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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70C2E0 it is the complementary color #8F3D1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70C2E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70C2E0 shade: #75C2DB, #86D4EE, #97E6FF, #A8F8FF and #B9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70C2E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70C2E0 shade: #70C2E0, #5FB0CD, #4E9EBA, #3D8CA7 and #2C7A94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70C2E0 shade: #70C2DF, #70A4DF, #7086DF, #7970DF and #9770DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70C2E0 shade: #70C2DF, #70A4DF, #7086DF and #7070DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70C2E0 shade matches the following richer shades: #70C2DF, #62C8ED and #54CFFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70C2E0 shade: #70C2DF, #7EBBD1, #8CB5C3, #9AAEB5 and #A8A8A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70C2E0 shade: #70DFC2, #70DFDF, #70C2DF, #70A4DF and #7087DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70C2E0 shade: #2DA4D0, #4EB3D8, #70C2DF, #92D0E7 and #B4DFEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70C2E0 shade: #70C2E0, #A470DF and #DFD070

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70C2E0 shade: #70C2E0, #DF70C2 and #C2DF70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70C2E0 shade: #70C2E0, #A470DF, #DF8E70 and #ABDF70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70C2E0 shade: #70C2E0, #C570DF, #DF8E70 and #8ADF70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 13 / 0 / 12

HEX #70C2E0

RGB 112 194 224

HSL 196.07, 0.64%, 0.66%

LAB 74.45, -16.98, -22.69

 

Complementary color

CMYK 0 / 57 / 78 / 44

HEX #8F3D1F

RGB 143 61 31

HSL 16.07, 0.64%, 0.34%

LAB 36.51, 32.88, 34.55

 

CMYK 47 / 11 / 0 / 14

HEX #75C2DB

RGB 117 194 219

HSL 194.71, 0.59%, 0.66%

LAB 74.5, -17.21, -19.9

 

CMYK 44 / 11 / 0 / 7

HEX #86D4EE

RGB 134 212 238

HSL 195, 0.75%, 0.73%

LAB 80.92, -17.37, -20.3

 

CMYK 41 / 10 / 0 / 0

HEX #97E6FF

RGB 151 230 255

HSL 194.42, 1%, 0.8%

LAB 87.19, -18, -19.73

 

CMYK 34 / 3 / 0 / 0

HEX #A8F8FF

RGB 168 248 255

HSL 184.83, 1%, 0.83%

LAB 92.87, -22.61, -11.12

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 50 / 13 / 0 / 12

HEX #70C2E0

RGB 112 194 224

HSL 196.07, 0.64%, 0.66%

LAB 74.45, -16.98, -22.69

 

CMYK 54 / 14 / 0 / 20

HEX #5FB0CD

RGB 95 176 205

HSL 195.82, 0.52%, 0.59%

LAB 67.94, -16.66, -22.3

 

CMYK 58 / 15 / 0 / 27

HEX #4E9EBA

RGB 78 158 186

HSL 195.56, 0.44%, 0.52%

LAB 61.32, -16.25, -21.9

 

CMYK 63 / 16 / 0 / 35

HEX #3D8CA7

RGB 61 140 167

HSL 195.28, 0.46%, 0.45%

LAB 54.59, -15.68, -21.46

 

CMYK 70 / 18 / 0 / 42

HEX #2C7A94

RGB 44 122 148

HSL 195, 0.54%, 0.38%

LAB 47.74, -14.89, -20.98

 

CMYK 50 / 13 / 0 / 13

HEX #70C2DF

RGB 112 194 223

HSL 195.68, 0.63%, 0.66%

LAB 74.42, -17.25, -22.2

 

CMYK 50 / 26 / 0 / 13

HEX #70A4DF

RGB 112 164 223

HSL 211.89, 0.63%, 0.66%

LAB 66, -1.05, -35.15

 

CMYK 50 / 40 / 0 / 13

HEX #7086DF

RGB 112 134 223

HSL 228.11, 0.63%, 0.66%

LAB 57.87, 16.37, -47.92

 

CMYK 46 / 50 / 0 / 13

HEX #7970DF

RGB 121 112 223

HSL 244.86, 0.63%, 0.66%

LAB 52.93, 31.57, -55.75

 

CMYK 32 / 50 / 0 / 13

HEX #9770DF

RGB 151 112 223

HSL 261.08, 0.63%, 0.66%

LAB 55.58, 38.86, -51.37

 

CMYK 50 / 13 / 0 / 13

HEX #70C2DF

RGB 112 194 223

HSL 195.68, 0.63%, 0.66%

LAB 74.42, -17.25, -22.2

 

CMYK 50 / 26 / 0 / 13

HEX #70A4DF

RGB 112 164 223

HSL 211.89, 0.63%, 0.66%

LAB 66, -1.05, -35.15

 

CMYK 50 / 40 / 0 / 13

HEX #7086DF

RGB 112 134 223

HSL 228.11, 0.63%, 0.66%

LAB 57.87, 16.37, -47.92

 

CMYK 50 / 50 / 0 / 13

HEX #7070DF

RGB 112 112 223

HSL 240, 0.63%, 0.66%

LAB 52.24, 29.57, -56.89

 

CMYK 50 / 13 / 0 / 13

HEX #70C2DF

RGB 112 194 223

HSL 195.68, 0.63%, 0.66%

LAB 74.42, -17.25, -22.2

 

CMYK 59 / 16 / 0 / 7

HEX #62C8ED

RGB 98 200 237

HSL 195.97, 0.79%, 0.66%

LAB 76.08, -19.18, -27.26

 

CMYK 67 / 18 / 0 / 2

HEX #54CFFB

RGB 84 207 251

HSL 195.81, 0.95%, 0.66%

LAB 78.15, -20.87, -31.62

 

CMYK 50 / 13 / 0 / 13

HEX #70C2DF

RGB 112 194 223

HSL 195.68, 0.63%, 0.66%

LAB 74.42, -17.25, -22.2

 

CMYK 40 / 11 / 0 / 18

HEX #7EBBD1

RGB 126 187 209

HSL 195.9, 0.47%, 0.66%

LAB 72.61, -13.99, -17.27

 

CMYK 28 / 7 / 0 / 24

HEX #8CB5C3

RGB 140 181 195

HSL 195.27, 0.31%, 0.66%

LAB 71.26, -10.41, -11.57

 

CMYK 15 / 4 / 0 / 29

HEX #9AAEB5

RGB 154 174 181

HSL 195.56, 0.15%, 0.66%

LAB 69.81, -5.43, -5.93

 

CMYK 0 / 0 / 1 / 34

HEX #A8A8A7

RGB 168 168 167

HSL 60, 0.01%, 0.66%

LAB 68.84, -0.18, 0.51

 

CMYK 50 / 0 / 13 / 13

HEX #70DFC2

RGB 112 223 194

HSL 164.32, 0.63%, 0.66%

LAB 81.9, -38.72, 4.47

 

CMYK 50 / 0 / 0 / 13

HEX #70DFDF

RGB 112 223 223

HSL 180, 0.63%, 0.66%

LAB 82.67, -31.64, -9.78

 

CMYK 50 / 13 / 0 / 13

HEX #70C2DF

RGB 112 194 223

HSL 195.68, 0.63%, 0.66%

LAB 74.42, -17.25, -22.2

 

CMYK 50 / 26 / 0 / 13

HEX #70A4DF

RGB 112 164 223

HSL 211.89, 0.63%, 0.66%

LAB 66, -1.05, -35.15

 

CMYK 50 / 39 / 0 / 13

HEX #7087DF

RGB 112 135 223

HSL 227.57, 0.63%, 0.66%

LAB 58.13, 15.77, -47.5

 

CMYK 78 / 21 / 0 / 18

HEX #2DA4D0

RGB 45 164 208

HSL 196.2, 0.64%, 0.5%

LAB 63.06, -17.29, -31.59

 

CMYK 64 / 17 / 0 / 15

HEX #4EB3D8

RGB 78 179 216

HSL 196.09, 0.64%, 0.58%

LAB 68.62, -18.15, -27.37

 

CMYK 50 / 13 / 0 / 13

HEX #70C2DF

RGB 112 194 223

HSL 195.68, 0.63%, 0.66%

LAB 74.42, -17.25, -22.2

 

CMYK 37 / 10 / 0 / 9

HEX #92D0E7

RGB 146 208 231

HSL 196.24, 0.64%, 0.74%

LAB 80.18, -14.08, -17.63

 

CMYK 24 / 6 / 0 / 7

HEX #B4DFEE

RGB 180 223 238

HSL 195.52, 0.63%, 0.82%

LAB 86.33, -10.64, -11.92

 

CMYK 50 / 13 / 0 / 12

HEX #70C2E0

RGB 112 194 224

HSL 196.07, 0.64%, 0.66%

LAB 74.45, -16.98, -22.69

 

CMYK 26 / 50 / 0 / 13

HEX #A470DF

RGB 164 112 223

HSL 268.11, 0.63%, 0.66%

LAB 56.89, 42.23, -49.2

 

CMYK 0 / 7 / 50 / 13

HEX #DFD070

RGB 223 208 112

HSL 51.89, 0.63%, 0.66%

LAB 82.9, -7.33, 49.13

 

CMYK 50 / 13 / 0 / 12

HEX #70C2E0

RGB 112 194 224

HSL 196.07, 0.64%, 0.66%

LAB 74.45, -16.98, -22.69

 

CMYK 0 / 50 / 13 / 13

HEX #DF70C2

RGB 223 112 194

HSL 315.68, 0.63%, 0.66%

LAB 62.65, 53.44, -23.32

 

CMYK 13 / 0 / 50 / 13

HEX #C2DF70

RGB 194 223 112

HSL 75.68, 0.63%, 0.66%

LAB 84.7, -26.26, 50.76

 

CMYK 50 / 13 / 0 / 12

HEX #70C2E0

RGB 112 194 224

HSL 196.07, 0.64%, 0.66%

LAB 74.45, -16.98, -22.69

 

CMYK 26 / 50 / 0 / 13

HEX #A470DF

RGB 164 112 223

HSL 268.11, 0.63%, 0.66%

LAB 56.89, 42.23, -49.2

 

CMYK 0 / 36 / 50 / 13

HEX #DF8E70

RGB 223 142 112

HSL 16.22, 0.63%, 0.66%

LAB 66.68, 27.56, 28.76

 

CMYK 23 / 0 / 50 / 13

HEX #ABDF70

RGB 171 223 112

HSL 88.11, 0.63%, 0.66%

LAB 83.23, -34.86, 48.65

 

CMYK 50 / 13 / 0 / 12

HEX #70C2E0

RGB 112 194 224

HSL 196.07, 0.64%, 0.66%

LAB 74.45, -16.98, -22.69

 

CMYK 12 / 50 / 0 / 13

HEX #C570DF

RGB 197 112 223

HSL 285.95, 0.63%, 0.66%

LAB 60.59, 51.12, -43.11

 

CMYK 0 / 36 / 50 / 13

HEX #DF8E70

RGB 223 142 112

HSL 16.22, 0.63%, 0.66%

LAB 66.68, 27.56, 28.76

 

CMYK 38 / 0 / 50 / 13

HEX #8ADF70

RGB 138 223 112

HSL 105.95, 0.63%, 0.66%

LAB 81.48, -46.14, 46.12

 

Description

Color code: HEX #70C2E0 | qconv.com Color code: HEX #70C2E0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 194 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 194 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 13 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 13% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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