #725F01

RGB 114 95 1

HSL 49.91, 0.98%, 0.23%

LAB 40.84, -1.06, 47.84

 

Complementary color

CMYK 44 / 37 / 0 / 0

HEX #8DA0FE

RGB 141 160 254

HSL 229.91, 0.98%, 0.77%

LAB 67.99, 17.12, -48.88

 

CMYK 0 / 20 / 100 / 53

HEX #775F00

RGB 119 95 0

HSL 47.9, 1%, 0.23%

LAB 41.38, 1.38, 48.76

 

CMYK 0 / 17 / 89 / 47

HEX #88710F

RGB 136 113 15

HSL 48.6, 0.8%, 0.3%

LAB 48.36, -0.5, 51.25

 

CMYK 0 / 14 / 78 / 40

HEX #998322

RGB 153 131 34

HSL 48.91, 0.64%, 0.37%

LAB 55.2, -2.03, 51.9

 

CMYK 0 / 12 / 69 / 33

HEX #AA9535

RGB 170 149 53

HSL 49.23, 0.52%, 0.44%

LAB 61.91, -3.26, 51.47

 

CMYK 0 / 11 / 61 / 27

HEX #BBA748

RGB 187 167 72

HSL 49.57, 0.46%, 0.51%

LAB 68.51, -4.25, 50.56

 

CMYK 0 / 17 / 99 / 55

HEX #725F01

RGB 114 95 1

HSL 49.91, 0.98%, 0.23%

LAB 40.84, -1.06, 47.84

 

CMYK 0 / 21 / 100 / 62

HEX #614D00

RGB 97 77 0

HSL 47.63, 1%, 0.19%

LAB 33.67, 1.17, 42.2

 

CMYK 0 / 26 / 100 / 69

HEX #503B00

RGB 80 59 0

HSL 44.25, 1%, 0.16%

LAB 26.25, 3.6, 35.6

 

CMYK 0 / 35 / 100 / 75

HEX #3F2900

RGB 63 41 0

HSL 39.05, 1%, 0.12%

LAB 18.55, 6.28, 26.83

 

CMYK 0 / 50 / 100 / 82

HEX #2E1700

RGB 46 23 0

HSL 30, 1%, 0.09%

LAB 10.51, 9.26, 15.91

 

CMYK 0 / 17 / 99 / 55

HEX #746001

RGB 116 96 1

HSL 49.57, 0.98%, 0.23%

LAB 41.34, -0.66, 48.3

 

CMYK 0 / 44 / 99 / 55

HEX #744101

RGB 116 65 1

HSL 33.39, 0.98%, 0.23%

LAB 32.91, 17.9, 42.5

 

CMYK 0 / 71 / 99 / 55

HEX #742201

RGB 116 34 1

HSL 17.22, 0.98%, 0.23%

LAB 26.33, 34.64, 37.44

 

CMYK 0 / 97 / 99 / 55

HEX #740301

RGB 116 3 1

HSL 1.04, 0.98%, 0.23%

LAB 22.93, 44.15, 34.15

 

CMYK 0 / 99 / 99 / 55

HEX #740101

RGB 116 1 1

HSL 0, 0.98%, 0.23%

LAB 22.78, 44.58, 33.99

 

CMYK 0 / 17 / 99 / 55

HEX #746001

RGB 116 96 1

HSL 49.57, 0.98%, 0.23%

LAB 41.34, -0.66, 48.3

 

CMYK 10 / 0 / 99 / 55

HEX #687401

RGB 104 116 1

HSL 66.26, 0.98%, 0.23%

LAB 46.23, -17.66, 51.38

 

CMYK 37 / 0 / 99 / 55

HEX #497401

RGB 73 116 1

HSL 82.43, 0.98%, 0.23%

LAB 44.1, -31.18, 48.83

 

CMYK 64 / 0 / 99 / 55

HEX #2A7401

RGB 42 116 1

HSL 98.61, 0.98%, 0.23%

LAB 42.74, -41.58, 47.18

 

CMYK 91 / 0 / 99 / 55

HEX #0B7401

RGB 11 116 1

HSL 114.78, 0.98%, 0.23%

LAB 42.1, -47.13, 46.39

 

CMYK 0 / 17 / 99 / 55

HEX #746001

RGB 116 96 1

HSL 49.57, 0.98%, 0.23%

LAB 41.34, -0.66, 48.3

 

CMYK 0 / 17 / 99 / 55

HEX #746001

RGB 116 96 1

HSL 49.57, 0.98%, 0.23%

LAB 41.34, -0.66, 48.3

 

CMYK 0 / 15 / 91 / 58

HEX #6A5A0A

RGB 106 90 10

HSL 50, 0.83%, 0.23%

LAB 38.55, -1.83, 43.24

 

CMYK 0 / 13 / 79 / 62

HEX #615414

RGB 97 84 20

HSL 49.87, 0.66%, 0.23%

LAB 35.85, -2.34, 37.06

 

CMYK 0 / 11 / 67 / 66

HEX #574D1D

RGB 87 77 29

HSL 49.66, 0.5%, 0.23%

LAB 32.75, -2.5, 29.28

 

CMYK 0 / 9 / 50 / 69

HEX #4E4727

RGB 78 71 39

HSL 49.23, 0.33%, 0.23%

LAB 30.09, -2.25, 20.25

 

CMYK 0 / 72 / 99 / 55

HEX #742101

RGB 116 33 1

HSL 16.7, 0.98%, 0.23%

LAB 26.17, 35.08, 37.29

 

CMYK 0 / 45 / 99 / 55

HEX #744001

RGB 116 64 1

HSL 32.87, 0.98%, 0.23%

LAB 32.66, 18.5, 42.34

 

CMYK 0 / 18 / 99 / 55

HEX #745F01

RGB 116 95 1

HSL 49.04, 0.98%, 0.23%

LAB 41.06, -0.07, 48.09

 

CMYK 9 / 0 / 99 / 55

HEX #6A7401

RGB 106 116 1

HSL 65.22, 0.98%, 0.23%

LAB 46.39, -16.73, 51.58

 

CMYK 35 / 0 / 99 / 55

HEX #4B7401

RGB 75 116 1

HSL 81.39, 0.98%, 0.23%

LAB 44.22, -30.38, 48.97

 

CMYK 0 / 18 / 100 / 87

HEX #221C00

RGB 34 28 0

HSL 49.41, 1%, 0.07%

LAB 10.34, -1.3, 15.4

 

CMYK 0 / 17 / 100 / 71

HEX #4B3E00

RGB 75 62 0

HSL 49.6, 1%, 0.15%

LAB 26.57, -0.94, 35.65

 

CMYK 0 / 17 / 99 / 55

HEX #746001

RGB 116 96 1

HSL 49.57, 0.98%, 0.23%

LAB 41.34, -0.66, 48.3

 

CMYK 0 / 17 / 99 / 39

HEX #9C8201

RGB 156 130 1

HSL 49.94, 0.99%, 0.31%

LAB 55.11, -0.92, 60.05

 

CMYK 0 / 17 / 99 / 23

HEX #C5A401

RGB 197 164 1

HSL 49.9, 0.99%, 0.39%

LAB 68.33, -0.71, 71.33

 

CMYK 0 / 17 / 99 / 55

HEX #725F01

RGB 114 95 1

HSL 49.91, 0.98%, 0.23%

LAB 40.84, -1.06, 47.84

 

CMYK 99 / 0 / 97 / 55

HEX #017403

RGB 1 116 3

HSL 121.04, 0.98%, 0.23%

LAB 42.01, -47.95, 45.79

 

CMYK 58 / 99 / 0 / 55

HEX #310174

RGB 49 1 116

HSL 265.04, 0.98%, 0.23%

LAB 15.15, 45.69, -53.28

 

CMYK 0 / 17 / 99 / 55

HEX #725F01

RGB 114 95 1

HSL 49.91, 0.98%, 0.23%

LAB 40.84, -1.06, 47.84

 

CMYK 99 / 0 / 18 / 55

HEX #01745F

RGB 1 116 95

HSL 169.04, 0.98%, 0.23%

LAB 43.25, -33.34, 3.77

 

CMYK 18 / 99 / 0 / 55

HEX #5F0174

RGB 95 1 116

HSL 289.04, 0.98%, 0.23%

LAB 22.71, 51.2, -40.59

 

CMYK 0 / 17 / 99 / 55

HEX #725F01

RGB 114 95 1

HSL 49.91, 0.98%, 0.23%

LAB 40.84, -1.06, 47.84

 

CMYK 99 / 0 / 97 / 55

HEX #017403

RGB 1 116 3

HSL 121.04, 0.98%, 0.23%

LAB 42.01, -47.95, 45.79

 

CMYK 99 / 81 / 0 / 55

HEX #011674

RGB 1 22 116

HSL 229.04, 0.98%, 0.23%

LAB 14.63, 33.55, -54.24

 

CMYK 0 / 99 / 2 / 55

HEX #740172

RGB 116 1 114

HSL 301.04, 0.98%, 0.23%

LAB 26.59, 54.42, -32.84

 

CMYK 0 / 17 / 99 / 55

HEX #725F01

RGB 114 95 1

HSL 49.91, 0.98%, 0.23%

LAB 40.84, -1.06, 47.84

 

CMYK 99 / 0 / 68 / 55

HEX #017425

RGB 1 116 37

HSL 138.78, 0.98%, 0.23%

LAB 42.2, -45.44, 34.76

 

CMYK 99 / 81 / 0 / 55

HEX #011674

RGB 1 22 116

HSL 229.04, 0.98%, 0.23%

LAB 14.63, 33.55, -54.24

 

CMYK 0 / 99 / 32 / 55

HEX #74014F

RGB 116 1 79

HSL 319.3, 0.98%, 0.23%

LAB 24.64, 49.52, -12.9

 

Description

Color code: HEX #725F01 | qconv.com Color code: HEX #725F01 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 95 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 95 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 99 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 99% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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