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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #722D80 it is the complementary color #8DD27F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #722D80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #722D80 shade: #772D7B, #883F8E, #9951A1, #AA63B4 and #BB75C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #722D80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #722D80 shade: #722D80, #611B6D, #50095A, #3F0047 and #2E0034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #722D80 shade: #722D80, #802D77, #802D61, #802D4B and #802D34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #722D80 shade: #722D80, #5B2D80, #452D80, #2E2D80 and #2D2D80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #722D80 shade matches the following richer shades: #722D80, #7B1F8E, #84119C and #8E02AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #722D80 shade: #722D80, #683B72, #5F4964, #565756 and #4D6548

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #722D80 shade: #442D80, #5A2D80, #712D80, #802D79 and #802D63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #722D80 shade: #3B1743, #572261, #722D80, #8D379E and #A842BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #722D80 shade: #722D80, #802E2D and #2D804F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #722D80 shade: #722D80, #80712D and #2D8071

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #722D80 shade: #722D80, #802E2D, #3C802D and #2D7E80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #722D80 shade: #722D80, #80472D, #3C802D and #2D6580

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 65 / 0 / 50

HEX #722D80

RGB 114 45 128

HSL 289.88, 0.48%, 0.34%

LAB 31.84, 43.06, -33.36

 

Complementary color

CMYK 33 / 0 / 40 / 18

HEX #8DD27F

RGB 141 210 127

HSL 109.88, 0.48%, 0.66%

LAB 78.04, -37.47, 34.41

 

CMYK 3 / 63 / 0 / 52

HEX #772D7B

RGB 119 45 123

HSL 296.92, 0.46%, 0.33%

LAB 32.32, 43.39, -29.41

 

CMYK 4 / 56 / 0 / 44

HEX #883F8E

RGB 136 63 142

HSL 295.44, 0.39%, 0.4%

LAB 39.14, 42.99, -30.23

 

CMYK 5 / 50 / 0 / 37

HEX #9951A1

RGB 153 81 161

HSL 294, 0.33%, 0.47%

LAB 45.95, 42.34, -30.81

 

CMYK 6 / 45 / 0 / 29

HEX #AA63B4

RGB 170 99 180

HSL 292.59, 0.35%, 0.55%

LAB 52.69, 41.59, -31.25

 

CMYK 6 / 41 / 0 / 22

HEX #BB75C7

RGB 187 117 199

HSL 291.22, 0.42%, 0.62%

LAB 59.35, 40.82, -31.61

 

CMYK 11 / 65 / 0 / 50

HEX #722D80

RGB 114 45 128

HSL 289.88, 0.48%, 0.34%

LAB 31.84, 43.06, -33.36

 

CMYK 11 / 75 / 0 / 57

HEX #611B6D

RGB 97 27 109

HSL 291.22, 0.6%, 0.27%

LAB 25.04, 42.96, -32.29

 

CMYK 11 / 90 / 0 / 65

HEX #50095A

RGB 80 9 90

HSL 292.59, 0.82%, 0.19%

LAB 18.54, 41.57, -30.41

 

CMYK 11 / 100 / 0 / 72

HEX #3F0047

RGB 63 0 71

HSL 293.24, 1%, 0.14%

LAB 12.68, 37.61, -27.01

 

CMYK 12 / 100 / 0 / 80

HEX #2E0034

RGB 46 0 52

HSL 293.08, 1%, 0.1%

LAB 7.49, 30.71, -21.97

 

CMYK 11 / 65 / 0 / 50

HEX #722D80

RGB 114 45 128

HSL 289.88, 0.48%, 0.34%

LAB 31.84, 43.06, -33.36

 

CMYK 0 / 65 / 7 / 50

HEX #802D77

RGB 128 45 119

HSL 306.51, 0.48%, 0.34%

LAB 33.56, 45.12, -24.85

 

CMYK 0 / 65 / 24 / 50

HEX #802D61

RGB 128 45 97

HSL 322.41, 0.48%, 0.34%

LAB 32.54, 41.58, -12.44

 

CMYK 0 / 65 / 41 / 50

HEX #802D4B

RGB 128 45 75

HSL 338.31, 0.48%, 0.34%

LAB 31.75, 38.67, 0.64

 

CMYK 0 / 65 / 59 / 50

HEX #802D34

RGB 128 45 52

HSL 354.94, 0.48%, 0.34%

LAB 31.15, 36.39, 14.84

 

CMYK 11 / 65 / 0 / 50

HEX #722D80

RGB 114 45 128

HSL 289.88, 0.48%, 0.34%

LAB 31.84, 43.06, -33.36

 

CMYK 29 / 65 / 0 / 50

HEX #5B2D80

RGB 91 45 128

HSL 273.25, 0.48%, 0.34%

LAB 28.54, 37.18, -38.83

 

CMYK 46 / 65 / 0 / 50

HEX #452D80

RGB 69 45 128

HSL 257.35, 0.48%, 0.34%

LAB 25.86, 31.98, -43.27

 

CMYK 64 / 65 / 0 / 50

HEX #2E2D80

RGB 46 45 128

HSL 240.72, 0.48%, 0.34%

LAB 23.72, 27.43, -46.85

 

CMYK 65 / 65 / 0 / 50

HEX #2D2D80

RGB 45 45 128

HSL 240, 0.48%, 0.34%

LAB 23.65, 27.26, -46.97

 

CMYK 11 / 65 / 0 / 50

HEX #722D80

RGB 114 45 128

HSL 289.88, 0.48%, 0.34%

LAB 31.84, 43.06, -33.36

 

CMYK 13 / 78 / 0 / 44

HEX #7B1F8E

RGB 123 31 142

HSL 289.73, 0.64%, 0.34%

LAB 32.13, 53.67, -41.5

 

CMYK 15 / 89 / 0 / 39

HEX #84119C

RGB 132 17 156

HSL 289.64, 0.8%, 0.34%

LAB 33.36, 61.66, -48.02

 

CMYK 16 / 99 / 0 / 33

HEX #8E02AA

RGB 142 2 170

HSL 290, 0.98%, 0.34%

LAB 35.39, 67.89, -53.11

 

CMYK 11 / 65 / 0 / 50

HEX #722D80

RGB 114 45 128

HSL 289.88, 0.48%, 0.34%

LAB 31.84, 43.06, -33.36

 

CMYK 9 / 48 / 0 / 55

HEX #683B72

RGB 104 59 114

HSL 289.09, 0.32%, 0.34%

LAB 32.45, 29.63, -23.7

 

CMYK 5 / 27 / 0 / 61

HEX #5F4964

RGB 95 73 100

HSL 288.89, 0.16%, 0.34%

LAB 34.23, 14.74, -12.21

 

CMYK 1 / 0 / 1 / 66

HEX #565756

RGB 86 87 86

HSL 120, 0.01%, 0.34%

LAB 36.87, -0.61, 0.43

 

CMYK 24 / 0 / 29 / 60

HEX #4D6548

RGB 77 101 72

HSL 109.66, 0.17%, 0.34%

LAB 40.17, -15.19, 13.59

 

CMYK 47 / 65 / 0 / 50

HEX #442D80

RGB 68 45 128

HSL 256.63, 0.48%, 0.34%

LAB 25.76, 31.76, -43.45

 

CMYK 30 / 65 / 0 / 50

HEX #5A2D80

RGB 90 45 128

HSL 272.53, 0.48%, 0.34%

LAB 28.4, 36.93, -39.05

 

CMYK 12 / 65 / 0 / 50

HEX #712D80

RGB 113 45 128

HSL 289.16, 0.48%, 0.34%

LAB 31.68, 42.8, -33.61

 

CMYK 0 / 65 / 5 / 50

HEX #802D79

RGB 128 45 121

HSL 305.06, 0.48%, 0.34%

LAB 33.66, 45.47, -25.95

 

CMYK 0 / 65 / 23 / 50

HEX #802D63

RGB 128 45 99

HSL 320.96, 0.48%, 0.34%

LAB 32.63, 41.87, -13.59

 

CMYK 12 / 66 / 0 / 74

HEX #3B1743

RGB 59 23 67

HSL 289.09, 0.49%, 0.18%

LAB 15.21, 25.62, -20.22

 

CMYK 10 / 65 / 0 / 62

HEX #572261

RGB 87 34 97

HSL 290.48, 0.48%, 0.26%

LAB 23.78, 34.66, -26.59

 

CMYK 11 / 65 / 0 / 50

HEX #722D80

RGB 114 45 128

HSL 289.88, 0.48%, 0.34%

LAB 31.84, 43.06, -33.36

 

CMYK 11 / 65 / 0 / 38

HEX #8D379E

RGB 141 55 158

HSL 290.1, 0.48%, 0.42%

LAB 39.35, 51.3, -39.54

 

CMYK 11 / 65 / 0 / 26

HEX #A842BC

RGB 168 66 188

HSL 290.16, 0.48%, 0.5%

LAB 46.78, 58.78, -45.24

 

CMYK 11 / 65 / 0 / 50

HEX #722D80

RGB 114 45 128

HSL 289.88, 0.48%, 0.34%

LAB 31.84, 43.06, -33.36

 

CMYK 0 / 64 / 65 / 50

HEX #802E2D

RGB 128 46 45

HSL 0.72, 0.48%, 0.34%

LAB 31.19, 35.38, 19.41

 

CMYK 65 / 0 / 38 / 50

HEX #2D804F

RGB 45 128 79

HSL 144.58, 0.48%, 0.34%

LAB 47.7, -36.87, 19.43

 

CMYK 11 / 65 / 0 / 50

HEX #722D80

RGB 114 45 128

HSL 289.88, 0.48%, 0.34%

LAB 31.84, 43.06, -33.36

 

CMYK 0 / 12 / 65 / 50

HEX #80712D

RGB 128 113 45

HSL 49.16, 0.48%, 0.34%

LAB 47.74, -2.85, 38.85

 

CMYK 65 / 0 / 12 / 50

HEX #2D8071

RGB 45 128 113

HSL 169.16, 0.48%, 0.34%

LAB 48.5, -28.7, 0.79

 

CMYK 11 / 65 / 0 / 50

HEX #722D80

RGB 114 45 128

HSL 289.88, 0.48%, 0.34%

LAB 31.84, 43.06, -33.36

 

CMYK 0 / 64 / 65 / 50

HEX #802E2D

RGB 128 46 45

HSL 0.72, 0.48%, 0.34%

LAB 31.19, 35.38, 19.41

 

CMYK 53 / 0 / 65 / 50

HEX #3C802D

RGB 60 128 45

HSL 109.16, 0.48%, 0.34%

LAB 47.74, -38.24, 37.54

 

CMYK 65 / 2 / 0 / 50

HEX #2D7E80

RGB 45 126 128

HSL 181.45, 0.48%, 0.34%

LAB 48.31, -23.33, -8.33

 

CMYK 11 / 65 / 0 / 50

HEX #722D80

RGB 114 45 128

HSL 289.88, 0.48%, 0.34%

LAB 31.84, 43.06, -33.36

 

CMYK 0 / 45 / 65 / 50

HEX #80472D

RGB 128 71 45

HSL 18.8, 0.48%, 0.34%

LAB 36.53, 21.81, 26.01

 

CMYK 53 / 0 / 65 / 50

HEX #3C802D

RGB 60 128 45

HSL 109.16, 0.48%, 0.34%

LAB 47.74, -38.24, 37.54

 

CMYK 65 / 21 / 0 / 50

HEX #2D6580

RGB 45 101 128

HSL 199.52, 0.48%, 0.34%

LAB 40.29, -9.5, -20.53

 

Description

Color code: HEX #722D80 | qconv.com Color code: HEX #722D80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 45 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 45 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 65 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 65% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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