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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7141CC it is the complementary color #8EBE33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7141CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7141CC shade: #7641C7, #8753DA, #9865ED, #A977FF and #BA89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7141CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7141CC shade: #7141CC, #602FB9, #4F1DA6, #3E0B93 and #2D0080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7141CC shade: #7141CC, #9741CC, #BC41CC, #CC41B7 and #CC4191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7141CC shade: #7141CC, #4C41CC and #4141CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7141CC shade matches the following richer shades: #7141CC, #6B2EE0 and #651AF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7141CC shade: #7141CC, #7755B9, #7D68A5, #837B92 and #898F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7141CC shade: #415DCC, #4A41CC, #6F41CC, #9541CC and #BA41CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7141CC shade: #4D2794, #5D30B4, #7141CC, #8962D5 and #A282DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7141CC shade: #7141CC, #CC4182 and #4ACC41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7141CC shade: #7141CC, #CC6F41 and #41CC6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7141CC shade: #7141CC, #CC4182, #9ECC41 and #41CC8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7141CC shade: #7141CC, #CC4158, #9ECC41 and #41CCB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 68 / 0 / 20

HEX #7141CC

RGB 113 65 204

HSL 260.72, 0.58%, 0.53%

LAB 40.66, 51.19, -64.76

 

Complementary color

CMYK 25 / 0 / 73 / 25

HEX #8EBE33

RGB 142 190 51

HSL 80.72, 0.58%, 0.47%

LAB 71.43, -35.79, 61.09

 

CMYK 41 / 67 / 0 / 22

HEX #7641C7

RGB 118 65 199

HSL 263.73, 0.54%, 0.52%

LAB 40.83, 50.82, -61.56

 

CMYK 38 / 62 / 0 / 15

HEX #8753DA

RGB 135 83 218

HSL 263.11, 0.65%, 0.59%

LAB 47.49, 49.81, -61.6

 

CMYK 36 / 57 / 0 / 7

HEX #9865ED

RGB 152 101 237

HSL 262.5, 0.79%, 0.66%

LAB 54.13, 48.74, -61.53

 

CMYK 34 / 53 / 0 / 0

HEX #A977FF

RGB 169 119 255

HSL 262.06, 1%, 0.73%

LAB 60.65, 47.44, -60.96

 

CMYK 27 / 46 / 0 / 0

HEX #BA89FF

RGB 186 137 255

HSL 264.92, 1%, 0.77%

LAB 66.17, 41.87, -52.06

 

CMYK 45 / 68 / 0 / 20

HEX #7141CC

RGB 113 65 204

HSL 260.72, 0.58%, 0.53%

LAB 40.66, 51.19, -64.76

 

CMYK 48 / 75 / 0 / 27

HEX #602FB9

RGB 96 47 185

HSL 261.3, 0.59%, 0.45%

LAB 34.03, 52.12, -64.55

 

CMYK 52 / 83 / 0 / 35

HEX #4F1DA6

RGB 79 29 166

HSL 261.9, 0.7%, 0.38%

LAB 27.56, 52.52, -63.89

 

CMYK 58 / 93 / 0 / 42

HEX #3E0B93

RGB 62 11 147

HSL 262.5, 0.86%, 0.31%

LAB 21.47, 51.74, -62.38

 

CMYK 65 / 100 / 0 / 50

HEX #2D0080

RGB 45 0 128

HSL 261.09, 1%, 0.25%

LAB 16.09, 48.77, -59.43

 

CMYK 45 / 68 / 0 / 20

HEX #7141CC

RGB 113 65 204

HSL 260.72, 0.58%, 0.53%

LAB 40.66, 51.19, -64.76

 

CMYK 26 / 68 / 0 / 20

HEX #9741CC

RGB 151 65 204

HSL 277.12, 0.58%, 0.53%

LAB 45.25, 58.7, -57.1

 

CMYK 8 / 68 / 0 / 20

HEX #BC41CC

RGB 188 65 204

HSL 293.09, 0.58%, 0.53%

LAB 50.49, 66.69, -48.41

 

CMYK 0 / 68 / 10 / 20

HEX #CC41B7

RGB 204 65 183

HSL 309.06, 0.58%, 0.53%

LAB 51.88, 66.96, -33.91

 

CMYK 0 / 68 / 29 / 20

HEX #CC4191

RGB 204 65 145

HSL 325.47, 0.58%, 0.53%

LAB 50.29, 61.75, -13.95

 

CMYK 45 / 68 / 0 / 20

HEX #7141CC

RGB 113 65 204

HSL 260.72, 0.58%, 0.53%

LAB 40.66, 51.19, -64.76

 

CMYK 63 / 68 / 0 / 20

HEX #4C41CC

RGB 76 65 204

HSL 244.75, 0.58%, 0.53%

LAB 37.26, 45.2, -70.46

 

CMYK 68 / 68 / 0 / 20

HEX #4141CC

RGB 65 65 204

HSL 240, 0.58%, 0.53%

LAB 36.49, 43.78, -71.75

 

CMYK 45 / 68 / 0 / 20

HEX #7141CC

RGB 113 65 204

HSL 260.72, 0.58%, 0.53%

LAB 40.66, 51.19, -64.76

 

CMYK 52 / 79 / 0 / 12

HEX #6B2EE0

RGB 107 46 224

HSL 260.56, 0.74%, 0.53%

LAB 38.66, 64.23, -79.57

 

CMYK 58 / 89 / 0 / 5

HEX #651AF3

RGB 101 26 243

HSL 260.74, 0.9%, 0.53%

LAB 37.8, 74.7, -91.8

 

CMYK 45 / 68 / 0 / 20

HEX #7141CC

RGB 113 65 204

HSL 260.72, 0.58%, 0.53%

LAB 40.66, 51.19, -64.76

 

CMYK 36 / 54 / 0 / 27

HEX #7755B9

RGB 119 85 185

HSL 260.4, 0.42%, 0.53%

LAB 44.12, 36.33, -48.08

 

CMYK 24 / 37 / 0 / 35

HEX #7D68A5

RGB 125 104 165

HSL 260.66, 0.25%, 0.53%

LAB 48.23, 21.52, -29.83

 

CMYK 10 / 16 / 0 / 43

HEX #837B92

RGB 131 123 146

HSL 260.87, 0.1%, 0.53%

LAB 53.02, 7.76, -11.31

 

CMYK 4 / 0 / 11 / 44

HEX #898F7F

RGB 137 143 127

HSL 82.5, 0.07%, 0.53%

LAB 58.5, -5.24, 7.76

 

CMYK 68 / 54 / 0 / 20

HEX #415DCC

RGB 65 93 204

HSL 227.91, 0.58%, 0.53%

LAB 43.23, 26.38, -60.75

 

CMYK 64 / 68 / 0 / 20

HEX #4A41CC

RGB 74 65 204

HSL 243.88, 0.58%, 0.53%

LAB 37.11, 44.92, -70.71

 

CMYK 46 / 68 / 0 / 20

HEX #6F41CC

RGB 111 65 204

HSL 259.86, 0.58%, 0.53%

LAB 40.44, 50.83, -65.12

 

CMYK 27 / 68 / 0 / 20

HEX #9541CC

RGB 149 65 204

HSL 276.26, 0.58%, 0.53%

LAB 44.98, 58.28, -57.54

 

CMYK 9 / 68 / 0 / 20

HEX #BA41CC

RGB 186 65 204

HSL 292.23, 0.58%, 0.53%

LAB 50.19, 66.25, -48.9

 

CMYK 48 / 74 / 0 / 42

HEX #4D2794

RGB 77 39 148

HSL 260.92, 0.58%, 0.37%

LAB 27.21, 42.77, -53.49

 

CMYK 48 / 73 / 0 / 29

HEX #5D30B4

RGB 93 48 180

HSL 260.45, 0.58%, 0.45%

LAB 33.43, 49.8, -62.58

 

CMYK 45 / 68 / 0 / 20

HEX #7141CC

RGB 113 65 204

HSL 260.72, 0.58%, 0.53%

LAB 40.66, 51.19, -64.76

 

CMYK 36 / 54 / 0 / 16

HEX #8962D5

RGB 137 98 213

HSL 260.35, 0.58%, 0.61%

LAB 50.52, 40.71, -53.87

 

CMYK 27 / 41 / 0 / 13

HEX #A282DD

RGB 162 130 221

HSL 261.1, 0.57%, 0.69%

LAB 60.66, 31.09, -42.13

 

CMYK 45 / 68 / 0 / 20

HEX #7141CC

RGB 113 65 204

HSL 260.72, 0.58%, 0.53%

LAB 40.66, 51.19, -64.76

 

CMYK 0 / 68 / 36 / 20

HEX #CC4182

RGB 204 65 130

HSL 331.94, 0.58%, 0.53%

LAB 49.77, 60.01, -5.73

 

CMYK 64 / 0 / 68 / 20

HEX #4ACC41

RGB 74 204 65

HSL 116.12, 0.58%, 0.53%

LAB 72.91, -61.28, 56.46

 

CMYK 45 / 68 / 0 / 20

HEX #7141CC

RGB 113 65 204

HSL 260.72, 0.58%, 0.53%

LAB 40.66, 51.19, -64.76

 

CMYK 0 / 46 / 68 / 20

HEX #CC6F41

RGB 204 111 65

HSL 19.86, 0.58%, 0.53%

LAB 56.67, 32.92, 41.23

 

CMYK 68 / 0 / 46 / 20

HEX #41CC6F

RGB 65 204 111

HSL 139.86, 0.58%, 0.53%

LAB 73.19, -57.22, 35.7

 

CMYK 45 / 68 / 0 / 20

HEX #7141CC

RGB 113 65 204

HSL 260.72, 0.58%, 0.53%

LAB 40.66, 51.19, -64.76

 

CMYK 0 / 68 / 36 / 20

HEX #CC4182

RGB 204 65 130

HSL 331.94, 0.58%, 0.53%

LAB 49.77, 60.01, -5.73

 

CMYK 23 / 0 / 68 / 20

HEX #9ECC41

RGB 158 204 65

HSL 79.86, 0.58%, 0.53%

LAB 76.58, -35.13, 61.44

 

CMYK 68 / 0 / 32 / 20

HEX #41CC8B

RGB 65 204 139

HSL 151.94, 0.58%, 0.53%

LAB 73.66, -52.06, 21.83

 

CMYK 45 / 68 / 0 / 20

HEX #7141CC

RGB 113 65 204

HSL 260.72, 0.58%, 0.53%

LAB 40.66, 51.19, -64.76

 

CMYK 0 / 68 / 57 / 20

HEX #CC4158

RGB 204 65 88

HSL 350.07, 0.58%, 0.53%

LAB 48.66, 56.15, 18.14

 

CMYK 23 / 0 / 68 / 20

HEX #9ECC41

RGB 158 204 65

HSL 79.86, 0.58%, 0.53%

LAB 76.58, -35.13, 61.44

 

CMYK 68 / 0 / 11 / 20

HEX #41CCB5

RGB 65 204 181

HSL 170.07, 0.58%, 0.53%

LAB 74.6, -42.28, 0.66

 

Description

Color code: HEX #7141CC | qconv.com Color code: HEX #7141CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 65 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 65 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 68 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 68% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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