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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71A2EA it is the complementary color #8E5D15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71A2EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71A2EA shade: #76A2E5, #87B4F8, #98C6FF, #A9D8FF and #BAEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71A2EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71A2EA shade: #71A2EA, #6090D7, #4F7EC4, #3E6CB1 and #2D5A9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71A2EA shade: #71A1E9, #7181E9, #8171E9, #A171E9 and #C271E9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71A2EA shade: #71A1E9, #7181E9 and #7171E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71A2EA shade matches the following richer shades: #71A1E9 and #639FF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71A2EA shade: #71A1E9, #7EA4DC, #8BA6CF, #98A9C2 and #A5ABB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71A2EA shade: #71E3E9, #71C3E9, #71A3E9, #7183E9 and #7F71E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71A2EA shade: #2972DF, #4D8AE4, #71A1E9, #94B9EF and #B8D0F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71A2EA shade: #71A2EA, #CF71E9 and #D3E971

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71A2EA shade: #71A2EA, #E971A3 and #A3E971

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71A2EA shade: #71A2EA, #CF71E9, #E9B771 and #8BE971

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71A2EA shade: #71A2EA, #E971DF, #E9B771 and #71E97B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 31 / 0 / 8

HEX #71A2EA

RGB 113 162 234

HSL 215.7, 0.74%, 0.68%

LAB 65.98, 3.61, -41.24

 

Complementary color

CMYK 0 / 35 / 85 / 44

HEX #8E5D15

RGB 142 93 21

HSL 35.7, 0.74%, 0.32%

LAB 43.7, 14.09, 45.79

 

CMYK 48 / 29 / 0 / 10

HEX #76A2E5

RGB 118 162 229

HSL 216.22, 0.68%, 0.68%

LAB 66.02, 3.25, -38.4

 

CMYK 46 / 27 / 0 / 3

HEX #87B4F8

RGB 135 180 248

HSL 216.11, 0.89%, 0.75%

LAB 72.61, 2.67, -38.42

 

CMYK 40 / 22 / 0 / 0

HEX #98C6FF

RGB 152 198 255

HSL 213.2, 1%, 0.8%

LAB 78.63, -1.06, -32.79

 

CMYK 34 / 15 / 0 / 0

HEX #A9D8FF

RGB 169 216 255

HSL 207.21, 1%, 0.83%

LAB 84.36, -6.16, -23.92

 

CMYK 27 / 8 / 0 / 0

HEX #BAEAFF

RGB 186 234 255

HSL 198.26, 1%, 0.86%

LAB 90.09, -10.72, -15.18

 

CMYK 52 / 31 / 0 / 8

HEX #71A2EA

RGB 113 162 234

HSL 215.7, 0.74%, 0.68%

LAB 65.98, 3.61, -41.24

 

CMYK 55 / 33 / 0 / 16

HEX #6090D7

RGB 96 144 215

HSL 215.8, 0.6%, 0.61%

LAB 59.29, 4.42, -41.27

 

CMYK 60 / 36 / 0 / 23

HEX #4F7EC4

RGB 79 126 196

HSL 215.9, 0.5%, 0.54%

LAB 52.48, 5.43, -41.32

 

CMYK 65 / 39 / 0 / 31

HEX #3E6CB1

RGB 62 108 177

HSL 216, 0.48%, 0.47%

LAB 45.53, 6.69, -41.41

 

CMYK 72 / 43 / 0 / 38

HEX #2D5A9E

RGB 45 90 158

HSL 216.11, 0.56%, 0.4%

LAB 38.44, 8.32, -41.51

 

CMYK 52 / 31 / 0 / 9

HEX #71A1E9

RGB 113 161 233

HSL 216, 0.73%, 0.68%

LAB 65.66, 3.87, -41.19

 

CMYK 52 / 45 / 0 / 9

HEX #7181E9

RGB 113 129 233

HSL 232, 0.73%, 0.68%

LAB 57.17, 22.65, -54.61

 

CMYK 45 / 52 / 0 / 9

HEX #8171E9

RGB 129 113 233

HSL 248, 0.73%, 0.68%

LAB 54.41, 35.69, -58.96

 

CMYK 31 / 52 / 0 / 9

HEX #A171E9

RGB 161 113 233

HSL 264, 0.73%, 0.68%

LAB 57.34, 43.33, -54.11

 

CMYK 17 / 52 / 0 / 9

HEX #C271E9

RGB 194 113 233

HSL 280.5, 0.73%, 0.68%

LAB 60.93, 51.85, -48.19

 

CMYK 52 / 31 / 0 / 9

HEX #71A1E9

RGB 113 161 233

HSL 216, 0.73%, 0.68%

LAB 65.66, 3.87, -41.19

 

CMYK 52 / 45 / 0 / 9

HEX #7181E9

RGB 113 129 233

HSL 232, 0.73%, 0.68%

LAB 57.17, 22.65, -54.61

 

CMYK 52 / 52 / 0 / 9

HEX #7171E9

RGB 113 113 233

HSL 240, 0.73%, 0.68%

LAB 53.17, 32.24, -61.01

 

CMYK 52 / 31 / 0 / 9

HEX #71A1E9

RGB 113 161 233

HSL 216, 0.73%, 0.68%

LAB 65.66, 3.87, -41.19

 

CMYK 60 / 35 / 0 / 4

HEX #639FF6

RGB 99 159 246

HSL 215.51, 0.89%, 0.68%

LAB 65.04, 6.23, -49.33

 

CMYK 52 / 31 / 0 / 9

HEX #71A1E9

RGB 113 161 233

HSL 216, 0.73%, 0.68%

LAB 65.66, 3.87, -41.19

 

CMYK 43 / 25 / 0 / 14

HEX #7EA4DC

RGB 126 164 220

HSL 215.74, 0.57%, 0.68%

LAB 66.64, 1.5, -32.45

 

CMYK 33 / 20 / 0 / 19

HEX #8BA6CF

RGB 139 166 207

HSL 216.18, 0.41%, 0.68%

LAB 67.48, 0.42, -23.92

 

CMYK 22 / 13 / 0 / 24

HEX #98A9C2

RGB 152 169 194

HSL 215.71, 0.26%, 0.68%

LAB 68.71, -0.47, -14.77

 

CMYK 8 / 5 / 0 / 29

HEX #A5ABB4

RGB 165 171 180

HSL 216, 0.09%, 0.68%

LAB 69.77, -0.32, -5.35

 

CMYK 52 / 3 / 0 / 9

HEX #71E3E9

RGB 113 227 233

HSL 183, 0.73%, 0.68%

LAB 84.14, -30.75, -12.88

 

CMYK 52 / 16 / 0 / 9

HEX #71C3E9

RGB 113 195 233

HSL 199, 0.73%, 0.68%

LAB 75.09, -14.74, -26.58

 

CMYK 52 / 30 / 0 / 9

HEX #71A3E9

RGB 113 163 233

HSL 215, 0.73%, 0.68%

LAB 66.2, 2.74, -40.33

 

CMYK 52 / 44 / 0 / 9

HEX #7183E9

RGB 113 131 233

HSL 231, 0.73%, 0.68%

LAB 57.68, 21.45, -53.79

 

CMYK 45 / 52 / 0 / 9

HEX #7F71E9

RGB 127 113 233

HSL 247, 0.73%, 0.68%

LAB 54.24, 35.24, -59.23

 

CMYK 82 / 49 / 0 / 13

HEX #2972DF

RGB 41 114 223

HSL 215.93, 0.74%, 0.52%

LAB 49.29, 17.2, -61.82

 

CMYK 66 / 39 / 0 / 11

HEX #4D8AE4

RGB 77 138 228

HSL 215.76, 0.74%, 0.6%

LAB 57.42, 8.74, -51.53

 

CMYK 52 / 31 / 0 / 9

HEX #71A1E9

RGB 113 161 233

HSL 216, 0.73%, 0.68%

LAB 65.66, 3.87, -41.19

 

CMYK 38 / 23 / 0 / 6

HEX #94B9EF

RGB 148 185 239

HSL 215.6, 0.74%, 0.76%

LAB 74.33, 0.74, -30.83

 

CMYK 25 / 15 / 0 / 4

HEX #B8D0F4

RGB 184 208 244

HSL 216, 0.73%, 0.84%

LAB 82.82, -0.29, -20.34

 

CMYK 52 / 31 / 0 / 8

HEX #71A2EA

RGB 113 162 234

HSL 215.7, 0.74%, 0.68%

LAB 65.98, 3.61, -41.24

 

CMYK 11 / 52 / 0 / 9

HEX #CF71E9

RGB 207 113 233

HSL 287, 0.73%, 0.68%

LAB 62.47, 55.3, -45.64

 

CMYK 9 / 0 / 52 / 9

HEX #D3E971

RGB 211 233 113

HSL 71, 0.73%, 0.68%

LAB 88.6, -24.38, 55.21

 

CMYK 52 / 31 / 0 / 8

HEX #71A2EA

RGB 113 162 234

HSL 215.7, 0.74%, 0.68%

LAB 65.98, 3.61, -41.24

 

CMYK 0 / 52 / 30 / 9

HEX #E971A3

RGB 233 113 163

HSL 335, 0.73%, 0.68%

LAB 63.16, 51.7, -4.77

 

CMYK 30 / 0 / 52 / 9

HEX #A3E971

RGB 163 233 113

HSL 95, 0.73%, 0.68%

LAB 85.63, -42.06, 50.97

 

CMYK 52 / 31 / 0 / 8

HEX #71A2EA

RGB 113 162 234

HSL 215.7, 0.74%, 0.68%

LAB 65.98, 3.61, -41.24

 

CMYK 11 / 52 / 0 / 9

HEX #CF71E9

RGB 207 113 233

HSL 287, 0.73%, 0.68%

LAB 62.47, 55.3, -45.64

 

CMYK 0 / 21 / 52 / 9

HEX #E9B771

RGB 233 183 113

HSL 35, 0.73%, 0.68%

LAB 77.51, 9.82, 42.26

 

CMYK 40 / 0 / 52 / 9

HEX #8BE971

RGB 139 233 113

HSL 107, 0.73%, 0.68%

LAB 84.46, -49.89, 49.28

 

CMYK 52 / 31 / 0 / 8

HEX #71A2EA

RGB 113 162 234

HSL 215.7, 0.74%, 0.68%

LAB 65.98, 3.61, -41.24

 

CMYK 0 / 52 / 4 / 9

HEX #E971DF

RGB 233 113 223

HSL 305, 0.73%, 0.68%

LAB 65.33, 60.55, -35.37

 

CMYK 0 / 21 / 52 / 9

HEX #E9B771

RGB 233 183 113

HSL 35, 0.73%, 0.68%

LAB 77.51, 9.82, 42.26

 

CMYK 52 / 0 / 47 / 9

HEX #71E97B

RGB 113 233 123

HSL 125, 0.73%, 0.68%

LAB 83.56, -55.92, 43.18

 

Description

Color code: HEX #71A2EA | qconv.com Color code: HEX #71A2EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 162 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 162 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 31 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 31% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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