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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70FFF8 it is the complementary color #8F0007. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70FFF8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70FFF8 shade: #75FFF3, #86FFFF, #97FFFF, #A8FFFF and #B9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70FFF8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70FFF8 shade: #70FFF8, #5FEDE5, #4EDBD2, #3DC9BF and #2CB7AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70FFF8 shade: #70FFF8, #70FFD1, #70FFAA, #70FF84 and #82FF70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70FFF8 shade: #70FFF8, #70DFFF, #70B8FF, #7092FF and #7070FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70FFF8 shade matches the following richer shades: #70FFF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70FFF8 shade: #70FFF8, #7BF3ED, #87E7E3, #92DCD8 and #9ED0CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70FFF8 shade: #70FFAB, #70FFD1, #70FFF7, #70E0FF and #70B9FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70FFF8 shade: #1DFFF3, #46FFF5, #70FFF8, #99FFFA and #C2FFFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70FFF8 shade: #70FFF8, #8570FF and #FFBE70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70FFF8 shade: #70FFF8, #F770FF and #FFF770

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70FFF8 shade: #70FFF8, #8570FF, #FF7077 and #E9FF70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70FFF8 shade: #70FFF8, #B070FF, #FF7077 and #BEFF70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 3 / 0

HEX #70FFF8

RGB 112 255 248

HSL 177.06, 1%, 0.72%

LAB 92.46, -40.06, -8.34

 

Complementary color

CMYK 0 / 100 / 95 / 44

HEX #8F0007

RGB 143 0 7

HSL 357.06, 1%, 0.28%

LAB 29.04, 52.18, 39.6

 

CMYK 54 / 0 / 5 / 0

HEX #75FFF3

RGB 117 255 243

HSL 174.78, 1%, 0.73%

LAB 92.47, -40.38, -5.72

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 56 / 0 / 3 / 0

HEX #70FFF8

RGB 112 255 248

HSL 177.06, 1%, 0.72%

LAB 92.46, -40.06, -8.34

 

CMYK 60 / 0 / 3 / 7

HEX #5FEDE5

RGB 95 237 229

HSL 176.62, 0.8%, 0.65%

LAB 86.33, -39.78, -7.56

 

CMYK 64 / 0 / 4 / 14

HEX #4EDBD2

RGB 78 219 210

HSL 176.17, 0.66%, 0.58%

LAB 80.14, -39.39, -6.72

 

CMYK 70 / 0 / 5 / 21

HEX #3DC9BF

RGB 61 201 191

HSL 175.71, 0.56%, 0.51%

LAB 73.89, -38.83, -5.81

 

CMYK 76 / 0 / 6 / 28

HEX #2CB7AC

RGB 44 183 172

HSL 175.25, 0.61%, 0.45%

LAB 67.56, -38.04, -4.8

 

CMYK 56 / 0 / 3 / 0

HEX #70FFF8

RGB 112 255 248

HSL 177.06, 1%, 0.72%

LAB 92.46, -40.06, -8.34

 

CMYK 56 / 0 / 18 / 0

HEX #70FFD1

RGB 112 255 209

HSL 160.7, 1%, 0.72%

LAB 91.49, -49.33, 10.41

 

CMYK 56 / 0 / 33 / 0

HEX #70FFAA

RGB 112 255 170

HSL 144.34, 1%, 0.72%

LAB 90.72, -57.18, 29.25

 

CMYK 56 / 0 / 48 / 0

HEX #70FF84

RGB 112 255 132

HSL 128.39, 1%, 0.72%

LAB 90.15, -63.27, 47.11

 

CMYK 49 / 0 / 56 / 0

HEX #82FF70

RGB 130 255 112

HSL 112.45, 1%, 0.72%

LAB 90.52, -61.28, 56.85

 

CMYK 56 / 0 / 3 / 0

HEX #70FFF8

RGB 112 255 248

HSL 177.06, 1%, 0.72%

LAB 92.46, -40.06, -8.34

 

CMYK 56 / 13 / 0 / 0

HEX #70DFFF

RGB 112 223 255

HSL 193.43, 1%, 0.72%

LAB 83.67, -23.01, -25.21

 

CMYK 56 / 28 / 0 / 0

HEX #70B8FF

RGB 112 184 255

HSL 209.79, 1%, 0.72%

LAB 72.86, -2.55, -41.9

 

CMYK 56 / 43 / 0 / 0

HEX #7092FF

RGB 112 146 255

HSL 225.73, 1%, 0.72%

LAB 62.7, 19.22, -57.94

 

CMYK 56 / 56 / 0 / 0

HEX #7070FF

RGB 112 112 255

HSL 240, 1%, 0.72%

LAB 54.29, 39.42, -71.44

 

CMYK 56 / 0 / 3 / 0

HEX #70FFF8

RGB 112 255 248

HSL 177.06, 1%, 0.72%

LAB 92.46, -40.06, -8.34

 

CMYK 56 / 0 / 3 / 0

HEX #70FFF8

RGB 112 255 248

HSL 177.06, 1%, 0.72%

LAB 92.46, -40.06, -8.34

 

CMYK 49 / 0 / 2 / 5

HEX #7BF3ED

RGB 123 243 237

HSL 177, 0.83%, 0.72%

LAB 89.12, -35.19, -7.53

 

CMYK 42 / 0 / 2 / 9

HEX #87E7E3

RGB 135 231 227

HSL 177.5, 0.67%, 0.72%

LAB 85.93, -29.29, -6.96

 

CMYK 34 / 0 / 2 / 14

HEX #92DCD8

RGB 146 220 216

HSL 176.76, 0.51%, 0.72%

LAB 83.05, -23.73, -5.35

 

CMYK 24 / 0 / 1 / 18

HEX #9ED0CE

RGB 158 208 206

HSL 177.6, 0.35%, 0.72%

LAB 80.09, -16.56, -4.31

 

CMYK 56 / 0 / 33 / 0

HEX #70FFAB

RGB 112 255 171

HSL 144.76, 1%, 0.72%

LAB 90.74, -57, 28.77

 

CMYK 56 / 0 / 18 / 0

HEX #70FFD1

RGB 112 255 209

HSL 160.7, 1%, 0.72%

LAB 91.49, -49.33, 10.41

 

CMYK 56 / 0 / 3 / 0

HEX #70FFF7

RGB 112 255 247

HSL 176.64, 1%, 0.72%

LAB 92.43, -40.31, -7.87

 

CMYK 56 / 12 / 0 / 0

HEX #70E0FF

RGB 112 224 255

HSL 193.01, 1%, 0.72%

LAB 83.95, -23.51, -24.79

 

CMYK 56 / 27 / 0 / 0

HEX #70B9FF

RGB 112 185 255

HSL 209.37, 1%, 0.72%

LAB 73.13, -3.1, -41.47

 

CMYK 89 / 0 / 5 / 0

HEX #1DFFF3

RGB 29 255 243

HSL 176.81, 1%, 0.56%

LAB 90.89, -50.65, -8.23

 

CMYK 73 / 0 / 4 / 0

HEX #46FFF5

RGB 70 255 245

HSL 176.76, 1%, 0.64%

LAB 91.42, -46.96, -8.43

 

CMYK 56 / 0 / 3 / 0

HEX #70FFF8

RGB 112 255 248

HSL 177.06, 1%, 0.72%

LAB 92.46, -40.06, -8.34

 

CMYK 40 / 0 / 2 / 0

HEX #99FFFA

RGB 153 255 250

HSL 177.06, 1%, 0.8%

LAB 93.97, -30.89, -6.99

 

CMYK 24 / 0 / 1 / 0

HEX #C2FFFC

RGB 194 255 252

HSL 177.05, 1%, 0.88%

LAB 96, -19.55, -4.79

 

CMYK 56 / 0 / 3 / 0

HEX #70FFF8

RGB 112 255 248

HSL 177.06, 1%, 0.72%

LAB 92.46, -40.06, -8.34

 

CMYK 48 / 56 / 0 / 0

HEX #8570FF

RGB 133 112 255

HSL 248.81, 1%, 0.72%

LAB 55.88, 43.41, -68.79

 

CMYK 0 / 25 / 56 / 0

HEX #FFBE70

RGB 255 190 112

HSL 32.73, 1%, 0.72%

LAB 81.43, 15.01, 48.07

 

CMYK 56 / 0 / 3 / 0

HEX #70FFF8

RGB 112 255 248

HSL 177.06, 1%, 0.72%

LAB 92.46, -40.06, -8.34

 

CMYK 3 / 56 / 0 / 0

HEX #F770FF

RGB 247 112 255

HSL 296.64, 1%, 0.72%

LAB 68.45, 70.1, -48.01

 

CMYK 0 / 3 / 56 / 0

HEX #FFF770

RGB 255 247 112

HSL 56.64, 1%, 0.72%

LAB 95.56, -13.9, 64.53

 

CMYK 56 / 0 / 3 / 0

HEX #70FFF8

RGB 112 255 248

HSL 177.06, 1%, 0.72%

LAB 92.46, -40.06, -8.34

 

CMYK 48 / 56 / 0 / 0

HEX #8570FF

RGB 133 112 255

HSL 248.81, 1%, 0.72%

LAB 55.88, 43.41, -68.79

 

CMYK 0 / 56 / 53 / 0

HEX #FF7077

RGB 255 112 119

HSL 357.06, 1%, 0.72%

LAB 65.11, 55.01, 23.56

 

CMYK 9 / 0 / 56 / 0

HEX #E9FF70

RGB 233 255 112

HSL 69.23, 1%, 0.72%

LAB 96, -26.37, 64.59

 

CMYK 56 / 0 / 3 / 0

HEX #70FFF8

RGB 112 255 248

HSL 177.06, 1%, 0.72%

LAB 92.46, -40.06, -8.34

 

CMYK 31 / 56 / 0 / 0

HEX #B070FF

RGB 176 112 255

HSL 266.85, 1%, 0.72%

LAB 59.92, 52.82, -62.08

 

CMYK 0 / 56 / 53 / 0

HEX #FF7077

RGB 255 112 119

HSL 357.06, 1%, 0.72%

LAB 65.11, 55.01, 23.56

 

CMYK 25 / 0 / 56 / 0

HEX #BEFF70

RGB 190 255 112

HSL 87.27, 1%, 0.72%

LAB 93.29, -42.36, 60.78

 

Description

Color code: HEX #70FFF8 | qconv.com Color code: HEX #70FFF8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 255 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 255 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 3 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 3% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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