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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71E4E3 it is the complementary color #8E1B1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71E4E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71E4E3 shade: #76E4DE, #87F6F1, #98FFFF, #A9FFFF and #BAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71E4E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71E4E3 shade: #71E4E3, #60D2D0, #4FC0BD, #3EAEAA and #2D9C97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71E4E3 shade: #71E4E3, #71E4C4, #71E4A5, #71E486 and #7BE471

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71E4E3 shade: #71E4E3, #71C6E4, #71A7E4, #7188E4 and #7171E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71E4E3 shade matches the following richer shades: #71E4E3 and #64F1F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71E4E3 shade: #71E4E3, #7FD6D5, #8CC8C8, #9ABBBA and #A8ADAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71E4E3 shade: #71E4A5, #71E4C3, #71E4E2, #71C7E4 and #71A8E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71E4E3 shade: #2CD6D5, #4EDDDC, #71E4E3, #94EAE9 and #B6F1F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71E4E3 shade: #71E4E3, #8671E4 and #E4B471

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71E4E3 shade: #71E4E3, #E271E4 and #E4E271

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71E4E3 shade: #71E4E3, #8671E4, #E47173 and #CFE471

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71E4E3 shade: #71E4E3, #A871E4, #E47173 and #ACE471

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 0 / 11

HEX #71E4E3

RGB 113 228 227

HSL 179.48, 0.68%, 0.67%

LAB 84.25, -32.78, -9.55

 

Complementary color

CMYK 0 / 81 / 80 / 44

HEX #8E1B1C

RGB 142 27 28

HSL 359.48, 0.68%, 0.33%

LAB 30.92, 46.88, 30.37

 

CMYK 48 / 0 / 3 / 11

HEX #76E4DE

RGB 118 228 222

HSL 176.73, 0.67%, 0.68%

LAB 84.28, -32.98, -6.83

 

CMYK 45 / 0 / 2 / 4

HEX #87F6F1

RGB 135 246 241

HSL 177.3, 0.86%, 0.75%

LAB 90.51, -33, -7.51

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 34 / 0 / 0 / 0

HEX #A9FFFF

RGB 169 255 255

HSL 180, 1%, 0.83%

LAB 94.81, -25.74, -8.24

 

CMYK 27 / 0 / 0 / 0

HEX #BAFFFF

RGB 186 255 255

HSL 180, 1%, 0.86%

LAB 95.66, -21.17, -6.9

 

CMYK 50 / 0 / 0 / 11

HEX #71E4E3

RGB 113 228 227

HSL 179.48, 0.68%, 0.67%

LAB 84.25, -32.78, -9.55

 

CMYK 54 / 0 / 1 / 18

HEX #60D2D0

RGB 96 210 208

HSL 178.95, 0.56%, 0.6%

LAB 77.95, -32.62, -8.85

 

CMYK 59 / 0 / 2 / 25

HEX #4FC0BD

RGB 79 192 189

HSL 178.41, 0.47%, 0.53%

LAB 71.58, -32.37, -8.09

 

CMYK 64 / 0 / 2 / 32

HEX #3EAEAA

RGB 62 174 170

HSL 177.86, 0.47%, 0.46%

LAB 65.12, -31.97, -7.27

 

CMYK 71 / 0 / 3 / 39

HEX #2D9C97

RGB 45 156 151

HSL 177.3, 0.55%, 0.39%

LAB 58.57, -31.38, -6.35

 

CMYK 50 / 0 / 0 / 11

HEX #71E4E3

RGB 113 228 227

HSL 179.48, 0.68%, 0.67%

LAB 84.25, -32.78, -9.55

 

CMYK 50 / 0 / 14 / 11

HEX #71E4C4

RGB 113 228 196

HSL 163.3, 0.68%, 0.67%

LAB 83.43, -40.29, 5.64

 

CMYK 50 / 0 / 28 / 11

HEX #71E4A5

RGB 113 228 165

HSL 147.13, 0.68%, 0.67%

LAB 82.76, -46.85, 20.94

 

CMYK 50 / 0 / 41 / 11

HEX #71E486

RGB 113 228 134

HSL 130.96, 0.68%, 0.67%

LAB 82.23, -52.3, 36.07

 

CMYK 46 / 0 / 50 / 11

HEX #7BE471

RGB 123 228 113

HSL 114.78, 0.68%, 0.67%

LAB 82.32, -52.59, 46.52

 

CMYK 50 / 0 / 0 / 11

HEX #71E4E3

RGB 113 228 227

HSL 179.48, 0.68%, 0.67%

LAB 84.25, -32.78, -9.55

 

CMYK 50 / 13 / 0 / 11

HEX #71C6E4

RGB 113 198 228

HSL 195.65, 0.68%, 0.67%

LAB 75.76, -17.71, -22.85

 

CMYK 50 / 27 / 0 / 11

HEX #71A7E4

RGB 113 167 228

HSL 211.83, 0.68%, 0.67%

LAB 67.09, -1.02, -36.21

 

CMYK 50 / 40 / 0 / 11

HEX #7188E4

RGB 113 136 228

HSL 228, 0.68%, 0.67%

LAB 58.71, 16.93, -49.36

 

CMYK 50 / 50 / 0 / 11

HEX #7171E4

RGB 113 113 228

HSL 240, 0.68%, 0.67%

LAB 52.86, 30.71, -58.7

 

CMYK 50 / 0 / 0 / 11

HEX #71E4E3

RGB 113 228 227

HSL 179.48, 0.68%, 0.67%

LAB 84.25, -32.78, -9.55

 

CMYK 59 / 0 / 0 / 5

HEX #64F1F0

RGB 100 241 240

HSL 179.57, 0.83%, 0.67%

LAB 87.93, -37.87, -10.95

 

CMYK 50 / 0 / 0 / 11

HEX #71E4E3

RGB 113 228 227

HSL 179.48, 0.68%, 0.67%

LAB 84.25, -32.78, -9.55

 

CMYK 41 / 0 / 0 / 16

HEX #7FD6D5

RGB 127 214 213

HSL 179.31, 0.51%, 0.67%

LAB 80.41, -26.41, -7.75

 

CMYK 30 / 0 / 0 / 22

HEX #8CC8C8

RGB 140 200 200

HSL 180, 0.35%, 0.67%

LAB 76.71, -19.1, -6.18

 

CMYK 18 / 0 / 1 / 27

HEX #9ABBBA

RGB 154 187 186

HSL 178.18, 0.2%, 0.67%

LAB 73.52, -11.28, -3.2

 

CMYK 3 / 0 / 0 / 32

HEX #A8ADAD

RGB 168 173 173

HSL 180, 0.03%, 0.67%

LAB 70.34, -1.76, -0.62

 

CMYK 50 / 0 / 28 / 11

HEX #71E4A5

RGB 113 228 165

HSL 147.13, 0.68%, 0.67%

LAB 82.76, -46.85, 20.94

 

CMYK 50 / 0 / 14 / 11

HEX #71E4C3

RGB 113 228 195

HSL 162.78, 0.68%, 0.67%

LAB 83.41, -40.52, 6.13

 

CMYK 50 / 0 / 1 / 11

HEX #71E4E2

RGB 113 228 226

HSL 178.96, 0.68%, 0.67%

LAB 84.22, -33.03, -9.06

 

CMYK 50 / 13 / 0 / 11

HEX #71C7E4

RGB 113 199 228

HSL 195.13, 0.68%, 0.67%

LAB 76.04, -18.22, -22.42

 

CMYK 50 / 26 / 0 / 11

HEX #71A8E4

RGB 113 168 228

HSL 211.3, 0.68%, 0.67%

LAB 67.37, -1.58, -35.78

 

CMYK 79 / 0 / 0 / 16

HEX #2CD6D5

RGB 44 214 213

HSL 179.65, 0.67%, 0.51%

LAB 78.13, -40.34, -11.39

 

CMYK 65 / 0 / 0 / 13

HEX #4EDDDC

RGB 78 221 220

HSL 179.58, 0.68%, 0.59%

LAB 81.02, -37.59, -10.76

 

CMYK 50 / 0 / 0 / 11

HEX #71E4E3

RGB 113 228 227

HSL 179.48, 0.68%, 0.67%

LAB 84.25, -32.78, -9.55

 

CMYK 37 / 0 / 0 / 8

HEX #94EAE9

RGB 148 234 233

HSL 179.3, 0.67%, 0.75%

LAB 87.5, -26.09, -7.73

 

CMYK 24 / 0 / 0 / 5

HEX #B6F1F0

RGB 182 241 240

HSL 178.98, 0.68%, 0.83%

LAB 91.3, -18.68, -5.58

 

CMYK 50 / 0 / 0 / 11

HEX #71E4E3

RGB 113 228 227

HSL 179.48, 0.68%, 0.67%

LAB 84.25, -32.78, -9.55

 

CMYK 41 / 50 / 0 / 11

HEX #8671E4

RGB 134 113 228

HSL 250.96, 0.68%, 0.67%

LAB 54.53, 35.43, -55.94

 

CMYK 0 / 21 / 50 / 11

HEX #E4B471

RGB 228 180 113

HSL 34.96, 0.68%, 0.67%

LAB 76.27, 9.37, 40.61

 

CMYK 50 / 0 / 0 / 11

HEX #71E4E3

RGB 113 228 227

HSL 179.48, 0.68%, 0.67%

LAB 84.25, -32.78, -9.55

 

CMYK 1 / 50 / 0 / 11

HEX #E271E4

RGB 226 113 228

HSL 298.96, 0.68%, 0.67%

LAB 64.63, 59.49, -39.31

 

CMYK 0 / 1 / 50 / 11

HEX #E4E271

RGB 228 226 113

HSL 58.96, 0.68%, 0.67%

LAB 88.01, -14.27, 54.83

 

CMYK 50 / 0 / 0 / 11

HEX #71E4E3

RGB 113 228 227

HSL 179.48, 0.68%, 0.67%

LAB 84.25, -32.78, -9.55

 

CMYK 41 / 50 / 0 / 11

HEX #8671E4

RGB 134 113 228

HSL 250.96, 0.68%, 0.67%

LAB 54.53, 35.43, -55.94

 

CMYK 0 / 50 / 50 / 11

HEX #E47173

RGB 228 113 115

HSL 358.96, 0.68%, 0.67%

LAB 61.26, 44.77, 19.97

 

CMYK 9 / 0 / 50 / 11

HEX #CFE471

RGB 207 228 113

HSL 70.96, 0.68%, 0.67%

LAB 86.97, -23.53, 53.22

 

CMYK 50 / 0 / 0 / 11

HEX #71E4E3

RGB 113 228 227

HSL 179.48, 0.68%, 0.67%

LAB 84.25, -32.78, -9.55

 

CMYK 26 / 50 / 0 / 11

HEX #A871E4

RGB 168 113 228

HSL 268.7, 0.68%, 0.67%

LAB 57.79, 43.91, -50.56

 

CMYK 0 / 50 / 50 / 11

HEX #E47173

RGB 228 113 115

HSL 358.96, 0.68%, 0.67%

LAB 61.26, 44.77, 19.97

 

CMYK 25 / 0 / 50 / 11

HEX #ACE471

RGB 172 228 113

HSL 89.22, 0.68%, 0.67%

LAB 84.71, -36.67, 49.98

 

Description

Color code: HEX #71E4E3 | qconv.com Color code: HEX #71E4E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 228 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 228 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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