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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71137E it is the complementary color #8EEC81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71137E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71137E shade: #761379, #87258C, #98379F, #A949B2 and #BA5BC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71137E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71137E shade: #71137E, #60016B, #4F0058, #3E0045 and #2D0032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71137E shade: #6F127C, #7C126C, #7C1250, #7C1233 and #7C1217

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71137E shade: #6F127C, #52127C, #36127C, #19127C and #12127C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71137E shade matches the following richer shades: #6F127C and #780787

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71137E shade: #6F127C, #661E70, #5D2965, #553559 and #4C404E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71137E shade: #35127C, #51127C, #6E127C, #7C126E and #7C1251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71137E shade: #2F0734, #4F0D58, #6F127C, #8F17A0 and #AF1DC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71137E shade: #71137E, #7C1912 and #127C43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71137E shade: #71137E, #7C6E12 and #127C6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71137E shade: #71137E, #7C1912, #207C12 and #12757C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71137E shade: #71137E, #7C3912, #207C12 and #12557C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 85 / 0 / 51

HEX #71137E

RGB 113 19 126

HSL 292.71, 0.74%, 0.28%

LAB 28.07, 52.29, -38.14

 

Complementary color

CMYK 40 / 0 / 45 / 7

HEX #8EEC81

RGB 142 236 129

HSL 112.71, 0.74%, 0.72%

LAB 85.67, -48.2, 43.17

 

CMYK 2 / 84 / 0 / 53

HEX #761379

RGB 118 19 121

HSL 298.24, 0.73%, 0.27%

LAB 28.64, 52.4, -34.01

 

CMYK 4 / 74 / 0 / 45

HEX #87258C

RGB 135 37 140

HSL 297.09, 0.58%, 0.35%

LAB 34.74, 53.81, -35.99

 

CMYK 4 / 65 / 0 / 38

HEX #98379F

RGB 152 55 159

HSL 295.96, 0.49%, 0.42%

LAB 41.07, 54.2, -37.3

 

CMYK 5 / 59 / 0 / 30

HEX #A949B2

RGB 169 73 178

HSL 294.86, 0.42%, 0.49%

LAB 47.51, 54.03, -38.22

 

CMYK 6 / 54 / 0 / 23

HEX #BA5BC5

RGB 186 91 197

HSL 293.77, 0.48%, 0.56%

LAB 53.98, 53.55, -38.89

 

CMYK 10 / 85 / 0 / 51

HEX #71137E

RGB 113 19 126

HSL 292.71, 0.74%, 0.28%

LAB 28.07, 52.29, -38.14

 

CMYK 10 / 99 / 0 / 58

HEX #60016B

RGB 96 1 107

HSL 293.77, 0.98%, 0.21%

LAB 22.2, 49.71, -35.58

 

CMYK 10 / 100 / 0 / 65

HEX #4F0058

RGB 79 0 88

HSL 293.86, 1%, 0.17%

LAB 17.31, 43.61, -31.05

 

CMYK 10 / 100 / 0 / 73

HEX #3E0045

RGB 62 0 69

HSL 293.91, 1%, 0.14%

LAB 12.31, 37.04, -26.22

 

CMYK 10 / 100 / 0 / 80

HEX #2D0032

RGB 45 0 50

HSL 294, 1%, 0.1%

LAB 7.12, 30.02, -21.09

 

CMYK 10 / 85 / 0 / 51

HEX #6F127C

RGB 111 18 124

HSL 292.64, 0.75%, 0.28%

LAB 27.48, 51.8, -37.83

 

CMYK 0 / 85 / 13 / 51

HEX #7C126C

RGB 124 18 108

HSL 309.06, 0.75%, 0.28%

LAB 28.9, 51.84, -25.22

 

CMYK 0 / 85 / 35 / 51

HEX #7C1250

RGB 124 18 80

HSL 324.91, 0.75%, 0.28%

LAB 27.56, 48.08, -8.96

 

CMYK 0 / 85 / 59 / 51

HEX #7C1233

RGB 124 18 51

HSL 341.32, 0.75%, 0.28%

LAB 26.61, 45.29, 9.23

 

CMYK 0 / 85 / 81 / 51

HEX #7C1217

RGB 124 18 23

HSL 357.17, 0.75%, 0.28%

LAB 26.1, 43.74, 27.16

 

CMYK 10 / 85 / 0 / 51

HEX #6F127C

RGB 111 18 124

HSL 292.64, 0.75%, 0.28%

LAB 27.48, 51.8, -37.83

 

CMYK 34 / 85 / 0 / 51

HEX #52127C

RGB 82 18 124

HSL 276.23, 0.75%, 0.28%

LAB 22.59, 46.53, -45.99

 

CMYK 56 / 85 / 0 / 51

HEX #36127C

RGB 54 18 124

HSL 260.38, 0.75%, 0.28%

LAB 18.68, 42.45, -52.56

 

CMYK 80 / 85 / 0 / 51

HEX #19127C

RGB 25 18 124

HSL 243.96, 0.75%, 0.28%

LAB 15.98, 39.72, -57.12

 

CMYK 85 / 85 / 0 / 51

HEX #12127C

RGB 18 18 124

HSL 240, 0.75%, 0.28%

LAB 15.57, 39.32, -57.8

 

CMYK 10 / 85 / 0 / 51

HEX #6F127C

RGB 111 18 124

HSL 292.64, 0.75%, 0.28%

LAB 27.48, 51.8, -37.83

 

CMYK 11 / 95 / 0 / 47

HEX #780787

RGB 120 7 135

HSL 292.97, 0.9%, 0.28%

LAB 29.14, 57.6, -41.99

 

CMYK 10 / 85 / 0 / 51

HEX #6F127C

RGB 111 18 124

HSL 292.64, 0.75%, 0.28%

LAB 27.48, 51.8, -37.83

 

CMYK 9 / 73 / 0 / 56

HEX #661E70

RGB 102 30 112

HSL 292.68, 0.58%, 0.28%

LAB 26.51, 43.53, -31.82

 

CMYK 8 / 59 / 0 / 60

HEX #5D2965

RGB 93 41 101

HSL 292, 0.42%, 0.28%

LAB 26.31, 33.56, -25.14

 

CMYK 4 / 40 / 0 / 65

HEX #553559

RGB 85 53 89

HSL 293.33, 0.25%, 0.28%

LAB 27.29, 21.19, -15.88

 

CMYK 3 / 18 / 0 / 69

HEX #4C404E

RGB 76 64 78

HSL 291.43, 0.1%, 0.28%

LAB 28.78, 8.13, -6.53

 

CMYK 57 / 85 / 0 / 51

HEX #35127C

RGB 53 18 124

HSL 259.81, 0.75%, 0.28%

LAB 18.56, 42.32, -52.76

 

CMYK 35 / 85 / 0 / 51

HEX #51127C

RGB 81 18 124

HSL 275.66, 0.75%, 0.28%

LAB 22.43, 46.36, -46.25

 

CMYK 11 / 85 / 0 / 51

HEX #6E127C

RGB 110 18 124

HSL 292.08, 0.75%, 0.28%

LAB 27.31, 51.6, -38.13

 

CMYK 0 / 85 / 11 / 51

HEX #7C126E

RGB 124 18 110

HSL 307.92, 0.75%, 0.28%

LAB 29.01, 52.14, -26.33

 

CMYK 0 / 85 / 35 / 51

HEX #7C1251

RGB 124 18 81

HSL 324.34, 0.75%, 0.28%

LAB 27.61, 48.2, -9.56

 

CMYK 10 / 87 / 0 / 80

HEX #2F0734

RGB 47 7 52

HSL 293.33, 0.76%, 0.12%

LAB 9.03, 27.06, -19.48

 

CMYK 10 / 85 / 0 / 65

HEX #4F0D58

RGB 79 13 88

HSL 292.8, 0.74%, 0.2%

LAB 18.6, 39.8, -28.96

 

CMYK 10 / 85 / 0 / 51

HEX #6F127C

RGB 111 18 124

HSL 292.64, 0.75%, 0.28%

LAB 27.48, 51.8, -37.83

 

CMYK 11 / 86 / 0 / 37

HEX #8F17A0

RGB 143 23 160

HSL 292.55, 0.75%, 0.36%

LAB 35.97, 63.03, -46.15

 

CMYK 11 / 85 / 0 / 23

HEX #AF1DC4

RGB 175 29 196

HSL 292.46, 0.74%, 0.44%

LAB 44.2, 73.53, -53.97

 

CMYK 10 / 85 / 0 / 51

HEX #71137E

RGB 113 19 126

HSL 292.71, 0.74%, 0.28%

LAB 28.07, 52.29, -38.14

 

CMYK 0 / 80 / 85 / 51

HEX #7C1912

RGB 124 25 18

HSL 3.96, 0.75%, 0.28%

LAB 26.8, 41.43, 30.83

 

CMYK 85 / 0 / 46 / 51

HEX #127C43

RGB 18 124 67

HSL 147.74, 0.75%, 0.28%

LAB 45.56, -42.03, 23.26

 

CMYK 10 / 85 / 0 / 51

HEX #71137E

RGB 113 19 126

HSL 292.71, 0.74%, 0.28%

LAB 28.07, 52.29, -38.14

 

CMYK 0 / 11 / 85 / 51

HEX #7C6E12

RGB 124 110 18

HSL 52.08, 0.75%, 0.28%

LAB 46.29, -4.43, 48.2

 

CMYK 85 / 0 / 11 / 51

HEX #127C6E

RGB 18 124 110

HSL 172.08, 0.75%, 0.28%

LAB 46.54, -31.4, -0.36

 

CMYK 10 / 85 / 0 / 51

HEX #71137E

RGB 113 19 126

HSL 292.71, 0.74%, 0.28%

LAB 28.07, 52.29, -38.14

 

CMYK 0 / 80 / 85 / 51

HEX #7C1912

RGB 124 25 18

HSL 3.96, 0.75%, 0.28%

LAB 26.8, 41.43, 30.83

 

CMYK 74 / 0 / 85 / 51

HEX #207C12

RGB 32 124 18

HSL 112.08, 0.75%, 0.28%

LAB 45.31, -45.96, 45.27

 

CMYK 85 / 6 / 0 / 51

HEX #12757C

RGB 18 117 124

HSL 183.96, 0.75%, 0.28%

LAB 44.67, -23.52, -11.48

 

CMYK 10 / 85 / 0 / 51

HEX #71137E

RGB 113 19 126

HSL 292.71, 0.74%, 0.28%

LAB 28.07, 52.29, -38.14

 

CMYK 0 / 54 / 85 / 51

HEX #7C3912

RGB 124 57 18

HSL 22.08, 0.75%, 0.28%

LAB 32.38, 26.59, 35.99

 

CMYK 74 / 0 / 85 / 51

HEX #207C12

RGB 32 124 18

HSL 112.08, 0.75%, 0.28%

LAB 45.31, -45.96, 45.27

 

CMYK 85 / 31 / 0 / 51

HEX #12557C

RGB 18 85 124

HSL 202.08, 0.75%, 0.28%

LAB 34.15, -5.23, -27.7

 

Description

Color code: HEX #71137E | qconv.com Color code: HEX #71137E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 19 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 19 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 85 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 85% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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