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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7112A0 it is the complementary color #8EED5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7112A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7112A0 shade: #76129B, #8724AE, #9836C1, #A948D4 and #BA5AE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7112A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7112A0 shade: #7112A0, #60008D, #4F007A, #3E0067 and #2D0054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7112A0 shade: #7111A0, #9711A0, #A01182, #A0115C and #A01135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7112A0 shade: #7111A0, #4A11A0, #2411A0 and #1111A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7112A0 shade matches the following richer shades: #7111A0 and #7603AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7112A0 shade: #7111A0, #6C2092, #672E83, #623D75 and #5D4B66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7112A0 shade: #2411A0, #4A11A0, #7111A0, #9711A0 and #A01184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7112A0 shade: #3C0956, #570D7B, #7111A0, #8B15C5 and #A41EE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7112A0 shade: #7112A0, #A01124 and #11A037

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7112A0 shade: #7112A0, #A07111 and #11A071

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7112A0 shade: #7112A0, #A01124, #41A011 and #11A08D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7112A0 shade: #7112A0, #A02911, #41A011 and #1188A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 89 / 0 / 37

HEX #7112A0

RGB 113 18 160

HSL 280.14, 0.8%, 0.35%

LAB 30.6, 59.2, -55.09

 

Complementary color

CMYK 40 / 0 / 60 / 7

HEX #8EED5F

RGB 142 237 95

HSL 100.14, 0.8%, 0.65%

LAB 85.58, -52.5, 58.68

 

CMYK 24 / 88 / 0 / 39

HEX #76129B

RGB 118 18 155

HSL 283.8, 0.79%, 0.34%

LAB 31, 58.97, -51.35

 

CMYK 22 / 79 / 0 / 32

HEX #8724AE

RGB 135 36 174

HSL 283.04, 0.66%, 0.41%

LAB 36.87, 60.63, -53.16

 

CMYK 21 / 72 / 0 / 24

HEX #9836C1

RGB 152 54 193

HSL 282.3, 0.56%, 0.48%

LAB 43.01, 61.21, -54.32

 

CMYK 20 / 66 / 0 / 17

HEX #A948D4

RGB 169 72 212

HSL 281.57, 0.62%, 0.56%

LAB 49.28, 61.17, -55.08

 

CMYK 19 / 61 / 0 / 9

HEX #BA5AE7

RGB 186 90 231

HSL 280.85, 0.75%, 0.63%

LAB 55.6, 60.76, -55.59

 

CMYK 29 / 89 / 0 / 37

HEX #7112A0

RGB 113 18 160

HSL 280.14, 0.8%, 0.35%

LAB 30.6, 59.2, -55.09

 

CMYK 32 / 100 / 0 / 45

HEX #60008D

RGB 96 0 141

HSL 280.85, 1%, 0.28%

LAB 24.98, 56.46, -52.69

 

CMYK 35 / 100 / 0 / 52

HEX #4F007A

RGB 79 0 122

HSL 278.85, 1%, 0.24%

LAB 20.31, 50.41, -48.46

 

CMYK 40 / 100 / 0 / 60

HEX #3E0067

RGB 62 0 103

HSL 276.12, 1%, 0.2%

LAB 15.51, 44.21, -44.12

 

CMYK 46 / 100 / 0 / 67

HEX #2D0054

RGB 45 0 84

HSL 272.14, 1%, 0.16%

LAB 10.54, 37.82, -39.64

 

CMYK 29 / 89 / 0 / 37

HEX #7111A0

RGB 113 17 160

HSL 280.28, 0.81%, 0.35%

LAB 30.52, 59.43, -55.21

 

CMYK 6 / 89 / 0 / 37

HEX #9711A0

RGB 151 17 160

HSL 296.22, 0.81%, 0.35%

LAB 36.96, 65.63, -44.47

 

CMYK 0 / 89 / 19 / 37

HEX #A01182

RGB 160 17 130

HSL 312.59, 0.81%, 0.35%

LAB 36.9, 62.91, -26.08

 

CMYK 0 / 89 / 43 / 37

HEX #A0115C

RGB 160 17 92

HSL 328.53, 0.81%, 0.35%

LAB 35.3, 58.55, -4.47

 

CMYK 0 / 89 / 67 / 37

HEX #A01135

RGB 160 17 53

HSL 344.9, 0.81%, 0.35%

LAB 34.26, 55.61, 19.45

 

CMYK 29 / 89 / 0 / 37

HEX #7111A0

RGB 113 17 160

HSL 280.28, 0.81%, 0.35%

LAB 30.52, 59.43, -55.21

 

CMYK 54 / 89 / 0 / 37

HEX #4A11A0

RGB 74 17 160

HSL 263.92, 0.81%, 0.35%

LAB 24.94, 54.53, -64.59

 

CMYK 78 / 89 / 0 / 37

HEX #2411A0

RGB 36 17 160

HSL 247.97, 0.81%, 0.35%

LAB 21.26, 51.67, -70.8

 

CMYK 89 / 89 / 0 / 37

HEX #1111A0

RGB 17 17 160

HSL 240, 0.81%, 0.35%

LAB 20.28, 50.97, -72.46

 

CMYK 29 / 89 / 0 / 37

HEX #7111A0

RGB 113 17 160

HSL 280.28, 0.81%, 0.35%

LAB 30.52, 59.43, -55.21

 

CMYK 33 / 98 / 0 / 31

HEX #7603AF

RGB 118 3 175

HSL 280.12, 0.97%, 0.35%

LAB 31.83, 65.46, -62.08

 

CMYK 29 / 89 / 0 / 37

HEX #7111A0

RGB 113 17 160

HSL 280.28, 0.81%, 0.35%

LAB 30.52, 59.43, -55.21

 

CMYK 26 / 78 / 0 / 43

HEX #6C2092

RGB 108 32 146

HSL 280, 0.64%, 0.35%

LAB 30.15, 51.14, -47.29

 

CMYK 21 / 65 / 0 / 49

HEX #672E83

RGB 103 46 131

HSL 280.24, 0.48%, 0.35%

LAB 30.58, 40.39, -37.33

 

CMYK 16 / 48 / 0 / 54

HEX #623D75

RGB 98 61 117

HSL 279.64, 0.31%, 0.35%

LAB 32.3, 27.2, -25.88

 

CMYK 9 / 26 / 0 / 60

HEX #5D4B66

RGB 93 75 102

HSL 280, 0.15%, 0.35%

LAB 34.64, 13.19, -12.86

 

CMYK 78 / 89 / 0 / 37

HEX #2411A0

RGB 36 17 160

HSL 247.97, 0.81%, 0.35%

LAB 21.26, 51.67, -70.8

 

CMYK 54 / 89 / 0 / 37

HEX #4A11A0

RGB 74 17 160

HSL 263.92, 0.81%, 0.35%

LAB 24.94, 54.53, -64.59

 

CMYK 29 / 89 / 0 / 37

HEX #7111A0

RGB 113 17 160

HSL 280.28, 0.81%, 0.35%

LAB 30.52, 59.43, -55.21

 

CMYK 6 / 89 / 0 / 37

HEX #9711A0

RGB 151 17 160

HSL 296.22, 0.81%, 0.35%

LAB 36.96, 65.63, -44.47

 

CMYK 0 / 89 / 18 / 37

HEX #A01184

RGB 160 17 132

HSL 311.75, 0.81%, 0.35%

LAB 37, 63.18, -27.16

 

CMYK 30 / 90 / 0 / 66

HEX #3C0956

RGB 60 9 86

HSL 279.74, 0.81%, 0.19%

LAB 14.56, 36.84, -34.32

 

CMYK 29 / 89 / 0 / 52

HEX #570D7B

RGB 87 13 123

HSL 280.36, 0.81%, 0.27%

LAB 22.81, 48.6, -44.97

 

CMYK 29 / 89 / 0 / 37

HEX #7111A0

RGB 113 17 160

HSL 280.28, 0.81%, 0.35%

LAB 30.52, 59.43, -55.21

 

CMYK 29 / 89 / 0 / 23

HEX #8B15C5

RGB 139 21 197

HSL 280.23, 0.81%, 0.43%

LAB 37.94, 69.73, -64.97

 

CMYK 29 / 87 / 0 / 10

HEX #A41EE6

RGB 164 30 230

HSL 280.2, 0.8%, 0.51%

LAB 44.99, 77.76, -72.32

 

CMYK 29 / 89 / 0 / 37

HEX #7112A0

RGB 113 18 160

HSL 280.14, 0.8%, 0.35%

LAB 30.6, 59.2, -55.09

 

CMYK 0 / 89 / 78 / 37

HEX #A01124

RGB 160 17 36

HSL 352.03, 0.81%, 0.35%

LAB 33.99, 54.84, 29.94

 

CMYK 89 / 0 / 66 / 37

HEX #11A037

RGB 17 160 55

HSL 135.94, 0.81%, 0.35%

LAB 57.59, -56.4, 43.71

 

CMYK 29 / 89 / 0 / 37

HEX #7112A0

RGB 113 18 160

HSL 280.14, 0.8%, 0.35%

LAB 30.6, 59.2, -55.09

 

CMYK 0 / 29 / 89 / 37

HEX #A07111

RGB 160 113 17

HSL 40.28, 0.81%, 0.35%

LAB 51.06, 10.8, 54.04

 

CMYK 89 / 0 / 29 / 37

HEX #11A071

RGB 17 160 113

HSL 160.28, 0.81%, 0.35%

LAB 58.46, -46.15, 14.89

 

CMYK 29 / 89 / 0 / 37

HEX #7112A0

RGB 113 18 160

HSL 280.14, 0.8%, 0.35%

LAB 30.6, 59.2, -55.09

 

CMYK 0 / 89 / 78 / 37

HEX #A01124

RGB 160 17 36

HSL 352.03, 0.81%, 0.35%

LAB 33.99, 54.84, 29.94

 

CMYK 59 / 0 / 89 / 37

HEX #41A011

RGB 65 160 17

HSL 99.86, 0.81%, 0.35%

LAB 58.33, -51.06, 57.37

 

CMYK 89 / 0 / 12 / 37

HEX #11A08D

RGB 17 160 141

HSL 172.03, 0.81%, 0.35%

LAB 59.14, -38.86, 0.12

 

CMYK 29 / 89 / 0 / 37

HEX #7112A0

RGB 113 18 160

HSL 280.14, 0.8%, 0.35%

LAB 30.6, 59.2, -55.09

 

CMYK 0 / 74 / 89 / 37

HEX #A02911

RGB 160 41 17

HSL 10.07, 0.81%, 0.35%

LAB 36.18, 47.63, 42.28

 

CMYK 59 / 0 / 89 / 37

HEX #41A011

RGB 65 160 17

HSL 99.86, 0.81%, 0.35%

LAB 58.33, -51.06, 57.37

 

CMYK 89 / 15 / 0 / 37

HEX #1188A0

RGB 17 136 160

HSL 190.07, 0.81%, 0.35%

LAB 52.14, -21.22, -21.28

 

Description

Color code: HEX #7112A0 | qconv.com Color code: HEX #7112A0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 18 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 18 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 89 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 89% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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