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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70F43E it is the complementary color #8F0BC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70F43E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70F43E shade: #75F439, #86FF4C, #97FF5F, #A8FF72 and #B9FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70F43E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70F43E shade: #70F43E, #5FE22B, #4ED018, #3DBE05 and #2CAC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70F43E shade: #70F33E, #A1F33E, #D2F33E, #F3E43E and #F3B33E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70F43E shade: #70F33E, #3FF33E, #3EF36E, #3EF39F and #3EF3D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70F43E shade matches the following richer shades: #70F33E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70F43E shade: #70F33E, #77E34E, #7ED25F, #86C26F and #8DB180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70F43E shade: #D2F33E, #A2F33E, #71F33E, #41F33E and #3EF36B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70F43E shade: #42D30C, #53F117, #70F33E, #8CF665 and #A9F88C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70F43E shade: #70F43E, #3EF3E4 and #F33EBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70F43E shade: #70F43E, #3E71F3 and #F33E71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70F43E shade: #70F43E, #3EF3E4, #C03EF3 and #F33E4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70F43E shade: #70F43E, #3ECCF3, #C03EF3 and #F3653E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 75 / 4

HEX #70F43E

RGB 112 244 62

HSL 103.52, 0.89%, 0.6%

LAB 86.25, -66.36, 71.48

 

Complementary color

CMYK 26 / 94 / 0 / 24

HEX #8F0BC1

RGB 143 11 193

HSL 283.52, 0.89%, 0.4%

LAB 37.72, 71.09, -62.97

 

CMYK 52 / 0 / 77 / 4

HEX #75F439

RGB 117 244 57

HSL 100.75, 0.89%, 0.59%

LAB 86.39, -65.34, 73.21

 

CMYK 47 / 0 / 70 / 0

HEX #86FF4C

RGB 134 255 76

HSL 100.56, 1%, 0.65%

LAB 90.37, -63.41, 71.15

 

CMYK 41 / 0 / 63 / 0

HEX #97FF5F

RGB 151 255 95

HSL 99, 1%, 0.69%

LAB 91.2, -56.87, 65.04

 

CMYK 34 / 0 / 55 / 0

HEX #A8FF72

RGB 168 255 114

HSL 97.02, 1%, 0.72%

LAB 92.16, -49.68, 58.29

 

CMYK 27 / 0 / 48 / 0

HEX #B9FF85

RGB 185 255 133

HSL 94.43, 1%, 0.76%

LAB 93.25, -41.96, 51.15

 

CMYK 54 / 0 / 75 / 4

HEX #70F43E

RGB 112 244 62

HSL 103.52, 0.89%, 0.6%

LAB 86.25, -66.36, 71.48

 

CMYK 58 / 0 / 81 / 11

HEX #5FE22B

RGB 95 226 43

HSL 102.95, 0.76%, 0.53%

LAB 80.18, -65.46, 71.06

 

CMYK 63 / 0 / 88 / 18

HEX #4ED018

RGB 78 208 24

HSL 102.39, 0.79%, 0.45%

LAB 74.06, -64.19, 69.69

 

CMYK 68 / 0 / 97 / 25

HEX #3DBE05

RGB 61 190 5

HSL 101.84, 0.95%, 0.38%

LAB 67.9, -62.42, 67

 

CMYK 74 / 0 / 100 / 33

HEX #2CAC00

RGB 44 172 0

HSL 104.65, 1%, 0.34%

LAB 61.69, -60, 62.49

 

CMYK 54 / 0 / 74 / 5

HEX #70F33E

RGB 112 243 62

HSL 103.43, 0.88%, 0.6%

LAB 85.95, -66.01, 71.18

 

CMYK 34 / 0 / 74 / 5

HEX #A1F33E

RGB 161 243 62

HSL 87.18, 0.88%, 0.6%

LAB 87.98, -51.08, 73.85

 

CMYK 14 / 0 / 74 / 5

HEX #D2F33E

RGB 210 243 62

HSL 70.94, 0.88%, 0.6%

LAB 90.85, -32.83, 77.58

 

CMYK 0 / 6 / 74 / 5

HEX #F3E43E

RGB 243 228 62

HSL 55.03, 0.88%, 0.6%

LAB 89.34, -12.25, 77.07

 

CMYK 0 / 26 / 74 / 5

HEX #F3B33E

RGB 243 179 62

HSL 38.78, 0.88%, 0.6%

LAB 77.07, 12.84, 65.43

 

CMYK 54 / 0 / 74 / 5

HEX #70F33E

RGB 112 243 62

HSL 103.43, 0.88%, 0.6%

LAB 85.95, -66.01, 71.18

 

CMYK 74 / 0 / 74 / 5

HEX #3FF33E

RGB 63 243 62

HSL 119.67, 0.88%, 0.6%

LAB 84.74, -75.96, 69.59

 

CMYK 74 / 0 / 55 / 5

HEX #3EF36E

RGB 62 243 110

HSL 135.91, 0.88%, 0.6%

LAB 85.12, -71.29, 50.92

 

CMYK 74 / 0 / 35 / 5

HEX #3EF39F

RGB 62 243 159

HSL 152.15, 0.88%, 0.6%

LAB 85.82, -63.27, 27.99

 

CMYK 74 / 0 / 14 / 5

HEX #3EF3D0

RGB 62 243 208

HSL 168.4, 0.88%, 0.6%

LAB 86.84, -52.36, 4.1

 

CMYK 54 / 0 / 74 / 5

HEX #70F33E

RGB 112 243 62

HSL 103.43, 0.88%, 0.6%

LAB 85.95, -66.01, 71.18

 

CMYK 54 / 0 / 74 / 5

HEX #70F33E

RGB 112 243 62

HSL 103.43, 0.88%, 0.6%

LAB 85.95, -66.01, 71.18

 

CMYK 48 / 0 / 66 / 11

HEX #77E34E

RGB 119 227 78

HSL 103.49, 0.73%, 0.6%

LAB 81.52, -57.06, 60.96

 

CMYK 40 / 0 / 55 / 18

HEX #7ED25F

RGB 126 210 95

HSL 103.83, 0.56%, 0.6%

LAB 76.89, -46.46, 48.47

 

CMYK 31 / 0 / 43 / 24

HEX #86C26F

RGB 134 194 111

HSL 103.37, 0.4%, 0.6%

LAB 72.76, -34.78, 35.67

 

CMYK 20 / 0 / 28 / 31

HEX #8DB180

RGB 141 177 128

HSL 104.08, 0.24%, 0.6%

LAB 68.51, -21.56, 21.19

 

CMYK 14 / 0 / 74 / 5

HEX #D2F33E

RGB 210 243 62

HSL 70.94, 0.88%, 0.6%

LAB 90.85, -32.83, 77.58

 

CMYK 33 / 0 / 74 / 5

HEX #A2F33E

RGB 162 243 62

HSL 86.85, 0.88%, 0.6%

LAB 88.03, -50.74, 73.91

 

CMYK 53 / 0 / 74 / 5

HEX #71F33E

RGB 113 243 62

HSL 103.09, 0.88%, 0.6%

LAB 85.99, -65.75, 71.23

 

CMYK 73 / 0 / 74 / 5

HEX #41F33E

RGB 65 243 62

HSL 119.01, 0.88%, 0.6%

LAB 84.78, -75.66, 69.63

 

CMYK 74 / 0 / 56 / 5

HEX #3EF36B

RGB 62 243 107

HSL 134.92, 0.88%, 0.6%

LAB 85.09, -71.68, 52.23

 

CMYK 69 / 0 / 94 / 17

HEX #42D30C

RGB 66 211 12

HSL 103.72, 0.89%, 0.44%

LAB 74.68, -67.94, 71.82

 

CMYK 66 / 0 / 90 / 5

HEX #53F117

RGB 83 241 23

HSL 103.49, 0.89%, 0.52%

LAB 84.39, -73.71, 78.63

 

CMYK 54 / 0 / 74 / 5

HEX #70F33E

RGB 112 243 62

HSL 103.43, 0.88%, 0.6%

LAB 85.95, -66.01, 71.18

 

CMYK 43 / 0 / 59 / 4

HEX #8CF665

RGB 140 246 101

HSL 103.86, 0.89%, 0.68%

LAB 88.17, -56.12, 59.03

 

CMYK 32 / 0 / 44 / 3

HEX #A9F88C

RGB 169 248 140

HSL 103.89, 0.89%, 0.76%

LAB 90.53, -43.4, 44.26

 

CMYK 54 / 0 / 75 / 4

HEX #70F43E

RGB 112 244 62

HSL 103.52, 0.89%, 0.6%

LAB 86.25, -66.36, 71.48

 

CMYK 74 / 0 / 6 / 5

HEX #3EF3E4

RGB 62 243 228

HSL 175.03, 0.88%, 0.6%

LAB 87.35, -47.2, -5.61

 

CMYK 0 / 74 / 23 / 5

HEX #F33EBA

RGB 243 62 186

HSL 318.9, 0.88%, 0.6%

LAB 58.08, 77.61, -25.52

 

CMYK 54 / 0 / 75 / 4

HEX #70F43E

RGB 112 244 62

HSL 103.52, 0.89%, 0.6%

LAB 86.25, -66.36, 71.48

 

CMYK 74 / 53 / 0 / 5

HEX #3E71F3

RGB 62 113 243

HSL 223.09, 0.88%, 0.6%

LAB 51.04, 27.36, -70.18

 

CMYK 0 / 74 / 53 / 5

HEX #F33E71

RGB 243 62 113

HSL 343.09, 0.88%, 0.6%

LAB 55.78, 70.43, 13.99

 

CMYK 54 / 0 / 75 / 4

HEX #70F43E

RGB 112 244 62

HSL 103.52, 0.89%, 0.6%

LAB 86.25, -66.36, 71.48

 

CMYK 74 / 0 / 6 / 5

HEX #3EF3E4

RGB 62 243 228

HSL 175.03, 0.88%, 0.6%

LAB 87.35, -47.2, -5.61

 

CMYK 21 / 74 / 0 / 5

HEX #C03EF3

RGB 192 62 243

HSL 283.09, 0.88%, 0.6%

LAB 53.08, 75.79, -66.32

 

CMYK 0 / 74 / 68 / 5

HEX #F33E4D

RGB 243 62 77

HSL 355.03, 0.88%, 0.6%

LAB 55.11, 68.27, 34.34

 

CMYK 54 / 0 / 75 / 4

HEX #70F43E

RGB 112 244 62

HSL 103.52, 0.89%, 0.6%

LAB 86.25, -66.36, 71.48

 

CMYK 74 / 16 / 0 / 5

HEX #3ECCF3

RGB 62 204 243

HSL 192.93, 0.88%, 0.6%

LAB 76.49, -24.71, -29.95

 

CMYK 21 / 74 / 0 / 5

HEX #C03EF3

RGB 192 62 243

HSL 283.09, 0.88%, 0.6%

LAB 53.08, 75.79, -66.32

 

CMYK 0 / 58 / 74 / 5

HEX #F3653E

RGB 243 101 62

HSL 12.93, 0.88%, 0.6%

LAB 60.52, 52.45, 48.66

 

Description

Color code: HEX #70F43E | qconv.com Color code: HEX #70F43E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 244 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 244 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 75 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 75% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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