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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70E598 it is the complementary color #8F1A67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70E598. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70E598 shade: #75E593, #86F7A6, #97FFB9, #A8FFCC and #B9FFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70E598. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70E598 shade: #70E598, #5FD385, #4EC172, #3DAF5F and #2C9D4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70E598 shade: #70E498, #70E479, #87E470, #A7E470 and #C6E470

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70E598 shade: #70E498, #70E4B7, #70E4D7, #70D3E4 and #70B4E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70E598 shade matches the following richer shades: #70E498 and #63F294

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70E598 shade: #70E498, #7ED79C, #8CC9A1, #99BCA5 and #A7AEA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70E598 shade: #88E470, #70E478, #70E497, #70E4B6 and #70E4D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70E598 shade: #2BD866, #4DDE7F, #70E498, #93EBB1 and #B6F1CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70E598 shade: #70E598, #70A6E4 and #E47078

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70E598 shade: #70E598, #9770E4 and #E49770

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70E598 shade: #70E598, #70A6E4, #E470BE and #E4AE70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70E598 shade: #70E598, #7084E4, #E470BE and #E4D170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 34 / 10

HEX #70E598

RGB 112 229 152

HSL 140.51, 0.69%, 0.67%

LAB 82.78, -49.94, 27.67

 

Complementary color

CMYK 0 / 82 / 28 / 44

HEX #8F1A67

RGB 143 26 103

HSL 320.51, 0.69%, 0.33%

LAB 33.04, 53.57, -15.28

 

CMYK 49 / 0 / 36 / 10

HEX #75E593

RGB 117 229 147

HSL 136.07, 0.68%, 0.68%

LAB 82.87, -49.56, 30.39

 

CMYK 46 / 0 / 33 / 3

HEX #86F7A6

RGB 134 247 166

HSL 136.99, 0.88%, 0.75%

LAB 89.08, -49.39, 29.19

 

CMYK 41 / 0 / 27 / 0

HEX #97FFB9

RGB 151 255 185

HSL 139.62, 1%, 0.8%

LAB 92.4, -44.9, 24.18

 

CMYK 34 / 0 / 20 / 0

HEX #A8FFCC

RGB 168 255 204

HSL 144.83, 1%, 0.83%

LAB 93.54, -36.65, 16.19

 

CMYK 27 / 0 / 13 / 0

HEX #B9FFDF

RGB 185 255 223

HSL 152.57, 1%, 0.86%

LAB 94.81, -28.05, 8.35

 

CMYK 51 / 0 / 34 / 10

HEX #70E598

RGB 112 229 152

HSL 140.51, 0.69%, 0.67%

LAB 82.78, -49.94, 27.67

 

CMYK 55 / 0 / 37 / 17

HEX #5FD385

RGB 95 211 133

HSL 139.66, 0.57%, 0.6%

LAB 76.51, -50, 28.95

 

CMYK 60 / 0 / 41 / 24

HEX #4EC172

RGB 78 193 114

HSL 138.78, 0.48%, 0.53%

LAB 70.16, -49.95, 30.31

 

CMYK 65 / 0 / 46 / 31

HEX #3DAF5F

RGB 61 175 95

HSL 137.89, 0.48%, 0.46%

LAB 63.74, -49.7, 31.77

 

CMYK 72 / 0 / 52 / 38

HEX #2C9D4C

RGB 44 157 76

HSL 136.99, 0.56%, 0.39%

LAB 57.24, -49.15, 33.31

 

CMYK 51 / 0 / 33 / 11

HEX #70E498

RGB 112 228 152

HSL 140.69, 0.68%, 0.67%

LAB 82.49, -49.52, 27.28

 

CMYK 51 / 0 / 47 / 11

HEX #70E479

RGB 112 228 121

HSL 124.66, 0.68%, 0.67%

LAB 82.01, -54.5, 42.2

 

CMYK 41 / 0 / 51 / 11

HEX #87E470

RGB 135 228 112

HSL 108.1, 0.68%, 0.67%

LAB 82.81, -49.17, 47.71

 

CMYK 27 / 0 / 51 / 11

HEX #A7E470

RGB 167 228 112

HSL 91.55, 0.68%, 0.67%

LAB 84.42, -38.56, 50.03

 

CMYK 13 / 0 / 51 / 11

HEX #C6E470

RGB 198 228 112

HSL 75.52, 0.68%, 0.67%

LAB 86.34, -27.1, 52.78

 

CMYK 51 / 0 / 33 / 11

HEX #70E498

RGB 112 228 152

HSL 140.69, 0.68%, 0.67%

LAB 82.49, -49.52, 27.28

 

CMYK 51 / 0 / 20 / 11

HEX #70E4B7

RGB 112 228 183

HSL 156.72, 0.68%, 0.67%

LAB 83.1, -43.4, 12

 

CMYK 51 / 0 / 6 / 11

HEX #70E4D7

RGB 112 228 215

HSL 173.28, 0.68%, 0.67%

LAB 83.88, -36, -3.75

 

CMYK 51 / 7 / 0 / 11

HEX #70D3E4

RGB 112 211 228

HSL 188.79, 0.68%, 0.67%

LAB 79.41, -24.5, -17.34

 

CMYK 51 / 21 / 0 / 11

HEX #70B4E4

RGB 112 180 228

HSL 204.83, 0.68%, 0.67%

LAB 70.66, -8.41, -30.68

 

CMYK 51 / 0 / 33 / 11

HEX #70E498

RGB 112 228 152

HSL 140.69, 0.68%, 0.67%

LAB 82.49, -49.52, 27.28

 

CMYK 59 / 0 / 39 / 5

HEX #63F294

RGB 99 242 148

HSL 140.56, 0.85%, 0.67%

LAB 86.15, -58.75, 34.12

 

CMYK 51 / 0 / 33 / 11

HEX #70E498

RGB 112 228 152

HSL 140.69, 0.68%, 0.67%

LAB 82.49, -49.52, 27.28

 

CMYK 41 / 0 / 27 / 16

HEX #7ED79C

RGB 126 215 156

HSL 140.22, 0.53%, 0.67%

LAB 79.29, -39.5, 20.94

 

CMYK 30 / 0 / 20 / 21

HEX #8CC9A1

RGB 140 201 161

HSL 140.66, 0.36%, 0.67%

LAB 76.02, -27.87, 13.83

 

CMYK 19 / 0 / 12 / 26

HEX #99BCA5

RGB 153 188 165

HSL 140.57, 0.21%, 0.67%

LAB 73.19, -16.39, 7.76

 

CMYK 4 / 0 / 3 / 32

HEX #A7AEA9

RGB 167 174 169

HSL 137.14, 0.04%, 0.67%

LAB 70.42, -3.41, 1.7

 

CMYK 40 / 0 / 51 / 11

HEX #88E470

RGB 136 228 112

HSL 107.59, 0.68%, 0.67%

LAB 82.86, -48.86, 47.77

 

CMYK 51 / 0 / 47 / 11

HEX #70E478

RGB 112 228 120

HSL 124.14, 0.68%, 0.67%

LAB 81.99, -54.64, 42.67

 

CMYK 51 / 0 / 34 / 11

HEX #70E497

RGB 112 228 151

HSL 140.17, 0.68%, 0.67%

LAB 82.47, -49.7, 27.77

 

CMYK 51 / 0 / 20 / 11

HEX #70E4B6

RGB 112 228 182

HSL 156.21, 0.68%, 0.67%

LAB 83.08, -43.61, 12.49

 

CMYK 51 / 0 / 7 / 11

HEX #70E4D5

RGB 112 228 213

HSL 172.24, 0.68%, 0.67%

LAB 83.83, -36.49, -2.77

 

CMYK 80 / 0 / 53 / 15

HEX #2BD866

RGB 43 216 102

HSL 140.46, 0.69%, 0.51%

LAB 76.43, -65.89, 44.06

 

CMYK 65 / 0 / 43 / 13

HEX #4DDE7F

RGB 77 222 127

HSL 140.69, 0.69%, 0.59%

LAB 79.24, -59.07, 35.5

 

CMYK 51 / 0 / 33 / 11

HEX #70E498

RGB 112 228 152

HSL 140.69, 0.68%, 0.67%

LAB 82.49, -49.52, 27.28

 

CMYK 37 / 0 / 25 / 8

HEX #93EBB1

RGB 147 235 177

HSL 140.45, 0.69%, 0.75%

LAB 86.4, -38.63, 19.97

 

CMYK 24 / 0 / 16 / 5

HEX #B6F1CA

RGB 182 241 202

HSL 140.34, 0.68%, 0.83%

LAB 90.38, -26.27, 12.85

 

CMYK 51 / 0 / 34 / 10

HEX #70E598

RGB 112 229 152

HSL 140.51, 0.69%, 0.67%

LAB 82.78, -49.94, 27.67

 

CMYK 51 / 27 / 0 / 11

HEX #70A6E4

RGB 112 166 228

HSL 212.07, 0.68%, 0.67%

LAB 66.76, -0.68, -36.72

 

CMYK 0 / 51 / 47 / 11

HEX #E47078

RGB 228 112 120

HSL 355.86, 0.68%, 0.67%

LAB 61.17, 45.73, 16.98

 

CMYK 51 / 0 / 34 / 10

HEX #70E598

RGB 112 229 152

HSL 140.51, 0.69%, 0.67%

LAB 82.78, -49.94, 27.67

 

CMYK 34 / 51 / 0 / 11

HEX #9770E4

RGB 151 112 228

HSL 260.17, 0.68%, 0.67%

LAB 55.86, 40.13, -53.73

 

CMYK 0 / 34 / 51 / 11

HEX #E49770

RGB 228 151 112

HSL 20.17, 0.68%, 0.67%

LAB 69.32, 24.74, 32.32

 

CMYK 51 / 0 / 34 / 10

HEX #70E598

RGB 112 229 152

HSL 140.51, 0.69%, 0.67%

LAB 82.78, -49.94, 27.67

 

CMYK 51 / 27 / 0 / 11

HEX #70A6E4

RGB 112 166 228

HSL 212.07, 0.68%, 0.67%

LAB 66.76, -0.68, -36.72

 

CMYK 0 / 51 / 17 / 11

HEX #E470BE

RGB 228 112 190

HSL 319.66, 0.68%, 0.67%

LAB 63.18, 54.34, -20.19

 

CMYK 0 / 24 / 51 / 11

HEX #E4AE70

RGB 228 174 112

HSL 32.07, 0.68%, 0.67%

LAB 74.78, 12.46, 39.27

 

CMYK 51 / 0 / 34 / 10

HEX #70E598

RGB 112 229 152

HSL 140.51, 0.69%, 0.67%

LAB 82.78, -49.94, 27.67

 

CMYK 51 / 42 / 0 / 11

HEX #7084E4

RGB 112 132 228

HSL 229.66, 0.68%, 0.67%

LAB 57.61, 19.09, -51.13

 

CMYK 0 / 51 / 17 / 11

HEX #E470BE

RGB 228 112 190

HSL 319.66, 0.68%, 0.67%

LAB 63.18, 54.34, -20.19

 

CMYK 0 / 8 / 51 / 11

HEX #E4D170

RGB 228 209 112

HSL 50.17, 0.68%, 0.67%

LAB 83.58, -5.82, 50.05

 

Description

Color code: HEX #70E598 | qconv.com Color code: HEX #70E598 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 229 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 229 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 34 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 34% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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