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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71510D it is the complementary color #8EAEF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71510D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71510D shade: #765108, #87631B, #98752E, #A98741 and #BA9954

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71510D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71510D shade: #71510D, #603F00, #4F2D00, #3E1B00 and #2D0900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71510D shade: #72510D, #72360D, #721B0D and #720D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71510D shade: #72510D, #726D0D, #5C720D, #40720D and #25720D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71510D shade matches the following richer shades: #72510D and #7C5503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71510D shade: #72510D, #674E17, #5D4A22, #53462C and #484336

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71510D shade: #721A0D, #72350D, #72500D, #726B0D and #5D720D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71510D shade: #281C04, #4D3709, #72510D, #976C11 and #BB8616

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71510D shade: #71510D, #1A720D and #280D72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71510D shade: #71510D, #0D7250 and #500D72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71510D shade: #71510D, #1A720D, #0D2E72 and #640D72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71510D shade: #71510D, #0D721E, #0D2E72 and #720D61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 88 / 56

HEX #71510D

RGB 113 81 13

HSL 40.8, 0.79%, 0.25%

LAB 36.79, 7.12, 41.21

 

Complementary color

CMYK 41 / 28 / 0 / 5

HEX #8EAEF2

RGB 142 174 242

HSL 220.8, 0.79%, 0.75%

LAB 71.17, 6.07, -37.38

 

CMYK 0 / 31 / 93 / 54

HEX #765108

RGB 118 81 8

HSL 39.82, 0.87%, 0.25%

LAB 37.4, 9.43, 43.48

 

CMYK 0 / 27 / 80 / 47

HEX #87631B

RGB 135 99 27

HSL 40, 0.67%, 0.32%

LAB 44.45, 7.52, 43.84

 

CMYK 0 / 23 / 70 / 40

HEX #98752E

RGB 152 117 46

HSL 40.19, 0.54%, 0.39%

LAB 51.38, 6, 43.04

 

CMYK 0 / 20 / 62 / 34

HEX #A98741

RGB 169 135 65

HSL 40.38, 0.44%, 0.46%

LAB 58.17, 4.78, 41.82

 

CMYK 0 / 18 / 55 / 27

HEX #BA9954

RGB 186 153 84

HSL 40.59, 0.43%, 0.53%

LAB 64.85, 3.77, 40.49

 

CMYK 0 / 28 / 88 / 56

HEX #71510D

RGB 113 81 13

HSL 40.8, 0.79%, 0.25%

LAB 36.79, 7.12, 41.21

 

CMYK 0 / 34 / 100 / 62

HEX #603F00

RGB 96 63 0

HSL 39.38, 1%, 0.19%

LAB 29.52, 9.33, 39.19

 

CMYK 0 / 43 / 100 / 69

HEX #4F2D00

RGB 79 45 0

HSL 34.18, 1%, 0.15%

LAB 22.08, 12.09, 31.44

 

CMYK 0 / 56 / 100 / 76

HEX #3E1B00

RGB 62 27 0

HSL 26.13, 1%, 0.12%

LAB 14.45, 15.02, 21.71

 

CMYK 0 / 80 / 100 / 82

HEX #2D0900

RGB 45 9 0

HSL 12, 1%, 0.09%

LAB 6.8, 17.48, 10.54

 

CMYK 0 / 29 / 89 / 55

HEX #72510D

RGB 114 81 13

HSL 40.4, 0.8%, 0.25%

LAB 36.91, 7.61, 41.36

 

CMYK 0 / 53 / 89 / 55

HEX #72360D

RGB 114 54 13

HSL 24.36, 0.8%, 0.25%

LAB 30.02, 23.74, 35.5

 

CMYK 0 / 76 / 89 / 55

HEX #721B0D

RGB 114 27 13

HSL 8.32, 0.8%, 0.25%

LAB 24.92, 37.15, 30.98

 

CMYK 0 / 89 / 89 / 55

HEX #720D0D

RGB 114 13 13

HSL 0, 0.8%, 0.25%

LAB 23.32, 41.65, 29.4

 

CMYK 0 / 29 / 89 / 55

HEX #72510D

RGB 114 81 13

HSL 40.4, 0.8%, 0.25%

LAB 36.91, 7.61, 41.36

 

CMYK 0 / 4 / 89 / 55

HEX #726D0D

RGB 114 109 13

HSL 57.03, 0.8%, 0.25%

LAB 45, -8.8, 48.1

 

CMYK 19 / 0 / 89 / 55

HEX #5C720D

RGB 92 114 13

HSL 73.07, 0.8%, 0.25%

LAB 44.72, -21.76, 47.13

 

CMYK 44 / 0 / 89 / 55

HEX #40720D

RGB 64 114 13

HSL 89.7, 0.8%, 0.25%

LAB 42.99, -33.31, 44.97

 

CMYK 68 / 0 / 89 / 55

HEX #25720D

RGB 37 114 13

HSL 105.74, 0.8%, 0.25%

LAB 41.93, -41.61, 43.62

 

CMYK 0 / 29 / 89 / 55

HEX #72510D

RGB 114 81 13

HSL 40.4, 0.8%, 0.25%

LAB 36.91, 7.61, 41.36

 

CMYK 0 / 31 / 98 / 51

HEX #7C5503

RGB 124 85 3

HSL 40.66, 0.95%, 0.25%

LAB 39.22, 9.82, 46.65

 

CMYK 0 / 29 / 89 / 55

HEX #72510D

RGB 114 81 13

HSL 40.4, 0.8%, 0.25%

LAB 36.91, 7.61, 41.36

 

CMYK 0 / 24 / 78 / 60

HEX #674E17

RGB 103 78 23

HSL 41.25, 0.63%, 0.25%

LAB 34.79, 4.43, 34.94

 

CMYK 0 / 20 / 63 / 64

HEX #5D4A22

RGB 93 74 34

HSL 40.68, 0.46%, 0.25%

LAB 32.57, 2.72, 26.53

 

CMYK 0 / 16 / 47 / 67

HEX #53462C

RGB 83 70 44

HSL 40, 0.31%, 0.25%

LAB 30.4, 1.39, 17.71

 

CMYK 0 / 7 / 25 / 72

HEX #484336

RGB 72 67 54

HSL 43.33, 0.14%, 0.25%

LAB 28.53, -0.39, 8.67

 

CMYK 0 / 77 / 89 / 55

HEX #721A0D

RGB 114 26 13

HSL 7.72, 0.8%, 0.25%

LAB 24.78, 37.54, 30.85

 

CMYK 0 / 54 / 89 / 55

HEX #72350D

RGB 114 53 13

HSL 23.76, 0.8%, 0.25%

LAB 29.79, 24.31, 35.31

 

CMYK 0 / 30 / 89 / 55

HEX #72500D

RGB 114 80 13

HSL 39.8, 0.8%, 0.25%

LAB 36.64, 8.21, 41.13

 

CMYK 0 / 6 / 89 / 55

HEX #726B0D

RGB 114 107 13

HSL 55.84, 0.8%, 0.25%

LAB 44.41, -7.68, 47.61

 

CMYK 18 / 0 / 89 / 55

HEX #5D720D

RGB 93 114 13

HSL 72.48, 0.8%, 0.25%

LAB 44.79, -21.31, 47.22

 

CMYK 0 / 30 / 90 / 84

HEX #281C04

RGB 40 28 4

HSL 40, 0.82%, 0.09%

LAB 11.21, 2.67, 15.11

 

CMYK 0 / 29 / 88 / 70

HEX #4D3709

RGB 77 55 9

HSL 40.59, 0.79%, 0.17%

LAB 24.73, 4.99, 30.37

 

CMYK 0 / 29 / 89 / 55

HEX #72510D

RGB 114 81 13

HSL 40.4, 0.8%, 0.25%

LAB 36.91, 7.61, 41.36

 

CMYK 0 / 28 / 89 / 41

HEX #976C11

RGB 151 108 17

HSL 40.75, 0.8%, 0.33%

LAB 48.69, 9.49, 51.69

 

CMYK 0 / 28 / 88 / 27

HEX #BB8616

RGB 187 134 22

HSL 40.73, 0.79%, 0.41%

LAB 59.59, 11.41, 60.86

 

CMYK 0 / 28 / 88 / 56

HEX #71510D

RGB 113 81 13

HSL 40.8, 0.79%, 0.25%

LAB 36.79, 7.12, 41.21

 

CMYK 77 / 0 / 89 / 55

HEX #1A720D

RGB 26 114 13

HSL 112.28, 0.8%, 0.25%

LAB 41.66, -43.91, 43.28

 

CMYK 65 / 89 / 0 / 55

HEX #280D72

RGB 40 13 114

HSL 256.04, 0.8%, 0.25%

LAB 15.24, 40.06, -51.85

 

CMYK 0 / 28 / 88 / 56

HEX #71510D

RGB 113 81 13

HSL 40.8, 0.79%, 0.25%

LAB 36.79, 7.12, 41.21

 

CMYK 89 / 0 / 30 / 55

HEX #0D7250

RGB 13 114 80

HSL 159.8, 0.8%, 0.25%

LAB 42.31, -35.62, 11.39

 

CMYK 30 / 89 / 0 / 55

HEX #500D72

RGB 80 13 114

HSL 279.8, 0.8%, 0.25%

LAB 20.86, 45.48, -42.42

 

CMYK 0 / 28 / 88 / 56

HEX #71510D

RGB 113 81 13

HSL 40.8, 0.79%, 0.25%

LAB 36.79, 7.12, 41.21

 

CMYK 77 / 0 / 89 / 55

HEX #1A720D

RGB 26 114 13

HSL 112.28, 0.8%, 0.25%

LAB 41.66, -43.91, 43.28

 

CMYK 89 / 60 / 0 / 55

HEX #0D2E72

RGB 13 46 114

HSL 220.4, 0.8%, 0.25%

LAB 21.04, 16.86, -42.4

 

CMYK 12 / 89 / 0 / 55

HEX #640D72

RGB 100 13 114

HSL 291.68, 0.8%, 0.25%

LAB 24.36, 49.07, -36.58

 

CMYK 0 / 28 / 88 / 56

HEX #71510D

RGB 113 81 13

HSL 40.8, 0.79%, 0.25%

LAB 36.79, 7.12, 41.21

 

CMYK 89 / 0 / 74 / 55

HEX #0D721E

RGB 13 114 30

HSL 130.1, 0.8%, 0.25%

LAB 41.55, -44.48, 37.21

 

CMYK 89 / 60 / 0 / 55

HEX #0D2E72

RGB 13 46 114

HSL 220.4, 0.8%, 0.25%

LAB 21.04, 16.86, -42.4

 

CMYK 0 / 89 / 15 / 55

HEX #720D61

RGB 114 13 97

HSL 310.1, 0.8%, 0.25%

LAB 25.95, 49.11, -22.86

 

Description

Color code: HEX #71510D | qconv.com Color code: HEX #71510D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 81 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 81 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 88 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 88% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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