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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7180FD it is the complementary color #8E7F02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7180FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7180FD shade: #7680F8, #8792FF, #98A4FF, #A9B6FF and #BAC8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7180FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7180FD shade: #7180FD, #606EEA, #4F5CD7, #3E4AC4 and #2D38B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7180FD shade: #7281FC, #8872FC, #AE72FC, #D372FC and #F872FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7180FD shade: #7281FC and #7272FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7180FD shade matches the following richer shades: #7281FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7180FD shade: #7281FC, #7D8AF1, #8993E5, #949CDA and #A0A5CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7180FD shade: #72CCFC, #72A7FC, #7282FC, #8772FC and #AC72FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7180FD shade: #2138FB, #495CFC, #7281FC, #9AA5FD and #C3C9FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7180FD shade: #7180FD, #FC72F1 and #B9FC72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7180FD shade: #7180FD, #FC7282 and #82FC72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7180FD shade: #7180FD, #FC72F1, #FCEC72 and #72FC7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7180FD shade: #7180FD, #FC72C7, #FCEC72 and #72FCA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 49 / 0 / 1

HEX #7180FD

RGB 113 128 253

HSL 233.57, 0.97%, 0.72%

LAB 58.08, 29.48, -64.23

 

Complementary color

CMYK 0 / 11 / 99 / 44

HEX #8E7F02

RGB 142 127 2

HSL 53.57, 0.97%, 0.28%

LAB 52.88, -5.79, 57.62

 

CMYK 52 / 48 / 0 / 3

HEX #7680F8

RGB 118 128 248

HSL 235.38, 0.9%, 0.72%

LAB 58.1, 28.92, -61.42

 

CMYK 47 / 43 / 0 / 0

HEX #8792FF

RGB 135 146 255

HSL 234.5, 1%, 0.76%

LAB 64.1, 24.1, -55.61

 

CMYK 40 / 36 / 0 / 0

HEX #98A4FF

RGB 152 164 255

HSL 233.01, 1%, 0.8%

LAB 69.79, 17.82, -46.55

 

CMYK 34 / 29 / 0 / 0

HEX #A9B6FF

RGB 169 182 255

HSL 230.93, 1%, 0.83%

LAB 75.52, 12.19, -37.51

 

CMYK 27 / 22 / 0 / 0

HEX #BAC8FF

RGB 186 200 255

HSL 227.83, 1%, 0.86%

LAB 81.27, 7.13, -28.54

 

CMYK 55 / 49 / 0 / 1

HEX #7180FD

RGB 113 128 253

HSL 233.57, 0.97%, 0.72%

LAB 58.08, 29.48, -64.23

 

CMYK 59 / 53 / 0 / 8

HEX #606EEA

RGB 96 110 234

HSL 233.91, 0.77%, 0.65%

LAB 51.36, 31.09, -64.55

 

CMYK 63 / 57 / 0 / 16

HEX #4F5CD7

RGB 79 92 215

HSL 234.26, 0.63%, 0.58%

LAB 44.55, 32.98, -64.88

 

CMYK 68 / 62 / 0 / 23

HEX #3E4AC4

RGB 62 74 196

HSL 234.63, 0.53%, 0.51%

LAB 37.68, 35.19, -65.16

 

CMYK 75 / 68 / 0 / 31

HEX #2D38B1

RGB 45 56 177

HSL 235, 0.59%, 0.44%

LAB 30.78, 37.74, -65.28

 

CMYK 55 / 49 / 0 / 1

HEX #7281FC

RGB 114 129 252

HSL 233.48, 0.96%, 0.72%

LAB 58.33, 28.76, -63.27

 

CMYK 46 / 55 / 0 / 1

HEX #8872FC

RGB 136 114 252

HSL 249.57, 0.96%, 0.72%

LAB 56.38, 42.03, -66.31

 

CMYK 31 / 55 / 0 / 1

HEX #AE72FC

RGB 174 114 252

HSL 266.09, 0.96%, 0.72%

LAB 59.94, 50.58, -60.41

 

CMYK 16 / 55 / 0 / 1

HEX #D372FC

RGB 211 114 252

HSL 282.17, 0.96%, 0.72%

LAB 64.09, 59.63, -53.55

 

CMYK 2 / 55 / 0 / 1

HEX #F872FC

RGB 248 114 252

HSL 298.26, 0.96%, 0.72%

LAB 68.77, 68.96, -45.86

 

CMYK 55 / 49 / 0 / 1

HEX #7281FC

RGB 114 129 252

HSL 233.48, 0.96%, 0.72%

LAB 58.33, 28.76, -63.27

 

CMYK 55 / 55 / 0 / 1

HEX #7272FC

RGB 114 114 252

HSL 240, 0.96%, 0.72%

LAB 54.7, 37.67, -69.12

 

CMYK 55 / 49 / 0 / 1

HEX #7281FC

RGB 114 129 252

HSL 233.48, 0.96%, 0.72%

LAB 58.33, 28.76, -63.27

 

CMYK 55 / 49 / 0 / 1

HEX #7281FC

RGB 114 129 252

HSL 233.48, 0.96%, 0.72%

LAB 58.33, 28.76, -63.27

 

CMYK 48 / 43 / 0 / 5

HEX #7D8AF1

RGB 125 138 241

HSL 233.28, 0.81%, 0.72%

LAB 60.68, 22.39, -53.4

 

CMYK 40 / 36 / 0 / 10

HEX #8993E5

RGB 137 147 229

HSL 233.48, 0.64%, 0.72%

LAB 63.21, 16.58, -42.71

 

CMYK 32 / 28 / 0 / 15

HEX #949CDA

RGB 148 156 218

HSL 233.14, 0.49%, 0.72%

LAB 65.85, 11.46, -32.45

 

CMYK 22 / 20 / 0 / 19

HEX #A0A5CE

RGB 160 165 206

HSL 233.48, 0.32%, 0.72%

LAB 68.64, 7.03, -21.46

 

CMYK 55 / 19 / 0 / 1

HEX #72CCFC

RGB 114 204 252

HSL 200.87, 0.96%, 0.72%

LAB 78.34, -13.78, -31.78

 

CMYK 55 / 34 / 0 / 1

HEX #72A7FC

RGB 114 167 252

HSL 216.96, 0.96%, 0.72%

LAB 68.2, 6.47, -47.57

 

CMYK 55 / 48 / 0 / 1

HEX #7282FC

RGB 114 130 252

HSL 233.04, 0.96%, 0.72%

LAB 58.58, 28.17, -62.88

 

CMYK 46 / 55 / 0 / 1

HEX #8772FC

RGB 135 114 252

HSL 249.13, 0.96%, 0.72%

LAB 56.3, 41.82, -66.45

 

CMYK 32 / 55 / 0 / 1

HEX #AC72FC

RGB 172 114 252

HSL 265.22, 0.96%, 0.72%

LAB 59.74, 50.11, -60.75

 

CMYK 87 / 78 / 0 / 2

HEX #2138FB

RGB 33 56 251

HSL 233.67, 0.96%, 0.56%

LAB 38.05, 61.68, -96.02

 

CMYK 71 / 63 / 0 / 1

HEX #495CFC

RGB 73 92 252

HSL 233.63, 0.97%, 0.64%

LAB 47.1, 44.67, -81.59

 

CMYK 55 / 49 / 0 / 1

HEX #7281FC

RGB 114 129 252

HSL 233.48, 0.96%, 0.72%

LAB 58.33, 28.76, -63.27

 

CMYK 39 / 35 / 0 / 1

HEX #9AA5FD

RGB 154 165 253

HSL 233.33, 0.96%, 0.8%

LAB 70.09, 17.22, -44.99

 

CMYK 23 / 21 / 0 / 0

HEX #C3C9FE

RGB 195 201 254

HSL 233.9, 0.97%, 0.88%

LAB 82.13, 8.99, -26.65

 

CMYK 55 / 49 / 0 / 1

HEX #7180FD

RGB 113 128 253

HSL 233.57, 0.97%, 0.72%

LAB 58.08, 29.48, -64.23

 

CMYK 0 / 55 / 4 / 1

HEX #FC72F1

RGB 252 114 241

HSL 304.78, 0.96%, 0.72%

LAB 68.81, 68.16, -39.71

 

CMYK 27 / 0 / 55 / 1

HEX #B9FC72

RGB 185 252 114

HSL 89.13, 0.96%, 0.72%

LAB 92.2, -42.63, 58.56

 

CMYK 55 / 49 / 0 / 1

HEX #7180FD

RGB 113 128 253

HSL 233.57, 0.97%, 0.72%

LAB 58.08, 29.48, -64.23

 

CMYK 0 / 55 / 48 / 1

HEX #FC7282

RGB 252 114 130

HSL 353.04, 0.96%, 0.72%

LAB 65.23, 54, 17.42

 

CMYK 48 / 0 / 55 / 1

HEX #82FC72

RGB 130 252 114

HSL 113.04, 0.96%, 0.72%

LAB 89.66, -59.91, 54.95

 

CMYK 55 / 49 / 0 / 1

HEX #7180FD

RGB 113 128 253

HSL 233.57, 0.97%, 0.72%

LAB 58.08, 29.48, -64.23

 

CMYK 0 / 55 / 4 / 1

HEX #FC72F1

RGB 252 114 241

HSL 304.78, 0.96%, 0.72%

LAB 68.81, 68.16, -39.71

 

CMYK 0 / 6 / 55 / 1

HEX #FCEC72

RGB 252 236 114

HSL 53.04, 0.96%, 0.72%

LAB 92.53, -9.54, 60.14

 

CMYK 55 / 0 / 50 / 1

HEX #72FC7D

RGB 114 252 125

HSL 124.78, 0.96%, 0.72%

LAB 89.24, -62.63, 49.29

 

CMYK 55 / 49 / 0 / 1

HEX #7180FD

RGB 113 128 253

HSL 233.57, 0.97%, 0.72%

LAB 58.08, 29.48, -64.23

 

CMYK 0 / 55 / 21 / 1

HEX #FC72C7

RGB 252 114 199

HSL 323.04, 0.96%, 0.72%

LAB 67.17, 61.86, -18.89

 

CMYK 0 / 6 / 55 / 1

HEX #FCEC72

RGB 252 236 114

HSL 53.04, 0.96%, 0.72%

LAB 92.53, -9.54, 60.14

 

CMYK 55 / 0 / 34 / 1

HEX #72FCA7

RGB 114 252 167

HSL 143.04, 0.96%, 0.72%

LAB 89.85, -56.1, 29.6

 

Description

Color code: HEX #7180FD | qconv.com Color code: HEX #7180FD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 128 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 128 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 49 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 49% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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