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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7254C4 it is the complementary color #8DAB3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7254C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7254C4 shade: #7754BF, #8866D2, #9978E5, #AA8AF8 and #BB9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7254C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7254C4 shade: #7254C4, #6142B1, #50309E, #3F1E8B and #2E0C78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7254C4 shade: #7254C4, #9054C4, #AE54C4, #C454BB and #C4549D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7254C4 shade: #7254C4 and #5454C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7254C4 shade matches the following richer shades: #7254C4, #6941D7, #602EE9 and #581CFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7254C4 shade: #7254C4, #7A66B1, #83799F, #8C8B8C and #949E7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7254C4 shade: #5472C4, #5454C4, #7254C4, #8F54C4 and #AD54C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7254C4 shade: #4C3293, #5C3DB2, #7254C4, #8B72CE and #A491D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7254C4 shade: #7254C4, #C4548F and #63C454

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7254C4 shade: #7254C4, #C47254 and #54C472

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7254C4 shade: #7254C4, #C4548F, #A6C454 and #54C488

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7254C4 shade: #7254C4, #C4546E, #A6C454 and #54C4AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 57 / 0 / 23

HEX #7254C4

RGB 114 84 196

HSL 256.07, 0.49%, 0.55%

LAB 44.09, 38.73, -54.55

 

Complementary color

CMYK 18 / 0 / 65 / 33

HEX #8DAB3B

RGB 141 171 59

HSL 76.07, 0.49%, 0.45%

LAB 65.83, -26.74, 52.3

 

CMYK 38 / 56 / 0 / 25

HEX #7754BF

RGB 119 84 191

HSL 259.63, 0.46%, 0.54%

LAB 44.27, 38.52, -51.34

 

CMYK 35 / 51 / 0 / 18

HEX #8866D2

RGB 136 102 210

HSL 258.89, 0.55%, 0.61%

LAB 51.14, 37.4, -51.18

 

CMYK 33 / 48 / 0 / 10

HEX #9978E5

RGB 153 120 229

HSL 258.17, 0.68%, 0.68%

LAB 57.91, 36.36, -51.01

 

CMYK 31 / 44 / 0 / 3

HEX #AA8AF8

RGB 170 138 248

HSL 257.45, 0.89%, 0.76%

LAB 64.56, 35.41, -50.88

 

CMYK 27 / 39 / 0 / 0

HEX #BB9CFF

RGB 187 156 255

HSL 258.79, 1%, 0.81%

LAB 70.57, 31.65, -45.13

 

CMYK 42 / 57 / 0 / 23

HEX #7254C4

RGB 114 84 196

HSL 256.07, 0.49%, 0.55%

LAB 44.09, 38.73, -54.55

 

CMYK 45 / 63 / 0 / 31

HEX #6142B1

RGB 97 66 177

HSL 256.76, 0.46%, 0.48%

LAB 37.14, 40.04, -54.74

 

CMYK 49 / 70 / 0 / 38

HEX #50309E

RGB 80 48 158

HSL 257.45, 0.53%, 0.4%

LAB 30.13, 41.37, -54.82

 

CMYK 55 / 78 / 0 / 45

HEX #3F1E8B

RGB 63 30 139

HSL 258.17, 0.64%, 0.33%

LAB 23.17, 42.49, -54.6

 

CMYK 62 / 90 / 0 / 53

HEX #2E0C78

RGB 46 12 120

HSL 258.89, 0.82%, 0.26%

LAB 16.5, 42.75, -53.62

 

CMYK 42 / 57 / 0 / 23

HEX #7254C4

RGB 114 84 196

HSL 256.07, 0.49%, 0.55%

LAB 44.09, 38.73, -54.55

 

CMYK 27 / 57 / 0 / 23

HEX #9054C4

RGB 144 84 196

HSL 272.14, 0.49%, 0.55%

LAB 47.31, 45.92, -49.22

 

CMYK 11 / 57 / 0 / 23

HEX #AE54C4

RGB 174 84 196

HSL 288.21, 0.49%, 0.55%

LAB 51.07, 53.57, -43.01

 

CMYK 0 / 57 / 5 / 23

HEX #C454BB

RGB 196 84 187

HSL 304.82, 0.49%, 0.55%

LAB 53.67, 57.76, -33.52

 

CMYK 0 / 57 / 20 / 23

HEX #C4549D

RGB 196 84 157

HSL 320.89, 0.49%, 0.55%

LAB 52.41, 53.04, -17.96

 

CMYK 42 / 57 / 0 / 23

HEX #7254C4

RGB 114 84 196

HSL 256.07, 0.49%, 0.55%

LAB 44.09, 38.73, -54.55

 

CMYK 57 / 57 / 0 / 23

HEX #5454C4

RGB 84 84 196

HSL 240, 0.49%, 0.55%

LAB 41.55, 32.49, -58.79

 

CMYK 42 / 57 / 0 / 23

HEX #7254C4

RGB 114 84 196

HSL 256.07, 0.49%, 0.55%

LAB 44.09, 38.73, -54.55

 

CMYK 51 / 70 / 0 / 16

HEX #6941D7

RGB 105 65 215

HSL 256, 0.65%, 0.55%

LAB 40.72, 52.82, -71.04

 

CMYK 59 / 80 / 0 / 9

HEX #602EE9

RGB 96 46 233

HSL 256.04, 0.81%, 0.55%

LAB 38.42, 65.34, -85.13

 

CMYK 65 / 89 / 0 / 1

HEX #581CFC

RGB 88 28 252

HSL 256.07, 0.97%, 0.55%

LAB 37.72, 75.48, -97.03

 

CMYK 42 / 57 / 0 / 23

HEX #7254C4

RGB 114 84 196

HSL 256.07, 0.49%, 0.55%

LAB 44.09, 38.73, -54.55

 

CMYK 31 / 42 / 0 / 31

HEX #7A66B1

RGB 122 102 177

HSL 256, 0.32%, 0.55%

LAB 48.03, 24.92, -37.19

 

CMYK 18 / 24 / 0 / 38

HEX #83799F

RGB 131 121 159

HSL 255.79, 0.17%, 0.55%

LAB 52.95, 11.89, -18.99

 

CMYK 0 / 1 / 0 / 45

HEX #8C8B8C

RGB 140 139 140

HSL 300, 0%, 0.55%

LAB 57.97, 0.57, -0.41

 

CMYK 6 / 0 / 23 / 38

HEX #949E7A

RGB 148 158 122

HSL 76.67, 0.16%, 0.55%

LAB 63.47, -10.04, 17.66

 

CMYK 57 / 42 / 0 / 23

HEX #5472C4

RGB 84 114 196

HSL 223.93, 0.49%, 0.55%

LAB 49.38, 13.77, -46.21

 

CMYK 57 / 57 / 0 / 23

HEX #5454C4

RGB 84 84 196

HSL 240, 0.49%, 0.55%

LAB 41.55, 32.49, -58.79

 

CMYK 42 / 57 / 0 / 23

HEX #7254C4

RGB 114 84 196

HSL 256.07, 0.49%, 0.55%

LAB 44.09, 38.73, -54.55

 

CMYK 27 / 57 / 0 / 23

HEX #8F54C4

RGB 143 84 196

HSL 271.61, 0.49%, 0.55%

LAB 47.19, 45.67, -49.41

 

CMYK 12 / 57 / 0 / 23

HEX #AD54C4

RGB 173 84 196

HSL 287.68, 0.49%, 0.55%

LAB 50.93, 53.32, -43.23

 

CMYK 48 / 66 / 0 / 42

HEX #4C3293

RGB 76 50 147

HSL 256.08, 0.49%, 0.39%

LAB 29.22, 36.21, -49.6

 

CMYK 48 / 66 / 0 / 30

HEX #5C3DB2

RGB 92 61 178

HSL 255.9, 0.49%, 0.47%

LAB 35.65, 42.17, -57.77

 

CMYK 42 / 57 / 0 / 23

HEX #7254C4

RGB 114 84 196

HSL 256.07, 0.49%, 0.55%

LAB 44.09, 38.73, -54.55

 

CMYK 33 / 45 / 0 / 19

HEX #8B72CE

RGB 139 114 206

HSL 256.3, 0.48%, 0.63%

LAB 54.01, 30.17, -44.33

 

CMYK 24 / 33 / 0 / 15

HEX #A491D9

RGB 164 145 217

HSL 255.83, 0.49%, 0.71%

LAB 64.28, 22.16, -34.23

 

CMYK 42 / 57 / 0 / 23

HEX #7254C4

RGB 114 84 196

HSL 256.07, 0.49%, 0.55%

LAB 44.09, 38.73, -54.55

 

CMYK 0 / 57 / 27 / 23

HEX #C4548F

RGB 196 84 143

HSL 328.39, 0.49%, 0.55%

LAB 51.9, 51.09, -10.45

 

CMYK 49 / 0 / 57 / 23

HEX #63C454

RGB 99 196 84

HSL 111.96, 0.49%, 0.55%

LAB 71.4, -50.14, 46.83

 

CMYK 42 / 57 / 0 / 23

HEX #7254C4

RGB 114 84 196

HSL 256.07, 0.49%, 0.55%

LAB 44.09, 38.73, -54.55

 

CMYK 0 / 42 / 57 / 23

HEX #C47254

RGB 196 114 84

HSL 16.07, 0.49%, 0.55%

LAB 56.5, 29.39, 30.46

 

CMYK 57 / 0 / 42 / 23

HEX #54C472

RGB 84 196 114

HSL 136.07, 0.49%, 0.55%

LAB 71.27, -49.79, 31.79

 

CMYK 42 / 57 / 0 / 23

HEX #7254C4

RGB 114 84 196

HSL 256.07, 0.49%, 0.55%

LAB 44.09, 38.73, -54.55

 

CMYK 0 / 57 / 27 / 23

HEX #C4548F

RGB 196 84 143

HSL 328.39, 0.49%, 0.55%

LAB 51.9, 51.09, -10.45

 

CMYK 15 / 0 / 57 / 23

HEX #A6C454

RGB 166 196 84

HSL 76.07, 0.49%, 0.55%

LAB 74.97, -26.8, 51.87

 

CMYK 57 / 0 / 31 / 23

HEX #54C488

RGB 84 196 136

HSL 147.86, 0.49%, 0.55%

LAB 71.65, -45.75, 20.76

 

CMYK 42 / 57 / 0 / 23

HEX #7254C4

RGB 114 84 196

HSL 256.07, 0.49%, 0.55%

LAB 44.09, 38.73, -54.55

 

CMYK 0 / 57 / 44 / 23

HEX #C4546E

RGB 196 84 110

HSL 346.07, 0.49%, 0.55%

LAB 50.92, 47.18, 7.81

 

CMYK 15 / 0 / 57 / 23

HEX #A6C454

RGB 166 196 84

HSL 76.07, 0.49%, 0.55%

LAB 74.97, -26.8, 51.87

 

CMYK 57 / 0 / 13 / 23

HEX #54C4AA

RGB 84 196 170

HSL 166.07, 0.49%, 0.55%

LAB 72.41, -38.18, 3.5

 

Description

Color code: HEX #7254C4 | qconv.com Color code: HEX #7254C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 84 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 84 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 57 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 57% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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