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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71F127 it is the complementary color #8E0ED8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71F127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71F127 shade: #76F122, #87FF35, #98FF48, #A9FF5B and #BAFF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71F127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71F127 shade: #71F127, #60DF14, #4FCD01, #3EBB00 and #2DA900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71F127 shade: #71F127, #A7F127, #DEF127, #F1CD27 and #F19727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71F127 shade: #71F127, #3AF127, #27F14A, #27F180 and #27F1B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71F127 shade matches the following richer shades: #71F127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71F127 shade: #71F127, #76DE39, #7BCC4C, #80B95E and #85A671

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71F127 shade: #DDF127, #A7F127, #71F127, #3BF127 and #27F148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71F127 shade: #4BBA0B, #5BE00E, #71F127, #8AF34E and #A4F674

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71F127 shade: #71F127, #27F1CF and #F127C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71F127 shade: #71F127, #2771F1 and #F12771

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71F127 shade: #71F127, #27F1CF, #A727F1 and #F12748

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71F127 shade: #71F127, #27D6F1, #A727F1 and #F14227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 84 / 5

HEX #71F127

RGB 113 241 39

HSL 98.02, 0.88%, 0.55%

LAB 85.29, -66.2, 76.83

 

Complementary color

CMYK 34 / 94 / 0 / 15

HEX #8E0ED8

RGB 142 14 216

HSL 278.02, 0.88%, 0.45%

LAB 39.62, 75, -73.23

 

CMYK 51 / 0 / 86 / 5

HEX #76F122

RGB 118 241 34

HSL 95.65, 0.88%, 0.54%

LAB 85.44, -65.02, 78.07

 

CMYK 47 / 0 / 79 / 0

HEX #87FF35

RGB 135 255 53

HSL 95.64, 1%, 0.6%

LAB 90.29, -64.46, 78.22

 

CMYK 40 / 0 / 72 / 0

HEX #98FF48

RGB 152 255 72

HSL 93.77, 1%, 0.64%

LAB 91.08, -58.26, 73.48

 

CMYK 34 / 0 / 64 / 0

HEX #A9FF5B

RGB 169 255 91

HSL 91.46, 1%, 0.68%

LAB 92, -51.39, 67.74

 

CMYK 27 / 0 / 57 / 0

HEX #BAFF6E

RGB 186 255 110

HSL 88.55, 1%, 0.72%

LAB 93.05, -43.95, 61.31

 

CMYK 53 / 0 / 84 / 5

HEX #71F127

RGB 113 241 39

HSL 98.02, 0.88%, 0.55%

LAB 85.29, -66.2, 76.83

 

CMYK 57 / 0 / 91 / 13

HEX #60DF14

RGB 96 223 20

HSL 97.54, 0.84%, 0.48%

LAB 79.22, -65.02, 74.89

 

CMYK 61 / 0 / 100 / 20

HEX #4FCD01

RGB 79 205 1

HSL 97.06, 0.99%, 0.4%

LAB 73.11, -63.46, 71.81

 

CMYK 67 / 0 / 100 / 27

HEX #3EBB00

RGB 62 187 0

HSL 100.11, 1%, 0.37%

LAB 66.95, -61.35, 66.84

 

CMYK 73 / 0 / 100 / 34

HEX #2DA900

RGB 45 169 0

HSL 104.02, 1%, 0.33%

LAB 60.72, -58.89, 61.73

 

CMYK 53 / 0 / 84 / 5

HEX #71F127

RGB 113 241 39

HSL 98.02, 0.88%, 0.55%

LAB 85.29, -66.2, 76.83

 

CMYK 31 / 0 / 84 / 5

HEX #A7F127

RGB 167 241 39

HSL 81.98, 0.88%, 0.55%

LAB 87.62, -49.12, 79.77

 

CMYK 8 / 0 / 84 / 5

HEX #DEF127

RGB 222 241 39

HSL 65.64, 0.88%, 0.55%

LAB 91.05, -27.9, 84.04

 

CMYK 0 / 15 / 84 / 5

HEX #F1CD27

RGB 241 205 39

HSL 49.31, 0.88%, 0.55%

LAB 83.18, -2.27, 78.13

 

CMYK 0 / 37 / 84 / 5

HEX #F19727

RGB 241 151 39

HSL 33.27, 0.88%, 0.55%

LAB 70.16, 25.98, 67.25

 

CMYK 53 / 0 / 84 / 5

HEX #71F127

RGB 113 241 39

HSL 98.02, 0.88%, 0.55%

LAB 85.29, -66.2, 76.83

 

CMYK 76 / 0 / 84 / 5

HEX #3AF127

RGB 58 241 39

HSL 114.36, 0.88%, 0.55%

LAB 83.94, -77.37, 75.13

 

CMYK 84 / 0 / 69 / 5

HEX #27F14A

RGB 39 241 74

HSL 130.4, 0.88%, 0.55%

LAB 83.88, -77.23, 64.44

 

CMYK 84 / 0 / 47 / 5

HEX #27F180

RGB 39 241 128

HSL 146.44, 0.88%, 0.55%

LAB 84.43, -70.51, 41.53

 

CMYK 84 / 0 / 24 / 5

HEX #27F1B7

RGB 39 241 183

HSL 162.77, 0.88%, 0.55%

LAB 85.38, -59.7, 15

 

CMYK 53 / 0 / 84 / 5

HEX #71F127

RGB 113 241 39

HSL 98.02, 0.88%, 0.55%

LAB 85.29, -66.2, 76.83

 

CMYK 53 / 0 / 84 / 5

HEX #71F127

RGB 113 241 39

HSL 98.02, 0.88%, 0.55%

LAB 85.29, -66.2, 76.83

 

CMYK 47 / 0 / 74 / 13

HEX #76DE39

RGB 118 222 57

HSL 97.82, 0.71%, 0.55%

LAB 79.83, -57, 66.89

 

CMYK 40 / 0 / 63 / 20

HEX #7BCC4C

RGB 123 204 76

HSL 97.97, 0.56%, 0.55%

LAB 74.77, -46.85, 54.49

 

CMYK 31 / 0 / 49 / 27

HEX #80B95E

RGB 128 185 94

HSL 97.58, 0.39%, 0.55%

LAB 69.54, -34.93, 40.13

 

CMYK 20 / 0 / 32 / 35

HEX #85A671

RGB 133 166 113

HSL 97.36, 0.23%, 0.55%

LAB 64.52, -21.31, 23.85

 

CMYK 8 / 0 / 84 / 5

HEX #DDF127

RGB 221 241 39

HSL 65.94, 0.88%, 0.55%

LAB 90.98, -28.31, 83.96

 

CMYK 31 / 0 / 84 / 5

HEX #A7F127

RGB 167 241 39

HSL 81.98, 0.88%, 0.55%

LAB 87.62, -49.12, 79.77

 

CMYK 53 / 0 / 84 / 5

HEX #71F127

RGB 113 241 39

HSL 98.02, 0.88%, 0.55%

LAB 85.29, -66.2, 76.83

 

CMYK 76 / 0 / 84 / 5

HEX #3BF127

RGB 59 241 39

HSL 114.06, 0.88%, 0.55%

LAB 83.96, -77.23, 75.15

 

CMYK 84 / 0 / 70 / 5

HEX #27F148

RGB 39 241 72

HSL 129.8, 0.88%, 0.55%

LAB 83.87, -77.41, 65.16

 

CMYK 60 / 0 / 94 / 27

HEX #4BBA0B

RGB 75 186 11

HSL 98.06, 0.89%, 0.39%

LAB 67, -57.82, 65.73

 

CMYK 59 / 0 / 94 / 12

HEX #5BE00E

RGB 91 224 14

HSL 98, 0.88%, 0.47%

LAB 79.37, -66.71, 75.71

 

CMYK 53 / 0 / 84 / 5

HEX #71F127

RGB 113 241 39

HSL 98.02, 0.88%, 0.55%

LAB 85.29, -66.2, 76.83

 

CMYK 43 / 0 / 68 / 5

HEX #8AF34E

RGB 138 243 78

HSL 98.18, 0.87%, 0.63%

LAB 87.02, -57.55, 67.02

 

CMYK 33 / 0 / 53 / 4

HEX #A4F674

RGB 164 246 116

HSL 97.85, 0.88%, 0.71%

LAB 89.42, -47, 54.13

 

CMYK 53 / 0 / 84 / 5

HEX #71F127

RGB 113 241 39

HSL 98.02, 0.88%, 0.55%

LAB 85.29, -66.2, 76.83

 

CMYK 84 / 0 / 14 / 5

HEX #27F1CF

RGB 39 241 207

HSL 169.9, 0.88%, 0.55%

LAB 85.93, -53.87, 3.27

 

CMYK 0 / 84 / 20 / 5

HEX #F127C2

RGB 241 39 194

HSL 313.96, 0.88%, 0.55%

LAB 56.13, 83.73, -33.17

 

CMYK 53 / 0 / 84 / 5

HEX #71F127

RGB 113 241 39

HSL 98.02, 0.88%, 0.55%

LAB 85.29, -66.2, 76.83

 

CMYK 84 / 53 / 0 / 5

HEX #2771F1

RGB 39 113 241

HSL 218.02, 0.88%, 0.55%

LAB 50.21, 24.47, -70.45

 

CMYK 0 / 84 / 53 / 5

HEX #F12771

RGB 241 39 113

HSL 338.02, 0.88%, 0.55%

LAB 53.32, 75.83, 10.5

 

CMYK 53 / 0 / 84 / 5

HEX #71F127

RGB 113 241 39

HSL 98.02, 0.88%, 0.55%

LAB 85.29, -66.2, 76.83

 

CMYK 84 / 0 / 14 / 5

HEX #27F1CF

RGB 39 241 207

HSL 169.9, 0.88%, 0.55%

LAB 85.93, -53.87, 3.27

 

CMYK 31 / 84 / 0 / 5

HEX #A727F1

RGB 167 39 241

HSL 278.02, 0.88%, 0.55%

LAB 47, 78.24, -75.25

 

CMYK 0 / 84 / 70 / 5

HEX #F12748

RGB 241 39 72

HSL 350.2, 0.88%, 0.55%

LAB 52.53, 73.5, 34.05

 

CMYK 53 / 0 / 84 / 5

HEX #71F127

RGB 113 241 39

HSL 98.02, 0.88%, 0.55%

LAB 85.29, -66.2, 76.83

 

CMYK 84 / 11 / 0 / 5

HEX #27D6F1

RGB 39 214 241

HSL 188.02, 0.88%, 0.55%

LAB 78.97, -32.3, -25.11

 

CMYK 31 / 84 / 0 / 5

HEX #A727F1

RGB 167 39 241

HSL 278.02, 0.88%, 0.55%

LAB 47, 78.24, -75.25

 

CMYK 0 / 73 / 84 / 5

HEX #F14227

RGB 241 66 39

HSL 8.02, 0.88%, 0.55%

LAB 54.81, 65.04, 54.1

 

Description

Color code: HEX #71F127 | qconv.com Color code: HEX #71F127 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 241 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 241 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 84 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 84% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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