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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70C180 it is the complementary color #8F3E7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70C180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70C180 shade: #75C17B, #86D38E, #97E5A1, #A8F7B4 and #B9FFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70C180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70C180 shade: #70C180, #5FAF6D, #4E9D5A, #3D8B47 and #2C7934

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70C180 shade: #70C180, #76C170, #8CC170, #A2C170 and #B8C170

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70C180 shade: #70C180, #70C196, #70C1AC, #70C1C1 and #70ABC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70C180 shade matches the following richer shades: #70C180, #5FD276, #4FE26C and #3EF362

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70C180 shade: #70C180, #80B18A, #91A094, #A1909E and #B27FA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70C180 shade: #8CC170, #76C170, #70C17F, #70C194 and #70C1AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70C180 shade: #439C54, #53B566, #70C180, #8DCE99 and #A9DAB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70C180 shade: #70C180, #70A2C1 and #C17081

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70C180 shade: #70C180, #7F70C1 and #C17F70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70C180 shade: #70C180, #70A2C1, #C170B2 and #C18F70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70C180 shade: #70C180, #708AC1, #C170B2 and #C1A770

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 34 / 24

HEX #70C180

RGB 112 193 128

HSL 131.85, 0.4%, 0.6%

LAB 71.65, -38.71, 25.18

 

Complementary color

CMYK 0 / 57 / 11 / 44

HEX #8F3E7F

RGB 143 62 127

HSL 311.85, 0.4%, 0.4%

LAB 39.27, 42.82, -20.76

 

CMYK 39 / 0 / 36 / 24

HEX #75C17B

RGB 117 193 123

HSL 124.74, 0.38%, 0.61%

LAB 71.79, -38.06, 28.05

 

CMYK 36 / 0 / 33 / 17

HEX #86D38E

RGB 134 211 142

HSL 126.23, 0.47%, 0.68%

LAB 78.23, -37.81, 26.87

 

CMYK 34 / 0 / 30 / 10

HEX #97E5A1

RGB 151 229 161

HSL 127.69, 0.6%, 0.75%

LAB 84.58, -37.55, 25.76

 

CMYK 32 / 0 / 27 / 3

HEX #A8F7B4

RGB 168 247 180

HSL 129.11, 0.83%, 0.81%

LAB 90.84, -37.3, 24.72

 

CMYK 27 / 0 / 22 / 0

HEX #B9FFC7

RGB 185 255 199

HSL 132, 1%, 0.86%

LAB 94.29, -32.47, 19.93

 

CMYK 42 / 0 / 34 / 24

HEX #70C180

RGB 112 193 128

HSL 131.85, 0.4%, 0.6%

LAB 71.65, -38.71, 25.18

 

CMYK 46 / 0 / 38 / 31

HEX #5FAF6D

RGB 95 175 109

HSL 130.5, 0.33%, 0.53%

LAB 65.12, -38.93, 26.42

 

CMYK 50 / 0 / 43 / 38

HEX #4E9D5A

RGB 78 157 90

HSL 129.11, 0.34%, 0.46%

LAB 58.48, -39.09, 27.75

 

CMYK 56 / 0 / 49 / 45

HEX #3D8B47

RGB 61 139 71

HSL 127.69, 0.39%, 0.39%

LAB 51.74, -39.11, 29.17

 

CMYK 64 / 0 / 57 / 53

HEX #2C7934

RGB 44 121 52

HSL 126.23, 0.47%, 0.32%

LAB 44.88, -38.87, 30.63

 

CMYK 42 / 0 / 34 / 24

HEX #70C180

RGB 112 193 128

HSL 131.85, 0.4%, 0.6%

LAB 71.65, -38.71, 25.18

 

CMYK 39 / 0 / 42 / 24

HEX #76C170

RGB 118 193 112

HSL 115.56, 0.4%, 0.6%

LAB 71.66, -39.46, 33.6

 

CMYK 27 / 0 / 42 / 24

HEX #8CC170

RGB 140 193 112

HSL 99.26, 0.4%, 0.6%

LAB 72.82, -32.08, 35.31

 

CMYK 16 / 0 / 42 / 24

HEX #A2C170

RGB 162 193 112

HSL 82.96, 0.4%, 0.6%

LAB 74.18, -23.99, 37.33

 

CMYK 5 / 0 / 42 / 24

HEX #B8C170

RGB 184 193 112

HSL 66.67, 0.4%, 0.6%

LAB 75.76, -15.41, 39.65

 

CMYK 42 / 0 / 34 / 24

HEX #70C180

RGB 112 193 128

HSL 131.85, 0.4%, 0.6%

LAB 71.65, -38.71, 25.18

 

CMYK 42 / 0 / 22 / 24

HEX #70C196

RGB 112 193 150

HSL 148.15, 0.4%, 0.6%

LAB 72.09, -34.56, 14.01

 

CMYK 42 / 0 / 11 / 24

HEX #70C1AC

RGB 112 193 172

HSL 164.44, 0.4%, 0.6%

LAB 72.6, -29.79, 2.82

 

CMYK 42 / 0 / 0 / 24

HEX #70C1C1

RGB 112 193 193

HSL 180, 0.4%, 0.6%

LAB 73.18, -24.72, -7.77

 

CMYK 42 / 11 / 0 / 24

HEX #70ABC1

RGB 112 171 193

HSL 196.3, 0.4%, 0.6%

LAB 66.84, -13.38, -17.27

 

CMYK 42 / 0 / 34 / 24

HEX #70C180

RGB 112 193 128

HSL 131.85, 0.4%, 0.6%

LAB 71.65, -38.71, 25.18

 

CMYK 55 / 0 / 44 / 18

HEX #5FD276

RGB 95 210 118

HSL 132, 0.56%, 0.6%

LAB 75.97, -52.1, 35.9

 

CMYK 65 / 0 / 52 / 11

HEX #4FE26C

RGB 79 226 108

HSL 131.84, 0.72%, 0.6%

LAB 80.26, -63.03, 46.04

 

CMYK 74 / 0 / 60 / 5

HEX #3EF362

RGB 62 243 98

HSL 131.93, 0.88%, 0.6%

LAB 85, -72.77, 56.1

 

CMYK 42 / 0 / 34 / 24

HEX #70C180

RGB 112 193 128

HSL 131.85, 0.4%, 0.6%

LAB 71.65, -38.71, 25.18

 

CMYK 28 / 0 / 22 / 31

HEX #80B18A

RGB 128 177 138

HSL 132.24, 0.24%, 0.6%

LAB 67.92, -24.32, 14.82

 

CMYK 9 / 0 / 7 / 37

HEX #91A094

RGB 145 160 148

HSL 132, 0.07%, 0.6%

LAB 64.4, -7.68, 4.44

 

CMYK 0 / 11 / 2 / 37

HEX #A1909E

RGB 161 144 158

HSL 310.59, 0.08%, 0.6%

LAB 61.65, 8.9, -5.07

 

CMYK 0 / 29 / 6 / 30

HEX #B27FA8

RGB 178 127 168

HSL 311.76, 0.25%, 0.6%

LAB 59.41, 26.45, -13.95

 

CMYK 27 / 0 / 42 / 24

HEX #8CC170

RGB 140 193 112

HSL 99.26, 0.4%, 0.6%

LAB 72.82, -32.08, 35.31

 

CMYK 39 / 0 / 42 / 24

HEX #76C170

RGB 118 193 112

HSL 115.56, 0.4%, 0.6%

LAB 71.66, -39.46, 33.6

 

CMYK 42 / 0 / 34 / 24

HEX #70C17F

RGB 112 193 127

HSL 131.11, 0.4%, 0.6%

LAB 71.63, -38.89, 25.69

 

CMYK 42 / 0 / 23 / 24

HEX #70C194

RGB 112 193 148

HSL 146.67, 0.4%, 0.6%

LAB 72.04, -34.96, 15.03

 

CMYK 42 / 0 / 12 / 24

HEX #70C1AA

RGB 112 193 170

HSL 162.96, 0.4%, 0.6%

LAB 72.55, -30.24, 3.84

 

CMYK 57 / 0 / 46 / 39

HEX #439C54

RGB 67 156 84

HSL 131.46, 0.4%, 0.44%

LAB 57.67, -42.58, 29.81

 

CMYK 54 / 0 / 44 / 29

HEX #53B566

RGB 83 181 102

HSL 131.63, 0.4%, 0.52%

LAB 66.4, -45.93, 31.69

 

CMYK 42 / 0 / 34 / 24

HEX #70C180

RGB 112 193 128

HSL 131.85, 0.4%, 0.6%

LAB 71.65, -38.71, 25.18

 

CMYK 32 / 0 / 26 / 19

HEX #8DCE99

RGB 141 206 153

HSL 131.08, 0.4%, 0.68%

LAB 77.34, -31.42, 19.94

 

CMYK 22 / 0 / 18 / 15

HEX #A9DAB3

RGB 169 218 179

HSL 132.24, 0.4%, 0.76%

LAB 82.82, -23.5, 14.09

 

CMYK 42 / 0 / 34 / 24

HEX #70C180

RGB 112 193 128

HSL 131.85, 0.4%, 0.6%

LAB 71.65, -38.71, 25.18

 

CMYK 42 / 16 / 0 / 24

HEX #70A2C1

RGB 112 162 193

HSL 202.96, 0.4%, 0.6%

LAB 64.27, -8.51, -21.18

 

CMYK 0 / 42 / 33 / 24

HEX #C17081

RGB 193 112 129

HSL 347.41, 0.4%, 0.6%

LAB 56.6, 34.01, 4.64

 

CMYK 42 / 0 / 34 / 24

HEX #70C180

RGB 112 193 128

HSL 131.85, 0.4%, 0.6%

LAB 71.65, -38.71, 25.18

 

CMYK 34 / 42 / 0 / 24

HEX #7F70C1

RGB 127 112 193

HSL 251.11, 0.4%, 0.6%

LAB 51.78, 24.62, -40.49

 

CMYK 0 / 34 / 42 / 24

HEX #C17F70

RGB 193 127 112

HSL 11.11, 0.4%, 0.6%

LAB 59.6, 23.78, 18.67

 

CMYK 42 / 0 / 34 / 24

HEX #70C180

RGB 112 193 128

HSL 131.85, 0.4%, 0.6%

LAB 71.65, -38.71, 25.18

 

CMYK 42 / 16 / 0 / 24

HEX #70A2C1

RGB 112 162 193

HSL 202.96, 0.4%, 0.6%

LAB 64.27, -8.51, -21.18

 

CMYK 0 / 42 / 8 / 24

HEX #C170B2

RGB 193 112 178

HSL 311.11, 0.4%, 0.6%

LAB 58.17, 41.47, -21.4

 

CMYK 0 / 26 / 42 / 24

HEX #C18F70

RGB 193 143 112

HSL 22.96, 0.4%, 0.6%

LAB 63.47, 14.95, 23.89

 

CMYK 42 / 0 / 34 / 24

HEX #70C180

RGB 112 193 128

HSL 131.85, 0.4%, 0.6%

LAB 71.65, -38.71, 25.18

 

CMYK 42 / 28 / 0 / 24

HEX #708AC1

RGB 112 138 193

HSL 220.74, 0.4%, 0.6%

LAB 57.53, 5.09, -31.56

 

CMYK 0 / 42 / 8 / 24

HEX #C170B2

RGB 193 112 178

HSL 311.11, 0.4%, 0.6%

LAB 58.17, 41.47, -21.4

 

CMYK 0 / 13 / 42 / 24

HEX #C1A770

RGB 193 167 112

HSL 40.74, 0.4%, 0.6%

LAB 69.57, 1.86, 31.92

 

Description

Color code: HEX #70C180 | qconv.com Color code: HEX #70C180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 193 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 193 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 34 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 34% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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