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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70C41C it is the complementary color #8F3BE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70C41C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70C41C shade: #75C417, #86D62A, #97E83D, #A8FA50 and #B9FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70C41C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70C41C shade: #70C41C, #5FB209, #4EA000, #3D8E00 and #2C7C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70C41C shade: #70C41C, #9DC41C, #C4BD1C, #C4901C and #C4621C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70C41C shade: #70C41C, #42C41C, #1CC422, #1CC450 and #1CC47D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70C41C shade matches the following richer shades: #70C41C and #70D609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70C41C shade: #70C41C, #70B22E, #70A040, #708D52 and #707B64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70C41C shade: #C4BE1C, #9DC41C, #70C41C, #43C41C and #1CC421

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70C41C shade: #467C11, #5BA016, #70C41C, #84E029 and #99E54D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70C41C shade: #70C41C, #1CC491 and #C41CB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70C41C shade: #70C41C, #1C70C4 and #C41C70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70C41C shade: #70C41C, #1CC491, #701CC4 and #C41C4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70C41C shade: #70C41C, #1CC4C4, #701CC4 and #C41C1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 86 / 23

HEX #70C41C

RGB 112 196 28

HSL 90, 0.75%, 0.44%

LAB 71.56, -50.23, 67.21

 

Complementary color

CMYK 37 / 74 / 0 / 11

HEX #8F3BE3

RGB 143 59 227

HSL 270, 0.75%, 0.56%

LAB 44.96, 64.93, -70.79

 

CMYK 40 / 0 / 88 / 23

HEX #75C417

RGB 117 196 23

HSL 87.4, 0.79%, 0.43%

LAB 71.77, -48.72, 68.49

 

CMYK 37 / 0 / 80 / 16

HEX #86D62A

RGB 134 214 42

HSL 87.91, 0.68%, 0.5%

LAB 78.07, -49.51, 69.96

 

CMYK 35 / 0 / 74 / 9

HEX #97E83D

RGB 151 232 61

HSL 88.42, 0.79%, 0.57%

LAB 84.29, -50.07, 70.43

 

CMYK 33 / 0 / 68 / 2

HEX #A8FA50

RGB 168 250 80

HSL 88.94, 0.94%, 0.65%

LAB 90.45, -50.46, 70.27

 

CMYK 27 / 0 / 61 / 0

HEX #B9FF63

RGB 185 255 99

HSL 86.92, 1%, 0.69%

LAB 92.9, -45.24, 65.75

 

CMYK 43 / 0 / 86 / 23

HEX #70C41C

RGB 112 196 28

HSL 90, 0.75%, 0.44%

LAB 71.56, -50.23, 67.21

 

CMYK 47 / 0 / 95 / 30

HEX #5FB209

RGB 95 178 9

HSL 89.47, 0.9%, 0.37%

LAB 65.19, -49.21, 64.79

 

CMYK 51 / 0 / 100 / 37

HEX #4EA000

RGB 78 160 0

HSL 90.75, 1%, 0.31%

LAB 58.75, -47.8, 60.58

 

CMYK 57 / 0 / 100 / 44

HEX #3D8E00

RGB 61 142 0

HSL 94.23, 1%, 0.28%

LAB 52.22, -46.04, 55.17

 

CMYK 65 / 0 / 100 / 51

HEX #2C7C00

RGB 44 124 0

HSL 98.71, 1%, 0.24%

LAB 45.57, -44.02, 49.68

 

CMYK 43 / 0 / 86 / 23

HEX #70C41C

RGB 112 196 28

HSL 90, 0.75%, 0.44%

LAB 71.56, -50.23, 67.21

 

CMYK 20 / 0 / 86 / 23

HEX #9DC41C

RGB 157 196 28

HSL 73.93, 0.75%, 0.44%

LAB 74.02, -33.58, 70.28

 

CMYK 0 / 4 / 86 / 23

HEX #C4BD1C

RGB 196 189 28

HSL 57.5, 0.75%, 0.44%

LAB 74.96, -13.75, 72.25

 

CMYK 0 / 27 / 86 / 23

HEX #C4901C

RGB 196 144 28

HSL 41.43, 0.75%, 0.44%

LAB 63.15, 10.08, 62.56

 

CMYK 0 / 50 / 86 / 23

HEX #C4621C

RGB 196 98 28

HSL 25, 0.75%, 0.44%

LAB 52.46, 34.99, 53.69

 

CMYK 43 / 0 / 86 / 23

HEX #70C41C

RGB 112 196 28

HSL 90, 0.75%, 0.44%

LAB 71.56, -50.23, 67.21

 

CMYK 66 / 0 / 86 / 23

HEX #42C41C

RGB 66 196 28

HSL 106.43, 0.75%, 0.44%

LAB 69.98, -62.7, 65.22

 

CMYK 86 / 0 / 83 / 23

HEX #1CC422

RGB 28 196 34

HSL 122.14, 0.75%, 0.44%

LAB 69.36, -68.03, 62.97

 

CMYK 86 / 0 / 59 / 23

HEX #1CC450

RGB 28 196 80

HSL 138.57, 0.75%, 0.44%

LAB 69.69, -63.9, 46.25

 

CMYK 86 / 0 / 36 / 23

HEX #1CC47D

RGB 28 196 125

HSL 154.64, 0.75%, 0.44%

LAB 70.32, -56.39, 24.6

 

CMYK 43 / 0 / 86 / 23

HEX #70C41C

RGB 112 196 28

HSL 90, 0.75%, 0.44%

LAB 71.56, -50.23, 67.21

 

CMYK 48 / 0 / 96 / 16

HEX #70D609

RGB 112 214 9

HSL 89.85, 0.92%, 0.44%

LAB 77.02, -57.58, 74.6

 

CMYK 43 / 0 / 86 / 23

HEX #70C41C

RGB 112 196 28

HSL 90, 0.75%, 0.44%

LAB 71.56, -50.23, 67.21

 

CMYK 37 / 0 / 74 / 30

HEX #70B22E

RGB 112 178 46

HSL 90, 0.59%, 0.44%

LAB 66.12, -41.97, 57.08

 

CMYK 30 / 0 / 60 / 37

HEX #70A040

RGB 112 160 64

HSL 90, 0.43%, 0.44%

LAB 60.74, -32.51, 44

 

CMYK 21 / 0 / 42 / 45

HEX #708D52

RGB 112 141 82

HSL 89.49, 0.26%, 0.44%

LAB 55.18, -21.12, 28.16

 

CMYK 9 / 0 / 19 / 52

HEX #707B64

RGB 112 123 100

HSL 88.7, 0.1%, 0.44%

LAB 50.13, -8.61, 11.22

 

CMYK 0 / 3 / 86 / 23

HEX #C4BE1C

RGB 196 190 28

HSL 57.86, 0.75%, 0.44%

LAB 75.23, -14.26, 72.47

 

CMYK 20 / 0 / 86 / 23

HEX #9DC41C

RGB 157 196 28

HSL 73.93, 0.75%, 0.44%

LAB 74.02, -33.58, 70.28

 

CMYK 43 / 0 / 86 / 23

HEX #70C41C

RGB 112 196 28

HSL 90, 0.75%, 0.44%

LAB 71.56, -50.23, 67.21

 

CMYK 66 / 0 / 86 / 23

HEX #43C41C

RGB 67 196 28

HSL 106.07, 0.75%, 0.44%

LAB 70.01, -62.49, 65.25

 

CMYK 86 / 0 / 83 / 23

HEX #1CC421

RGB 28 196 33

HSL 121.79, 0.75%, 0.44%

LAB 69.35, -68.08, 63.23

 

CMYK 44 / 0 / 86 / 51

HEX #467C11

RGB 70 124 17

HSL 90.28, 0.76%, 0.28%

LAB 46.66, -35.33, 47.26

 

CMYK 43 / 0 / 86 / 37

HEX #5BA016

RGB 91 160 22

HSL 90, 0.76%, 0.36%

LAB 59.36, -42.97, 57.59

 

CMYK 43 / 0 / 86 / 23

HEX #70C41C

RGB 112 196 28

HSL 90, 0.75%, 0.44%

LAB 71.56, -50.23, 67.21

 

CMYK 41 / 0 / 82 / 12

HEX #84E029

RGB 132 224 41

HSL 90.16, 0.75%, 0.52%

LAB 80.95, -54.21, 72.78

 

CMYK 33 / 0 / 66 / 10

HEX #99E54D

RGB 153 229 77

HSL 90, 0.75%, 0.6%

LAB 83.62, -47.09, 64.05

 

CMYK 43 / 0 / 86 / 23

HEX #70C41C

RGB 112 196 28

HSL 90, 0.75%, 0.44%

LAB 71.56, -50.23, 67.21

 

CMYK 86 / 0 / 26 / 23

HEX #1CC491

RGB 28 196 145

HSL 161.79, 0.75%, 0.44%

LAB 70.71, -52, 14.47

 

CMYK 0 / 86 / 9 / 23

HEX #C41CB3

RGB 196 28 179

HSL 306.07, 0.75%, 0.44%

LAB 46.74, 74.92, -39.75

 

CMYK 43 / 0 / 86 / 23

HEX #70C41C

RGB 112 196 28

HSL 90, 0.75%, 0.44%

LAB 71.56, -50.23, 67.21

 

CMYK 86 / 43 / 0 / 23

HEX #1C70C4

RGB 28 112 196

HSL 210, 0.75%, 0.44%

LAB 46.74, 7.01, -50.55

 

CMYK 0 / 86 / 43 / 23

HEX #C41C70

RGB 196 28 112

HSL 330, 0.75%, 0.44%

LAB 43.85, 67.03, -3.66

 

CMYK 43 / 0 / 86 / 23

HEX #70C41C

RGB 112 196 28

HSL 90, 0.75%, 0.44%

LAB 71.56, -50.23, 67.21

 

CMYK 86 / 0 / 26 / 23

HEX #1CC491

RGB 28 196 145

HSL 161.79, 0.75%, 0.44%

LAB 70.71, -52, 14.47

 

CMYK 43 / 86 / 0 / 23

HEX #701CC4

RGB 112 28 196

HSL 270, 0.75%, 0.44%

LAB 34.52, 64.29, -70.14

 

CMYK 0 / 86 / 60 / 23

HEX #C41C4E

RGB 196 28 78

HSL 342.14, 0.75%, 0.44%

LAB 42.94, 64.41, 16.32

 

CMYK 43 / 0 / 86 / 23

HEX #70C41C

RGB 112 196 28

HSL 90, 0.75%, 0.44%

LAB 71.56, -50.23, 67.21

 

CMYK 86 / 0 / 0 / 23

HEX #1CC4C4

RGB 28 196 196

HSL 180, 0.75%, 0.44%

LAB 72.04, -38.34, -11.33

 

CMYK 43 / 86 / 0 / 23

HEX #701CC4

RGB 112 28 196

HSL 270, 0.75%, 0.44%

LAB 34.52, 64.29, -70.14

 

CMYK 0 / 86 / 86 / 23

HEX #C41C1C

RGB 196 28 28

HSL 0, 0.75%, 0.44%

LAB 42.23, 62.33, 45.05

 

Description

Color code: HEX #70C41C | qconv.com Color code: HEX #70C41C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 196 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 196 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 86 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 86% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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