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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71D4C6 it is the complementary color #8E2B39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71D4C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71D4C6 shade: #76D4C1, #87E6D4, #98F8E7, #A9FFFA and #BAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71D4C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71D4C6 shade: #71D4C6, #60C2B3, #4FB0A0, #3E9E8D and #2D8C7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71D4C6 shade: #71D4C6, #71D4AC, #71D491, #71D476 and #87D471

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71D4C6 shade: #71D4C6, #71C8D4, #71ADD4, #7192D4 and #7177D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71D4C6 shade matches the following richer shades: #71D4C6, #62E3D1 and #53F2DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71D4C6 shade: #71D4C6, #80C5BC, #8FB7B1, #9EA8A6 and #AD999C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71D4C6 shade: #71D491, #71D4AB, #71D4C5, #71C9D4 and #71AED4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71D4C6 shade: #38BBA9, #51CBBA, #71D4C6, #91DED3 and #B1E7E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71D4C6 shade: #71D4C6, #7671D4 and #D49E71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71D4C6 shade: #71D4C6, #C571D4 and #D4C571

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71D4C6 shade: #71D4C6, #7671D4, #D47180 and #CFD471

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71D4C6 shade: #71D4C6, #9471D4, #D47180 and #B2D471

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 7 / 17

HEX #71D4C6

RGB 113 212 198

HSL 171.52, 0.54%, 0.64%

LAB 78.85, -32.46, -2.09

 

Complementary color

CMYK 0 / 70 / 60 / 44

HEX #8E2B39

RGB 142 43 57

HSL 351.52, 0.54%, 0.36%

LAB 33.51, 42.61, 15.21

 

CMYK 44 / 0 / 9 / 17

HEX #76D4C1

RGB 118 212 193

HSL 167.87, 0.52%, 0.65%

LAB 78.92, -32.45, 0.71

 

CMYK 41 / 0 / 8 / 10

HEX #87E6D4

RGB 135 230 212

HSL 168.63, 0.66%, 0.72%

LAB 85.25, -32.33, -0.06

 

CMYK 39 / 0 / 7 / 3

HEX #98F8E7

RGB 152 248 231

HSL 169.38, 0.87%, 0.78%

LAB 91.5, -32.2, -0.78

 

CMYK 34 / 0 / 2 / 0

HEX #A9FFFA

RGB 169 255 250

HSL 176.51, 1%, 0.83%

LAB 94.68, -26.87, -5.86

 

CMYK 27 / 0 / 0 / 0

HEX #BAFFFF

RGB 186 255 255

HSL 180, 1%, 0.86%

LAB 95.66, -21.17, -6.9

 

CMYK 47 / 0 / 7 / 17

HEX #71D4C6

RGB 113 212 198

HSL 171.52, 0.54%, 0.64%

LAB 78.85, -32.46, -2.09

 

CMYK 51 / 0 / 8 / 24

HEX #60C2B3

RGB 96 194 179

HSL 170.82, 0.45%, 0.57%

LAB 72.45, -32.48, -1.3

 

CMYK 55 / 0 / 9 / 31

HEX #4FB0A0

RGB 79 176 160

HSL 170.1, 0.38%, 0.5%

LAB 65.94, -32.44, -0.44

 

CMYK 61 / 0 / 11 / 38

HEX #3E9E8D

RGB 62 158 141

HSL 169.38, 0.44%, 0.43%

LAB 59.34, -32.29, 0.51

 

CMYK 68 / 0 / 13 / 45

HEX #2D8C7A

RGB 45 140 122

HSL 168.63, 0.51%, 0.36%

LAB 52.64, -31.98, 1.57

 

CMYK 47 / 0 / 7 / 17

HEX #71D4C6

RGB 113 212 198

HSL 171.52, 0.54%, 0.64%

LAB 78.85, -32.46, -2.09

 

CMYK 47 / 0 / 19 / 17

HEX #71D4AC

RGB 113 212 172

HSL 155.76, 0.54%, 0.64%

LAB 78.21, -38.4, 10.88

 

CMYK 47 / 0 / 32 / 17

HEX #71D491

RGB 113 212 145

HSL 139.39, 0.54%, 0.64%

LAB 77.66, -43.76, 24.38

 

CMYK 47 / 0 / 44 / 17

HEX #71D476

RGB 113 212 118

HSL 123.03, 0.54%, 0.64%

LAB 77.22, -48.21, 37.64

 

CMYK 36 / 0 / 47 / 17

HEX #87D471

RGB 135 212 113

HSL 106.67, 0.54%, 0.64%

LAB 78.13, -42.24, 41.46

 

CMYK 47 / 0 / 7 / 17

HEX #71D4C6

RGB 113 212 198

HSL 171.52, 0.54%, 0.64%

LAB 78.85, -32.46, -2.09

 

CMYK 47 / 6 / 0 / 17

HEX #71C8D4

RGB 113 200 212

HSL 187.27, 0.54%, 0.64%

LAB 75.81, -23.07, -14.15

 

CMYK 47 / 18 / 0 / 17

HEX #71ADD4

RGB 113 173 212

HSL 203.64, 0.54%, 0.64%

LAB 68.13, -8.97, -25.8

 

CMYK 47 / 31 / 0 / 17

HEX #7192D4

RGB 113 146 212

HSL 220, 0.54%, 0.64%

LAB 60.62, 6.22, -37.43

 

CMYK 47 / 44 / 0 / 17

HEX #7177D4

RGB 113 119 212

HSL 236.36, 0.54%, 0.64%

LAB 53.45, 22.26, -48.75

 

CMYK 47 / 0 / 7 / 17

HEX #71D4C6

RGB 113 212 198

HSL 171.52, 0.54%, 0.64%

LAB 78.85, -32.46, -2.09

 

CMYK 57 / 0 / 8 / 11

HEX #62E3D1

RGB 98 227 209

HSL 171.63, 0.7%, 0.64%

LAB 82.99, -39.84, -1.94

 

CMYK 66 / 0 / 9 / 5

HEX #53F2DC

RGB 83 242 220

HSL 171.7, 0.86%, 0.64%

LAB 87.25, -46.2, -1.54

 

CMYK 47 / 0 / 7 / 17

HEX #71D4C6

RGB 113 212 198

HSL 171.52, 0.54%, 0.64%

LAB 78.85, -32.46, -2.09

 

CMYK 35 / 0 / 5 / 23

HEX #80C5BC

RGB 128 197 188

HSL 172.17, 0.37%, 0.64%

LAB 74.92, -23.73, -2.4

 

CMYK 22 / 0 / 3 / 28

HEX #8FB7B1

RGB 143 183 177

HSL 171, 0.22%, 0.64%

LAB 71.47, -14.62, -1.36

 

CMYK 6 / 0 / 1 / 34

HEX #9EA8A6

RGB 158 168 166

HSL 168, 0.05%, 0.64%

LAB 68.04, -3.91, -0.19

 

CMYK 0 / 12 / 10 / 32

HEX #AD999C

RGB 173 153 156

HSL 351, 0.11%, 0.64%

LAB 65.02, 7.89, 1.13

 

CMYK 47 / 0 / 32 / 17

HEX #71D491

RGB 113 212 145

HSL 139.39, 0.54%, 0.64%

LAB 77.66, -43.76, 24.38

 

CMYK 47 / 0 / 19 / 17

HEX #71D4AB

RGB 113 212 171

HSL 155.15, 0.54%, 0.64%

LAB 78.19, -38.61, 11.38

 

CMYK 47 / 0 / 7 / 17

HEX #71D4C5

RGB 113 212 197

HSL 170.91, 0.54%, 0.64%

LAB 78.83, -32.7, -1.59

 

CMYK 47 / 5 / 0 / 17

HEX #71C9D4

RGB 113 201 212

HSL 186.67, 0.54%, 0.64%

LAB 76.09, -23.57, -13.72

 

CMYK 47 / 18 / 0 / 17

HEX #71AED4

RGB 113 174 212

HSL 203.03, 0.54%, 0.64%

LAB 68.41, -9.51, -25.36

 

CMYK 70 / 0 / 10 / 27

HEX #38BBA9

RGB 56 187 169

HSL 171.76, 0.54%, 0.48%

LAB 68.93, -39.17, -1.11

 

CMYK 60 / 0 / 8 / 20

HEX #51CBBA

RGB 81 203 186

HSL 171.64, 0.54%, 0.56%

LAB 74.83, -37.92, -1.66

 

CMYK 47 / 0 / 7 / 17

HEX #71D4C6

RGB 113 212 198

HSL 171.52, 0.54%, 0.64%

LAB 78.85, -32.46, -2.09

 

CMYK 35 / 0 / 5 / 13

HEX #91DED3

RGB 145 222 211

HSL 171.43, 0.54%, 0.72%

LAB 83.42, -26.12, -2.15

 

CMYK 23 / 0 / 3 / 9

HEX #B1E7E0

RGB 177 231 224

HSL 172.22, 0.53%, 0.8%

LAB 87.91, -18.59, -2.23

 

CMYK 47 / 0 / 7 / 17

HEX #71D4C6

RGB 113 212 198

HSL 171.52, 0.54%, 0.64%

LAB 78.85, -32.46, -2.09

 

CMYK 44 / 47 / 0 / 17

HEX #7671D4

RGB 118 113 212

HSL 243.03, 0.54%, 0.64%

LAB 52.3, 27.05, -50.55

 

CMYK 0 / 25 / 47 / 17

HEX #D49E71

RGB 212 158 113

HSL 27.27, 0.54%, 0.64%

LAB 69.21, 14.62, 31.29

 

CMYK 47 / 0 / 7 / 17

HEX #71D4C6

RGB 113 212 198

HSL 171.52, 0.54%, 0.64%

LAB 78.85, -32.46, -2.09

 

CMYK 7 / 47 / 0 / 17

HEX #C571D4

RGB 197 113 212

HSL 290.91, 0.54%, 0.64%

LAB 60.28, 48.43, -37.42

 

CMYK 0 / 7 / 47 / 17

HEX #D4C571

RGB 212 197 113

HSL 50.91, 0.54%, 0.64%

LAB 79.11, -6.07, 43.81

 

CMYK 47 / 0 / 7 / 17

HEX #71D4C6

RGB 113 212 198

HSL 171.52, 0.54%, 0.64%

LAB 78.85, -32.46, -2.09

 

CMYK 44 / 47 / 0 / 17

HEX #7671D4

RGB 118 113 212

HSL 243.03, 0.54%, 0.64%

LAB 52.3, 27.05, -50.55

 

CMYK 0 / 47 / 40 / 17

HEX #D47180

RGB 212 113 128

HSL 350.91, 0.54%, 0.64%

LAB 59.31, 40.31, 9.44

 

CMYK 2 / 0 / 47 / 17

HEX #CFD471

RGB 207 212 113

HSL 63.03, 0.54%, 0.64%

LAB 82.67, -15.7, 48.07

 

CMYK 47 / 0 / 7 / 17

HEX #71D4C6

RGB 113 212 198

HSL 171.52, 0.54%, 0.64%

LAB 78.85, -32.46, -2.09

 

CMYK 30 / 47 / 0 / 17

HEX #9471D4

RGB 148 113 212

HSL 261.21, 0.54%, 0.64%

LAB 54.93, 34.72, -46.22

 

CMYK 0 / 47 / 40 / 17

HEX #D47180

RGB 212 113 128

HSL 350.91, 0.54%, 0.64%

LAB 59.31, 40.31, 9.44

 

CMYK 16 / 0 / 47 / 17

HEX #B2D471

RGB 178 212 113

HSL 80.61, 0.54%, 0.64%

LAB 80.6, -27, 45.06

 

Description

Color code: HEX #71D4C6 | qconv.com Color code: HEX #71D4C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 212 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 212 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 7 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 7% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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