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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71D276 it is the complementary color #8E2D89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71D276. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71D276 shade: #76D271, #87E484, #98F697, #A9FFAA and #BAFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71D276. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71D276 shade: #71D276, #60C063, #4FAE50, #3E9C3D and #2D8A2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71D276 shade: #6FD174, #84D16F, #9FD16F, #B9D16F and #D1CF6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71D276 shade: #6FD174, #6FD18F, #6FD1A9, #6FD1C4 and #6FC4D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71D276 shade matches the following richer shades: #6FD174, #60E066 and #51F059

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71D276 shade: #6FD174, #7EC282, #8EB390, #9DA39D and #AC94AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71D276 shade: #9FD16F, #84D16F, #6FD174, #6FD18E and #6FD1A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71D276 shade: #39B53F, #50C756, #6FD174, #8EDB92 and #AEE5B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71D276 shade: #71D276, #6FB9D1 and #D16F91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71D276 shade: #71D276, #746FD1 and #D1746F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71D276 shade: #71D276, #6FB9D1, #D16FCC and #D1886F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71D276 shade: #71D276, #6F9BD1, #D16FCC and #D1A56F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 44 / 18

HEX #71D276

RGB 113 210 118

HSL 123.09, 0.52%, 0.63%

LAB 76.63, -47.38, 36.87

 

Complementary color

CMYK 0 / 68 / 4 / 44

HEX #8E2D89

RGB 142 45 137

HSL 303.09, 0.52%, 0.37%

LAB 36.81, 51.92, -30.79

 

CMYK 44 / 0 / 46 / 18

HEX #76D271

RGB 118 210 113

HSL 116.91, 0.52%, 0.63%

LAB 76.76, -46.65, 39.58

 

CMYK 41 / 0 / 42 / 11

HEX #87E484

RGB 135 228 132

HSL 118.13, 0.64%, 0.71%

LAB 83.07, -46.51, 38.34

 

CMYK 38 / 0 / 39 / 4

HEX #98F697

RGB 152 246 151

HSL 119.37, 0.84%, 0.78%

LAB 89.31, -46.32, 37.14

 

CMYK 34 / 0 / 33 / 0

HEX #A9FFAA

RGB 169 255 170

HSL 120.7, 1%, 0.83%

LAB 92.95, -42.19, 32.63

 

CMYK 27 / 0 / 26 / 0

HEX #BAFFBD

RGB 186 255 189

HSL 122.61, 1%, 0.86%

LAB 94.16, -33.85, 24.84

 

CMYK 46 / 0 / 44 / 18

HEX #71D276

RGB 113 210 118

HSL 123.09, 0.52%, 0.63%

LAB 76.63, -47.38, 36.87

 

CMYK 50 / 0 / 48 / 25

HEX #60C063

RGB 96 192 99

HSL 121.88, 0.43%, 0.56%

LAB 70.24, -47.45, 38.17

 

CMYK 55 / 0 / 54 / 32

HEX #4FAE50

RGB 79 174 80

HSL 120.63, 0.38%, 0.5%

LAB 63.77, -47.37, 39.5

 

CMYK 60 / 0 / 61 / 39

HEX #3E9C3D

RGB 62 156 61

HSL 119.37, 0.44%, 0.43%

LAB 57.21, -47.07, 40.78

 

CMYK 67 / 0 / 70 / 46

HEX #2D8A2A

RGB 45 138 42

HSL 118.13, 0.53%, 0.35%

LAB 50.57, -46.36, 41.84

 

CMYK 47 / 0 / 44 / 18

HEX #6FD174

RGB 111 209 116

HSL 123.06, 0.52%, 0.63%

LAB 76.22, -47.82, 37.34

 

CMYK 37 / 0 / 47 / 18

HEX #84D16F

RGB 132 209 111

HSL 107.14, 0.52%, 0.63%

LAB 77.07, -42.17, 41.09

 

CMYK 24 / 0 / 47 / 18

HEX #9FD16F

RGB 159 209 111

HSL 90.61, 0.52%, 0.63%

LAB 78.53, -32.87, 43.22

 

CMYK 11 / 0 / 47 / 18

HEX #B9D16F

RGB 185 209 111

HSL 74.69, 0.52%, 0.63%

LAB 80.21, -23.08, 45.67

 

CMYK 0 / 1 / 47 / 18

HEX #D1CF6F

RGB 209 207 111

HSL 58.78, 0.52%, 0.63%

LAB 81.47, -12.58, 47.62

 

CMYK 47 / 0 / 44 / 18

HEX #6FD174

RGB 111 209 116

HSL 123.06, 0.52%, 0.63%

LAB 76.22, -47.82, 37.34

 

CMYK 47 / 0 / 32 / 18

HEX #6FD18F

RGB 111 209 143

HSL 139.59, 0.52%, 0.63%

LAB 76.66, -43.36, 24.05

 

CMYK 47 / 0 / 19 / 18

HEX #6FD1A9

RGB 111 209 169

HSL 155.51, 0.52%, 0.63%

LAB 77.19, -38.18, 11.01

 

CMYK 47 / 0 / 6 / 18

HEX #6FD1C4

RGB 111 209 196

HSL 172.04, 0.52%, 0.63%

LAB 77.85, -31.99, -2.49

 

CMYK 47 / 6 / 0 / 18

HEX #6FC4D1

RGB 111 196 209

HSL 187.96, 0.52%, 0.63%

LAB 74.48, -22.31, -14.52

 

CMYK 47 / 0 / 44 / 18

HEX #6FD174

RGB 111 209 116

HSL 123.06, 0.52%, 0.63%

LAB 76.22, -47.82, 37.34

 

CMYK 57 / 0 / 54 / 12

HEX #60E066

RGB 96 224 102

HSL 122.81, 0.67%, 0.63%

LAB 80.04, -59.47, 48.7

 

CMYK 66 / 0 / 63 / 6

HEX #51F059

RGB 81 240 89

HSL 123.02, 0.84%, 0.63%

LAB 84.38, -69.7, 59.29

 

CMYK 47 / 0 / 44 / 18

HEX #6FD174

RGB 111 209 116

HSL 123.06, 0.52%, 0.63%

LAB 76.22, -47.82, 37.34

 

CMYK 35 / 0 / 33 / 24

HEX #7EC282

RGB 126 194 130

HSL 123.53, 0.36%, 0.63%

LAB 72.65, -34.54, 25.58

 

CMYK 21 / 0 / 20 / 30

HEX #8EB390

RGB 142 179 144

HSL 123.24, 0.2%, 0.63%

LAB 69.47, -19.46, 13.84

 

CMYK 4 / 0 / 4 / 36

HEX #9DA39D

RGB 157 163 157

HSL 120, 0.03%, 0.63%

LAB 66.36, -3.29, 2.36

 

CMYK 0 / 14 / 1 / 33

HEX #AC94AB

RGB 172 148 171

HSL 302.5, 0.13%, 0.63%

LAB 64.07, 13.09, -8.72

 

CMYK 24 / 0 / 47 / 18

HEX #9FD16F

RGB 159 209 111

HSL 90.61, 0.52%, 0.63%

LAB 78.53, -32.87, 43.22

 

CMYK 37 / 0 / 47 / 18

HEX #84D16F

RGB 132 209 111

HSL 107.14, 0.52%, 0.63%

LAB 77.07, -42.17, 41.09

 

CMYK 47 / 0 / 44 / 18

HEX #6FD174

RGB 111 209 116

HSL 123.06, 0.52%, 0.63%

LAB 76.22, -47.82, 37.34

 

CMYK 47 / 0 / 32 / 18

HEX #6FD18E

RGB 111 209 142

HSL 138.98, 0.52%, 0.63%

LAB 76.64, -43.54, 24.55

 

CMYK 47 / 0 / 20 / 18

HEX #6FD1A8

RGB 111 209 168

HSL 154.9, 0.52%, 0.63%

LAB 77.17, -38.4, 11.52

 

CMYK 69 / 0 / 65 / 29

HEX #39B53F

RGB 57 181 63

HSL 122.9, 0.52%, 0.47%

LAB 65.18, -57.01, 48.81

 

CMYK 60 / 0 / 57 / 22

HEX #50C756

RGB 80 199 86

HSL 123.03, 0.52%, 0.55%

LAB 71.71, -55.94, 46.1

 

CMYK 47 / 0 / 44 / 18

HEX #6FD174

RGB 111 209 116

HSL 123.06, 0.52%, 0.63%

LAB 76.22, -47.82, 37.34

 

CMYK 35 / 0 / 33 / 14

HEX #8EDB92

RGB 142 219 146

HSL 123.12, 0.52%, 0.71%

LAB 81.01, -38.29, 28.6

 

CMYK 24 / 0 / 23 / 10

HEX #AEE5B1

RGB 174 229 177

HSL 123.27, 0.51%, 0.79%

LAB 86.11, -27.53, 19.78

 

CMYK 46 / 0 / 44 / 18

HEX #71D276

RGB 113 210 118

HSL 123.09, 0.52%, 0.63%

LAB 76.63, -47.38, 36.87

 

CMYK 47 / 11 / 0 / 18

HEX #6FB9D1

RGB 111 185 209

HSL 194.69, 0.52%, 0.63%

LAB 71.34, -16.67, -19.27

 

CMYK 0 / 47 / 31 / 18

HEX #D16F91

RGB 209 111 145

HSL 339.18, 0.52%, 0.63%

LAB 58.95, 42.34, -0.98

 

CMYK 46 / 0 / 44 / 18

HEX #71D276

RGB 113 210 118

HSL 123.09, 0.52%, 0.63%

LAB 76.63, -47.38, 36.87

 

CMYK 44 / 47 / 0 / 18

HEX #746FD1

RGB 116 111 209

HSL 243.06, 0.52%, 0.63%

LAB 51.48, 26.9, -50.17

 

CMYK 0 / 44 / 47 / 18

HEX #D1746F

RGB 209 116 111

HSL 3.06, 0.52%, 0.63%

LAB 59.15, 35.84, 18.96

 

CMYK 46 / 0 / 44 / 18

HEX #71D276

RGB 113 210 118

HSL 123.09, 0.52%, 0.63%

LAB 76.63, -47.38, 36.87

 

CMYK 47 / 11 / 0 / 18

HEX #6FB9D1

RGB 111 185 209

HSL 194.69, 0.52%, 0.63%

LAB 71.34, -16.67, -19.27

 

CMYK 0 / 47 / 2 / 18

HEX #D16FCC

RGB 209 111 204

HSL 303.06, 0.52%, 0.63%

LAB 61.03, 51.44, -31.63

 

CMYK 0 / 35 / 47 / 18

HEX #D1886F

RGB 209 136 111

HSL 15.31, 0.52%, 0.63%

LAB 63.6, 25.14, 24.94

 

CMYK 46 / 0 / 44 / 18

HEX #71D276

RGB 113 210 118

HSL 123.09, 0.52%, 0.63%

LAB 76.63, -47.38, 36.87

 

CMYK 47 / 26 / 0 / 18

HEX #6F9BD1

RGB 111 155 209

HSL 213.06, 0.52%, 0.63%

LAB 62.87, -0.32, -32.27

 

CMYK 0 / 47 / 2 / 18

HEX #D16FCC

RGB 209 111 204

HSL 303.06, 0.52%, 0.63%

LAB 61.03, 51.44, -31.63

 

CMYK 0 / 21 / 47 / 18

HEX #D1A56F

RGB 209 165 111

HSL 33.06, 0.52%, 0.63%

LAB 70.6, 9.41, 34.09

 

Description

Color code: HEX #71D276 | qconv.com Color code: HEX #71D276 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 210 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 210 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 44 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 44% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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