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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70E591 it is the complementary color #8F1A6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70E591. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70E591 shade: #75E58C, #86F79F, #97FFB2, #A8FFC5 and #B9FFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70E591. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70E591 shade: #70E591, #5FD37E, #4EC16B, #3DAF58 and #2C9D45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70E591 shade: #70E491, #70E472, #8EE470, #ADE470 and #CDE470

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70E591 shade: #70E491, #70E4B0, #70E4D0, #70DAE4 and #70BBE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70E591 shade matches the following richer shades: #70E491 and #63F28B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70E591 shade: #70E491, #7ED797, #8CC99D, #99BCA3 and #A7AEA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70E591 shade: #8FE470, #70E470, #70E48F, #70E4AE and #70E4CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70E591 shade: #2BD85B, #4DDE76, #70E491, #93EBAC and #B6F1C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70E591 shade: #70E591, #70AEE4 and #E47080

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70E591 shade: #70E591, #8F70E4 and #E48F70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70E591 shade: #70E591, #70AEE4, #E470C5 and #E4A670

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70E591 shade: #70E591, #708BE4, #E470C5 and #E4C970

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 37 / 10

HEX #70E591

RGB 112 229 145

HSL 136.92, 0.69%, 0.67%

LAB 82.66, -51.16, 31.09

 

Complementary color

CMYK 0 / 82 / 23 / 44

HEX #8F1A6E

RGB 143 26 110

HSL 316.92, 0.69%, 0.33%

LAB 33.36, 54.48, -19.27

 

CMYK 49 / 0 / 39 / 10

HEX #75E58C

RGB 117 229 140

HSL 132.32, 0.68%, 0.68%

LAB 82.76, -50.72, 33.78

 

CMYK 46 / 0 / 36 / 3

HEX #86F79F

RGB 134 247 159

HSL 133.27, 0.88%, 0.75%

LAB 88.97, -50.57, 32.55

 

CMYK 41 / 0 / 30 / 0

HEX #97FFB2

RGB 151 255 178

HSL 135.58, 1%, 0.8%

LAB 92.27, -46.13, 27.55

 

CMYK 34 / 0 / 23 / 0

HEX #A8FFC5

RGB 168 255 197

HSL 140, 1%, 0.83%

LAB 93.4, -37.94, 19.57

 

CMYK 27 / 0 / 15 / 0

HEX #B9FFD8

RGB 185 255 216

HSL 146.57, 1%, 0.86%

LAB 94.65, -29.39, 11.73

 

CMYK 51 / 0 / 37 / 10

HEX #70E591

RGB 112 229 145

HSL 136.92, 0.69%, 0.67%

LAB 82.66, -51.16, 31.09

 

CMYK 55 / 0 / 40 / 17

HEX #5FD37E

RGB 95 211 126

HSL 136.03, 0.57%, 0.6%

LAB 76.39, -51.21, 32.39

 

CMYK 60 / 0 / 45 / 24

HEX #4EC16B

RGB 78 193 107

HSL 135.13, 0.48%, 0.53%

LAB 70.05, -51.12, 33.77

 

CMYK 65 / 0 / 50 / 31

HEX #3DAF58

RGB 61 175 88

HSL 134.21, 0.48%, 0.46%

LAB 63.64, -50.83, 35.23

 

CMYK 72 / 0 / 56 / 38

HEX #2C9D45

RGB 44 157 69

HSL 133.27, 0.56%, 0.39%

LAB 57.15, -50.19, 36.73

 

CMYK 51 / 0 / 36 / 11

HEX #70E491

RGB 112 228 145

HSL 137.07, 0.68%, 0.67%

LAB 82.37, -50.75, 30.7

 

CMYK 51 / 0 / 50 / 11

HEX #70E472

RGB 112 228 114

HSL 121.03, 0.68%, 0.67%

LAB 81.92, -55.46, 45.46

 

CMYK 38 / 0 / 51 / 11

HEX #8EE470

RGB 142 228 112

HSL 104.48, 0.68%, 0.67%

LAB 83.13, -46.98, 48.17

 

CMYK 24 / 0 / 51 / 11

HEX #ADE470

RGB 173 228 112

HSL 88.45, 0.68%, 0.67%

LAB 84.76, -36.42, 50.52

 

CMYK 10 / 0 / 51 / 11

HEX #CDE470

RGB 205 228 112

HSL 71.9, 0.68%, 0.67%

LAB 86.82, -24.4, 53.47

 

CMYK 51 / 0 / 36 / 11

HEX #70E491

RGB 112 228 145

HSL 137.07, 0.68%, 0.67%

LAB 82.37, -50.75, 30.7

 

CMYK 51 / 0 / 23 / 11

HEX #70E4B0

RGB 112 228 176

HSL 153.1, 0.68%, 0.67%

LAB 82.95, -44.87, 15.45

 

CMYK 51 / 0 / 9 / 11

HEX #70E4D0

RGB 112 228 208

HSL 169.66, 0.68%, 0.67%

LAB 83.7, -37.71, -0.32

 

CMYK 51 / 4 / 0 / 11

HEX #70DAE4

RGB 112 218 228

HSL 185.17, 0.68%, 0.67%

LAB 81.4, -27.94, -14.34

 

CMYK 51 / 18 / 0 / 11

HEX #70BBE4

RGB 112 187 228

HSL 201.21, 0.68%, 0.67%

LAB 72.62, -12.17, -27.66

 

CMYK 51 / 0 / 36 / 11

HEX #70E491

RGB 112 228 145

HSL 137.07, 0.68%, 0.67%

LAB 82.37, -50.75, 30.7

 

CMYK 59 / 0 / 43 / 5

HEX #63F28B

RGB 99 242 139

HSL 136.78, 0.85%, 0.67%

LAB 86.02, -60.23, 38.41

 

CMYK 51 / 0 / 36 / 11

HEX #70E491

RGB 112 228 145

HSL 137.07, 0.68%, 0.67%

LAB 82.37, -50.75, 30.7

 

CMYK 41 / 0 / 30 / 16

HEX #7ED797

RGB 126 215 151

HSL 136.85, 0.53%, 0.67%

LAB 79.2, -40.41, 23.42

 

CMYK 30 / 0 / 22 / 21

HEX #8CC99D

RGB 140 201 157

HSL 136.72, 0.36%, 0.67%

LAB 75.94, -28.62, 15.85

 

CMYK 19 / 0 / 13 / 26

HEX #99BCA3

RGB 153 188 163

HSL 137.14, 0.21%, 0.67%

LAB 73.14, -16.77, 8.78

 

CMYK 4 / 0 / 3 / 32

HEX #A7AEA9

RGB 167 174 169

HSL 137.14, 0.04%, 0.67%

LAB 70.42, -3.41, 1.7

 

CMYK 37 / 0 / 51 / 11

HEX #8FE470

RGB 143 228 112

HSL 103.97, 0.68%, 0.67%

LAB 83.18, -46.66, 48.23

 

CMYK 51 / 0 / 51 / 11

HEX #70E470

RGB 112 228 112

HSL 120, 0.68%, 0.67%

LAB 81.89, -55.72, 46.38

 

CMYK 51 / 0 / 37 / 11

HEX #70E48F

RGB 112 228 143

HSL 136.03, 0.68%, 0.67%

LAB 82.33, -51.09, 31.67

 

CMYK 51 / 0 / 24 / 11

HEX #70E4AE

RGB 112 228 174

HSL 152.07, 0.68%, 0.67%

LAB 82.91, -45.29, 16.44

 

CMYK 51 / 0 / 10 / 11

HEX #70E4CD

RGB 112 228 205

HSL 168.1, 0.68%, 0.67%

LAB 83.62, -38.42, 1.15

 

CMYK 80 / 0 / 58 / 15

HEX #2BD85B

RGB 43 216 91

HSL 136.65, 0.69%, 0.51%

LAB 76.3, -67.39, 49.02

 

CMYK 65 / 0 / 47 / 13

HEX #4DDE76

RGB 77 222 118

HSL 136.97, 0.69%, 0.59%

LAB 79.12, -60.51, 39.8

 

CMYK 51 / 0 / 36 / 11

HEX #70E491

RGB 112 228 145

HSL 137.07, 0.68%, 0.67%

LAB 82.37, -50.75, 30.7

 

CMYK 37 / 0 / 27 / 8

HEX #93EBAC

RGB 147 235 172

HSL 137.05, 0.69%, 0.75%

LAB 86.3, -39.54, 22.42

 

CMYK 24 / 0 / 17 / 5

HEX #B6F1C7

RGB 182 241 199

HSL 137.29, 0.68%, 0.83%

LAB 90.31, -26.82, 14.31

 

CMYK 51 / 0 / 37 / 10

HEX #70E591

RGB 112 229 145

HSL 136.92, 0.69%, 0.67%

LAB 82.66, -51.16, 31.09

 

CMYK 51 / 24 / 0 / 11

HEX #70AEE4

RGB 112 174 228

HSL 207.93, 0.68%, 0.67%

LAB 68.98, -5.13, -33.27

 

CMYK 0 / 51 / 44 / 11

HEX #E47080

RGB 228 112 128

HSL 351.72, 0.68%, 0.67%

LAB 61.34, 46.51, 12.63

 

CMYK 51 / 0 / 37 / 10

HEX #70E591

RGB 112 229 145

HSL 136.92, 0.69%, 0.67%

LAB 82.66, -51.16, 31.09

 

CMYK 37 / 51 / 0 / 11

HEX #8F70E4

RGB 143 112 228

HSL 256.03, 0.68%, 0.67%

LAB 55.1, 38.16, -54.98

 

CMYK 0 / 37 / 51 / 11

HEX #E48F70

RGB 228 143 112

HSL 16.03, 0.68%, 0.67%

LAB 67.51, 29, 29.96

 

CMYK 51 / 0 / 37 / 10

HEX #70E591

RGB 112 229 145

HSL 136.92, 0.69%, 0.67%

LAB 82.66, -51.16, 31.09

 

CMYK 51 / 24 / 0 / 11

HEX #70AEE4

RGB 112 174 228

HSL 207.93, 0.68%, 0.67%

LAB 68.98, -5.13, -33.27

 

CMYK 0 / 51 / 14 / 11

HEX #E470C5

RGB 228 112 197

HSL 316.03, 0.68%, 0.67%

LAB 63.44, 55.41, -23.76

 

CMYK 0 / 27 / 51 / 11

HEX #E4A670

RGB 228 166 112

HSL 27.93, 0.68%, 0.67%

LAB 72.85, 16.73, 36.83

 

CMYK 51 / 0 / 37 / 10

HEX #70E591

RGB 112 229 145

HSL 136.92, 0.69%, 0.67%

LAB 82.66, -51.16, 31.09

 

CMYK 51 / 39 / 0 / 11

HEX #708BE4

RGB 112 139 228

HSL 226.03, 0.68%, 0.67%

LAB 59.44, 14.93, -48.21

 

CMYK 0 / 51 / 14 / 11

HEX #E470C5

RGB 228 112 197

HSL 316.03, 0.68%, 0.67%

LAB 63.44, 55.41, -23.76

 

CMYK 0 / 12 / 51 / 11

HEX #E4C970

RGB 228 201 112

HSL 46.03, 0.68%, 0.67%

LAB 81.53, -1.71, 47.58

 

Description

Color code: HEX #70E591 | qconv.com Color code: HEX #70E591 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 229 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 229 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 37 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 37% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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