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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7161AF it is the complementary color #8E9E50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7161AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7161AF shade: #7661AA, #8773BD, #9885D0, #A997E3 and #BAA9F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7161AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7161AF shade: #7161AF, #604F9C, #4F3D89, #3E2B76 and #2D1963

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7161AF shade: #6F5FAE, #855FAE, #9A5FAE, #AE5FAD and #AE5F98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7161AF shade: #6F5FAE and #5F5FAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7161AF shade matches the following richer shades: #6F5FAE, #644CC2, #5838D5, #4D25E8 and #4212FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7161AF shade: #6F5FAE, #7B729B, #868687, #929974 and #9DAD61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7161AF shade: #5F79AE, #5F64AE, #6F5FAE, #845FAE and #995FAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7161AF shade: #4B3E7C, #5C4C98, #6F5FAE, #887BBC and #A196CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7161AF shade: #7161AF, #AE5F8F and #6FAE5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7161AF shade: #7161AF, #AE6F5F and #5FAE6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7161AF shade: #7161AF, #AE5F8F, #9EAE5F and #5FAE7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7161AF shade: #7161AF, #AE5F77, #9EAE5F and #5FAE96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 45 / 0 / 31

HEX #7161AF

RGB 113 97 175

HSL 252.31, 0.33%, 0.53%

LAB 45.85, 24.86, -39.52

 

Complementary color

CMYK 10 / 0 / 49 / 38

HEX #8E9E50

RGB 142 158 80

HSL 72.31, 0.33%, 0.47%

LAB 62.32, -17.97, 38.56

 

CMYK 31 / 43 / 0 / 33

HEX #7661AA

RGB 118 97 170

HSL 257.26, 0.3%, 0.52%

LAB 46.05, 24.92, -36.24

 

CMYK 29 / 39 / 0 / 26

HEX #8773BD

RGB 135 115 189

HSL 256.22, 0.36%, 0.6%

LAB 53.04, 24.06, -36.16

 

CMYK 27 / 36 / 0 / 18

HEX #9885D0

RGB 152 133 208

HSL 255.2, 0.44%, 0.67%

LAB 59.89, 23.31, -36.12

 

CMYK 26 / 33 / 0 / 11

HEX #A997E3

RGB 169 151 227

HSL 254.21, 0.58%, 0.74%

LAB 66.61, 22.63, -36.12

 

CMYK 24 / 31 / 0 / 4

HEX #BAA9F6

RGB 186 169 246

HSL 253.25, 0.81%, 0.81%

LAB 73.2, 22.01, -36.15

 

CMYK 35 / 45 / 0 / 31

HEX #7161AF

RGB 113 97 175

HSL 252.31, 0.33%, 0.53%

LAB 45.85, 24.86, -39.52

 

CMYK 38 / 49 / 0 / 39

HEX #604F9C

RGB 96 79 156

HSL 253.25, 0.33%, 0.46%

LAB 38.69, 25.92, -39.72

 

CMYK 42 / 55 / 0 / 46

HEX #4F3D89

RGB 79 61 137

HSL 254.21, 0.38%, 0.39%

LAB 31.36, 27.15, -39.96

 

CMYK 47 / 64 / 0 / 54

HEX #3E2B76

RGB 62 43 118

HSL 255.2, 0.47%, 0.32%

LAB 23.87, 28.56, -40.21

 

CMYK 55 / 75 / 0 / 61

HEX #2D1963

RGB 45 25 99

HSL 256.22, 0.6%, 0.24%

LAB 16.28, 30.06, -40.31

 

CMYK 36 / 45 / 0 / 32

HEX #6F5FAE

RGB 111 95 174

HSL 252.15, 0.33%, 0.53%

LAB 45.11, 25.25, -40.11

 

CMYK 24 / 45 / 0 / 32

HEX #855FAE

RGB 133 95 174

HSL 268.86, 0.33%, 0.53%

LAB 47.27, 31.48, -36.56

 

CMYK 11 / 45 / 0 / 32

HEX #9A5FAE

RGB 154 95 174

HSL 284.81, 0.33%, 0.53%

LAB 49.63, 37.72, -32.69

 

CMYK 0 / 45 / 1 / 32

HEX #AE5FAD

RGB 174 95 173

HSL 300.76, 0.33%, 0.53%

LAB 52.06, 43.58, -28.12

 

CMYK 0 / 45 / 13 / 32

HEX #AE5F98

RGB 174 95 152

HSL 316.71, 0.33%, 0.53%

LAB 51.21, 39.86, -17.13

 

CMYK 36 / 45 / 0 / 32

HEX #6F5FAE

RGB 111 95 174

HSL 252.15, 0.33%, 0.53%

LAB 45.11, 25.25, -40.11

 

CMYK 45 / 45 / 0 / 32

HEX #5F5FAE

RGB 95 95 174

HSL 240, 0.33%, 0.53%

LAB 43.76, 21.06, -42.34

 

CMYK 36 / 45 / 0 / 32

HEX #6F5FAE

RGB 111 95 174

HSL 252.15, 0.33%, 0.53%

LAB 45.11, 25.25, -40.11

 

CMYK 48 / 61 / 0 / 24

HEX #644CC2

RGB 100 76 194

HSL 252.2, 0.49%, 0.53%

LAB 40.85, 39.81, -58.69

 

CMYK 59 / 74 / 0 / 16

HEX #5838D5

RGB 88 56 213

HSL 252.23, 0.65%, 0.53%

LAB 37.31, 54.38, -75.53

 

CMYK 67 / 84 / 0 / 9

HEX #4D25E8

RGB 77 37 232

HSL 252.31, 0.81%, 0.53%

LAB 35.45, 66.87, -89.52

 

CMYK 74 / 93 / 0 / 1

HEX #4212FC

RGB 66 18 252

HSL 252.31, 0.98%, 0.53%

LAB 35.24, 76.7, -101.21

 

CMYK 36 / 45 / 0 / 32

HEX #6F5FAE

RGB 111 95 174

HSL 252.15, 0.33%, 0.53%

LAB 45.11, 25.25, -40.11

 

CMYK 21 / 26 / 0 / 39

HEX #7B729B

RGB 123 114 155

HSL 253.17, 0.17%, 0.53%

LAB 50.23, 12.42, -20.89

 

CMYK 1 / 1 / 0 / 47

HEX #868687

RGB 134 134 135

HSL 240, 0%, 0.53%

LAB 55.96, 0.2, -0.54

 

CMYK 5 / 0 / 24 / 40

HEX #929974

RGB 146 153 116

HSL 71.35, 0.15%, 0.53%

LAB 61.79, -9.07, 18.65

 

CMYK 9 / 0 / 44 / 32

HEX #9DAD61

RGB 157 173 97

HSL 72.63, 0.32%, 0.53%

LAB 67.96, -17.7, 37.08

 

CMYK 45 / 30 / 0 / 32

HEX #5F79AE

RGB 95 121 174

HSL 220.25, 0.33%, 0.53%

LAB 50.88, 5.09, -31.12

 

CMYK 45 / 43 / 0 / 32

HEX #5F64AE

RGB 95 100 174

HSL 236.2, 0.33%, 0.53%

LAB 45.09, 17.95, -40.23

 

CMYK 36 / 45 / 0 / 32

HEX #6F5FAE

RGB 111 95 174

HSL 252.15, 0.33%, 0.53%

LAB 45.11, 25.25, -40.11

 

CMYK 24 / 45 / 0 / 32

HEX #845FAE

RGB 132 95 174

HSL 268.1, 0.33%, 0.53%

LAB 47.17, 31.19, -36.73

 

CMYK 12 / 45 / 0 / 32

HEX #995FAE

RGB 153 95 174

HSL 284.05, 0.33%, 0.53%

LAB 49.51, 37.42, -32.88

 

CMYK 40 / 50 / 0 / 51

HEX #4B3E7C

RGB 75 62 124

HSL 252.58, 0.33%, 0.36%

LAB 30.39, 21.53, -33.45

 

CMYK 39 / 50 / 0 / 40

HEX #5C4C98

RGB 92 76 152

HSL 252.63, 0.33%, 0.45%

LAB 37.32, 25.56, -39.52

 

CMYK 36 / 45 / 0 / 32

HEX #6F5FAE

RGB 111 95 174

HSL 252.15, 0.33%, 0.53%

LAB 45.11, 25.25, -40.11

 

CMYK 28 / 35 / 0 / 26

HEX #887BBC

RGB 136 123 188

HSL 252, 0.33%, 0.61%

LAB 55.1, 19.39, -32.36

 

CMYK 20 / 26 / 0 / 21

HEX #A196CA

RGB 161 150 202

HSL 252.69, 0.33%, 0.69%

LAB 64.69, 14.86, -25.27

 

CMYK 35 / 45 / 0 / 31

HEX #7161AF

RGB 113 97 175

HSL 252.31, 0.33%, 0.53%

LAB 45.85, 24.86, -39.52

 

CMYK 0 / 45 / 18 / 32

HEX #AE5F8F

RGB 174 95 143

HSL 323.54, 0.33%, 0.53%

LAB 50.88, 38.38, -12.31

 

CMYK 36 / 0 / 45 / 32

HEX #6FAE5F

RGB 111 174 95

HSL 107.85, 0.33%, 0.53%

LAB 65.34, -35.64, 34.2

 

CMYK 35 / 45 / 0 / 31

HEX #7161AF

RGB 113 97 175

HSL 252.31, 0.33%, 0.53%

LAB 45.85, 24.86, -39.52

 

CMYK 0 / 36 / 45 / 32

HEX #AE6F5F

RGB 174 111 95

HSL 12.15, 0.33%, 0.53%

LAB 53.16, 23.13, 19.3

 

CMYK 45 / 0 / 36 / 32

HEX #5FAE6F

RGB 95 174 111

HSL 132.15, 0.33%, 0.53%

LAB 64.85, -38.14, 24.99

 

CMYK 35 / 45 / 0 / 31

HEX #7161AF

RGB 113 97 175

HSL 252.31, 0.33%, 0.53%

LAB 45.85, 24.86, -39.52

 

CMYK 0 / 45 / 18 / 32

HEX #AE5F8F

RGB 174 95 143

HSL 323.54, 0.33%, 0.53%

LAB 50.88, 38.38, -12.31

 

CMYK 9 / 0 / 45 / 32

HEX #9EAE5F

RGB 158 174 95

HSL 72.15, 0.33%, 0.53%

LAB 68.29, -18.03, 38.52

 

CMYK 45 / 0 / 27 / 32

HEX #5FAE7F

RGB 95 174 127

HSL 144.3, 0.33%, 0.53%

LAB 65.15, -35.14, 16.73

 

CMYK 35 / 45 / 0 / 31

HEX #7161AF

RGB 113 97 175

HSL 252.31, 0.33%, 0.53%

LAB 45.85, 24.86, -39.52

 

CMYK 0 / 45 / 32 / 32

HEX #AE5F77

RGB 174 95 119

HSL 341.77, 0.33%, 0.53%

LAB 50.11, 34.86, 0.84

 

CMYK 9 / 0 / 45 / 32

HEX #9EAE5F

RGB 158 174 95

HSL 72.15, 0.33%, 0.53%

LAB 68.29, -18.03, 38.52

 

CMYK 45 / 0 / 14 / 32

HEX #5FAE96

RGB 95 174 150

HSL 161.77, 0.33%, 0.53%

LAB 65.68, -30.16, 4.8

 

Description

Color code: HEX #7161AF | qconv.com Color code: HEX #7161AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 97 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 97 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 45 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 45% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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