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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71A148 it is the complementary color #8E5EB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71A148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71A148 shade: #76A143, #87B356, #98C569, #A9D77C and #BAE98F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71A148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71A148 shade: #71A148, #608F35, #4F7D22, #3E6B0F and #2D5900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71A148 shade: #71A148, #89A148, #A1A148, #A18948 and #A17148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71A148 shade: #71A148, #59A148, #48A14F, #48A167 and #48A17F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71A148 shade matches the following richer shades: #71A148, #70B435, #6EC722 and #6DDA0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71A148 shade: #71A148, #738E5B, #747B6E, #766881 and #775594

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71A148 shade: #A1A148, #8AA148, #72A148, #5AA148 and #48A14E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71A148 shade: #49682F, #5D853B, #71A148, #86B65D and #9BC379

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71A148 shade: #71A148, #48A18A and #A14895

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71A148 shade: #71A148, #4872A1 and #A14872

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71A148 shade: #71A148, #48A18A, #7848A1 and #A14860

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71A148 shade: #71A148, #489EA1, #7848A1 and #A14B48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 55 / 37

HEX #71A148

RGB 113 161 72

HSL 92.36, 0.38%, 0.46%

LAB 61.19, -31.78, 40.72

 

Complementary color

CMYK 22 / 49 / 0 / 28

HEX #8E5EB7

RGB 142 94 183

HSL 272.36, 0.38%, 0.54%

LAB 48.48, 36.8, -39.83

 

CMYK 27 / 0 / 58 / 37

HEX #76A143

RGB 118 161 67

HSL 87.45, 0.41%, 0.45%

LAB 61.43, -30.4, 43.48

 

CMYK 25 / 0 / 52 / 30

HEX #87B356

RGB 135 179 86

HSL 88.39, 0.38%, 0.52%

LAB 68.07, -30.49, 42.37

 

CMYK 23 / 0 / 47 / 23

HEX #98C569

RGB 152 197 105

HSL 89.35, 0.44%, 0.59%

LAB 74.59, -30.51, 41.21

 

CMYK 21 / 0 / 42 / 16

HEX #A9D77C

RGB 169 215 124

HSL 90.33, 0.53%, 0.66%

LAB 81.01, -30.48, 40.04

 

CMYK 20 / 0 / 39 / 9

HEX #BAE98F

RGB 186 233 143

HSL 91.33, 0.67%, 0.74%

LAB 87.34, -30.43, 38.9

 

CMYK 30 / 0 / 55 / 37

HEX #71A148

RGB 113 161 72

HSL 92.36, 0.38%, 0.46%

LAB 61.19, -31.78, 40.72

 

CMYK 33 / 0 / 63 / 44

HEX #608F35

RGB 96 143 53

HSL 91.33, 0.46%, 0.38%

LAB 54.44, -31.68, 41.77

 

CMYK 37 / 0 / 73 / 51

HEX #4F7D22

RGB 79 125 34

HSL 90.33, 0.57%, 0.31%

LAB 47.55, -31.41, 42.45

 

CMYK 42 / 0 / 86 / 58

HEX #3E6B0F

RGB 62 107 15

HSL 89.35, 0.75%, 0.24%

LAB 40.53, -30.84, 42.18

 

CMYK 49 / 0 / 100 / 65

HEX #2D5900

RGB 45 89 0

HSL 89.66, 1%, 0.17%

LAB 33.36, -29.81, 40.08

 

CMYK 30 / 0 / 55 / 37

HEX #71A148

RGB 113 161 72

HSL 92.36, 0.38%, 0.46%

LAB 61.19, -31.78, 40.72

 

CMYK 15 / 0 / 55 / 37

HEX #89A148

RGB 137 161 72

HSL 76.18, 0.38%, 0.46%

LAB 62.74, -22.36, 42.92

 

CMYK 0 / 0 / 55 / 37

HEX #A1A148

RGB 161 161 72

HSL 60, 0.38%, 0.46%

LAB 64.59, -12.28, 45.53

 

CMYK 0 / 15 / 55 / 37

HEX #A18948

RGB 161 137 72

HSL 43.82, 0.38%, 0.46%

LAB 57.98, 0.7, 37.83

 

CMYK 0 / 30 / 55 / 37

HEX #A17148

RGB 161 113 72

HSL 27.64, 0.38%, 0.46%

LAB 51.67, 14.24, 30.16

 

CMYK 30 / 0 / 55 / 37

HEX #71A148

RGB 113 161 72

HSL 92.36, 0.38%, 0.46%

LAB 61.19, -31.78, 40.72

 

CMYK 45 / 0 / 55 / 37

HEX #59A148

RGB 89 161 72

HSL 108.54, 0.38%, 0.46%

LAB 59.96, -40.11, 38.96

 

CMYK 55 / 0 / 51 / 37

HEX #48A14F

RGB 72 161 79

HSL 124.72, 0.38%, 0.46%

LAB 59.37, -44.12, 34.58

 

CMYK 55 / 0 / 36 / 37

HEX #48A167

RGB 72 161 103

HSL 140.9, 0.38%, 0.46%

LAB 59.75, -40.09, 22.35

 

CMYK 55 / 0 / 21 / 37

HEX #48A17F

RGB 72 161 127

HSL 157.08, 0.38%, 0.46%

LAB 60.25, -35.04, 9.74

 

CMYK 30 / 0 / 55 / 37

HEX #71A148

RGB 113 161 72

HSL 92.36, 0.38%, 0.46%

LAB 61.19, -31.78, 40.72

 

CMYK 38 / 0 / 71 / 29

HEX #70B435

RGB 112 180 53

HSL 92.13, 0.55%, 0.46%

LAB 66.78, -42.35, 55.17

 

CMYK 45 / 0 / 83 / 22

HEX #6EC722

RGB 110 199 34

HSL 92.36, 0.71%, 0.46%

LAB 72.41, -51.83, 66.53

 

CMYK 50 / 0 / 93 / 15

HEX #6DDA0F

RGB 109 218 15

HSL 92.22, 0.87%, 0.46%

LAB 78.13, -59.84, 74.83

 

CMYK 30 / 0 / 55 / 37

HEX #71A148

RGB 113 161 72

HSL 92.36, 0.38%, 0.46%

LAB 61.19, -31.78, 40.72

 

CMYK 19 / 0 / 36 / 44

HEX #738E5B

RGB 115 142 91

HSL 91.76, 0.22%, 0.46%

LAB 55.83, -19.17, 24.12

 

CMYK 6 / 0 / 11 / 52

HEX #747B6E

RGB 116 123 110

HSL 92.31, 0.06%, 0.46%

LAB 50.69, -5.2, 6.21

 

CMYK 9 / 19 / 0 / 49

HEX #766881

RGB 118 104 129

HSL 273.6, 0.11%, 0.46%

LAB 46.09, 10.63, -11.82

 

CMYK 20 / 43 / 0 / 42

HEX #775594

RGB 119 85 148

HSL 272.38, 0.27%, 0.46%

LAB 42.09, 26.85, -29.39

 

CMYK 0 / 0 / 55 / 37

HEX #A1A148

RGB 161 161 72

HSL 60, 0.38%, 0.46%

LAB 64.59, -12.28, 45.53

 

CMYK 14 / 0 / 55 / 37

HEX #8AA148

RGB 138 161 72

HSL 75.51, 0.38%, 0.46%

LAB 62.81, -21.95, 43.02

 

CMYK 29 / 0 / 55 / 37

HEX #72A148

RGB 114 161 72

HSL 91.69, 0.38%, 0.46%

LAB 61.25, -31.41, 40.8

 

CMYK 44 / 0 / 55 / 37

HEX #5AA148

RGB 90 161 72

HSL 107.87, 0.38%, 0.46%

LAB 60.01, -39.79, 39.03

 

CMYK 55 / 0 / 52 / 37

HEX #48A14E

RGB 72 161 78

HSL 124.04, 0.38%, 0.46%

LAB 59.36, -44.26, 35.08

 

CMYK 30 / 0 / 55 / 59

HEX #49682F

RGB 73 104 47

HSL 92.63, 0.38%, 0.3%

LAB 40.45, -22.27, 28.27

 

CMYK 30 / 0 / 56 / 48

HEX #5D853B

RGB 93 133 59

HSL 92.43, 0.39%, 0.38%

LAB 51.17, -27.44, 35.07

 

CMYK 30 / 0 / 55 / 37

HEX #71A148

RGB 113 161 72

HSL 92.36, 0.38%, 0.46%

LAB 61.19, -31.78, 40.72

 

CMYK 26 / 0 / 49 / 29

HEX #86B65D

RGB 134 182 93

HSL 92.36, 0.38%, 0.54%

LAB 68.98, -31.49, 40.02

 

CMYK 21 / 0 / 38 / 24

HEX #9BC379

RGB 155 195 121

HSL 92.43, 0.38%, 0.62%

LAB 74.43, -26.41, 32.94

 

CMYK 30 / 0 / 55 / 37

HEX #71A148

RGB 113 161 72

HSL 92.36, 0.38%, 0.46%

LAB 61.19, -31.78, 40.72

 

CMYK 55 / 0 / 14 / 37

HEX #48A18A

RGB 72 161 138

HSL 164.49, 0.38%, 0.46%

LAB 60.52, -32.4, 3.95

 

CMYK 0 / 55 / 7 / 37

HEX #A14895

RGB 161 72 149

HSL 308.09, 0.38%, 0.46%

LAB 44.78, 47.07, -25.4

 

CMYK 30 / 0 / 55 / 37

HEX #71A148

RGB 113 161 72

HSL 92.36, 0.38%, 0.46%

LAB 61.19, -31.78, 40.72

 

CMYK 55 / 29 / 0 / 37

HEX #4872A1

RGB 72 114 161

HSL 211.69, 0.38%, 0.46%

LAB 46.96, -0.42, -29.76

 

CMYK 0 / 55 / 29 / 37

HEX #A14872

RGB 161 72 114

HSL 331.69, 0.38%, 0.46%

LAB 43.4, 41.62, -6.23

 

CMYK 30 / 0 / 55 / 37

HEX #71A148

RGB 113 161 72

HSL 92.36, 0.38%, 0.46%

LAB 61.19, -31.78, 40.72

 

CMYK 55 / 0 / 14 / 37

HEX #48A18A

RGB 72 161 138

HSL 164.49, 0.38%, 0.46%

LAB 60.52, -32.4, 3.95

 

CMYK 25 / 55 / 0 / 37

HEX #7848A1

RGB 120 72 161

HSL 272.36, 0.38%, 0.46%

LAB 39.92, 37.88, -40.61

 

CMYK 0 / 55 / 40 / 37

HEX #A14860

RGB 161 72 96

HSL 343.82, 0.38%, 0.46%

LAB 42.85, 39.35, 4.06

 

CMYK 30 / 0 / 55 / 37

HEX #71A148

RGB 113 161 72

HSL 92.36, 0.38%, 0.46%

LAB 61.19, -31.78, 40.72

 

CMYK 55 / 2 / 0 / 37

HEX #489EA1

RGB 72 158 161

HSL 182.02, 0.38%, 0.46%

LAB 60.25, -24.82, -9.44

 

CMYK 25 / 55 / 0 / 37

HEX #7848A1

RGB 120 72 161

HSL 272.36, 0.38%, 0.46%

LAB 39.92, 37.88, -40.61

 

CMYK 0 / 53 / 55 / 37

HEX #A14B48

RGB 161 75 72

HSL 2.02, 0.38%, 0.46%

LAB 42.88, 35.37, 18.86

 

Description

Color code: HEX #71A148 | qconv.com Color code: HEX #71A148 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 161 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 161 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 55 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 55% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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